Full Programme for Spirit of ‘47 Announced
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Rufus Wainwright
SOUTHERN CALIFORNIA NOVEMBER 2019 RUFUS WAINWRIGHT A RARE GLIMPSE INSIDE THE MIND OF THE CELEBRATED SINGER-SONGWRITER SNUGGLE UP TO CUBBY THE ECCENTRIC, LOVABLE LGBTQ FEATURE DEBUT FROM MARK BLANE STEVE GRAND PINK CHAMPAGNE AND MARTINIS WITH THE ALL AMERICAN BOY SET YOUR PHASERS TO STUNNING FAZE EXPANDS OUTER LIMITS OF ASTRO-POP ROOM FOR A THIRD? MATTHEW LYNN’S SEXY AND STYLISH NEW DEKKOO ORIGINAL SERIES WINTER IS COMING FRANCES FISHER STARS IN THE LION IN WINTER EXPLORING YUCATÁN A RICH, PROUD HERITAGE LIFESTYLE EVENTS FASHION ENTERTAINMENT NIGHTLIFE COMMUNITY November 2019 VOLUME 13 ISSUE 6 SPOTLIGHTS 22 FILM Snuggle up to Cubby 28 STREAM QUEEN Matthew Lynn’s Sexy and Stylish Dekkoo Original Series The Third 32 ARTIST SPOTLIGHT Pink Champagne and Martinis with Steve Grand 34 ONE TO WATCH Faze expands outer limits of astro-pop COMMUNITY 10 CALIFORNIA MEN’S GATHERING 28 12 LGBTQ COMMUNITY EVENTS FEATURE 14 LGBTQ COMMUNITY EVENTS INTERVIEW PALM SPRINGS REINVENTING RUFUS 16 DESERT BRIEFS WITH BELLA DA BALL STAGE 36 THE LION IN WINTER 38 ANASTASIA 40 SAN DIEGO THEATRE BRIEFS 42 ORANGE/L.A. COUNTIES THEATRE BRIEFS INDULGENCES 20 RAGE RECOMMENDS 44 TRAVEL: EXPLORING YUCATÁN 48 BUSINESS SPOTLIGHT: THE NEW CLUB SAN DIEGO 50 IMAGE LAB: THE ‘WAX’ KING OF PALMER SKIN 52 THE L EFFECT 54 SEXUALITY 56 GENERATION Y 58 CALENDAR: FAB EVENTS THIS MONTH 62 CLOSING OPINION photo by matthew welch 6 RAGE monthly | NOVEMBER 2019 feature interview by tom andrew he New York Times has lauded Rufus Wainwright for his “genuine originality.” Rolling Stone calls him “brilliant,” and The Guardian says he’s “an incorrigible crowd pleaser.” He has had quite a tumultuous life and career, but there’s REINVENTING Treally no need to go into all of that except to say that what he has experienced in his life thus far has come out in his lyrics and music. -
An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Meow Meow's Pandemonium Rufus Wainwright Amanda
KABARETT HAUS MEOW MEOW’S PANDEMONIUM RUFUS WAINWRIGHT AMANDA PALMER Image: Karl Giant Image: Mark Gambino Founder Principal Partner CREDITS WELCOME TO KABARETT HAUS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs Kabarett Haus Designer Bruce McKinven It is a rare being who in solo performance can create Peter Rubie and knowledge on their kwobidak boodjar. Kabarett Haus Lighting Designer an electricity and connection with an audience in the hugeness of a concert hall that is both grand and genuine. When I was asked if I could bring two people for They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers MEOW MEOW’S PANDEMONIUM and custodians and the vital role Noongar people play for our community and our Festival to flourish. a program that celebrates the solo voice, I immediately Created & Performed by Meow Meow thought of two artists with an extraordinary sense of Conductor Iain Grandage honesty in their performance – Rufus Wainwright and Featuring Thomas M Lauderdale (piano) Amanda Palmer. West Australian Symphony Orchestra It is with great pleasure that I have curated this mini- First Violin Semra Lee-Smith, Graeme Norris, series of concerts for Perth Festival’s Kabarett Haus Stephanie Dean, Beth Hebert, Alexandra Isted, season. I am thrilled to present two artists who in their Christina Katsimbardis, Kathryn Lee, Cerys Tooby songwriting, musicianship, art, activism and lives bring Second Violin Zak Rowntree, Kylie Liang, what is for me the essence of great performance – I’m Sarah Blackman, Sunmi Jung, Lucas O’Brien, calling it ‘epic intimacy’. -
Piano Recital Prize and Arnold Schoenberg
1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’). -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Welcome to the Summer Season at the RNCM
