DOCSLIB.ORG

Linhof Universaladapter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Linhof Universaladapter UNIVERSAL-ADAPTERSYSTEM Für Aufnahmen mit Film: Mattscheibe 53,9 x40,4 PhaseOne P65+ (021845-S) Mattscheibe 6x6 (021834-S) Mattscheibe 56x36 / 71x56 Leaf AFi 10 (021846-S) Mattscheibe 6x7 (021835-S) Mattscheibe 33x44 (021841-S) Mattscheibe 6x8 (021836-S) Mattscheibe 37x3 7 / 37x71 (021838-S) Mattscheibe 6x9 (021842-S) Mattscheiben mit integrierter Fresnelscheibe: Mattscheibe Format 49x37 (021850-S) Mattscheibe 37x4 9 / 49x71 Mattscheibe Format 53,9x40,4 (021851-S) Universal-Wechselschlitten Mattscheibe 3x3 (021840-S) (021833-S) Mattscheibe Format 56x36 (021852-S) M 679 (002766-S) Mattscheibe 24x3 6 / 36x63 Universal-Wechselschlitten (021837-S) kurz ( 002767-S) Universal-Adapter für Kamera-Adapterplatten (001697) Adapterplatte für Contax 645 (001703) Adapterplatte für Mamiya 645 AF/AFD (001702) Adapterplatte für Adapterplatte für Hasselblad V Hasselblad H (001701) (001700) Kompatibilität zu digitalen Rückteilen Hasselblad H, Mamiya 645 AF/AFD oder CHIPGR ÖSSE 53,9x40,4 mm bietet das Linhof M 679 Adapter- Contax 645 – verbinden Digital-Rückteil für Phase One P65+ mit Mattscheibe system: So können Digitalrückteile und Wechselschlitten durch Sicherheits- 021845-S. mit unterschiedlichen Mittelformat- verriegelung. kamera-Adaptionen an der Linhof NEU: MATTSCHEIBE MIT M 679cs und der Linhof Techno für CHIPGR ÖSSE 37 x37 mm INTEGRIERTER FRESNELSCHEIBE Fachaufnahmen eingesetzt werden. Für die Chipformate 37x37 und 37x49 FÜR CHIPGRÖSSE 49 x37, 53,9 x40,4 mm ist der Universal-Wechselschlitten UND 56 x36 mm EINSTELLUNG ÜBER MONITOR 002766-S ausgelegt. Beim Chipformat Diese Mattscheiben zeichnen sich durch Bei Monitoreinstellung kommt der 37x37 mm mit Mattscheibe 021838-S extreme Feinkörnigkeit aus und bieten Universal-Adapter 001697-S an der ergibt stitching (2 überlappende Aufnah- ein helles Mattscheibenbild dank der Linhof M 679cs und der Linhof Techno men) das Gesamtformat von 37x71 mm. integrierten Fresnelscheibe. zum Einsatz. Über die speziellen Mattscheiben-Einzeichnungen für Format Adapterplatten können die Digitalbacks, CHIPGR ÖSSE 37 x49 mm 49x37 (021850-S), 53,9x40,4 (021851-S) die für Hasselblad V und H, Mamiya 645 Hier wird ebenfalls der Universal-Wech- und 56x36 mm (021852-S) stehen zur AF/AFD bzw. Contax 645 adaptiert sind, selschlitten 002766-S benötigt, komplet - Verfügung. angesetzt werden. tiert mit Mattscheibe 021840-S. Mit 2 Belichtungen wird das Format ANSCHLUSS AN 4 x5” KAMERAS EINSTELLUNG ÜBER MATTSCHEIBE 49x71 mm erfasst. Der Universal-Adapter 001697 sowie Für digitale Fachaufnahmen mit Matt- der Universal-Wechselschlitten können scheibenkontrolle empfiehlt sich ein CHIPGR ÖSSE 56x36 mm an 9x1 2 / 4x5 Kameras (Linhof Kardan, Wechselschlitten, der als Universal- für Leaf AFi mit Mattscheibe 021846-S. Sinar, Horseman, Cambo) angesetzt Wechselschlitten mit zusätzlichen Mit 2 Belichtungen wird das Format werden. Dazu dienen die entsprechen - Adapterplatten angeboten wird. Dem 71x56 mm erfasst. den Linhof Adapter 001101, 001102, Anschluss des Digitalbacks entsprech- 001103, die die Kompatibilität zum ende Adapterplatten – Hasselblad V, Linhof M 679 System gewährleisten. LINHOF PRÄZISION S - SYSTEMTECHNIK GMBH • 81379 MÜNCHEN • TEL . +49 .89 72 49 2 -0 • FAX +49 .89 72 49 