Guitar: Essential Jazz Rec

Jazz Guitar - some influential players and recordings Django Reinhardt!Djangology, Django Reinhardt and The Hot Club Quintet Charley Christian!Solo Flight Barney Kessel!!Let"s Cook! Wes Montgomery !Smokin' At The Half Note, Full House, The Incredible Jazz G. of Grant Green!!The Complete Quartets w/ Sonny Clarke, !!!!!Feelin' the Spirit (w/ Herbie Hancock) Kenny Burrell!!Kenny Burrell & John Coltrane, Midnight Blue George Benson!! The Cooker, Beyond the Blue Horizon Joe Pass!!!Catch Me, Virtuoso, Take Love Easy, w/ Ella Fitzgerald Pat Martino!!Impressions (compilation) Jim Hall !!!Live (at Bourbon St.), The Bridge, w/ Sonny Rollins, !!!!!Alone Together, Concierto, Textures Ed Bickert!! ! At the Garden Party', Pure Desmond w/ Paul Desmond, Out of the !!!!!!Past Lenny Breau!!The Velvet Touch of L.B.-Live, Live at Bourbon Street w/ Dave ! !!!!!Young John McLaughlin!Shakti w/ J.M., My Goals Beyond, The Heart of Things- !! !!!!Live in Paris, The Inner Mounting Flame (Mahavishnu Orch.), ! !!!!!!Jack Johnson (MIles Davis) John Abercrombie!Timeless, Gateway, Sargasso Sea w/Ralph Towner Pat Metheny!!Bright Size Life, Question & Answer, '80/81, Song X, Beyond ! !!!!the Missouri Sky, I Can See Your House From Here w/ John ! !!!!Scofield, Rejoicing, First Circle, Question and Answer John Scofield!!Enroute, Trio Beyond, Uberjam, Meant to Be,Time On My !! !!!!Hands John Scofield/ Bill Frisell!Bass Desires, (Marc Johnson), Second Sight (Marc John! !!!!!son) Mike Stern!!We Want Miles, Upside, Downside, Who Let The Cats Out Bill Frisell!!!East/ West, Live, Triosm - w/ the Paul Motian Trio Lorne Lofsky!!What Is This Thing?, Bill Please, Lorne Lofsky Alan Holdsworth!I.O.U. 16 Men of Tain, Then! (live in Japan), Secrets, Ben Monder!!Flux, Oceana Scott Henderson !Live!, HBC, Tribal Tech, Collection Adam Rogers!!Sight, The Art of the Invisible, Ultrahang- w/ Chris Potterp Les Paul, Tal Farlow, George Van Eps, Herb Ellis, Emily Remler, Sonny Greenwich, Jimi Hendrix, Joe Diorio, Mick Goodrick, Larry Carlton, Lee Ritenour, William Ash, Mark Elf, Tim Berens, Ralph Towner, Dave Tronzo, Derek Bailey, Dean Brown, Egberto Gismonti, Nels Cline, Joni Mitchell, Joao Gilberto, Kurt Rosenwinkel, Wolfgang Muthspiel, Mark Whitfield, Peter Bernstein, Pete McCann, Wayne Krantz, Fred Frith, Dave Fiuczynski, Oz Noy, Jonathan Kriesburg, Alex Machacek, Guthrie Govan, Lionel Louecke, Julian Lage ... Ratcliffe .

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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
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«An Evening with Pat Metheny» Feat. Antonio Sánchez, Linda May Han Oh & Gwilym Simcock
2017 20:00 24.10.Grand Auditorium Mardi / Dienstag / Tuesday Jazz & beyond «An evening with Pat Metheny» feat. Antonio Sánchez, Linda May Han Oh & Gwilym Simcock Pat Metheny guitar Antonio Sánchez drums Linda May Han Oh bass Gwilym Simcock piano Pat Metheny photo: Jimmy Katz Pat Metheny, au-delà de la guitare Vincent Cotro « J’ai atteint un point où j’ai tant composé que tout n’est qu’une grande composition. Avec Antonio, Lina et Gwilym, nous allons explorer cette composition pour en faire, je l’espère, quelque chose de vraiment grandiose ». Pat Metheny, présentation du concert lors du festival Jazz sous les Pommiers, mai 2017 Né en 1954 dans le Missouri, Patrick Bruce Metheny découvre à onze ans Miles Davis puis Ornette Coleman et commence la guitare à douze ans, après s’être essayé à la trompette et au cor. Il écoutera et décortiquera les solos de Wes Montgomery, Kenny Burrell ou Jim Hall et se produira dès quinze ans avec les meilleurs musiciens dans les clubs de Kansas City. Alors qu’il se passionne pour John Coltrane et Clifford Brown, il rencontre Gary Burton en 1974, année de son explosion sur la scène internationale. Aux côtés du vibraphoniste, il développe ce qui deviendra sa caractéristique : une articulation plutôt relâchée et flexible habituellement observée chez les « souffleurs », combinée à une sensibilité harmonique et rythmique très développée. Son premier disque avec Jaco Pastorius et Bob Moses en 1976, « Bright Size Life », réinvente en quelque sorte la tradition sous des apparences de modernité, pour une nouvelle génération de guitaristes. On voit apparaître sa passion pour la musique d’Ornette Coleman qui se manifestera largement ensuite et jusqu’à aujourd’hui.
