Oregon Lantern Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Oregon Lantern mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Lantern Country: Italy Released: 2017 Style: Contemporary Jazz MP3 version RAR size: 1482 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1425 mb Rating: 4.4 Votes: 560 Other Formats: AC3 AIFF VQF MP3 WAV MP2 AIFF Tracklist Hide Credits Dolomiti Dance 1 6:11 Music By – Ralph Towner Duende 2 5:59 Music By – Ralph Towner Walk The Walk 3 6:35 Music By – Mark Walker Not Forgotten 4 4:31 Music By – Ralph Towner Hop, Skip And A Thump 5 6:24 Music By – Ralph Towner Figurine 6 2:54 Music By – Ralph Towner The Glide 7 8:07 Music By – Ralph Towner Aeolian Tale 8 5:46 Music By – Paolino Dalla Porta Lantern 9 7:58 Music By – Oregon The Water Is Wide 10 7:07 Arranged By – Paul McCandlessMusic By – Traditional Companies, etc. Copyright (c) – Kepach Music S.r.l. Phonographic Copyright (p) – Kepach Music S.r.l. Licensed From – CAM CINE TV MUSIC, Inc. Recorded At – Bauer Studios Ludwigsburg Mixed At – Bauer Studios Ludwigsburg Credits Classical Guitar, Piano, Synthesizer – Ralph Towner Double Bass – Paolino Dalla Porta Drums, Percussion [Hand Percussion], Synthesizer [Drum Synthesizer] – Mark Walker Engineer [Recording & Mixing Engineer] – Johannes Wohlleben Liner Notes [English] – Daniela Floris, Oregon Mastered By – Danilo Rossi Oboe, English Horn, Soprano Saxophone, Bass Clarinet – Paul McCandless Photography By [Photos ©] – Elisa Caldana Producer [Artistic Production] – Ermanno Basso Notes Running time approx. 62:00 Recorded and mixed in Ludwigsburg on 28, 29, 30 November 2016 at Bauer Studios Barcode and Other Identifiers Barcode: 8 052405 142795 SPARS Code: DDD Related Music albums to Lantern by Oregon Oregon - Oregon John Abercrombie, Ralph Towner - Sargasso Sea Oregon - Violin Ralph Towner - Solstice Oregon - In Performance Oregon - In Concert Ralph Towner - Anthem Oregon - Music Of Another Present Era MGT - From A Dream Oregon - Moon And Mind.

Copy Link

Recommended publications

View 2012 Program
INTERNATIONAL SOCIETY FOR IMPROVISED MUSIC SIXTH FESTIVAL/CONFERENCE Improvisation · Self · Community·World February 16-19, 2012 William Paterson University Wayne, New Jersey, USA Keynote artists and performers: Pyeng Threadgill & trio Ikue Mori, Sylvie Courvoisier & Jim Black Mulgrew Miller WyldLyfe Robert Dick & Tom Buckner Karl Berger with the University of Michigan Creative Arts Orchestra And over 50 other artists presenting concerts, panels, talks and workshops! ISIM President’s Welcome ISIM President’s Welcome On behalf of the Board of Directors of the International Society for Improvised Music, I extend to all of you a hearty welcome to the sixth ISIM Festival/Conference. Nothing is more gratifying than gatherings of improvising musicians as our common process, regardless of surface differences in our creative expressions, unites us in ways that are truly unique. As the conference theme suggests, by going deep within our reservoir of creativity, we access subtle dimensions of self—or consciousness—that are the source of connections with not only our immediate communities but the world at large. It is dificult to imagine a moment in history when the need for this improvisation-driven, creativity revolution is greater on individual and collective scales than the present. Please join me in thanking the many individuals, far too many to list, who have been instrumental in making this event happen. Headliners Ikue Mori, Pyeng Threadgill, Wyldlife, Karl Berger, the University of Michigan Creative Arts Orchestra, the William Paterson University jazz group, Mulgrew Miller, Robert Dick, and Thomas Buckner—we could not have asked for a more varied and exciting line-up. ISIM Board members Stephen Nachmanovitch and Bill Johnson have provided invaluable assistance, with Steve working his usual heroics with the ISIM website in between, and sometimes during, his performing and speaking tours.