2 -250 • [email protected] • www.linhof.de UNIVERSAL ADAPTER SYSTEM For Shooting with Film: Groundglass 53,9 x40,4 PhaseOne P65+ (021845-S) Groundglass 6x6 (021834-S) Groundglass 56x36 / 71x56 Leaf AFi 10 (021846-S) Groundglass 6x7 (021835-S) Groundglass 37x3 7 / Groundglass 33x44 (021841-S) Groundglass 6x8 (021836-S) 37x71 (021838-S) Groundglass 6x9 (021842-S) Groundglass with integrated Fresnel Screen: Groundglass 37x4 9 / Groundglass 49x37 (021850-S) Groundglass 3x3 (021833-S) 49x71 (021840-S) Groundglass 53,9x40,4 (021851-S) Universal Rapid Change Adapter Groundglass 56x36 (021852-S) Groundglass 24x3 6 / 36x63 Slide M 679 (002766-S) (021837-S) Universal Rapid Change Adapter Slide, short (002767-S) Universal Adapter for Camera- Adapter Boards (001697) Adapter Board for Contax 645 (001703) Adapter Board for Mamiya 645 AF/AFD (001702) Adapter Board for Adapter Board for Hasselblad H-System Hasselblad (001700) (001701) The Linhof M 679 Universal Adapter a safety locking system with either CHIP SIZE 53,9x40,4 mm System offers even more compatability Hasselblad H, Hasselblad V, Mamiya for Phase One P65+ with groundglass to digital backs: Digital backs adapted to 645 AF/AFD or Contax 645. 021845-S. different medium format cameras can be combined with the ingenious view CHIP SIZE 37x37 mm NEW: GROUNDGLASS WITH camera system Linhof M 679cs and For larger chip formats of 37x37 mm and INTEGRATED FRESNEL SCREEN Linhof Techno. 37x49 mm the Universal Adapter Slide FOR CHIP SIZE 49 x37, 53,9 x40,4 code 002766-S is available. AND 56 x36 mm VIEWING VIA MONITOR Chip format 37x37 mm with groundglass Thanks to the integrated Fresnel Screen When controlling via monitor the code 021838-S can be enlarged by stit - the new Groundglasses are extreme fine Universal Adapter code 001697 with ching (2 exposures) reaching a total for - and allow easier composition and focu - additional Adapter plates for Hasselblad mat of 37x71 mm. sing even with extremely short focal V, H-System, Mamiya 645 AF/AFD or lengths (code 021850-S, code 021851-S, Contax 645 will be required. CHIP SIZE 37x49 mm code 021852-S). Also here the Universal Adapter Slide VIEWING VIA GROUNDGLASS code 002766-S is needed in combination TO USE WITH 4x5” CAMERA S For digital photography with professional with groundglass code 021840-S. The Universal Adapter (001697) as well displacements via groundglass control Exposure area can be enlarged by stit - as the Universal Rapid Change Adapter we recommend the Linhof Universal ching. By two exposures the area will Slide (002766-S) can be attached to Rapid Change Adapter Slide with addi - reach 49x71 mm. 9x1 2 / 4x5 view cameras such as Linhof tional Adapter plates. This slide permits Kardan, Sinar, Horseman and Cambo. the quick and easy move from composi - CHIP SIZE 56x36 mm The Linhof Adapters (001101, 001102 tion to exposure. for Leaf AFi with Universal Adapter Slide and 001103) for different Linhof and The digital back and the Universal code 002766-S and groundglass non-Linhof cameras offer compatibility Adapter Slide with corresponding 021846-S. By two exposures the area to M 679 and Techno System. Adapter plate are perfectly linked by will reach 71x56 mm. LINHOF PRÄZISION S - SYSTEMTECHNIK GMBH • 81379 MÜNCHEN • TEL . +49 .89 72 49 2 -0 • FAX +49 .89 72 49 2 -250 • [email protected] • www.linhof.de.
