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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Download Press Release As PDF File
JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social -
The Nutty Professor – from Julius Kelp to Sherman Klump
THE NUTTY PROFESSOR – FROM JULIUS KELP TO SHERMAN KLUMP: A TEXTUAL ANALYSIS OF SCIENCE AND SCIENTISTS IN TWO POPULAR FILMS by BEVERLY D. HARVEY (Under the Direction of Jay Hamilton) ABSTRACT This thesis examines the representation of science and scientists in two popular Hollywood films of the same title – The Nutty Professor. One version was released in 1963, starring Jerry Lewis, and the other was released in 1996, with Eddie Murphy. This study is a textual analysis with an emphasis on the “how” of representation within the two films, which serve as cultural artifacts of their respective time periods. In an attempt to gain a more in-depth understanding of the chosen representations of science and scientists in both films, I also study the historical context of the periods surrounding the production and release of each film. One goal of this thesis is to note any changes or similarities in the representation of science and scientists between the two films, which were produced and released more than thirty years apart. INDEX WORDS: representation; textual analysis; popular culture; film; Hollywood THE NUTTY PROFESSOR – FROM JULIUS KELP TO SHERMAN KLUMP: A TEXTUAL ANALYSIS OF SCIENCE AND SCIENTISTS IN TWO POPULAR FILMS by BEVERLY D. HARVEY B.A., Florida Atlantic University, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2006 © 2006 Beverly D. Harvey All Rights Reserved THE NUTTY PROFESSOR – FROM JULIUS KELP TO SHERMAN KLUMP: A TEXTUAL ANALYSIS OF SCIENCE AND SCIENTISTS IN TWO POPULAR FILMS by BEVERLY D. -
Brilliant Lecture Series Presents Concert with the Legendary Betty Buckley, Conversation with Robert Duvall and Conversation with Diane Keaton
Media Contact: Lydia Baehr Public Relations [email protected] (713) 208-3421 Public Contact: Brilliant Lecture Series (713) 974-1335 [email protected] For Immediate Release: December 3, 2013 Brilliant Lecture Series presents Concert with the Legendary Betty Buckley, Conversation with Robert Duvall and Conversation with Diane Keaton Download photos securely from Dropbox at this link - HERE HOUSTON—Some of Hollywood and Broadway’s most legendary names will grace Wortham Theater Center at the start of 2014, presented by Brilliant Lecture Series. BETTY BUCKLEY | January 10, 2014: Theater, film and television actress Betty Buckley will perform at an exclusive concert Friday, Jan. 10 at 7:30 p.m. in Wortham Center, Cullen Theater. Betty Lynn Buckley, a Texas native called “The Voice of Broadway” by New York Magazine, is one of theater’s most respected and legendary leading ladies. A graduate of Texas Christian University, Buckley moved to New York City in 1969 where she landed the role of Martha Jefferson in “1776” her first day in town, launching her career. Buckley established her reputation in 1982, starring as Grizabella in the original Broadway production of the musical “Cats” - a role for which she won a Tony Award for Best Featured Actress in a Musical. Buckley made her film debut in the original movie version of “Carrie” in 1976, playing Miss Collins, Carrie’s gym teacher. Buckley received the Texas Medal of the Arts Award in Theater in 2009 and was inducted into the Texas Film Hall of Fame in Austin in 2007. Buckley was inducted into the American Theater Hall of Fame in 2013. -
Glengarry Glen Ross Free
FREE GLENGARRY GLEN ROSS PDF David Mamet | 144 pages | 26 Aug 2004 | Bloomsbury Publishing PLC | 9780413774187 | English | London, United Kingdom Glengarry Glen Ross movie review () | Roger Ebert When an office full of New York City real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Shelley Levene, who has a sick daughter, does everything in his Glengarry Glen Ross to get better leads from his boss, John Williamson, but to no avail. When his coworker Dave Moss comes up with a plan to steal the leads, things get complicated for the tough-talking Glengarry Glen Ross. Joseph M. Caracciolo Jr. Jerry Tokofsky Stanley R. William Barclay Bob Shaw. Five minutes into the picture and there's