Photokina 2010 Large Format Bodies For
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The Eyes Have It
John Henshall’s Chip Shop The Eyes Have It At Photokina, Cologne, and Photo Plus Expo, New York, John Henshall finds that medium format digital is not only alive and kicking but flourishing in the maturing digital marketplace. hen Canon introduced its EOS 1Ds Mark II DSLR at Photokina in 2004 it looked W as though the writing might be on the wall for the medium format back manufacturers. The EOS 1Ds Mark II has 16.7 million pixels on a full-frame (24 x 36mm) sensor which produces 47.6MB files of 4992 x 3328 pixels. Those are enough for a 25 x 16.6 inch (63.4 x 42.3cm) print at 200 pixels per inch or a 16.6 x 11 inch (42.2 x 28.2cm) print at 300ppi. Two years on, it seemed the time might be right for Canon to introduce the successor to the 1Ds Mark II at Photokina 2006 . Rumours abounded. Would it be in a body similar to the EOS 5D, with a similar interface, developed from the one button accessibility of the EOS 20D? Would it employ a 22 megapixel sensor – a 24 megapixel sensor – or even a ABOVE LEFT: Martin Parr gave a very witty two-hour square sensor? presentation about his work to an audience of about A square sensor in a 35mm-style 400 – mainly American photographers – all of whom DSLR body? This is not as strange a seemed to have no problem understanding Martin’s dry English humour. Maybe we have Ricky Gervais notion as it might at first seem seem. -
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer. -
ALPA of Switzerland - Manufacturers of Remarkable Cameras P G
ALPA of Switzerland - Manufacturers of remarkable cameras p g MENU SELECT FILTER PHOTOKINA 2016 - SPECIAL SITE Here you will find all additional information regarding ALPA's presence at Photokina 2016, taking place 20 - 25 September in Cologne. ALPA will show solutions with the... - Hasselblad Multishot digital back - Phase One IQ3 100 MP, the IQ350 and the Achromatic - all new Sinarback S 30|45 You will find ALPA at stand B021 in hall 2.1 - Download Floor Plan Photokina 2016 http://www.alpa.ch/en/site/photokina-2016-en[26.11.20, 09:37:04] ALPA of Switzerland - Manufacturers of remarkable cameras PHOTOKINA 2016 - PRESS RELEASES ARCHIVE PRESS RELEASE PACKAGES (ZIP) August 19, 2016 - ALPA Releases Additional Products for Still and Movie Photography August 25, 2016 - ALPA 70 & Years Anniversary: ALPA launches ALPA Anniversary Edition Set August 31, 2016 - Hasselblad and ALPA Sharing Expertise September 16, 2016 - ALPA introduces new control devices - ALPA SILEX, ALPA eShutter Support Sinarback S 30|45 September 17, 2016 - ALPA modularizes bellow and tripod head - ALPA SERPENT and ALPA GON PHOTOKINA 2016: ALPA SILEX - THE NEW SWISS KNIFE ALPA's credo was and is to offer their users the outmost modularity, flexibility and protection http://www.alpa.ch/en/site/photokina-2016-en[26.11.20, 09:37:04] ALPA of Switzerland - Manufacturers of remarkable cameras of their investment. ALPA is pleased to announce in its anniversary year a number of future- oriented products for existing and new customers. ALPA aims to provide highly tailor-made photographic equipment. With 18 new products for this Photokina ALPA is underpinning this claim. -
Carl Zeiss Oberkochen Large Format Lenses 1950-1972
Large format lenses from Carl Zeiss Oberkochen 1950-1972 © 2013-2019 Arne Cröll – All Rights Reserved (this version is from October 4, 2019) Carl Zeiss Jena and Carl Zeiss Oberkochen Before and during WWII, the Carl Zeiss company in Jena was one of the largest optics manufacturers in Germany. They produced a variety of lenses suitable for large format (LF) photography, including the well- known Tessars and Protars in several series, but also process lenses and aerial lenses. The Zeiss-Ikon sister company in Dresden manufactured a range of large format cameras, such as the Zeiss “Ideal”, “Maximar”, Tropen-Adoro”, and “Juwel” (Jewel); the latter camera, in the 3¼” x 4¼” size, was used by Ansel Adams for some time. At the end of World War II, the German state of Thuringia, where Jena is located, was under the control of British and American troops. However, the Yalta Conference agreement placed it under Soviet control shortly thereafter. Just before the US command handed the administration of Thuringia over to the Soviet Army, American troops moved a considerable part of the leading management and research staff of Carl Zeiss Jena and the sister company Schott glass to Heidenheim near Stuttgart, 126 people in all [1]. They immediately started to look for a suitable place for a new factory and found it in the small town of Oberkochen, just 20km from Heidenheim. This led to the foundation of the company “Opton Optische Werke” in Oberkochen, West Germany, on Oct. 30, 1946, initially as a full subsidiary of the original factory in Jena. -