Load more

Recommended publications
  • The Eyes Have It
    John Henshall’s Chip Shop The Eyes Have It At Photokina, Cologne, and Photo Plus Expo, New York, John Henshall finds that medium format digital is not only alive and kicking but flourishing in the maturing digital marketplace. hen Canon introduced its EOS 1Ds Mark II DSLR at Photokina in 2004 it looked W as though the writing might be on the wall for the medium format back manufacturers. The EOS 1Ds Mark II has 16.7 million pixels on a full-frame (24 x 36mm) sensor which produces 47.6MB files of 4992 x 3328 pixels. Those are enough for a 25 x 16.6 inch (63.4 x 42.3cm) print at 200 pixels per inch or a 16.6 x 11 inch (42.2 x 28.2cm) print at 300ppi. Two years on, it seemed the time might be right for Canon to introduce the successor to the 1Ds Mark II at Photokina 2006 . Rumours abounded. Would it be in a body similar to the EOS 5D, with a similar interface, developed from the one button accessibility of the EOS 20D? Would it employ a 22 megapixel sensor – a 24 megapixel sensor – or even a ABOVE LEFT: Martin Parr gave a very witty two-hour square sensor? presentation about his work to an audience of about A square sensor in a 35mm-style 400 – mainly American photographers – all of whom DSLR body? This is not as strange a seemed to have no problem understanding Martin’s dry English humour. Maybe we have Ricky Gervais notion as it might at first seem seem.
    [Show full text]
  • User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S
    User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S Introduction 3 5 MENU—ISO, White balance, Media, Browse 31 1 General overview 6 Menu system overview 31 Parts, components and control panel 8 Navigating the menu system 31 Initial setup 10 Language choice 33 Shooting and storage modes 11 ISO 33 White balance 34 2 Initial General Settings 14 Media 34 Overview of menu structure 15 Browse 35 Setting the menu language 17 6 MENU—Storage 36 Delete 37 3 Storage overview – Format 42 working with media and batches 18 Copy 42 Batc hes 18 Batch 43 Navigating media and batches 18 Default Approval Level 44 Creating new batches 20 Using Instant Approval Architecture 21 7 MENU—Settings 45 Reading and changing approval status 22 User Interface 46 Browsing by approval status 22 Camera 48 Deleting by approval status 23 Capture sequence 50 Connectivity 51 4 Overview of viewing, deleting Setting exposure time/sequence 54 and copying images 24 Miscellaneous 56 Basic image browsing 24 About 57 Choosing the current batch 24 Default 58 Browsing by approval status 24 Zooming in and out 24 8 Multishot 59 Zooming in for more detail 25 Thumbnail views 25 General 59 Preview modes 26 Histogram 27 9 Flash/Strobe 60 Underexposure 27 General 60 Even exposure 27 TTL 60 Overexposure 27 Full-details 27 10 Cleaning 61 Battery saver mode 28 Full-screen mode 28 11 Equipment care, service, Overexposure indicator 28 technical spec. 63 Deleting images 29 General 63 Transferring images 29 Technical specifications 64 Inset photo on cover: © Francis Hills/www.figjamstudios.com.Not all the images in this manual were taken with a Hasselblad CF.
