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Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan
FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC. -
Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux D’Artifices / the Last Days of Disco / Le Septième Ciel / Wild Man Blues]
Document generated on 09/27/2021 9:20 p.m. Ciné-Bulles Le cinéma d’auteur avant tout Critiques Bulworth Fear and Loathing in Las Vegas Feux d’artifices The Last Days of Disco le Septième Ciel Wild Man Blues Paul Beaucage, Charles-Stéphane Roy and Jean Beaulieu Volume 17, Number 2, Summer 1998 URI: https://id.erudit.org/iderudit/34365ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this review Beaucage, P., Roy, C.-S. & Beaulieu, J. (1998). Review of [Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux d’artifices / The Last Days of Disco / le Septième Ciel / Wild Man Blues]. Ciné-Bulles, 17(2), 48–56. Tous droits réservés © Association des cinémas parallèles du Québec, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Critiques BULWORTH de Jay Bulworth (Warren Beatty), un sénateur dé de Warren Beatty mocrate qui, las des mensonges et de la corruption politiques, décide d'avouer la vérité (si âpre soit- elle) à ses électeurs. À quoi doit-on attribuer sa sou par Paul Beaucage daine volte-face? Mystère. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
MAPS to the STARS Vértigo Films
CON LA GANADORA DEL OSCAR® JULIANNE MOORE UN FILM DE DAVID CRONENBERG PRESSBOOK MAPS TO THE STARS Vértigo Films Fernando Lueches [email protected] 91 524 08 19 www.vertigofilms.es MEJOR ACTRIZ JULIANNE MOORE NOMINADA AL GLOBO DE ORO MEJOR ACTRIZ COMEDIA O MUSICAL JULIANNE MOORE ENTERTAINMENT ONE presenta En asociación con PROSPERO PICTURES y SBS PRODUCTIONS STARMAPS PRODUCTIONS/SBS PRODUCTIONS/INTEGRAL FILM PRODUCTION producido con la participación de TELEFILM CANADA ONTARIO MEDIA DEVELOPMENT COPRORATION/THE HAROLD GREENBERG FUND en coproducción con AXONE INVENST y la participación de CANAL +/OCS Una película de DAVID CRONENBERG MAPS TO THE STARS NOTAS DE PRODUCCIÓN JULIANNE MOORE MIA WASIKOWSKA OLIVIA WILLIAMS EVAN BIRD SARAH GADON NIAMH WILSON DAWN GREENHALGH con JOHN CUSACK y ROBERT PATTINSON Productores Ejecutivos RENEE TAB PATRICE THEROUX BENEDICT CARVER Co-Productor ALFRED HÜRMER Productor MICHEL MERKT Producido por MARTIN KATZ SAÏD BEN SAÏD Guión de BRUCE WAGNER Dirigida por DAVID CRONENBERG Sinopsis Con este historia sobre una familia de Hollywood llena de secretos y al borde de la implosión, el director David Cronenberg (PROMESAS DEL ESTE, UNA HISTORIA DE VIOLENCIA) crea tanto una diabólica sátira social como una muy humana historia de fantasmas sobre nuestra cultura, tan obsesionada con la fama. MAPS TO THE STARS se centra en la familia Weiss, la cual se abre camino en un caluroso sur de California colmado de dinero, sueños, fama, envidias, angustias, ambiciones… y traumas sin fin. Sanford Weiss (John Cusack) es un famoso terapeuta televisivo cuya programa de auto-ayuda le ha traído una clientela de famosos de alto nivel. -
Repartitie Speciala Intermediara Septembrie 2019 Aferenta Difuzarilor Din Perioada 01.04.2009 - 31.12.2010 DACIN SARA
Repartitie speciala intermediara septembrie 2019 aferenta difuzarilor din perioada 01.04.2009 - 31.12.2010 DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 11:59 11:59 2005 US Jamin Winans Jamin Winans 007: partea lui de consolare Quantum of Solace 2008 GB/US Marc Forster Neal Purvis - ALCS Robert Wade - ALCS Paul Haggis - ALCS 10 lucruri nu-mi plac la tine 10 Things I Hate About You 1999 US Gil Junger Karen McCullah Kirsten Smith 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5: Apocalipsa I 10.5: Apocalypse I 2006 US John Lafia John Lafia 10.5: Apocalipsa II 10.5: Apocalypse II 2006 US John Lafia John Lafia 100 de pusti 100 Rifles / 100 de carabine 1969 US Tom Gries Clair Huffaker Tom Gries 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales EG/FR/ GB/IR/J 11 povesti pentru 11 P/MX/U Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Marie-Jose Sanselme septembrie 11'09''01 - September 11 2002 S Inarritu Mira Nair Amos Gitai - SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS Shohei Imamura Youssef Chahine Samira Makhmalbaf Idrissa Quedraogo Inarritu Amos Gitai - SACD SACD SACD/ALCS Ken -