Sonic art, laser beams and technology ignite our artistic programme, with the first-ever RNCM and Welcome FutureEverything collaboration, creating Tools for Unknown Futures – a festival combining innovative art and performance with new devices, insightful discussion and playful social to the experimentation (28 Mar – 1 Apr). Contrast, social debate and fast-changing Summer politics lie at the core of all of this, permeating our entire Summer programme with Zoe Trope (5 Apr), I Came and I Vanished (27 Apr), Youth Perform’s presentation of the post-WW1 season at socio-political Brecht/Weill collaboration, The Threepenny Opera (23 – 26 Apr), and culminating in the music of the salons and the RNCM concert halls between 1890 – 1900, in our Day of Song at the Royal Exchange Theatre (27 Apr). Opera Scenes are back (27, 29 May, 6, 13 Jun) covering a rich and diverse repertoire and RNCM Opera goes to the Capitol Theatre with a fantastic production of Stephen Sondheim’s Company (25 Jun – 4 Jul) Our International Artist Diploma recitals feature the beautiful tenor voice of Kang Wang in Ludwig van Beethoven’s An die ferne Geliebte (30 Apr), as well as the Zelkova Quartet (13 Jun) with Beethoven and Bartók String Quartets; while Chester Cathedral welcomes our International Artist Diploma Concerto Weekend (5 – 7 Jun) featuring Mozart’s glorious, yet wistful, Piano Concerto in E flat major (Yasmin Rowe), Rossini’s rarely performed Bassoon Concerto in B flat major (Alejandra Rojas), Ibert’s high-spirited, yet lyrical Flute Concerto (Helen Wilson) and Schumann’s spontaneously romantic Cello Concerto in A minor (Mikhail Nemstov). -
« One of Not Many » New Communications Campaign « One of Not Many » New Communications Campaign
« ONE OF NOT MANY » NEW COMMUNICATIONS CAMPAIGN « ONE OF NOT MANY » NEW COMMUNICATIONS CAMPAIGN OVERVIEW – « ONE OF NOT MANY » TALENTS Vacheron Constantin unveils its new communications campaign – BENJAMIN CLEMENTINE “One of not many”. The signature of the new Vacheron Constantin communications campaign – defines the exceptional universe it has embodied for more than 260 years. In the prestigious realm JAMES BAY of Fine Watchmaking, this is a Maison for connoisseurs, profoundly attached to human values and – enriched by expertise passed on across generations of master watchmakers and artisans. ORA ITO – Founded in 1755, Vacheron Constantin is the oldest watch manufacturer in continuous operation. CORY RICHARDS For more than 260 years, it has been constantly reinventing itself in keeping with the purest Fine Watchmaking traditions. Its philosophy is grounded on knowledge rather than outward appearance. The constant innovation, the spirit of exploration, the passion and the uncompromisingly high standards of its watchmakers and artisans; the transmission of ancestral skills, the wealth of its heritage and its ability to adapt to its times: such are the values that earn it both recognition and respect within the exclusive circle of Fine Watchmaking connoisseurs. “The watch industry represents over one billion watches per year, of which only 25 million are produced in Switzerland and barely 500,000 can lay claim to Fine Watchmaking status. Within this context, Vacheron Constantin focuses on limited and reasonable production volumes, as required to offer the highest level of quality, aesthetics and expertise. Within an already highly exclusive segment, our Maison is committed to maintaining a unique and sophisticated character. -
Hammer Museum Honors Laurie Anderson and Todd
For Immediate Release: October 10, 2016 Contact: Nancy Lee, [email protected], 310-443-7016 HAMMER MUSEUM HONORS LAURIE ANDERSON AND TODD HAYNES AT THE GALA IN THE GARDEN WITH SUPPORT FROM BOTTEGA VENETA Highlights included tributes from Karl Ove Knausgaard & Sarah Paulson; live performances by Laurie Anderson, Rufus Wainwright (Los Angeles, CA)—On Saturday, October 8, 2016, the Hammer Museum welcomed cultural and civic leaders, artists, collectors, patrons of the arts, and entertainment world notables to the 14th annual Gala in the Garden. The Gala raised over $2 million to support the Hammer’s dynamic and nationally acclaimed exhibitions and public programs, which are always free to the public. Returning for the fourth year, Bottega Veneta partnered with the Hammer Museum to present this year’s Gala in the Garden, celebrating both artists and creative expression in Los Angeles. Nearly 600 