Genius Brands Blog
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Download Press Release As PDF File
JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social -
This Cover and Their Final Version Extended
then this cover and their final version extended and whether it is group 1 or Peterson :_:::_.,·. ,_,_::_ ·:. -. \")_>(-_>·...·,: . .>:_'_::°::· ··:_-'./·' . /_:: :·.·· . =)\_./'-.:":_ .... -- __ · ·, . ', . .·· . Stlpervisot1s t~pe>rt ~fld declaration J:h; s3pervi;o(,r;u~f dompietethisreport,. .1ign .the (leclaratton andtfien iiv~.ihe pna:1 ·tersion·...· ofth€7 essay; with this coyerattachedt to the Diploma Programme coordinator. .. .. .. ::,._,<_--\:-.·/·... ":";":":--.-.. ·. ---- .. ,>'. ·.:,:.--: <>=·. ;:_ . .._-,..-_,- -::,· ..:. 0 >>i:mi~ ~;!~;:91'.t~~~1TAt1.tte~) c P1~,§.~p,rmmeht, ;J} a:,ir:lrapriate, on the candidate's perforrnance, .111e. 9q1Jtext ·;n •.w111ctrth~ ..cahdtdatei:m ·.. thft; J'e:~e,~rch.·forf fle ...~X: tendfKI essay, anydifflcu/ties ef1COUntered anq ftCJW thes~\WfJ(fj ()VfJfCOfflf! ·(see .· •tl1i! ext~nciede.ssay guide). The .cpncl(ldipg interview .(vive . vope) ,mt;}y P.fOvidtli .US$ftJf .informf.ltion: pom1r1~nt~ .can .flelp the ex:amr1er award.a ··tevetfot criterion K.th9lisJtcjudgrpentJ. po not. .comment ~pverse personal circumstan9~s that•· m$iiybave . aff.ected the candidate.\lftl'1e cr.rrtotJnt ottime.spiimt qa;ndidate w~s zero, Jt04 must.explain tf1is, fn particular holft!1t was fhf;Jn ppssible .to ;;1.uthentic;at? the essa~ canciidaJe'sown work. You rnay a-ttachan .aclditfonal sherJtJf th.ere isinspfffpi*?nt f pr1ce here,·.···· · Overall, I think this paper is overambitious in its scope for the page length / allowed. I ~elieve it requires furt_her_ editing, as the "making of" portion takes up too ~ large a portion of the essay leaving inadequate page space for reflections on theory and social relevance. The section on the male gaze or the section on race relations in comedy could have served as complete paper topics on their own (although I do appreciate that they are there). -
Fictional Images of Real Places in Philadelphia
598 CONSTRUCTING IDENTITY Fictional Images of Real Places in Philadelphia A. GRAY READ University of Pennsylvania Fictional images ofreal places in novels and films shadow the city as a trickster, doubling its architecture in stories that make familiar places seem strange. In the opening sequence of Terry Gilliam's recent film, 12 Monkeys, the hero, Bruce Willis,rises fromunderground in the year 2027, toexplore the ruined city of Philadelphia, abandoned in late 1997, now occupied by large animals liberated from the zoo. The image is uncanny, particularly for those familiar with the city, encouraging a suspicion that perhaps Philadelphia is, after all, an occupied ruin. In an instant of recognition, the movie image becomes part of Philadelphia and the real City Hall becomes both more nostalgic and decrepit. Similarly, the real streets of New York become more threatening in the wake of a film like Martin Scorcese's Taxi driver and then more ironic and endearing in the flickering light ofWoody Allen's Manhattan. Physical experience in these cities is Fig. 1. Philadelphia's City Hall as a ruin in "12 Monkeys." dense with sensation and memories yet seized by references to maps, books, novels, television, photographs etc.' In Philadelphia, the breaking of class boundaries (always a Gilliam's image is false; Philadelphia is not abandoned, narrative opportunity) is dramatic to the point of parody. The yet the real city is seen again, through the story, as being more early twentieth century saw a distinct Philadelphia genre of or less ruined. Fiction is experimental life tangent to lived novels with a standard plot: a well-to-do heir falls in love with experience that scouts new territories for the imagination.' a vivacious working class woman and tries to bring her into Stories crystallize and extend impressions of the city into his world, often without success. -
2019 National Sports and Entertainment History Bee Round 2
Sports and Entertainment Bee 2018-2019 Prelims 2 Prelims 2 Regulation (Tossup 1) This man stars in an oft-parodied commercial in which he states \Ballgame" before taking a drink of Gatorade Flow. In 2017, this man's newly acquired teammate told him \they say I gotta come off the bench." This man missed nearly the entire 2014-2015 season after suffering a horrific leg injury while practicing for the US National Team. Sam Presti sent Domantas Sabonis and Victor Oladipo to the Indiana Pacers in exchange for this player, who then surprisingly didn't bolt to the Lakers in the 2018 off-season. For the point, name this player who formed an unsuccessful \Big Three" with Carmelo Anthony and Russell Westbrook on the Oklahoma City Thunder. ANSWER: Paul Clifton Anthony George (accept PG13) (Tossup 2) This series used Ratatat's \Cream on Chrome" as background music for many early episodes. Side projects of this series include a \Bedtime" version featuring literature readings and an educational \Basics" version. This series' 2019 April Fools' Day gag involved the a 4Kids dub of Pokemon claiming that Brock loved jelly donuts. This series celebrated million-subscriber benchmarks with episodes featuring the Taco Town 15-layer taco and the Every-Meat Burrito and Death Sandwich from Regular Show. For the point, name this YouTube channel starring Andrew Rea, who cooks various foods as inspired by popular culture. ANSWER: Binging with Babish (Tossup 3) The creators of this game recently announced a \Royal" edition which will add a third semester of gameplay. In April 2019, a heavily criticzed Kotaku article claimed that this game's theme song, \Wake up, Get up, Get out there," contains a slur against people with learning disabilities. -
Going to the Movies MTV Michael Jackson!