    [Show full text]
  • Library of Congress Classification
    T TECHNOLOGY (GENERAL) T Technology (General) Periodicals and societies. By language of publication 1 English 2 French 3 German 4 Other languages (not A-Z) (5) Yearbooks see T1+ 6 Congresses Industrial museums, etc. see T179+ International exhibitions see T391+ 7 Collected works (nonserial) 8 Symbols and abbreviations Dictionaries and encyclopedias 9 General works 10 Bilingual and polyglot Communication of technical information 10.5 General works Information centers 10.6 General works Special countries United States 10.63.A1 General works 10.63.A2-Z By region or state, A-Z 10.65.A-Z Other countries, A-Z 10.68 Risk communication 10.7 Technical literature 10.8 Abstracting and indexing Language. Technical writing Cf. QA42 Mathematical language. Mathematical authorship 11 General works 11.3 Technical correspondence 11.4 Technical editing 11.5 Translating 11.8 Technical illustration Cf. Q222 Scientific illustration Cf. T351+ Mechanical drawing 11.9 Technical archives Industrial directories 11.95 General works By region or country United States 12 General works 12.3.A-Z By region or state, A-Z Subarrange each country by Table T4a 12.5.A-Z Other regions or countries, A-Z Subarrange each country by Table T4a 13 General catalogs. Miscellaneous supplies 14 Philosophy. Theory. Classification. Methodology Cf. CB478 Technology and civilization 14.5 Social aspects Class here works that discuss the impact of technology on modern society For works on the role of technology in the history and development of civilization see CB478 Cf. HM846+ Technology as a cause of social change History Including the history of inventions 14.7 Periodicals, societies, serials, etc.
    [Show full text]
  • Hugostudio List of Available Camera Covers
    Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII
    [Show full text]
  • Large Format View Camera a Creative Tool with Limitless Potential
    Section3b LargeFormat – View Arca Swiss . 158-169 Horseman . .170-179 Linhof . 180-197 Sinar . .198-217 Toyo . 218-228 ARCA SWISS DISCOVERY 4x5 SYSTEM Arca Swiss cameras are more than the sum of their parts. Each and every model gives you an entry into the Arca system, allowing you access to the most complete line of professional accessories available. Designed by working photographers, this modular system allows you to add components as needed, giving you the freedom to purchase what you need when you need it. In addition, Arca Swiss cameras are ergonomically designed, allowing the photog- VIEW CAMERAS rapher to control perspective and depth-of-field accurately. And Arca has devised a fail-safe (and foolproof) system for Arca Swiss attaching the lensboard bellows and camera back. Discovery The affordable Arca Discovery is an economical introduction to the Arca Swiss system. In spite of its 158 low cost, the light-weight Discovery shares many of the unique features that Arca cameras are renowned for (plus a few of its own). The Discovery is also compatible with most Arca system accessories, such as rails, viewers, hoods, masks, rollfilm holders and more. FEATURES ■ Precision micro gear ■ Made of lightweight Arca Swiss 4x5 Discovery Camera (0210445) focusing metal alloys Consists of: 30cm monorail (041130), monorail attachment piece 3/8˝, Function Carrier Front ■ Superfluous refocusing ■ Precision Swiss construction (Discovery), Function Carrier Back (Discovery), after parallel displacements Format Frame Front (Discovery), Format Frame ■ Includes Rucksack case Back (Discovery), standard 38cm bellows ■ Yaw-free movements (72040), film and groundglass holder 4x5, 1 3 ■ Built-in ⁄4 and ⁄8 fresnel lens and Arca Swiss nylon backpack.