guests attended the Gala—held in the Museum’s outdoor courtyard—which honored artist Laurie Anderson and filmmaker Todd Haynes with tribute speeches by Norwegian author Karl Ove Knausgaard and Emmy-winning actress Sarah Paulson. Singer/songwriter Rufus Wainwright performed “Candles,” “The Art Teacher,” and “Going to a Town.” Event co-chairs included Jodie Foster and Alexandra Hedison, Robert Soros, and Bottega Veneta Creative Director Tomas Maier. The menu for the seated dinner was created by Suzanne Goin of Lucques. Maier and Hammer Museum Director Ann Philbin, wearing a Bottega Veneta suit, greeted guests who support the creative community at the Hammer including UCLA Chancellor Gene Block, Supervisor Mark Ridley Thomas, Paul McCarthy, Kim Gordon, January Jones, Will Ferrell, Mark Bradford, Patricia Arquette, Elizabeth Chambers, Emma Roberts, Selma Blair, Amanda Peet, Sterling Ruby, Alessandra Ambrosio, Laura Dern, Mamie Gummer, Minnie Driver, Isabel Lucas, Liz Goldwyn, Tom Ford, Joel McHale, Andie MacDowell, Frances Stark, and Njideka Akunyili Crosby. -
1 a Conversation with Rufus Wainwright by Frank
A Conversation with Rufus Wainwright by Frank Goodman (6/2007, Puremusic.com) Rufus Wainwright has gotten so big in recent years that he needs no introduction from us. His new CD Release The Stars debuted at #2 in the UK and #10 at iTunes. He is the brother of Martha and the son of Loudon and of Canadian Folk icon Kate McGarrigle. In Wikipedia, his genres are listed as Baroque Pop and Popera. His dad in a PM interview said that Rufus began listening to opera at a very young age. No, he doesn't sing like that, but on the other hand, no one's melodies are quite or even remotely like his. Also, his string and horn arrangements (whether handled by himself or his partners in poperatic crime) are quite unto themselves, and always one of the elements that set him immediately apart from the field, the entire field. In Michael Hill's beautiful bio at rufuswainwright.com, both the author's and especially the artist's words tell the story of Rufus's first self-produced CD and connected events in a most impressive fashion. It's reassuring that in this vapid rapid time there are still real artists in popular music. Puremusic: We haven't spoken in this way since 2003, so it's really great to have you on the phone again. Rufus Wainwright: Thank you. PM: Release the Stars, another triumph. You're in top form. RW: Thank you so much. Yeah, I'm definitely going for something-- [laughter] RW: God knows what it is, but it's something. -
Benjamin Clementine
97* 30." GIORNO&NOTTE la Repubblica MARTEDÌ 25 LUGLIO 2017 la Repubblica MARTEDÌ 25 LUGLIO 2017 97** MAXXI A VOCE, tra armonie e improvvisazioni stilistiche. L’attenzione verso il repertorio della MUSEO BONCOMPAGNI E volete sapere, e sentire, come faccia un amore a formidabile tratta dall’omonimo romanzo di Gabriel imprevedibili, nel progetto che propone questa tradizione jazzistica e la necessità di andare verso la consumarsi solo dopo esattamente 51 anni, 9 mesi Garcìa Màrquez del 1985 (ne nacque anche un bel film L sera al Maxxi l’ensemble diretto da Carla sperimentazione, hanno dato vita a un progetto basato S e 4 giorni dalla data del suo sbocciare, con lei, la del 2007 con Giovanna Mezzogiorno e Javier Bardem), Carla Marcotulli Marcotulli, vocalist jazz fra le più stimate nonchè sull’utilizzo anche ludico della voce. Si spazierà così dalle Ai tempi del colera donna, che, vedova settantaduenne, finalmente cede al con regia teatrale di Cristina Pezzoli, e con musica dal docente di canto presso il Conservatorio di Santa Cecilia. improvvisazioni a cappella di brani classici del jazz a suo innamorato dell’adolescenza, dopo tante lettere vivo di Alessandro Nidi e Marco Caronna, lavoro che esperimenti vocali Nel suo passato anche il viaggio musicale “How can I get giochi vocali dettati dall’atmosfera della serata. (fe. li.) Laura Marinoni intercorse, dopo che lui (solo a seguito di una matura stasera svetta al Museo Boncompagni Ludovisi. to mars?” nel quale coltivava l’idea di intrecciare scoperta della sessualità) ha collezionato 622 amanti, ai confini del jazz universi sonori diversi. Questa sera la Marcotulli Maxxi Via Guido Reni 4, piazza del Museo, stasera ore 21, interpreta Màrquez allora non perdetevi il capolavoro di monologo recitato e Museo Boncompagni Ludovisi Via Boncompagni 18 coinvolgerà gli allievi dei corsi di jazz del Conservatorio ingresso libero, tel. -