SATURDAY, FEBRUARY 1, 2014 Edison Ballroom 240 West 47Th Street • NYC
The Writers Guild of America, East Presents SATURDAY, FEBRUARY 1, 2014 Edison Ballroom 240 West 47th Street • NYC FEBRUARY 1, 2014 EDISON BALLROOM 1 2 The 66th Annual Writers Guild Awards SATURDAY, FEBRUARY 1, 2014 • EDISON BALLROOM • NEW YORK CITY Officers Lowell Peterson Michael Winship: President Executive Director Jeremy Pikser: Vice President Bob Schneider: Secretary–Treasurer Ruth Gallo Assistant Executive Director Council Members John Auerbach Marsha Seeman Henry Bean Assistant Executive Director Walter Bernstein Sue “Bee” Brown Awards Committee Arthur Daley Bonnie Datt, Chair Bonnie Datt Ann B. Cohen Terry George Gail Lee Gina Gionfriddo John Marshall Susan Kim Allan Neuwirth Jenny Lumet Danielle Paige Patrick Mason Courtney Simon Zhubin Parang Richard Vetere Phil Pilato Bernardo Ruiz Ted Schreiber Dana Weissman Lara Shapiro Director of Programs Courtney Simon Duane Tollison Nancy Hathorne Richard Vetere Events Coordinator Jason Gordon Director of Communications PKPR Red Carpet 3 DRAMA SERIES MAD MEN Written by Matthew Weiner André Jacquemetton Maria Jacquemetton Janet Leahy Semi Chellas Erin Levy Lisa Albert Michael Saltzman Tom Smuts Jonathan Igla Jason Grote Carly Wray CONGRATULATIONS TO OUR WRITERS GUILD AWARDS NOMINEES DRAMA SERIES BREAKING BAD Written by Vince Gilligan Sam Catlin Peter Gould George Mastras Thomas Schnauz Moira Walley-Beckett Gennifer Hutchison EPISODIC DRAMA “BURIED” Written by Thomas Schnauz “CONFESSIONS” Written by Gennifer Hutchison “GRANITE STATE” Written by Peter Gould © 2014 AMC Network Entertainment LLC. All rights reserved. AMC 3752 BRIAN S. Version: BLACK AND WRITERS GUILD OF AMERICA WHITE AD FULL PAGE NO BLEED 150 N/A 4.5"W X 7.5"H REVISED 1/10/14 client and prod special info: # A-004 job#1537F artistBRIAN S. -
Engineering (Mail Stop No
COUNCIL FILE NO. _/Jl._-_0_4_8_1_ COUNCIL DISTRICT NO. 13 v APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Councll pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s). _x} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ____, Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____, Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council liAR 2 9 2012 Of the City of Los Angeles Honorable Members: C. -
A Guide to the Austin Film Festival Conference Recordings
A Guide to the Austin Film Festival Conference Recordings 1994-2007 Collection 125 Descriptive Summary Creator: Austin Film Festival Title: Austin Film Festival Conference Recordings Dates: 1994-2007 Abstract: The Austin Film Festival (AFF), a non-profit organization founded in 1994 and based in Austin, Texas, hosts an annual Austin Film Festival & Conference, a gathering of professional and amateur screenwriters and filmmakers to participate in panel presentations, parties, Screenplay and Teleplay Competitions, and screenings. Audio and video media and digital files in this collection document proceedings of the Festival, including panel presentations and two awards ceremonies. Select digital materials may be accessed at https://digital.library.txstate.edu/handle/10877/6478. Identification: Collection 125 Extent: 457 audio and video files Language: English Repository: The Wittliff Collection, Texas State University Historical Sketch The Austin Film Festival, a non-profit organization founded in 1994 and based in Austin, Texas, hosts an annual Austin Film Festival & Conference, a gathering of professional and amateur screenwriters and filmmakers to participate in panel presentations, parties, Screenplay and Teleplay Competitions, and screenings. It was the first event of its kind to focus on screenwriters and filmmakers, and refers to itself as “the writers’ conference.” The Austin Film Festival mission states that, “Austin Film Festival furthers the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film and television to tell a story.” Best known for its annual Festival, the Austin Film Festival also offers year-round events, a young filmmakers program, as well as the television show, radio show, and podcast known as On Story. -