    [Show full text]
  • The Digital Image
    Digital Photography The Digital Image The change from chemical to digital imag- • Digital backs with a camera scanner: • The Sinarcam 2 with the Sinarback Digi- ing in professional photography took place These scanners have three tightly aligned tal Back can be used as a compact studio quicker than originally imagined: The im- CCD arrays for the basic colors red, green camera and it can also be used in con- age is recorded with a digital storage medi- and blue, so that only one scanning pass junction with the Sinar p2 (Sinar x) view um and fed directly into a computer for fur- is required per exposure. Scanning takes a cameras. These combinations produce ther manipulation. Even though digital few minutes, therefore only continuous light high-quality color photographs of static imaging technology is unlikely to replace can be used, such as halogen light, cali- subjects (4-shot) and also of dynamic sub- film for very high resolution photography brated fluorescent light with daylight color jects (1-shot). completely, today it is established in practi- balance or HMI light. cally all segments of photography, including • The Sinarcam 1 with the Leaf Volare or still life photography, catalog- and fashion For professional imaging, the following the Leaf DCB-LV digital back can also be photography. Even with moving subjects computer requirements apply: Apple Mac- used as a compact studio camera and it there are no limitations anymore. intosh Power PC with OS 8.5 or higher, at can also be used in combination with the least 256 MB RAM, graphic card with at Sinar p2 camera system.
    [Show full text]
  • Sinar P-Slr Creative Freedom for 35 Mm Photography Sinar P SLR Professional Tool for 35 Mm Photographers
    Sinar p-slr Creative freedom for 35 mm photography Sinar p SLR Professional tool for 35 mm photographers The Sinar p SLR was developed especially for photographers who wish to Centering Aid avail themselves of the unique advantages and quality characteristics of a Sinar view camera while using their digital single lens refl ex cameras. Exact control of the perspective and selective sharpness – the most impor- tant creative tools in photography – can be set and evaluated precisely on a view camera. All these advantages now have also become available to users of 35 mm cameras. This well thought-out solution is further enhan- ced by the signifi cant increase in quality provided by the use of high reso- lution lenses developed by Rodenstock especially for digital photography. Professionalism in the details The Sinar p SLR can be used with all digital single lens refl ex cameras that are currently available on the market. Thanks to the quick clamping adapter that is included with the set, the change from vertical to horizontal format can be performed with effortless ease within seconds. When the single lens refl ex cameras is connected directly to the camera via USB or FireWire, the integrated strain relief provides safety while working and protection of the USB / FireWire socket on the camera. A positioning and centering aid serves for the exact positioning of the digital single lens refl ex camera on the optical axis. This ensures that the sensor of the digital camera is positioned per- fectly in both the vertical as well as the horizontal format setting.
    [Show full text]
  • Visual Communications Journal
    Visual CommunicationsSpring 2017, Volume 53, Number 1 Journal Medium Format Cameras for Digital Photography CHRIS J. LANTZ, Ph.D. Volume 53 Number 1 SPRING 2017 Acknowledgements President – Mike Stinnett Royal Oak High School (Ret.) Editor 21800 Morley Ave. Apt 517 Dan Wilson, Illinois State University Dearborn, MI 48124 (313) 605-5904 Editorial Review Board [email protected] Cynthia Carlton-Thompson, North Carolina A&T State University President-Elect – Malcolm Keif Bob Chung, Rochester Institute of Technology Cal Poly University Christopher Lantz, Western Illinois University Graphic Communications Devang Mehta, North Carolina A&T State University San Luis Obispo, CA 93407 Tom Schildgen, Arizona State University 805-756-2500 Mark Snyder, Millersville University [email protected] James Tenorio, University of Wisconsin–Stout First Vice-President (Publications) Renmei Xu, Ball State University Gabe Grant Cover Design Eastern Illinois University School of Technology Ben Alberti, Western Technical College 600 Lincoln Avenue Instructor, Barbara Fischer Charleston, IL 61920 (217) 581-3372 Page Design, Layout, and Prepress [email protected] Janet Oglesby and Can Le Second Vice-President (Membership) Can Le Printing, Bindery, and Distribution University of Houston Harold Halliday, University of Houston 312 Technology Bldg. University of Houston Printing and Postal Services Houston, TX 77204-4023 (713) 743-4082 About the Journal [email protected] TheVisual Communications Journal serves as the official journal of the Graphic Secretary – Laura Roberts Communications Education Association, and provides a professional Mattoon High School communicative link for educators and industry personnel associated with 2521 Walnut Avenue design, presentation, management, and reproduction of graphic forms of Mattoon, IL 61938 communication. Manuscripts submitted for publication are subject to peer (217) 238-7785 review.