A Form of Escape The Most Explosive Phenomenon Since the Beatles Going to the Movies Michael Jackson! ALBUMS V V ell, what are we going to were: Indiana Jones, The Temple rated PG, which meant the movie (According to Billboard) do tonight?" That was an often of Doom—a thriller movie similar was suitable for high school stu-j asked question by students at to Raiders of the Lost Ark and dents. However, there were also Bj •AVlichael Jackson was the 50 dates, and some cities sent peti 1. Thriller—Michael Jackson MPHS. Almost every student could Gremlins—a humorous movie rated movies that were equally as jest thing since the Beatles. His tions for him to come. The tour 2. Pyromania—Def Leppard relate with a lack of entertainment about little creatures who became popular. The rule stated that l'l second solo album "Thriller" was was expected to gross $50 million. 3. Flashdance—Movie on the weekends. Unfortunately involved in various adventures. If was the minimum age. How coul<q 'he top selling album ever to be The tour was very controversial, Soundtrack they were fed after midnight— pleased in the history of the mu- due to the high price of tickets 4. Synchronicity—The Police the city did not offer a wide that be? Obviously most high! 8l variety of activities for teenagers. which of course happened, they school and many junior high stu*| c industry, and had the most ($30, twice as much as most con 5. H20—Hall & Oates However, a popular pastime with got into all sorts of mischief. -
Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students. -
Trading Places: America and Europe in the Middle East
Trading Places: America and Europe in the Middle East Philip H. Gordon See if this story sounds familiar. A Western Great Power, long responsible for security in the Middle East, gets increasingly impatient with the hard- line position taken by nationalist leaders in Iran. Decades of historical baggage weigh heavily on both sides, and the Iranians deeply resent the way the Great Power had supported its corrupt former leaders and exer- cised influence over their internal affairs. In turn, the Great Power resents the challenge to its global leadership posed by the Tehran regime and begins to prepare plans for the use of military force. With the main protagonists refusing all direct diplomatic contact and heading toward a confrontation, the Great Power’s nervous allies dispatch negotiators to Tehran to try to defuse the dispute and offer a compromise. The Great Power denounces the compromise as appeasement and dusts off the military plans. The West is deeply split on how to handle yet another challenge in the Persian Gulf and a major showdown looms. The time and place? No, not America, Iran and Europe today, but the 1951 clash between the United Kingdom and the Mohammad Mosaddeq regime in Iran, with the United States in the role of mediator. In 1951, the issue at hand was not an incipient Iranian nuclear programme but Mosaddeq’s plan to nationalise the Iranian oil industry. The Truman administration, sympathetic to Iran’s claim that it deserved more control over its own resources, feared that Britain’s hard line would push Iran in an even more anti-Western direction and worried about an intra-Western crisis at a time when a common enemy required unity. -
From Black Power Activist to "Anti-Negro Negro"
Trading Places: From Black Power Activist to "Anti-Negro Negro" Alyson Cole In March of 1988, the faculty of the Afro-American Studies Department at the University of Massachusetts at Amherst unanimously demanded that the University remove one of its most distinguished members, Professor Julius Lester. The official reason given for this unprecedented request was that Lester had become an "anti-Negro-Negro."1 In making this extraordinary demand, Lester's colleagues were reacting to the recent publication of his autobiography. En titled Loves ong: On Becoming a Jew (1988a), the book tells the story of Lester's conversion to Judaism and details his growing alienation from Black politics. The faculty's lengthy report concluded, "Professor Lester would be infinitely more comfortable at a different location in the University" (Lester 1988b, 17- 8).2 Elaborating on the written account, one of the authors pointedly remarked that retaining Lester in Afro-American Studies is "like having Yassir Arafat teach ing in the Jewish Studies Department."3 The University eventually complied with the request and transferred Professor Lester to another department. This bit of academic infighting soon became national news.4 Journalists reminded their readers that back in the late 1960s, when he was a prominent Black Power activist, Lester gained notoriety as an anti-Semite. The Los Ange les Times maintained that now Lester was himself a victim of anti-Semitism.5 Despite the University's intervention, or perhaps because of it, the scandal re fused to die. Lester himself contributed to the prolonged life of this affair by 0026-3079/2003/4403-037S2.50/0 American Studies, 44:3 (Fall 2003): 37-76 37 38 Alyson Cole rehashing events and responding to his detractors in published articles and pub lic lectures.6 More significant still, conservative critics enthusiastically seized upon the story of Lester's excommunication. -
