Pressemitteilung 24.07.2015
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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Piano Recital Prize and Arnold Schoenberg
1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’). -
Welcome to the Summer Season at the RNCM
Sonic art, laser beams and technology ignite our artistic programme, with the first-ever RNCM and Welcome FutureEverything collaboration, creating Tools for Unknown Futures – a festival combining innovative art and performance with new devices, insightful discussion and playful social to the experimentation (28 Mar – 1 Apr). Contrast, social debate and fast-changing Summer politics lie at the core of all of this, permeating our entire Summer programme with Zoe Trope (5 Apr), I Came and I Vanished (27 Apr), Youth Perform’s presentation of the post-WW1 season at socio-political Brecht/Weill collaboration, The Threepenny Opera (23 – 26 Apr), and culminating in the music of the salons and the RNCM concert halls between 1890 – 1900, in our Day of Song at the Royal Exchange Theatre (27 Apr). Opera Scenes are back (27, 29 May, 6, 13 Jun) covering a rich and diverse repertoire and RNCM Opera goes to the Capitol Theatre with a fantastic production of Stephen Sondheim’s Company (25 Jun – 4 Jul) Our International Artist Diploma recitals feature the beautiful tenor voice of Kang Wang in Ludwig van Beethoven’s An die ferne Geliebte (30 Apr), as well as the Zelkova Quartet (13 Jun) with Beethoven and Bartók String Quartets; while Chester Cathedral welcomes our International Artist Diploma Concerto Weekend (5 – 7 Jun) featuring Mozart’s glorious, yet wistful, Piano Concerto in E flat major (Yasmin Rowe), Rossini’s rarely performed Bassoon Concerto in B flat major (Alejandra Rojas), Ibert’s high-spirited, yet lyrical Flute Concerto (Helen Wilson) and Schumann’s spontaneously romantic Cello Concerto in A minor (Mikhail Nemstov). -
« One of Not Many » New Communications Campaign « One of Not Many » New Communications Campaign
« ONE OF NOT MANY » NEW COMMUNICATIONS CAMPAIGN « ONE OF NOT MANY » NEW COMMUNICATIONS CAMPAIGN OVERVIEW – « ONE OF NOT MANY » TALENTS Vacheron Constantin unveils its new communications campaign – BENJAMIN CLEMENTINE “One of not many”. The signature of the new Vacheron Constantin communications campaign – defines the exceptional universe it has embodied for more than 260 years. In the prestigious realm JAMES BAY of Fine Watchmaking, this is a Maison for connoisseurs, profoundly attached to human values and – enriched by expertise passed on across generations of master watchmakers and artisans. ORA ITO – Founded in 1755, Vacheron Constantin is the oldest watch manufacturer in continuous operation. CORY RICHARDS For more than 260 years, it has been constantly reinventing itself in keeping with the purest Fine Watchmaking traditions. Its philosophy is grounded on knowledge rather than outward appearance. The constant innovation, the spirit of exploration, the passion and the uncompromisingly high standards of its watchmakers and artisans; the transmission of ancestral skills, the wealth of its heritage and its ability to adapt to its times: such are the values that earn it both recognition and respect within the exclusive circle of Fine Watchmaking connoisseurs. “The watch industry represents over one billion watches per year, of which only 25 million are produced in Switzerland and barely 500,000 can lay claim to Fine Watchmaking status. Within this context, Vacheron Constantin focuses on limited and reasonable production volumes, as required to offer the highest level of quality, aesthetics and expertise. Within an already highly exclusive segment, our Maison is committed to maintaining a unique and sophisticated character. -
Benjamin Clementine