Psaudio Copper
Issue 41 SEPTEMBER 11TH, 2017 Welcome to Copper #41! The title isn't to announce a James Taylor retrospective---sorry to crush your hopes--- but is just what I see in today's weather reports. The Pacific Northwest, where I'm bound for a long-delayed vacation, is up in flames, along with many other parts of the tinder-dry US. Meanwhile, back in my former home of Florida...they've already had nearly two feet of rain, and Hurricane Irma is not even close to the state yet. Stay safe, everyone. I'm really pleased and excited to have Jason Victor Serinus back with us, with the first part of an intensive introduction to art song. Jason brings tremendous knowledge of the field, and provides plenty of recorded examples to listen to, and in the case of videos, watch. There are many stunning performances here, and I hope you enjoy this extraordinary resource. We'll have Part 2 in Copper #42. Dan Schwartz is again in the lead-off spot with the second in his series of articles on encounters–this one, with Phil Lesh and crew; Seth Godin tells us how control is overrated; Richard Murison hears a symphony; Duncan Taylor takes us to Take 1; Roy Hall tells about a close encounter of the art kind; Anne E. Johnson introduces indie artist Anohni; and I worry about audio shows (AGAIN, Leebs??), and conclude my look at Bang & Olufsen. Industry News tells of the sale of audiophile favorite, Conrad-Johnson; Gautam Raja is back with an amazing story that I think you'll really enjoy, all about Carnatic music, overlooked heritage, and the universal appeal of rock music; and Jim Smith takes another warped look at LPs. -
« One of Not Many » Neue Kommunikationskampagne « One of Not Many » Neue Kommunikationskampagne
« ONE OF NOT MANY » NEUE KOMMUNIKATIONSKAMPAGNE « ONE OF NOT MANY » NEUE KOMMUNIKATIONSKAMPAGNE ÜBERBLICK – « ONE OF NOT MANY » TALENTE Vacheron Constantin stellt neue Kommunikationskampagne vor – BENJAMIN CLEMENTINE “One of not many”. Das Motto der neuen Kommunikationskampagne von Vacheron Constantin – gewährt Einlass in das außergewöhnliche Universum, in dem die Maison seit mehr als 260 Jahren JAMES BAY zu Hause ist. Im prestigeträchtigen Reich der Haute Horologerie ist Vacheron Constantin für – Kenner das Haus, das menschlichen Werten zutiefst verpflichtet ist und auf ein Wissen und Können ORA ITO zurückgreifen kann, das sich Meisteruhrmacher und kunstbegabte Handwerker seit Generationen – erarbeitet und weitergeben haben. CORY RICHARDS Vacheron Constantin wurde 1755 gegründet und ist die älteste, ununterbrochen tätige Uhrenmanufaktur der Welt. Seit mehr als 260 Jahren erfindet sich das Unternehmen beständig neu, ohne die Spur der reinsten Traditionen der Feinuhrmacherei zu verlassen. Die Philosophie des Hauses gründet in Wissen und Können und nicht auf Äußerlichkeiten. Beständige Innovation, Forschergeist, Leidenschaft und ein kompromisslos hoher Anspruch der Uhrmacher und Kunsthandwerker an ihre Arbeiten; die Weitergabe überlieferter Fähigkeiten, der Reichtum des Erbes und die Fähigkeit, sich den Zeitläufen anzupassen: Auf diesem Wertegerüst ruht die Wertschätzung und Achtung, die Vacheron Constantin vom exklusiven Kreis der Kenner hoher Uhrmacherkunst entgegengebracht werden. „Die globale Uhrenbranche stemmt ein Volumen von über einer Milliarde Uhren pro Jahr, von denen lediglich 25 Millionen in der Schweiz produziert werden und nur knapp 500.000 den Zugehörigkeitsstatus zur Haute Horologerie beanspruchen können. In diesem Zusammenhang beschränkt sich Vacheron Constantin auf limitierte und sinnvolle Produktionsmengen, um ein Höchstmaß an Qualität, Ästhetik und Expertise bieten zu können. In einem ohnehin schon sehr exklusiven Segment nimmt unser Haus für sich in Anspruch, einen außergewöhnlichen und verfeinerten Charakter zu pflegen.