The Lincoln Log -- Fall 2007
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Dean Tavoularis
DEAN TAVOULARIS Né aux États-Unis Il vit et travaille à Paris. Directeur artistique de films et artiste- peintre, il compte plus de 50 ans de carrière aux côtés de metteurs en scène de légende … Arthur Penn, Michelangelo Antonioni, Wim Wenders, Francis Ford on les nomme à Hollywood –, ils ont Coppola, Roman Polanski. posé les jalons d’un corps essentiel du cinéma : donner une matière aux visions L’artiste, né en 1932 à Lowell dans le d’un cinéaste. Parmi leurs successeurs, Massachusetts, de parents grecs originaires Dean Tavoularis s’est imposé comme du Péloponnèse, arrive à l’âge de 4 ans à le plus précieux, précis et inventif. Son Long Beach en Californie. regard sidérant n’est pas étranger à la Son père travaille dans la compagnie de réussite de Coppola : nous lui devons café familiale. Son environnement familial les salons opaques du Parrain, les néons encourage les goûts du jeune Dean pour le luminescents de Coup de cœur, la folie dessin et les beaux-arts et à 17 ans il intègre sauvage du labyrinthe où les personnages une des premières Film School des Etats- d’Apocalypse Now s’égarent – ainsi que les Unis et rejoint les studios Disney, qui font costumes des bunnies Playboy. Sa vision ne véritablement office d’école de cinéma. En se limite pas à son domaine, elle englobe parallèle il suit des cours d’architecture, de le projet dans sa totalité. » écrit Léonard dessin et d’art. Son apprentissage au sein Bloom dans un article de Numéro consacré des studios Disney lui permet de mettre à Dean Tavoularis (avril 2019). -
The Representation of Women in Romantic Comedies Jordan A
Ursinus College Digital Commons @ Ursinus College Media and Communication Studies Honors Papers Student Research 4-24-2017 Female Moments / Male Structures: The Representation of Women in Romantic Comedies Jordan A. Scharaga Ursinus College, [email protected] Adviser: Jennifer Fleeger Follow this and additional works at: https://digitalcommons.ursinus.edu/media_com_hon Part of the Communication Commons, Film and Media Studies Commons, and the Gender and Sexuality Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Scharaga, Jordan A., "Female Moments / Male Structures: The Representation of Women in Romantic Comedies" (2017). Media and Communication Studies Honors Papers. 6. https://digitalcommons.ursinus.edu/media_com_hon/6 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Media and Communication Studies Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Female Moments/Male Structures: The Representation of Women in Romantic Comedies Jordan Scharaga April 24, 2017 Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Distinguished Honors in the Media and Communication Studies Department. Abstract: Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. -
Something's Gotta Give
20042697 27.01.2004 10:24 Uhr Seite 56 Wettbewerb/IFB 2004 SOMETHING’S GOTTA GIVE Außer Konkurrenz WAS DAS HERZ BEGEHRT QUELQUE CHOSE D’INATTENDU Regie:Nancy Meyers USA 2003 Darsteller Harry Sanborn Jack Nicholson Länge 128 Min. Erica Barry Diane Keaton Format 35 mm, 1:1.85 Julian Mercer Keanu Reeves Farbe Zoe Frances McDormand Marin Amanda Peet Stabliste Leo Jon Favreau Buch Nancy Meyers Dave Paul Michael Glaser Kamera Michael Ballhaus Dr.Martinez Rachel Ticotin Kameraführung Andrew Rowlands Annie Marjie Gum Kameraassistenz Thomas Lappin Kristen Kadee Strickland Schnitt Joe Hutshing Langbeiniges Girl Jennifer Siebel Schnittassistenz Stephen A.Rotter Chauffeur John H.Tobin Ton Kenneth Karman Krankenschwester Audrey Wasilewski Mischung Arthur Rochester Typ Russ Russo Tod Maitland Bühnenmanager Patrick Fischler Musik Hans Zimmer Hostess María Esquivel Production Design Jon Hutman Auktionsbesucherin Deborah Daulton- Ausstattung John Warnke Morton Steve Graham Requisite Mychael Bates Jack Nicholson, Diane Keaton Kostüm Suzanne McCabe Maske Kelcey Fry Cyndilee Rice WAS DAS HERZ BEGEHRT Regieassistenz K.C.Colwell Harry Sanborn,63,ist der ewige Junggeselle,der grundsätzlich nur mit Frau- Produktionsltg. Helen Pollak en unter 30 ausgeht. Mit seiner neuesten Flamme, der jungen Auktionärin Aufnahmeleitung John Panzarella Marin Barry, will der steinreiche New Yorker Geschäftsmann ein romanti- Produzenten Bruce A.Block sches Wochenende im Strandhaus ihrer Mutter in den Hamptons auf Long Nancy Meyers Associate Producer Suzanne McNeill Island verbringen – doch als sich beim Vorspiel in Harrys Brust plötzlich Farwell Schmerzen einstellen, ist sein Plan torpediert. Co-Produktion Waverly Films, Marins Mutter Erica Barry, eine erfolgreiche, geschiedene Theaterautorin, ist Los Angeles alles andere als begeistert, als sie Harry bei sich zu Hause gesund pflegen soll, während Marin zurück nach New York fährt. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