[Show full text]
Jazz in the Pacific Northwest Lynn Darroch
Advance Praise “Lynn Darroch has put together a great resource for musicians, listeners, and history buffs, compiling what seems to be the most comprehensive resource about the history of jazz in the Northwest. This book will do the important job of keeping the memories and stories alive of musicians and venues that, while they may be immortalized through recordings, have important history that may otherwise be lost to the murkiness of time. Darroch has done the community and the music a great service by dedicating himself to telling these stories.” —John Nastos “Lynn Darroch illuminates the rich history of jazz in the Pacific Northwest from the early twentieth century to the present. Interweaving factors of culture, economics, politics, landscape, and weather, he helps us to understand how the Northwest grew so many fine jazz artists and why the region continues to attract musicians from New Orleans, New York, California, Europe, and South America. He concentrates on the traditions of the big port cities, Seattle and Portland, and underlines the importance of musicians from places like Wenatchee, Spokane, Eugene, and Bend. Darroch has the curiosity of a journalist, the investigative skills of a historian and the language of a poet. His writing about music makes you want to hear it.” —Doug Ramsey “With the skills of a curator, Lynn Darroch brings us the inspiring history and personal stories of Northwest jazz musicians whose need for home, love of landscape, and desire to express, all culminate into the unique makeup of jazz in Portland and Seattle. Thank you Lynn for a great read and its contribution to jazz.
[Show full text]
Read Liner Notes
Cover Photo: Paul Winter Consort, 1975 Somewhere in America (Clockwise from left: Ben Carriel, Tigger Benford, David Darling, Paul Winter, Robert Chappell) CONSORTING WITH DAVID A Tribute to David Darling Notes on the Music A Message from Paul: You might consider first listening to this musical journey before you even read the titles of the pieces, or any of these notes. I think it could be interesting to experience how the music alone might con- vey the essence of David’s artistry. It would be ideal if you could find a quiet hour, and avail yourself of your fa- vorite deep-listening mode. For me, it’s flat on the floor, in total darkness. In any case, your listening itself will be a tribute to David. For living music, With gratitude, Paul 2 1. Icarus Ralph Towner (Distant Hills Music, ASCAP) Paul Winter / alto sax Paul McCandless / oboe David Darling / cello Ralph Towner / 12-string guitar Glen Moore / bass Collin Walcott / percussion From the album Road Produced by Phil Ramone Recorded live on summer tour, 1970 This was our first recording of “Icarus” 2. Ode to a Fillmore Dressing Room David Darling (Tasker Music, ASCAP) Paul Winter / soprano sax Paul McCandless / English horn, contrabass sarrusophone David Darling / cello Herb Bushler / Fender bass Collin Walcott / sitar From the album Icarus Produced by George Martin Recorded at Seaweed Studio, Marblehead, Massachusetts, August, 1971 3 In the spring of 1971, the Consort was booked to play at the Fillmore East in New York, opening for Procol Harum. (50 years ago this April.) The dressing rooms in this old theatre were upstairs, and we were warming up our instruments there before the afternoon sound check.
[Show full text]
One Page Oregon Biography
O R E G O N B I O G R A P H Y Without a doubt O R E G O N is one of the finest groups l a t e r, O R E G O N moved to Elektra/Asylum Records. Its ever to paint a musical landscape of such global first release on that label, Out of the Woods, r e a c h e d proportions. For three decades O R E G O N has inspired a decidedly wider audience and was included in the 101 audiences in renowned concert halls including Best Jazz Albums list. They were enjoying imm e n s e Carnegie Hall, Lincoln Center, Berlin Philharmonic popularity when in November 1984, Walcott died in an H a l l, and Vienna’s Mozartsaal; in international jazz auto accident in the former East Germany, leaving the clubs and at major festivals on tour throughout ECM album C r o s s i n g as his final document. Over the every continent. next five years, percussionist Trilok Gurtu played on three albums with the band. Upon his departure the three original members continued their creative development as a trio. For the 1996 Intuition recording Northwest Passage, the group incorporated drummer MARK WALKER on the Indie Award winning record. He soon after became their newest member. In June 1999 the band traveled to Moscow to record the double CD O R E G O N I N M O S C O W for I n t u i t i o n.