Episode V - the Empire Strikes Back
Orijinal İsim Shawshank Redemption, The Godfather, The Godfather: Part II, The Dark Knight, The Star Wars: Episode V - The Empire Strikes Back Star Wars Fight Club Lord of the Rings: The Return of the King, The Casablanca Zeitgeist: Addendum Le fabuleux destin d’Amèlie Poulain WALL-E Saving Private Ryan Up El laberinto del fauno Inglourious Basterds 2001: A Space Odyssey Avatar Metropolis Prestige, The Star Wars: Episode VI - Return of the Jedi No Country for Old Men Sin City Slumdog Millionaire District 9 V for Vendetta Big Lebowski, The Star Trek Nefes: Vatan sagolsun Papillon Iron Man Curious Case of Benjamin Button, The Persepolis Casino Royale Changeling (500) Days of Summer Rain Man Stoning of Soraya M., The Hurt Locker, The E.T.: The Extra-Terrestrial Up in the Air Star Wars: Episode III - Revenge of the Sith Kabadayi Felon Kite Runner, The Blind Side, The La faute à Fidel! Field of Dreams Assassination of Jesse James by the Coward Robert Ford, The Vavien Harry Potter and the Goblet of Fire Godfather: Part III, The Ocean’s Eleven Sherlock Holmes An Education Precious: Based on the Novel Push by Sapphire August Rush Mongol Cloverfield Harry Potter and the Order of the Phoenix Bolt Vicky Cristina Barcelona Harry Potter and the Half-Blood Prince A Serious Man Arlington Road Orphan Air I Breathe, The A.R.O.G Issız adam Ice Age: Dawn of the Dinosaurs Fracture Bobby Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Dondurmam gaymak Yes Man Street Kings Disturbia 1408 Brave One, The Crossing Over Ocean’s Thirteen Star Wars: Episode II - Attack of the Clones Alice in Wonderland Transsiberian Flawless Mustafa Lake House, The Angels & Demons Last House on the Left, The Vantage Point Ring of the Nibelungs Death Race Hitchhiker’s Guide to the Galaxy, The Interpreter, The Underworld: Rise of the Lycans 17 Again Awake Night at the Museum Star Wars: Episode I - The Phantom Menace Secret dèfense Knowing Outlander Sleuth Hush Polis Nine Transporter 2 One Way Night at the Museum: Battle of the Smithsonian Mr. -
Women, Film and Racial Thinking: Exploring the Representation and Reception of Interracial Romance
WOMEN, FILM AND RACIAL THINKING: EXPLORING THE REPRESENTATION AND RECEPTION OF INTERRACIAL ROMANCE Carole Viola Bell A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2010 Approved by: Dr. Anne Johnston (Chair) Dr. Jane Brown Dr. Robert Entman Dr. Marco Steenbergen Dr. Lucila Vargas Dr. Trevy McDonald ©2009 Carole Viola Bell ALL RIGHTS RESERVED ii Abstract Carole Viola Bell Women, Film and Racial Thinking: Exploring the Representation and Reception of Interracial Romance (Under the direction of Dr. Anne Johnston) At the height of the civil rights movement, the symbolic struggle inherent in interracial images was plainly visible in the picket lines and protests attracted by movies like Island in the Sun (1957). More than 50 years later, such demonstrations are long gone, but the Black- White interracial couple is still a figure imbued with personal and political significance. Recognizing this enduring importance and the complicated relationship between race and sexuality in American culture, the purpose of this dissertation was to explicate the beliefs about race that are implicated in Hollywood depictions of Black-White interracial romantic relationships and to understand how young women of different backgrounds make sense of these perspectives. To that end, this research employed a mixed methods approach combining quantitative and qualitative content analysis and focus groups, all aimed at the goal of illuminating the representation and reception of supportive and critical messages about race relations and interracial relationships in popular films produced since 1954. -