Actus-G Compact View Camera
Actus-G Compact View Camera INSTRUCTION MANUAL EN Please read this manual carefully before using the Cambo Actus-G! Version 2.0 2 Index: 1. Key Features Actus ..................................................................... 4 2. Warnings .................................................................................... 5 3. Cambo AC-78E Bayonet holder installation .................................. 8 4. Camera mount installation ......................................................... 9 5. Mounting the lens-panel ........................................................... 10 6. Mounting the bellows ............................................................... 11 7. Mounting the camera ............................................................... 12 8. Change the orientation of the camera; ...................................... 14 9. Using the Actus ........................................................................ 15 10. Setting the optional infinity hard-stop ....................................... 15 11. Extend the focus range (+45mm) ............................................... 15 12. Changing the rail ...................................................................... 16 13. Cambo ACDB SLW-adapter holders For Digital Backs ................. 17 14. Actus-G accessories .................................................................. 18 3 Thank you for purchasing a Cambo product The Actus-G is a compact view camera system featuring lateral and vertical shift of the rear standard as well as a swing and tilt movement -
Large Format View Camera a Creative Tool with Limitless Potential
Section3b LargeFormat – View Arca Swiss . 158-169 Horseman . .170-179 Linhof . 180-197 Sinar . .198-217 Toyo . 218-228 ARCA SWISS DISCOVERY 4x5 SYSTEM Arca Swiss cameras are more than the sum of their parts. Each and every model gives you an entry into the Arca system, allowing you access to the most complete line of professional accessories available. Designed by working photographers, this modular system allows you to add components as needed, giving you the freedom to purchase what you need when you need it. In addition, Arca Swiss cameras are ergonomically designed, allowing the photog- VIEW CAMERAS rapher to control perspective and depth-of-field accurately. And Arca has devised a fail-safe (and foolproof) system for Arca Swiss attaching the lensboard bellows and camera back. Discovery The affordable Arca Discovery is an economical introduction to the Arca Swiss system. In spite of its 158 low cost, the light-weight Discovery shares many of the unique features that Arca cameras are renowned for (plus a few of its own). The Discovery is also compatible with most Arca system accessories, such as rails, viewers, hoods, masks, rollfilm holders and more. FEATURES ■ Precision micro gear ■ Made of lightweight Arca Swiss 4x5 Discovery Camera (0210445) focusing metal alloys Consists of: 30cm monorail (041130), monorail attachment piece 3/8˝, Function Carrier Front ■ Superfluous refocusing ■ Precision Swiss construction (Discovery), Function Carrier Back (Discovery), after parallel displacements Format Frame Front (Discovery), Format Frame ■ Includes Rucksack case Back (Discovery), standard 38cm bellows ■ Yaw-free movements (72040), film and groundglass holder 4x5, 1 3 ■ Built-in ⁄4 and ⁄8 fresnel lens and Arca Swiss nylon backpack. -
Lens Mount and Flange Focal Distance
This is a page of data on the lens flange distance and image coverage of various stills and movie lens systems. It aims to provide information on the viability of adapting lenses from one system to another. Video/Movie format-lens coverage: [caveat: While you might suppose lenses made for a particular camera or gate/sensor size might be optimised for that system (ie so the circle of cover fits the gate, maximising the effective aperture and sharpness, and minimising light spill and lack of contrast... however it seems to be seldom the case, as lots of other factors contribute to lens design (to the point when sometimes a lens for one system is simply sold as suitable for another (eg large format lenses with M42 mounts for SLR's! and SLR lenses for half frame). Specialist lenses (most movie and specifically professional movie lenses) however do seem to adhere to good design practice, but what is optimal at any point in time has varied with film stocks and aspect ratios! ] 1932: 8mm picture area is 4.8×3.5mm (approx 4.5x3.3mm useable), aspect ratio close to 1.33 and image circle of ø5.94mm. 1965: super8 picture area is 5.79×4.01mm, aspect ratio close to 1.44 and image circle of ø7.043mm. 2011: Ultra Pan8 picture area is 10.52×3.75mm, aspect ratio 2.8 and image circle of ø11.2mm (minimum). 1923: standard 16mm picture area is 10.26×7.49mm, aspect ratio close to 1.37 and image circle of ø12.7mm. -