[Show full text]
Ralph Towner Works Mp3, Flac, Wma
Ralph Towner Works mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Works Country: US Style: Contemporary Jazz MP3 version RAR size: 1800 mb FLAC version RAR size: 1532 mb WMA version RAR size: 1386 mb Rating: 4.3 Votes: 176 Other Formats: DMF WMA MP1 DXD AIFF DMF MIDI Tracklist Hide Credits Oceanus A1 10:59 Bass – Eberhard WeberDrums, Percussion – Jon ChristensenSaxophone – Jan Garbarek Blue Sun A2 7:15 Piano, Synthesizer, Percussion – Ralph Towner New Moon A3 Bass – Eddie GomezCello – David DarlingDrums, Percussion – Michael DiPasquaTrumpet, 7:21 Flugelhorn – Kenny Wheeler Beneath The Evening Sky B1 7:00 Cello – David DarlingPiano – Ralph Towner The Prince And The Sage B2 6:18 Synthesizer – Ralph Towner Nimbus B3 Bass – Eberhard WeberDrums, Percussion – Jon ChristensenPiano – Ralph 6:26 TownerSaxophone, Flute – Jan Garbarek Credits Design – Dieter Rehm Engineer – Jan Erik Kongshaug Guitar – Ralph Towner Producer – Manfred Eicher Barcode and Other Identifiers Barcode: 781182026841 Other versions Category Artist Title (Format) Label Category Country Year 823 268-2 Ralph Towner Works (CD, Comp) ECM Records 823 268-2 Germany Unknown 823 268-4 Ralph Towner Works (Cass, Comp) ECM Records 823 268-4 Canada 1984 823 268-4 Ralph Towner Works (Cass, Comp, RE) ECM Records 823 268-4 US Unknown 823 268-1 Ralph Towner Works (LP, Comp) ECM Records 823 268-1 Germany 1984 823 268-4 Ralph Towner Works (Cass, Comp) ECM Records 823 268-4 Germany 1984 Related Music albums to Works by Ralph Towner Ralph Towner - Old Friends, New Friends Ralph Towner - Anthem Oregon - Ecotopia Ralph Towner - Solstice Ralph Towner / Gary Burton - Slide Show Ralph Towner, D.
[Show full text]
ERIC HOFBAUER American Grace MOSTTY
RECORDREVIEWS ERICHOFBAUER MOSTTYOTHER PEOPLE DO THE OREGON AmericanGrace KIttING FamilyTree SlipperyRock! EricHofbauet guitar PaulMc€andless, soprano saxophone, oboe, bass CreativeNation CNM 022 (CD).2012.Creative PeterEvans, piccolo trumpet, trumpet, slide trumpet; clarinet,flutes; Ralph Towner, classical guitar, Nation,prod.; Daniel Cantor, mix, mastering. Jonlrabagon, sopranino, soprano, alto, piano,synthesizer; Glen Moore, bass; Mark DDD?TT:58:27 tenor saxophones,flute; Moppa Elliott,bass; Walker,drums, hand percussion, drum synthesizer CAM JazzCAM 5046 (CD).2012. PERFORMANCE**'***{ KevinShea, drums, percussron ErmannoBasso, (CD). prod.; Oregon,prods.; Johannes Wohlleben, eng. DDD. soNtcs ***** Hot Cup123 2012.Moppa Elliott, RyanStrebet eng. DDD? TT:52:38 TT:60:58 PERFoRMANcE**'**-€ Guitarist Eric Hofbauer, cofounder of PERFoRMANcE***'* +.: sonrcs* *** + soNlcs*r*(*** the Creative Nation label, has become a significant force in Boston's improvised- Oregon still plays with fire and still music scene.Withjust a Guild arch- I saw this bizarre band, known to rts sounds like only one band in the top and an earthy, unadorned sound, fans asMOPDTI! at the BelgradeJazz worid. That sisnature blend of sonori- Hofbauer has blasted away at everything Festival last year. Their midnight concert ties comes from Raloh Towner's lush - &om Charlie Parker,Xric Dolphy, and was an outrageous Dadaist happening, a nylon-string guitar, Paul McCandless's Andrew Hill to Tears for Feari. a-ha- musical debauch of manic virtuosity and keening reeds,and Glen Moore's fluid and Van Halen. His aestheticevokes old deadoan merriment. bass.The runes,mostly wrimen by blues, Americana Tin Pan Alley, bebop, SEppery Ro ck I works because Towner, are bracing little hooks traced and funher fronciers.There's a rule- MOPDIKs more orsanized studio in tight unisons.lmprovisations are breaking spirit but also an impeccable versionof mayhem ii srill mayhem.