so much awesomeness on the screen that it's almost overwhelming. Second time through and just as enjoyable as the first. First-rate cast, first-rate dialogue. Feels like a modernized Glengarry Glen Ross of a Salesman, with matching commentary on working class life "we work too hard"on shifting power structures the young managing the oldand on the emotional economics of capitalism subjection vs satisfaction. I didn't remember the characters being so consistently foul-mouthed, and this time through was slightly distracted by the film's heavy reliance on vulgarity. Nonetheless, this is an absolutely captivating film recommended to anyone who loves great actors, great characters, or great dialogue. It's amazing how a film focused exclusively on people talking can be so engrossing. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
True Confessions Free
FREE TRUE CONFESSIONS PDF Rachel Gibson | 384 pages | 11 Jul 2011 | HarperCollins Publishers Inc | 9780380814381 | English | New York, NY, United States True Confessions () - Rotten Tomatoes NO need to pussyfoot. No need to mince words. Get straight to the point, even if it's not pretty or, for that matter, even if it is. Sometimes things do go right. It does happen. You know it first in True Confessions pit of your stomach. A nice feeling but unfamiliar - it's the bile vanishing True Confessions things look up. Like watching ''True Confes sions. Quite simply it's one of the most entertaining, most intelligent and most thoroughly satisfying commercial American films in a very long time. She can kill you True Confessions easily as she burns toast. Dunne's best-selling novel, loosely True Confessions on an actual Los Angeles murder case, uses history as the author sees fit, and though its syntax is familiar, its concerns are more far-reaching and more psychologically complex than the fiction it recalls. It's a big novel and ''True Confessions'' is a big True Confessions. To begin with, it has America's two best actors in its leading roles, as brothers, one an up-and-coming monsignor of the Roman Catholic Church, Desmond Spellacy Robert De Nirowho is on his way toward some of the higher honors the church can bestow, and Tom Spellacy Robert DuvallDesmond's older brother, a Los Angeles detective of shabby background. Early in his career, when he was a member of the vice squad, Tom had been on the take. -
Robert De Niro's Raging Bull
003.TAIT_20.1_TAIT 11-05-12 9:17 AM Page 20 R. COLIN TAIT ROBERT DE NIRO’S RAGING BULL: THE HISTORY OF A PERFORMANCE AND A PERFORMANCE OF HISTORY Résumé: Cet article fait une utilisation des archives de Robert De Niro, récemment acquises par le Harry Ransom Center, pour fournir une analyse théorique et histo- rique de la contribution singulière de l’acteur au film Raging Bull (Martin Scorcese, 1980). En utilisant les notes considérables de De Niro, cet article désire montrer que le travail de cheminement du comédien s’est étendu de la pré à la postproduction, ce qui est particulièrement bien démontré par la contribution significative mais non mentionnée au générique, de l’acteur au scénario. La performance de De Niro brouille les frontières des classes de l’auteur, de la « star » et du travail de collabo- ration et permet de faire un portrait plus nuancé du travail de réalisation d’un film. Cet article dresse le catalogue du processus, durant près de six ans, entrepris par le comédien pour jouer le rôle du boxeur Jacke LaMotta : De la phase d’écriture du scénario à sa victoire aux Oscars, en passant par l’entrainement d’un an à la boxe et par la prise de soixante livres. Enfin, en se fondant sur des données concrètes qui sont restées jusqu’à maintenant inaccessibles, en raison de la modestie et du désir du comédien de conserver sa vie privée, cet article apporte une nouvelle perspective pour considérer la contribution importante de De Niro à l’histoire américaine du jeu d’acteur. -
The Apartment Complex: Urban Living and Global Screen Cultures, Edited