View Magazine
JON M. HUNTSMAN SCHOOL OF BUSINESS | UTAH STATE UNIVERSITY | SUMMER 2017 Jon M. Huntsman & Charles Koch provide $50 million gift, the largest in USU history BY PHOTO 2 HUNTSMAN ALUMNI MAGAZINE • SUMMER 2017 President Noelle Cockett announces the $50 million Huntsman/Koch gift at the 2017 Utah State University Commencement. Photo by Russ Dixon. 3 dean’s message Commencements are always memorable, especially for graduates and their families, but this year’s ceremony on May 6, 2017 marked an especially important milestone for USU and for the Huntsman School—the announcement of a $50 million gift from the Huntsman Foundation and the Charles Koch Foundation. This historic gift—the largest in the history of Utah State University—will be paid out over the course of ten years, and will support a four-fold expansion in our Huntsman Scholar program, six new faculty positions, and a new research center, the Center for Growth and Opportunity. Combined, these matching $25 million grants will create scholarships for nearly 500 students a year, and opportunities to travel, explore new ideas, and interact with outstanding faculty, alumni and business professionals. Ten years ago, when he made his first $25 million gift to USU’s College of Business, Jon Huntsman challenged us to produce students who can compete with the best and brightest anywhere in the world. The last decade has been a time of remarkable change, as we have sought to “get better fast”— better faculty, better facilities, and better students. Eight out of 10 of our faculty and nine out of 10 of our staff are new to the school in that period. -
QUICK FACTS/TABLE of CONTENTS University Soccer History Table of Contents Location: Lexington, Ky
QUICK FACTS/TABLE OF CONTENTS University Soccer History Table of Contents Location: Lexington, Ky. First Year: 1991 1. Quick Facts/TOC Founded: 1865 All-Time Record: 228-157-42 (.583) 2. 2013 Roster Enrollment: 28,928 Home Record: 127-54-23 (.679) 3. 2013 Schedule Nickname: Wildcats Postseason Record: 3-5 (.375) 4. Johan Cedergren Bio Colors: Blue (PMS 286) and White Last Postseason Appearance: 2012, hosted 5. Johan Cedergren Bio Conference: Conference USA Xavier in first round (0-1). 6. David Casper Bio (men’s soccer only, rifle in GARC, SEC for all 7. Erik Imler Bio other sports) Media Relations 8. Support Staff Stadium: UK Soccer Complex (3,000) Assistant Athletics Director: Tony Neely 9. Support Staff President: Dr. Eli Capilouto (UAB, 1971) Associate Director: Susan Lax 10. Support Staff Faculty Representative: Joseph Fink III Associate Director: 11. Player Bios (Philadelphia Pharmacy & Science, 1970) John Hayden (women’s soccer) 12. Player Bios Assistant Director: Evan Crane 13. Player Bios Athletic Administration Assistant Director: Brent Ingram (men’s soccer) 14. Player Bios Athletics Director: Mitch Barnhart Assistant Director: Deb Moore 15. Player Bios (Ottawa, 1981) Assistant Director/Internet: Pete Camagna 16. Player Bios Deputy Director of Athletics: Assistant Director/Cat Scratches: Guy Ramsey 17. Player Bios DeWayne Peevy Media Relations Assistants: Jake Most, Weston 18. Player Bios Executive Associate AD/Student-Athlete Pletcher, Charlie Healy 19. Player Bios Affairs: Sandy Bell Office Coordinator: Jamie Holloway 20. Player Bios Executive Associate AD/Internal Operations: Publications Director: Craig Hornberger 21. 2012 Results Marc Hill Creative Director: Kim Troxall 22. 2012 Team/Individual Stats Senior Associate AD/Facilities & Operations: Assistant Publications Director: Cailyn Huston 23. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
MARTY KATZ Producer