The Digital Image
Digital Photography The Digital Image The change from chemical to digital imag- • Digital backs with a camera scanner: • The Sinarcam 2 with the Sinarback Digi- ing in professional photography took place These scanners have three tightly aligned tal Back can be used as a compact studio quicker than originally imagined: The im- CCD arrays for the basic colors red, green camera and it can also be used in con- age is recorded with a digital storage medi- and blue, so that only one scanning pass junction with the Sinar p2 (Sinar x) view um and fed directly into a computer for fur- is required per exposure. Scanning takes a cameras. These combinations produce ther manipulation. Even though digital few minutes, therefore only continuous light high-quality color photographs of static imaging technology is unlikely to replace can be used, such as halogen light, cali- subjects (4-shot) and also of dynamic sub- film for very high resolution photography brated fluorescent light with daylight color jects (1-shot). completely, today it is established in practi- balance or HMI light. cally all segments of photography, including • The Sinarcam 1 with the Leaf Volare or still life photography, catalog- and fashion For professional imaging, the following the Leaf DCB-LV digital back can also be photography. Even with moving subjects computer requirements apply: Apple Mac- used as a compact studio camera and it there are no limitations anymore. intosh Power PC with OS 8.5 or higher, at can also be used in combination with the least 256 MB RAM, graphic card with at Sinar p2 camera system. -
Sinar P-Slr Creative Freedom for 35 Mm Photography Sinar P SLR Professional Tool for 35 Mm Photographers
Sinar p-slr Creative freedom for 35 mm photography Sinar p SLR Professional tool for 35 mm photographers The Sinar p SLR was developed especially for photographers who wish to Centering Aid avail themselves of the unique advantages and quality characteristics of a Sinar view camera while using their digital single lens refl ex cameras. Exact control of the perspective and selective sharpness – the most impor- tant creative tools in photography – can be set and evaluated precisely on a view camera. All these advantages now have also become available to users of 35 mm cameras. This well thought-out solution is further enhan- ced by the signifi cant increase in quality provided by the use of high reso- lution lenses developed by Rodenstock especially for digital photography. Professionalism in the details The Sinar p SLR can be used with all digital single lens refl ex cameras that are currently available on the market. Thanks to the quick clamping adapter that is included with the set, the change from vertical to horizontal format can be performed with effortless ease within seconds. When the single lens refl ex cameras is connected directly to the camera via USB or FireWire, the integrated strain relief provides safety while working and protection of the USB / FireWire socket on the camera. A positioning and centering aid serves for the exact positioning of the digital single lens refl ex camera on the optical axis. This ensures that the sensor of the digital camera is positioned per- fectly in both the vertical as well as the horizontal format setting. -
Visual Communications Journal