[Show full text]
Guest Artist Recital: Paul Hanson, Bassoon Paul Hanson
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-5-2002 Guest Artist Recital: Paul Hanson, bassoon Paul Hanson Steve Brown Brian Krauss Tom Kline Adam Kurland Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Hanson, Paul; Brown, Steve; Krauss, Brian; Kline, Tom; and Kurland, Adam, "Guest Artist Recital: Paul Hanson, bassoon" (2002). All Concert & Recital Programs. 2520. https://digitalcommons.ithaca.edu/music_programs/2520 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. VISITING ARTISTS SERIES 2002-3 "Improvisation and You" PAUL HANSON, BASSOON Assisted by: Steve Brown, guitar Brian Krauss, bass Tom Kline, drums Adam Kurland, piano Anchors Paul Hanson Yam Spinner Paul Hanson Flight Of The Fly Jacob De Badolim We'll Be Together Again Carl Fischer ~ olo Improvisation Paul Hanson Gingerbread Boy Miles Davis arranged by Paul Hanson INTERMISSION Voyage Kenny Barron Woods Of Red Paul Hanson Everybody's Party John Scofield Pedra Da Lua Toninho Horta Fee-Fi-Fo-Fum Wayne Shorter Hockett Family Recital Hall Tuesday, November 5, 2002 8:15 p.m. PROGRAM NOTES Anchors This is a tune I wrote for my first Japanese album in 1993. It was inspired by some of the writings of the classical-jazz fusion group Oregon, which of course features the great jazz oboist, my friend Paul McCandless. Like a lot of Oregon's music, the groove for this tune is straight 16ths.
[Show full text]
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on.
[Show full text]
Page 1 N E W R E L E a S E
NEW RELEASE O N I N T U I T I O N R E C O R D S R E C E I V E D 4 G R A M M Y N O M I N A T I O N S OREGON’s latest project, Oregon In Moscow, is a double CD with the Moscow Tchaikovsky Symphony Orchestra, and the group’s recorded debut of their orchestral repertoire—a prodigious body of work that has been developing over the life of the band, but never documented. In the thirty-year history of OREGON, there has always existed a strong kinship to orchestral music. The use of the double reeds alone has given the quartet an identity and expansive sound associated with the symphonic orchestra. This association isn’t confined only to their use of many orchestral instruments, but applies also to the composition and presentation of the music, including the careful attention to details such as articulation, dynamics, phrasing and tone production derived from their respective classical studies. Chief composer Ralph Towner explains, “OREGON came together as a group in New York City in 1970, and from the outset it was clear that our unusual instrumentation and collective musical experience invited a different approach to composition and improvisation. The jazz tradition of improvisation usually consists of the soloists taking turns improvising on the song’s harmonic structure, recycling the chord progressions and returning to the original melody only on the last repeat of the cycle. While still using and honoring this tradition, we began composing longer, more sectional forms that allowed each soloist to improvise on different material within the context of a single piece.
[Show full text]
Record-World-1979-10
Dedicated to the Needs of the MusicRecord Industry OCTOBER 6, 1979 $2.25 f7Tage 'HO' NOINVO '3'N 0W13 'IS If76Z 05093d 3Ava Z9 1108-L 0 its of the SI -LES E H, WIND & RE, "IN THE S, "WHO LISTENS T' GLES, "THE LC (prod. bWhite) (writers: 010" (prod. by Solley) (w arrivalofthis Ion Foster -W (Saggifire, s:Cummings-Pendlebury) (Aus- provesthatsuperst Ninth/Irvi/Foster Free lian Tumbleweed, EMU) (3:2'). worth its weight in g EAGLES (3:32). A t single fro he 5 -man Australian bardenergy, seductive LI-TE LONG RLI Am," LP, should bec akes U.S. debut with th s sweetguitarwork third consecutive smas op - rockerfeaturingnervous every cut. "Heartach this formidable group. ad vocals and a driving beat.the title cut are c lumbia 1-11093. n nstant AOR add. Arista 0468. lum 5E-508 (8.98). CHEAP TRICK, "DREAM POLI CARTER, "D VI PEOPLE;' byWerman) (writer: E" SZ o O (Screen Gems-EMI/A al (3:14). The titlecut / P yen Visions, al new LP fulfillsthe /Unichappell, BMI) (3:26). sides feat(e past Cheap Trick effo r gives ading Simpson (Valerie powerhouse rock rhy thismic-te k': 'n for ticvocalsportrayin wro:e with .leap parancia. Epic 9-507 guitarist Joh .98) DR. HOOK, "BETTER LOVE INCEROS, "TAKE ME TO YOUR LO 1E, T T (prod. by Haffkine) LEADER" (prod. by Wisser.) Deborah Harry and pen -Keith -Slate) (H (writer:Kjeldsen)(Blackwood, succeeded wonderf BMI) (2:59). The Dr BMI) (3:30). The herky-jerky rock low -up to last year's really taken off wi beat,sparklingkeyboard adds new album is full o' hits and this look and irresistible vocal hook mak3 pop, catchy hooks withitslightda this British band's first release 3 lyrics that have m.