    [Show full text]
  • • 3 SKYPE • Phone WP-S1 • 3M • MP160 • MP180 • Mpro 110 Micro
    3 SKYPE Liquid S110 mini PocketDV 8900 T483L One Touch 565A One Touch V212 OT-606C Phone WP-S1 N300 mini PocketDV M1 AITO One Touch 600 One Touch V270 OT-660 3M N310 MPVR Digital Media A-23002 One Touch 600A One Touch V570 OT-660A MP160 N311 MZ-DV ALCATEL One Touch 602 One Touch V570A OT-665 MP180 N320 Pocket DV-5700 890D One Touch 660 One Touch XTRA OT-665X MPro 110 Micro Projector N321 Pocket DV-8700 Crystal One Touch 660A OT-103 OT-706 Mpro 120 N500 Pocket DV-8800LE Elle No3 One Touch 665 OT-103A OT-706A Mpro 120 Micro Projector neoTouch P400 Pocket DV-H100 GYARI One Touch 706 OT-105 OT-708A Mpro 150 NeoTouch S110 PocketCam 8900 Miss Sixty One Touch 706A OT-105A OT-710 Mpro 150 Micro neoTouch S200 PocketDV AHD-100 M-tel E98 One Touch 710 OT-106 OT-710A Professional Projector Newtouch S200 PocketDV AHD-200 One Touc 908 One Touch 710A OT-108 OT-710D Mpro 150 Micro Projector S110 PocketDV AHD-300 One Touc 990 One Touch 710D OT-109 OT-799 3SKYPE S300 PocketDV AHD-C100 One Touch E227A One Touch 799 OT-111 OT-799A S2x Stream PocketDV AHD-Z500 One Touch V270A One Touch 799A OT-153 OT-800 4G SYSTEMS Tempo DX650 PocketDV AHD-Z500 Plus One Touch 103 One Touch 800 OT-155 OT-800A XSB6X G0 Tempo DX900 PocketDV C600 pro One Touch 103A One Touch 800A OT-203 OT-802 ACER Tempo M900 PocketDV DDV-V1 One Touch 105 One Touch 802 OT-203A OT-802A beTouch E100 ACOUSTIC RESEARCH PocketDV T200 One Touch 105A One Touch 802A OT-203E OT-802Y
    [Show full text]
  • Sinar Catalogue 2015
    image2output Limited: Unit 19, io Centre, Hearle Way, Hatfield Business Park, Hatfield, Herts, AL10 9EW Sinar Catalogue 2015 Sinar Photography AG Farbhofstrasse 21 CH – 8048 Zurich / Switzerland www.image2output.com Tel: +44 (0)1707 282 710 [email protected] image2output Limited: Unit 19, io Centre, Hearle Way, Hatfield Business Park, Hatfield, Herts, AL10 9EW Sinar View Cameras for Studio Photography Content Sinar Product Catalogue Sinar View Cameras for Studio Photography ...................................................................................................................................................................................................................................... 2 Sinar p3-df View Camera Systems ..................................................................................................................................................................................................................................................... 2 Sinar p3-df........................................................................................................................................................................................................................................................................................... 2 Sinar p3-df SL ....................................................................................................................................................................................................................................................................................