Visual CommunicationsSpring 2017, Volume 53, Number 1 Journal Medium Format Cameras for Digital Photography CHRIS J. LANTZ, Ph.D. Volume 53 Number 1 SPRING 2017 Acknowledgements President – Mike Stinnett Royal Oak High School (Ret.) Editor 21800 Morley Ave. Apt 517 Dan Wilson, Illinois State University Dearborn, MI 48124 (313) 605-5904 Editorial Review Board [email protected] Cynthia Carlton-Thompson, North Carolina A&T State University President-Elect – Malcolm Keif Bob Chung, Rochester Institute of Technology Cal Poly University Christopher Lantz, Western Illinois University Graphic Communications Devang Mehta, North Carolina A&T State University San Luis Obispo, CA 93407 Tom Schildgen, Arizona State University 805-756-2500 Mark Snyder, Millersville University [email protected] James Tenorio, University of Wisconsin–Stout First Vice-President (Publications) Renmei Xu, Ball State University Gabe Grant Cover Design Eastern Illinois University School of Technology Ben Alberti, Western Technical College 600 Lincoln Avenue Instructor, Barbara Fischer Charleston, IL 61920 (217) 581-3372 Page Design, Layout, and Prepress [email protected] Janet Oglesby and Can Le Second Vice-President (Membership) Can Le Printing, Bindery, and Distribution University of Houston Harold Halliday, University of Houston 312 Technology Bldg. University of Houston Printing and Postal Services Houston, TX 77204-4023 (713) 743-4082 About the Journal [email protected] TheVisual Communications Journal serves as the official journal of the Graphic Secretary – Laura Roberts Communications Education Association, and provides a professional Mattoon High School communicative link for educators and industry personnel associated with 2521 Walnut Avenue design, presentation, management, and reproduction of graphic forms of Mattoon, IL 61938 communication. Manuscripts submitted for publication are subject to peer (217) 238-7785 review. -
Sinar Catalogue 2015
image2output Limited: Unit 19, io Centre, Hearle Way, Hatfield Business Park, Hatfield, Herts, AL10 9EW Sinar Catalogue 2015 Sinar Photography AG Farbhofstrasse 21 CH – 8048 Zurich / Switzerland www.image2output.com Tel: +44 (0)1707 282 710 [email protected] image2output Limited: Unit 19, io Centre, Hearle Way, Hatfield Business Park, Hatfield, Herts, AL10 9EW Sinar View Cameras for Studio Photography Content Sinar Product Catalogue Sinar View Cameras for Studio Photography ...................................................................................................................................................................................................................................... 2 Sinar p3-df View Camera Systems ..................................................................................................................................................................................................................................................... 2 Sinar p3-df........................................................................................................................................................................................................................................................................................... 2 Sinar p3-df SL .................................................................................................................................................................................................................................................................................... -
Die ALPA-12-Plattform
1 Die ALPA-12-Plattform ALPA ist weit mehr als eine Kamera. ALPA ist eine modulare Plattform, bestehend aus sechs Kameramodellen und einem umfangreichen Zubehör- programm mit zahlreichen Objektiven, Suchern, Rollfilmrückteilen bis 6x9 und Adaptern für alle gebräuchlichen Anschlüsse von Digitalbacks. 4.5/35 mm: 160’028’060 5.6/36 mm: 160’028’030 4.5/45 mm: 160’028’070 Rodenstock Rodenstock 23 mm 40 mm 5.6/23 mm: 160’010’880 5.6/24 mm: 160’025’020 4.5/28 mm: 160’010’890 5.6/35 mm: 160’025’072 4.0/35 mm: 160’010’900 5.6/38 mm: 160’020’040 4.0/40 mm: 160’010’540 5.6/47 mm: 160’025’079 5.6/47 mm: 160’020’050 introduction 2008/2009 dec: 160’020’042 introduction 2008/2009 dec: 160’025’078 5.6/70 mm: 160’010’360 5.6/72 mm: 160’025’082 4.0/80 mm: 160’025’085 4.5/80 mm: 160’020’095 4.5/90 mm: 160’025’090 5.6/100 mm: 160’025’100 4.0/100 mm: 160’010’905 “Short Barrel”: 160’025’086 “Short Barrel”: 160’020’096 “Short Barrel”: 160’025’091 “Short Barrel”: 160’025’101 Hasselblad digital backs Leaf digital backs Phase One digital backs Sinar digital backs ALPA/Mamiya 6x9 ALPA/Linhof 6x6 ALPA/Linhof 6x7 ALPA/Linhof 6x9 220’010’010 220’010’040 220’010’050 220’010’060 fingergrip TC rot. handgrip TC/MAX/XY rot. handgrip TC/MAX/XY wake-up handgrip Phase One upgrade handgrip WA/SWA handgrips MAX, pair handgrips MAX, pair handgrip MAX, right handgrip MAX, left 040’090’010 / 020 040’110’010 / 020 040’110’012 / 022 040’080’030 / 031 040’080’032 040’700’010 040’700’020 040’700’030 040’700’040 ALPA viewfinder standard viewfinder mask mask with shift markings custom-made