MARTY KATZ Producer Feature Films: KISSING STRANGERS - Independent - David Michael Katz, director LOVE RANCH - Capitol Films - Taylor Hackford, director THE GREAT RAID - Miramax Films - John Dahl, director THE FOUR FEATHERS - Paramount/Miramax Films - Shekhar Kapur, director IMPOSTER - Dimension Films - Gary Fleder, director REINDEER GAMES - Dimension Films - John Frankenheimer, director MR. WRONG - Touchstone Pictures/Mandeville Films - Nick Castle, director MAN OF THE HOUSE - Walt Disney Pictures - James Orr, director TITANIC (Production Consultant) - Twentieth Century Fox - James Cameron, director Executive Vice President, Motion Pictures and Television Production - Walt Disney Studios Oversaw all aspects of physical production, including post production, feature hits include: THE NIGHTMARE BEFORE CHRISTMAS - Touchstone Pictures - Henry Selick, director FATHER OF THE BRIDE - Touchstone Pictures - Charles Shyer, director THE ROCKETEER - Touchstone Pictures/Walt Disney Pictures - Joe Johnston, director PRETTY WOMAN - Touchstone Pictures - Garry Marshall, director DICK TRACY - Touchstone Pictures - Warren Beatty, director DEAD POETS SOCIETY - Touchstone Pictures - Peter Weir, director HONEY I SHRUNK THE KIDS - Walt Disney Pictures - Joe Johnston, director THE LITTLE MERMAID - Walt Disney Pictures - Ron Clements, John Musker, directors NEW YORK STORIES - Touchstone Pictures - Woody Allen, Francis Ford Coppola, directors WHO FRAMED ROGER RABBIT? - Touchstone/Amblin - Robert Zemeckis, director GOOD MORNING VIETNAM - Touchstone Pictures - Barry Levinson, director THREE MEN AND A BABY - Touchstone Pictures - Leonard Nimoy, director OUTRAGEOUS FORTUNE - Touchstone Pictures - Arthur Hiller, director THE COLOR OF MONEY - Touchstone Pictures - Martin Scorsese, director DOWN AND OUT IN BEVERLY HILLS - Touchstone Pictures - Paul Mazursky, director . -
University of Montana Commencement Program, 2015
University of Montana ScholarWorks at University of Montana University of Montana Commencement Programs, 1898-2020 Office of the Registrar 5-16-2015 University of Montana Commencement Program, 2015 University of Montana--Missoula. Office of the Registrar Follow this and additional works at: https://scholarworks.umt.edu/um_commencement_programs Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of the Registrar, "University of Montana Commencement Program, 2015" (2015). University of Montana Commencement Programs, 1898-2020. 118. https://scholarworks.umt.edu/um_commencement_programs/118 This Program is brought to you for free and open access by the Office of the Registrar at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana Commencement Programs, 1898-2020 by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE 118TH ANNUAL UNIVERSITY OF MONTANA COMMENCEMENT SATURDAY, MAY 16, 2015 WASHINGTON-GRIZZLY STADIUM ____ UNIVERSITY OF MONTANA ACADEMIC REGALIA The academic regalia-consisting of cap, gown and hood-originated in about the twelfth century. It was primarily worn for warmth. Agriculture...............................................................................Maize Arts, Letters, Humanities................................................ White Commerce, Accountancy, Business............................ Drab Dentistry.................................................................................... -
David Appleby Photography CV
CV- Motion Picture/Special Stills photographer Movie Credits include: Jungle Book: Origins Directed by Andy Serkis The Aftermath Directed by James Kent Goodbye Christopher Robin Directed by Simon Curtis Absolutely Fabulous: The Movie Directed by Mandie Fletcher Mortdecai Directed by David Koepp London Has Fallen Directed by Babak Najafi Belle Directed by Amma Asante The Invisible Woman Directed by Ralph Fiennes Hansel & Gretel: Witch Hunters Directed by Tommy Wirkola Warhorse Directed by Steven Spielberg Robin Hood Directed by Ridley Scott Ninja Assassin Directed by Wachowski Brothers Speed Racer Directed by Wachowski Brothers The Seeker: The Dark Is Rising Directed by David Cunningham Sleuth Directed by Kenneth Brannagh 1408 Directed by Mikael Hafstrom Eragon Directed by Stefen Fangmeier The Grudge 2 Directed by Takashi Shimizu Half Light Directed by Craig Rosenberg V For Vendetta Directed by James McTiegue The Kingdom of Heaven Directed by Ridley Scott Alfie Directed by Charles Shyer Around the World in 80 Days Directed by Frank Coraci Ella Enchanted Directed by Tommy O’Haver Sylvia Directed by Christine Jeffs The Life of David Gale Directed by Alan Parker The Good Thief Directed by Neil Jordan Possession Directed by Neil La Bute Proof of Life Directed by Taylor Hackford Chocolat Directed by Lasse Hallstrom Quills Directed by Philip Kaufman The End of the Affair Directed by Neil Jordan Angela’s Ashes Directed by Alan Parker Entrapment Directed by Jon Amiel Onegin Directed by Martha Fiennes Hilary & Jackie Directed by Anand Tucker CV-