Social Turnabout in Credit Card Advertising
Social Turnabout In Credit Card Advertising Title: STICKING IT TO THE ESTABLISHMENT: SOCIAL TURNABOUT IN CREDIT CARD ADVERTISING , By: Abrams, Bill, ETC: A Review of General Semantics, 0014164X, Fall92, Vol. 49, Issue 3 Database: MasterFILE Premier STICKING IT TO THE ESTABLISHMENT: SOCIAL TURNABOUT IN CREDIT CARD ADVERTISING Contents Just Show Them Your Card The privileged have their membership They’re everywhere we want to be And They Don’t Take American Express The world turned upside down SOCIAL TURNABOUT; the idea and the dream have been with us before we were even a country. The high and mighty get their come-uppance and the low become high. We are a people formed and reformed of the disenfranchised, the outsiders of other places, and we haven’t forgotten it. America gave us a whole new chance to be on the inside. Our popular arts and literature have often reflected social reversal, and as we’ll see, so has our advertising. Mark Twain enjoyed the notion immensely. In The Adventures of Tom Sawyer, Tom and his fellow ne’er do wells end up as heros of the town’s establishment, showered with respectability, while his “good boy” brother Sid is revealed to be sneaky and mean-spirited. Successful social reversal generally requires a pack of like- minded rebels. The pack in the movie Animal House is Delta, the lowest-rated fraternity at Faber University, formed of rejects from the school’s more respectable fraternities. In the film’s elaborately choreographed conclusion, the school’s Dean and the town’s Mayor are literally toppled at the homecoming parade. -
New Years Eve Films
Movies to Watch on New Year's Eve Going Out Is So Overrated! This year, New Year’s Eve celebrations will have to be done slightly differently due to the pandemic. So, the Learning Curve thought ‘Why not just ring in 2021 with some feel-good movies in your comfy PJs instead?’ After all, everyone knows that the best way to turn over a new year is snuggled up in front of the TV with a hot beverage in your hand. The good news is, no matter how you want to feel going into the next year, there’s a movie on this list that’ll deliver. Best of all — you won’t wake up the next day and begin January with a hangover! Godfather Part II (1974) Director: Francis Ford Coppola Starring: Al Pacino, Robert De Niro, Robert Duvall Continuing the saga of the Corleone crime family, the son, Michael (Pacino) is trying to expand the business to Las Vegas, Hollywood and Cuba. They delve into double crossing, greed and murder as they all try to be the most powerful crime family of all time. Godfather part II is hailed by fans as a masterpiece, a great continuation to the story and the best gangster movie of all time. This is a character driven movie, as we see peoples’ motivations, becoming laser focused on what they want and what they will do to get it. Although the movie is a gripping slow crime drama, it does have one flaw, and that is the length of the movie clocking in at 3 hours and 22 minutes. -
National Lampoon's Animal House
From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) N2825 NATIONAL LAMPOON’S ANIMAL HOUSE (USA, 1978) (Other titles: American college; Animal house) Credits: director, John Landis ; writers, Harold Ramis, Douglas Kenney, Chris Miller. Cast: John Belushi, Tim Matheson, John Vernon, Thomas Hulce. Summary: Comedy film set at a 1960s Middle Western college. The members of Delta Tau Chi fraternity offend the straight-arrow and up-tight people on campus in a film which irreverently mocks college traditions. One of the villains is an ROTC cadet who, it is noted at the end of the film, was later shot by his own men in Vietnam. Ansen, David. “Movies: Gross out” Newsweek 92 (Aug 7, 1978), p. 85. Barbour, John. [National Lampoon’s animal house] Los Angeles 23 (Sep 1978), p. 240-43. Bartholomew, David. “National Lampoon’s animal house” Film bulletin 47 (Oct/Nov 1978), p. R-F. Biskind, Peter. [National Lampoon’s animal house] Seven days 2/17 (Nov 10, 1978), p. 33. Bookbinder, Robert. The films of the seventies Secaucus, N.J. : Citadel, 1982. (p. 225-28) Braun, Eric. “National Lampoon’s animal house” Films and filming 25/7 (Apr 1979), p. 31-2. Canby, Vincent. “What’s so funny about potheads and toga parties?” New York times 128 (Nov 19, 1978), sec. 2, p. 17. Cook, David A.. Lost illusions : American cinema in the shadow of Watergate and Vietnam, 1970-1979 New York : Scribner’s, 1999.