Review How to Cite: Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi. org/10.16995/os.22 Published: 09 December 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Screens, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Screens is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi.org/10.16995/os.22 REVIEW The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9 Ana Maria Sapountzi University of St Andrews, GB [email protected] This is a book review of Pamela Robertson Wojcik’s The Apartment Complex: Urban Living and Global Screen Cultures (2018), which is comprised of essays by scholars responding to and utilising her concept of the apartment plot film which she established in her previous book The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975 (2010). -
Al Pacino Receives Bfi Fellowship
AL PACINO RECEIVES BFI FELLOWSHIP LONDON – 22:30, Wednesday 24 September 2014: Leading lights from the worlds of film, theatre and television gathered at the Corinthia Hotel London this evening to see legendary actor and director, Al Pacino receive a BFI Fellowship – the highest accolade the UK’s lead organisation for film can award. One of the world’s most popular and iconic stars of stage and screen, Pacino receives a BFI Fellowship in recognition of his outstanding achievement in film. The presentation was made this evening during an exclusive dinner hosted by BFI Chair, Greg Dyke and BFI CEO, Amanda Nevill, sponsored by Corinthia Hotel London and supported by Moët & Chandon, the official champagne partner of the Al Pacino BFI Fellowship Award Dinner. Speaking during the presentation, Al Pacino said: “This is such a great honour... the BFI is a wonderful thing, how it keeps films alive… it’s an honour to be here and receive this. I’m overwhelmed – people I’ve adored have received this award. I appreciate this so much, thank you.” BFI Chair, Greg Dyke said: “A true icon, Al Pacino is one of the greatest actors the world has ever seen, and a visionary director of stage and screen. His extraordinary body of work has made him one of the most recognisable and best-loved stars of the big screen, whose films enthral and delight audiences across the globe. We are thrilled to honour such a legend of cinema, and we thank the Corinthia Hotel London and Moët & Chandon for supporting this very special occasion.” Alongside BFI Chair Greg Dyke and BFI CEO Amanda Nevill, the Corinthia’s magnificent Ballroom was packed with talent from the worlds of film, theatre and television for Al Pacino’s BFI Fellowship presentation. -
Adam Sandler: Mentor Of
ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT. -
This Cover and Their Final Version Extended
then this cover and their final version extended and whether it is group 1 or Peterson :_:::_.,·. ,_,_::_ ·:. -. \")_>(-_>·...·,: . .>:_'_::°::· ··:_-'./·' . /_:: :·.·· . =)\_./'-.:":_ .... -- __ · ·, . ', . .·· . Stlpervisot1s t~pe>rt ~fld declaration J:h; s3pervi;o(,r;u~f dompietethisreport,. .1ign .the (leclaratton andtfien iiv~.ihe pna:1 ·tersion·...· ofth€7 essay; with this coyerattachedt to the Diploma Programme coordinator. .. .. .. ::,._,<_--\:-.·/·... ":";":":--.-.. ·. ---- .. ,>'. ·.:,:.--: <>=·. ;:_ . .._-,..-_,- -::,· ..:. 0 >>i:mi~ ~;!~;:91'.t~~~1TAt1.tte~) c P1~,§.~p,rmmeht, ;J} a:,ir:lrapriate, on the candidate's perforrnance, .111e. 9q1Jtext ·;n •.w111ctrth~ ..cahdtdatei:m ·.. thft; J'e:~e,~rch.·forf fle ...~X: tendfKI essay, anydifflcu/ties ef1COUntered anq ftCJW thes~\WfJ(fj ()VfJfCOfflf! ·(see .· •tl1i! ext~nciede.ssay guide). The .cpncl(ldipg interview .(vive . vope) ,mt;}y P.fOvidtli .US$ftJf .informf.ltion: pom1r1~nt~ .can .flelp the ex:amr1er award.a ··tevetfot criterion K.th9lisJtcjudgrpentJ. po not. .comment ~pverse personal circumstan9~s that•· m$iiybave . aff.ected the candidate.\lftl'1e cr.rrtotJnt ottime.spiimt qa;ndidate w~s zero, Jt04 must.explain tf1is, fn particular holft!1t was fhf;Jn ppssible .to ;;1.uthentic;at? the essa~ canciidaJe'sown work. You rnay a-ttachan .aclditfonal sherJtJf th.ere isinspfffpi*?nt f pr1ce here,·.···· · Overall, I think this paper is overambitious in its scope for the page length / allowed. I ~elieve it requires furt_her_ editing, as the "making of" portion takes up too ~ large a portion of the essay leaving inadequate page space for reflections on theory and social relevance. The section on the male gaze or the section on race relations in comedy could have served as complete paper topics on their own (although I do appreciate that they are there).