    [Show full text]
  • Photokina 2010 Large Format Bodies For
    Large-Format Bodies for Medium-Format Digital Backs PHOTOKINA 2010 October 2010 Large-Format Camera Bodies for Medium Format Digital Backs at Photokina 2010 Nicholas Hellmuth 1 Large-Format Bodies for Medium-Format Digital Backs PHOTOKINA 2010 This report has not been licensed to any camera manufacturer, distributor, dealer, sales rep, media to distribute. So, if you ob- tained this from any company, you have a pirated copy. Also, since this report is frequently updated, if you got your version from somewhere else, Linhof camera presented at Photokina 2010. it may be an obsolete edition. FLAAR reports are being updated all year long, and our com- ment on that product may have been revised positively or negatively as we learned more Contents about the product from end users. Arca-Swiss F-metric 6x9 and Rm3di 5 To obtain a legitimate copy, which you know is the complete report with nothing erased Cambo 6 or changed, and hence a report with all the Linhof 8 original description of pros and cons, please obtain your original and full report straight Rollei Xact, from Franke & Heidecke Hy6 www.FLAAR.org. (DHW Fototechnik GmbH) 10 Silvestri, Hall 2.1, B 38 11 Your only assurance that you have a com- plete and authentic evaluation which de- Sinar 13 scribes all aspects of the product under consideration, benefits as well as deficien- cies, is to obtain these reports directly from FLAAR, via www.wide-format-printers.NET www.digital-photography.org 2 Large-Format Bodies for Medium-Format Digital Backs PHOTOKINA 2010 Included here are primarily cameras that were exhibited at Photokina 2010.
    [Show full text]
  • NOMURA FUNDS IRELAND PLC Interim Report and Unaudited
    NOMURA FUNDS IRELAND PLC Interim Report and Unaudited Financial Statements for the half year ended 30th June, 2011 Company Registration No. 418598 NOMURA FUNDS IRELAND PLC TABLE OF CONTENTS Page MANAGEMENT AND ADMINISTRATION 2 GENERAL INFORMATION 3 INVESTMENT MANAGER’S REPORT NOMURA FUNDS IRELAND - GLOBAL EMERGING MARKETS FUND 8 NOMURA FUNDS IRELAND - INDIA EQUITY FUND 9 NOMURA FUNDS IRELAND - ASIA PACIFIC EX JAPAN FUND 11 NOMURA FUNDS IRELAND - FUNDAMENTAL INDEX GLOBAL EQUITY FUND 13 NOMURA FUNDS IRELAND - JAPAN STRATEGIC VALUE FUND 14 NOMURA FUNDS IRELAND - US HIGH YIELD BOND FUND 16 NOMURA FUNDS IRELAND - NEWS EMERGING MARKETS SMALL CAP EQUITY FUND 18 STATEMENT OF FINANCIAL POSITION 19 STATEMENT OF COMPREHENSIVE INCOME 22 STATEMENT OF CHANGES IN NET ASSETS ATTRIBUTABLE TO HOLDERS OF REDEEMABLE PARTICIPATING SHARES 26 STATEMENT OF CASH FLOWS 30 NOTES TO THE FINANCIAL STATEMENTS 34 STATEMENT OF INVESTMENTS NOMURA FUNDS IRELAND - GLOBAL EMERGING MARKETS FUND 44 NOMURA FUNDS IRELAND - INDIA EQUITY FUND 56 NOMURA FUNDS IRELAND - ASIA PACIFIC EX JAPAN FUND 58 NOMURA FUNDS IRELAND - FUNDAMENTAL INDEX GLOBAL EQUITY FUND 62 NOMURA FUNDS IRELAND - JAPAN STRATEGIC VALUE FUND 111 NOMURA FUNDS IRELAND - US HIGH YIELD BOND FUND 116 NOMURA FUNDS IRELAND - NEWS EMERGING MARKETS SMALL CAP EQUITY FUND 131 STATEMENT OF CHANGES IN THE PORTFOLIO NOMURA FUNDS IRELAND - GLOBAL EMERGING MARKETS FUND 147 NOMURA FUNDS IRELAND - INDIA EQUITY FUND 149 NOMURA FUNDS IRELAND - ASIA PACIFIC EX JAPAN FUND 151 NOMURA FUNDS IRELAND - FUNDAMENTAL INDEX GLOBAL EQUITY
    [Show full text]