[Show full text]
Oregon – Roots in the Sky – Speakers Corners – Audiophile Audition 01.02.21, 1009
Oregon – Roots In The Sky – Speakers Corners – Audiophile Audition 01.02.21, 1009 Classical Reviews Hi-Res Reviews Jazz Reviews Component Reviews Support Audiophile Audition Contact Us More Stereotype s Audio Oregon – Roots In The Sky – Speakers Corners Cembal d’amour Home » SACD & Other Hi-Res Reviews » Oregon – Roots In The Sky – Speakers Corners by Audiophile Audition | Jan 31, 2021 | Jazz CD Reviews, SACD & Other Hi-Res Reviews | 0 comments Pure Oregon – Roots In The Sky – Pleasure / Speakers Electra Records Corner (1979)/Speakers Corner Records (2019), 45:03 ****1/2: (Paul McCandless – clarinet, English horn, oboe; Ralph Towner – flugelhorn, guitar, piano, percussion; Collin Walcott – guitar, percussion; Glen Moore – bass) https://www.audaud.com/oregon-roots-in-the-sky-speakers-corners/ Seite 1 von 4 Oregon – Roots In The Sky – Speakers Corners – Audiophile Audition 01.02.21, 1009 Speakers Corner Records has released a re- Cedille mastered 180-gram vinyl of the 1979 release, Roots In The Sky by Oregon. It has always been difficult to categorize the music of this band. With a core lineup of Paul McCandless (reeds), Ralph Towner (guitar, piano), Collin Walcott (percussion) and Glen Moore, the group met as members of the Paul Winter’s Consort. After Site Search recording several albums on the Vanguard label, they signed with Search here... Electra Records. This represented (along with their 1978 album, Out Of The Woods) an opportunity to access a higher level of studio production and distribution. Side 1 opens with the propulsive, “June Bug”. One of four Towner compositions, it kicks off with furious guitars chords, set against percussion (Colin Walcott).
[Show full text]
About the Music the Songs the Musicians Credits Artist Coalition
About the Music An Indo Latin Jazz Musical Experience The Songs The Musicians Credits Artist Coalition Label Listener Sponsored Music sam / khali Indo-beats (cycles & circles) tin “e perception of the cyclic nature of life is na tin reﬂected in Indian classical music through the 0 device of tala, a recurring time-measure or + rhythmic cycle that begins, develops and then About the Music 3 returns to sam, the ﬁrst beat of the cycle, anchor dhin na e world fusion music movement has of all melody and rhythm and the leading beat to 2 spawned many intriguing new musical which all returns.” * na dhin hybrids. With this project I’ve been exploring the exciting sonic terrain e diagram represents the common rupak (7 beat) tala. e rhythm that blends Latin jazz, with its driving begins and ends on sam, going clockwise around the wheel. e syllables (tin rhythmic syncopations, and East tin na dhin na dhin na) represent the onomatopoetic syllables representing Indian musical elements. Indian drum sounds. As with many artistic developments, serendipity played a major role. I didn’t set out with the conscious intent of Latin-beats (polyrhythmic grooves) fusing these two musical genres, but Latin rhythms trace their roots back to Africa and Cuba where interlocking, found it occurring naturally through syncopated rhythmic grooves follow the clave’s movement of tension/release. the cross-fertilization of ideas shared e sample below is taken from a classic Latin groove called Son Montuno. with my talented musical colleagues. You can click on the notes below to hear how it sounds.
[Show full text]