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C-UPPSATS Variationer Av Jazzstandards
2008:059 C-UPPSATS Variationer av jazzstandards Undersökning av hur grundmelodier varieras i jazzinspelningar Daniel Lundström Luleå tekniska universitet C-uppsats Musik Institutionen för Musik och medier Musikhögskolan 2008:059 - ISSN: 1402-1773 - ISRN: LTU-CUPP--08/059--SE Variationer av jazzstandards Undersökning av hur grundmelodier varieras i jazzinspelningar DANIEL LUNDSTRÖM Vetenskaplig handledare: Sverker Jullander Konstnärlig handledare: Claes von Heijne Abstrakt Syftet med den här uppsatsen är att systematiskt inventera olika sätt att förändra en grundmelodi i standardlåtar inom jazzen. Jag har transkriberat inspelningar av jazztrios ledda av pianisterna Bill Evans och McCoy Tyner och analyserat hur de förändrar grundmelodier inom jazzen. Jag har systematiserat melodiska och rytmiska förändringar i kategorier och underubriker. Resultatet av forskningen är tänkt att kunna användas som underlag för konstruktion av undervisningsmaterial. Arbetet innefattar även egna inspelningar. Nyckelord: jazz, standards, piano, jazztrio, Bill Evans, McCoy Tyner. 2 Innehåll 1. Inledning…………………………………………............................................................ 5 Bakgrund…………………………………………...................................................... 5 Syfte………………………………………….............................................................. 5 Material och metod…………………………………………........................................ 5 2. Beskrivning av kompositioner…………………………………………............................. 6 Speak Low…………………………………………...................................................
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The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
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Bill Evans •••••••••••••••••••••• Turn out the Stars the Final Village Vanguard Recordings June 1980
6 DISC SET Bill Evans •••••••••••••••••••••• Turn Out the Stars The Final Village Vanguard Recordings June 1980 Though these extraordinary 1980 recordings were made only months before pianist Bill Evans’ untimely death on September 15, 1980, at the age of 51, they capture a beginning far more than an end. At the time of their initial release in 1996, jazz critic Gary Giddins hailed them as “an important find – the most lyrical of improvisers was revitalized by a new trio in his favorite jazz club.” Fellow Village Voice writer Will Friedwald concurred: “Evans is as irrepressibly romantic as ever on these live recordings, but at the same time there’s an aggression to his playing that makes these newly discovered documents some of the most exciting music of his career... he proves that he can really tear into the keyboard and still sound like Bill Evans. Continually prodded by [bassist Marc] Johnson and [drummer Joe] LaBarbera even as he's inspiring them, this is tenderness supported by strength and even bite.” Evans had clearly found players to match his first trio from 20 years earlier, which had cut a landmark live recording at the Village Vanguard in 1961. That now-legendary lineup of bassist Scott LaFaro and drummer Paul Motion was shattered by the tragic death of LaFaro in a car crash. A sense of history and a feeling of renewal inform these 1980 sessions, and they illustrates the serious chemistry between Evans and his young accompanists. As pianist and friend Hank Danko recalls in his liner-notes essay, “When the trio lit into its ensemble passages, the impact was not unlike that of a roaring big band.
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JAZZIZ-Metheny-Interviews.Pdf
Pat Metheny www.jazziz.com JAZZIZ Subscription Ad Lage.pdf 1 3/21/18 10:32 AM Pat Metheny Covered Though I was a Pat Metheny fan for nearly a decade before I special edition, so go ahead and make fun if you please). launched JAZZIZ in 1983, it was his concert, at an outdoor band In 1985, we published a cover story that included Metheny, shell on the University of Florida campus, less than a year but the feature was about the growing use of guitar synthesizers before, that got me to focus on the magazine’s mission. in jazz, and we ran a photo of John McLaughlin on the cover. As a music reviewer for several publications in the late Strike two. The first JAZZIZ cover that featured Pat ran a few ’70s and early ’80s, I was in touch with ECM, the label for years later, when he recorded Song X with Ornette Coleman. whom Metheny recorded. It was ECM that sent me the press When the time came to design the cover, only photos of Metheny credentials that allowed me to go backstage to interview alone worked, and Pat was unhappy with that because he felt Metheny after the show. By then, Metheny had recorded Ornette should have shared the spotlight. Strike three. C around 10 LPs with various instrumental lineups: solo guitar, A few years later, I commissioned Rolling Stone M duo work with Lyles Mays on the chart-topping As Wichita Fall, photographer Deborah Feingold to do a Metheny shoot for a Y So Falls Wichita Falls, trio, larger ensembles and of course his Pat cover story that would delve into his latest album at the time.