Listing by Title-Director-Cinematographer-Editor-Writer Title Director Cinematographer Editor Writer
Listing by Title-Director-Cinematographer-Editor-Writer Title Director Cinematographer Editor Writer ...And the Pursuit of Happiness Malle, Louis Malle, Louis Baker, Nancy * ¡Alambrista! Young, Robert M. Hurwitz, Tom; Robert M. Young Beyer, Edward Young, Robert M. 10 Rillington Place Fleischer, Richard Coop , Denys N. Walter, Ernest Kennedy , Ludovic; Clive Exton 10:30 PM Summer Dassin, Jules Pogány, Gábor Dwyre, Roger Duras, Marguerite; Jules Dassin 10th Victim, The Petri, Elio Di Venanzo, Gianni Mastroianni , Ruggero Sheckley, Robert; Tonino Guerra; Giorgio Salvioni, e 12 Angry Men Lumet, Sidney Kaufman, Boris Lerner , Carl Rose, Reginald 1900 Bertolucci, Bernardo Storaro, Vittorio Arcalli, Franco Arcalli, Franco; Bernardo Bertolucci 1917 Mendes, Sam Deakins, Roger Smith, Lee Mendes, Sam; Krysty Wilson-Cairns 1984 Radford, Michael Deakins, Roger Priestley, Tom Radford, Michael; George Orwell 2 or 3 Things I Know About Her Godard, Jean-Luc Coutard, Raoul Collin, Françoise Godard, Jean-Luc 20 Million Miles to Earth Juran, Nathan Lippman, Irving; Carlo Ventimiglia Bryant, Edwin H. Williams, Robert Creighton; Christopher Knopf 2001: A Space Odyssey [4K UHD] Kubrick, Stanley Unsworth, Geoffrey Lovejoy, Ray Clarke, Arthur; Stanley Kubrick 2046 Wong, Kar Wai Doyle, Christopher; Pung-Leung Kwan Chang, William Wong, Kar Wai 21 Grams Iñárritu, Alejandro González Prieto, Rodrigo; Fortunato Procopio Mirrione, Stephen Arriaga, Guillermo 23 Paces to Baker Street Hathaway, Henry Krasner, Milton R. Clark, James B. Balchin, Nigel; Philip MacDonald 24 City Zhangke, Jia Wang, Yu; Nelson Yu Lik-wai Kong, Jing Lei; Xudong Lin Zhang-ke, Jia; Yongming Zhai 24 Frames Kiarostami, Abbas * * * 25th Hour Lee, Spike Prieto, Rodrigo Brown, Barry Alexander Benioff, David 3 Godfathers Ford, John Hoch, Winton C. -
Beatty Beats the System
# 1999/28 webredaktion https://jungle.world/artikel/1999/28/beatty-beats-system Beatty Beats the System Von tobias nagl Hollywoods Leftist und Reform-Macho Warren Beatty gibt sich in seinem HipHop-Lehrstück "Bulworth" nicht mit Identitätspolitik zufrieden. "Warren Beatty kann nicht rappen", schreibt der afro-amerikanische Literaturprofessor Henry Louis Gates Jr. im New Yorker. Das ist natürlich richtig, aber es ist nicht das Problem. An Warren Beattys hinreißend kluger Komödie "Bulworth", die eine noch nicht in den Strudel der Partikularismen geratene Gesellschaftskritik der sechziger Jahre durch die Hiphop-Kultur der neunziger Jahre revitalisiert, wird man sich vielmehr als an einen der wenigen Hollywood-Filme mit einem tatsächlich politisch radikalen Anliegen erinnern. Bereits vor seinem Kinostart ist der Film zum Politikum geworden. Unzählige Male verschoben, startet er nun in Deutschland über ein Jahr nach seiner US-Premiere mit nicht mal 20 Kopien - und wird es auch hierzulande schwer haben, auf dem segmentierten Kinomarkt ein Publikum zu finden. Zwar wurde "Bulworth" mit einem HipHopSoundtrack, der die ganz Großen des Genres vereint, beworben, einschließlich der MTV-Heavy- Rotation des letztjährigen Sommerhits "Ghetto Supastar" von Praz, Ol' Dirty Bastard und Mya. Dennoch dürfte sich der Film für die jugendlichen Konsumenten von Rap-CDs und neueren schwarzen Komödien als viel zu dialoglastig und zu sehr auf spezifische Fragen der amerikanischen Innenpolitik ausgelegt erweisen. Umgekehrt ist diese lärmige Twentieth Century Fox-Produktion viel zu schmucklos inszeniert - trotz Cameo-Auftritt der afro-amerikanischen Beat-Poetry-Koryphäe Amiri Baraka - und viel zu sehr an issues denn an manieriertem Kunstwollen interessiert, als daß er dem Programmkino-Publikum einen besinnlichen Abend voll schöner Bilder bescheren könnte.