97* 30." GIORNO&NOTTE la Repubblica MARTEDÌ 25 LUGLIO 2017 la Repubblica MARTEDÌ 25 LUGLIO 2017 97** MAXXI A VOCE, tra armonie e improvvisazioni stilistiche. L’attenzione verso il repertorio della MUSEO BONCOMPAGNI E volete sapere, e sentire, come faccia un amore a formidabile tratta dall’omonimo romanzo di Gabriel imprevedibili, nel progetto che propone questa tradizione jazzistica e la necessità di andare verso la consumarsi solo dopo esattamente 51 anni, 9 mesi Garcìa Màrquez del 1985 (ne nacque anche un bel film L sera al Maxxi l’ensemble diretto da Carla sperimentazione, hanno dato vita a un progetto basato S e 4 giorni dalla data del suo sbocciare, con lei, la del 2007 con Giovanna Mezzogiorno e Javier Bardem), Carla Marcotulli Marcotulli, vocalist jazz fra le più stimate nonchè sull’utilizzo anche ludico della voce. Si spazierà così dalle Ai tempi del colera donna, che, vedova settantaduenne, finalmente cede al con regia teatrale di Cristina Pezzoli, e con musica dal docente di canto presso il Conservatorio di Santa Cecilia. improvvisazioni a cappella di brani classici del jazz a suo innamorato dell’adolescenza, dopo tante lettere vivo di Alessandro Nidi e Marco Caronna, lavoro che esperimenti vocali Nel suo passato anche il viaggio musicale “How can I get giochi vocali dettati dall’atmosfera della serata. (fe. li.) Laura Marinoni intercorse, dopo che lui (solo a seguito di una matura stasera svetta al Museo Boncompagni Ludovisi. to mars?” nel quale coltivava l’idea di intrecciare scoperta della sessualità) ha collezionato 622 amanti, ai confini del jazz universi sonori diversi. Questa sera la Marcotulli Maxxi Via Guido Reni 4, piazza del Museo, stasera ore 21, interpreta Màrquez allora non perdetevi il capolavoro di monologo recitato e Museo Boncompagni Ludovisi Via Boncompagni 18 coinvolgerà gli allievi dei corsi di jazz del Conservatorio ingresso libero, tel. -
« One of Not Many » Neue Kommunikationskampagne « One of Not Many » Neue Kommunikationskampagne
« ONE OF NOT MANY » NEUE KOMMUNIKATIONSKAMPAGNE « ONE OF NOT MANY » NEUE KOMMUNIKATIONSKAMPAGNE ÜBERBLICK – « ONE OF NOT MANY » TALENTE Vacheron Constantin stellt neue Kommunikationskampagne vor – BENJAMIN CLEMENTINE “One of not many”. Das Motto der neuen Kommunikationskampagne von Vacheron Constantin – gewährt Einlass in das außergewöhnliche Universum, in dem die Maison seit mehr als 260 Jahren JAMES BAY zu Hause ist. Im prestigeträchtigen Reich der Haute Horologerie ist Vacheron Constantin für – Kenner das Haus, das menschlichen Werten zutiefst verpflichtet ist und auf ein Wissen und Können ORA ITO zurückgreifen kann, das sich Meisteruhrmacher und kunstbegabte Handwerker seit Generationen – erarbeitet und weitergeben haben. CORY RICHARDS Vacheron Constantin wurde 1755 gegründet und ist die älteste, ununterbrochen tätige Uhrenmanufaktur der Welt. Seit mehr als 260 Jahren erfindet sich das Unternehmen beständig neu, ohne die Spur der reinsten Traditionen der Feinuhrmacherei zu verlassen. Die Philosophie des Hauses gründet in Wissen und Können und nicht auf Äußerlichkeiten. Beständige Innovation, Forschergeist, Leidenschaft und ein kompromisslos hoher Anspruch der Uhrmacher und Kunsthandwerker an ihre Arbeiten; die Weitergabe überlieferter Fähigkeiten, der Reichtum des Erbes und die Fähigkeit, sich den Zeitläufen anzupassen: Auf diesem Wertegerüst ruht die Wertschätzung und Achtung, die Vacheron Constantin vom exklusiven Kreis der Kenner hoher Uhrmacherkunst entgegengebracht werden. „Die globale Uhrenbranche stemmt ein Volumen von über einer Milliarde Uhren pro Jahr, von denen lediglich 25 Millionen in der Schweiz produziert werden und nur knapp 500.000 den Zugehörigkeitsstatus zur Haute Horologerie beanspruchen können. In diesem Zusammenhang beschränkt sich Vacheron Constantin auf limitierte und sinnvolle Produktionsmengen, um ein Höchstmaß an Qualität, Ästhetik und Expertise bieten zu können. In einem ohnehin schon sehr exklusiven Segment nimmt unser Haus für sich in Anspruch, einen außergewöhnlichen und verfeinerten Charakter zu pflegen. -