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Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
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Dana Podcast Transcript
Transcript of Dana Podcast—Pat Metheny’s Brain on Music Guest: Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Mr. Metheny first burst onto the international jazz scene in 1974. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Mr. Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. As well as being an accomplished musician, Mr. Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate more than twenty years later (1996). Over the years, Mr. Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for Still Life (Talking), Letter from Home, and Secret Story. He has also won 20 Grammy Awards in 12 different categories. Host: Bill Glovin serves as executive editor of The Dana Foundation. Prior to joining Dana Mr. Glovin was senior editor of Rutgers Magazine and editor of Rutgers Focus.
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Read Liner Notes
Cover Photo: Paul Winter Consort, 1975 Somewhere in America (Clockwise from left: Ben Carriel, Tigger Benford, David Darling, Paul Winter, Robert Chappell) CONSORTING WITH DAVID A Tribute to David Darling Notes on the Music A Message from Paul: You might consider first listening to this musical journey before you even read the titles of the pieces, or any of these notes. I think it could be interesting to experience how the music alone might con- vey the essence of David’s artistry. It would be ideal if you could find a quiet hour, and avail yourself of your fa- vorite deep-listening mode. For me, it’s flat on the floor, in total darkness. In any case, your listening itself will be a tribute to David. For living music, With gratitude, Paul 2 1. Icarus Ralph Towner (Distant Hills Music, ASCAP) Paul Winter / alto sax Paul McCandless / oboe David Darling / cello Ralph Towner / 12-string guitar Glen Moore / bass Collin Walcott / percussion From the album Road Produced by Phil Ramone Recorded live on summer tour, 1970 This was our first recording of “Icarus” 2. Ode to a Fillmore Dressing Room David Darling (Tasker Music, ASCAP) Paul Winter / soprano sax Paul McCandless / English horn, contrabass sarrusophone David Darling / cello Herb Bushler / Fender bass Collin Walcott / sitar From the album Icarus Produced by George Martin Recorded at Seaweed Studio, Marblehead, Massachusetts, August, 1971 3 In the spring of 1971, the Consort was booked to play at the Fillmore East in New York, opening for Procol Harum. (50 years ago this April.) The dressing rooms in this old theatre were upstairs, and we were warming up our instruments there before the afternoon sound check.
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Osobnosť Pata Methenyho
JANÁČKOVA AKADÉMIA MÚZICKÝCH UMENÍ V BRNE HUDOBNÁ FAKULTA Katedra jazzovej interpretácie Jazzová interpretácia Osobnosť Pata Methenyho Bakalárska práca Autor práce: Samuel Marinčák Vedúci práce: MgA. Vilém Spilka Oponent práce: MgA. Jan Dalecký Brno 2014 Bibliografický záznam MARINČÁK, Samuel. Osobnosť Pata Methenyho /Personality of Pat Metheny/ Brno : Janáčkova akadémia múzických umení v Brne, Hudobná fakulta, Katedra jazzovej interpretácie, 2014, 36 s, vedúci práce : MgA. Vilém Spilka Anotácia Bakalárska práca je zameraná na osobnosť jednej z najväčších postáv vo svete jazzu v súčasnosti. Ponúka zaujímavé informácie o jeho živote, kariére, diskografii a o mnohých iných aspektoch súvisiacich s ním. Kľúčové slová jazz, improvizácia, biografia, diskografia, ocenenia, zvuk Annotation This bachelor thesis is focused on the life and work of one of the greatest artists in the world of jazz. It will offer you a very interesting insight to his life, career, discography and other aspects connected to him. Key Words jazz, improvisation, biography, discography, awards, sound Prehlásenie: Prehlasujem, že som predloženú prácu spracoval samostatne, s použitím uvedených zdrojov a prameňov. Zároveň dávam zvolenie k tomu, aby táto práca bola umiestnená v Knižnici JAMU a slúžila na študijné účely. V Brne, dňa 28.7.2014 Samuel Marinčák Poďakovanie: Na tomto mieste by som sa rád poďakoval vedúcemu mojej práce MgA. Vilémovi Spilkovi a oponentovi MgA. Janovi Daleckému, ktorí ma pri písaní usmerňovali a ponúkli mi cenné rady. Obsah Úvod ............................................................................................................................
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One Page Oregon Biography
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Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
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