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AGMA Bass-Baritone F2 - F#4 PETER Height 6’2 Weight 230lbs 734.646.7564 MORGAN petermorganbassbaritone.com ! [email protected] OPERETTA/MUSICAL THEATRE 3rd Cockney “Loverly” Quartet My Fair Lady Lyric Opera of Chicago 2017 Dick Deadeye* H.M.S. Pinafore The Ohio Light Opera 2017 Olin Britt The Music Man The Ohio Light Opera 2017 Elisha J. Whitney Anything Goes The Ohio Light Opera 2017 Ruder The Student Prince The Ohio Light Opera 2017 Arac Princess Ida G&S Opera Company of Chicago 2016 Sergeant Meryll The Yeomen of the Guard G&S Opera Company of Chicago 2015 OPERA Leporello* Don Giovanni St. Petersburg Opera 2018 Figaro* Le nozze di Figaro Charlottesville Opera 2018 Antonio Le nozze di Figaro Charlottesville Opera 2018 Marchese d’Obigny La Traviata St. Petersburg Opera 2018 Oroveso* Norma Sarasota Opera 2018 Comandante di marina Manon Lescaut Sarasota Opera 2018 David/Osiris (American Premiere) The Scorpions’ Sting Lyric Opera of Chicago 2017 Thierry Dialogues des Carmélites Sarasota Opera 2017 Imperial Commissioner* Madama Butterfly Sarasota Opera 2017 Chiron/Dragon (World Premiere) Jason and the Argonauts Lyric Opera of Chicago 2016 Prophet/King (Midwest Premiere) Dark Sisters Third Eye Theatre Ensemble 2016 Secret Police The Consul Main Street Opera 2016 Figaro Le nozze di Figaro Kor Productions 2016 Sprecher Die Zauberflöte North Park Opera 2016 The Bonze Madama Butterfly Main Street Opera 2015 EDUCATION & TRAINING Young Artist Charlottesville Opera 2018 Studio Artist Sarasota Opera 2018 Young Artist – Lyric Unlimited Lyric Opera of Chicago 2016/17 Young Artist The Ohio Light Opera 2017 Apprentice Artist Sarasota Opera 2017 M.M Voice Performance (CCPA Merit Scholarship Winner) CCPA at Roosevelt University 2015 B.A. in Music & Theatre Eastern Michigan University 2013 TEACHERS – Pamela Armstrong, David Govertsen, Mark Crayton COACHES – Shelby Rhoades, Eric Owens, Nicolò Sbuelz, Steven Aguilo-Arbues, Wilson Southerland DIRECTORS – Loren Meeker, David Paul, Robert Carsen, Mark Freiman, Elise Sandell, Crystal Manich CONDUCTORS - David Neely, David Chase, Anthony Barrese, Victor DeRenzi, Steven Jarvi, Scott Gilmore SPECIAL SKILLS 6yrs Dance Experience in Tap/Jazz/MT. Proficient in Piano, Guitar, Drum Set, Various Dialects, and Puppetry. * Cover.

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The Mikado Program
GENEVA CONCERTS presents TheThe MikadoMikado Albert Bergeret, Artistic Director Saturday, September 24, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2011-2012 SEASON Saturday, 24 September 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Mikado Sunday, 11 December 2011, 3:00 p.m. Imani Winds A Christmas Concert This tour engagement of Imani Winds is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Friday, 2 March 2012, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Juliana Athayde, violin Music of Barber and Brahms Friday, 30 March 2012, 7:30 p.m. Brian Sanders’ JUNK Patio Plastico Plus Saturday, 28 April 2012, 7:30 p.m. Cantus On the Shoulders of Giants Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, September 24, 2011 at 7:30 p.m. The Mikado or, The Town of Titipu Libretto by Sir William S. Gilbert Music by Sir Arthur Sullivan First Performed at the Savoy Theatre, London, England, March 14, 1885 Stage Direction: Albert Bergeret & David Auxier Music Director: Albert Bergeret; Asst. Music Director: Andrea Stryker-Rodda Conductor: Albert Bergeret Scenic Design: Albère Costume Design: Gail J. Wofford & Kayko Nakamura Lighting Design: Brian Presti Production Stage Manager: David Sigafoose* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Mikado of Japan .....................................................................Quinto Ott* Nanki-Poo (His son, disguised as a wandering minstrel) .
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Princess Ida; Or, Castle Adamant [Comic Opera, in Three Acts; Text By
Princess Ida; or, Castle Adamant [Comic opera, in three acts; text by Gilbert. First produced at the Savoy Theatre, London, January 5, 1884.] PERSONAGES. King Hildebrand. Hilarion, his son. Cyril, } Florian, } Hilarion's friends. King Gama. Avac, } Guron, } Scynthius, } Gama's sons. Princess Ida, Gama's daughter. Lady Blanche, Professor of Abstract Science. Lady Psyche, Professor of Humanities. Melissa, Lady Blanche's daughter. Sacharissa, } Chloe, } Ada, } girl graduates. [Soldiers, courtiers, girl graduates, "daughters of the plough," etc.] The scene is laid at King Hildebrand's palace and Castle Adamant; time, the present. "Princess Ida" is the least effective of the Sullivan operas. Its libretto is also the least effective of the Gilbert stories set to the former's music. At the time it was written the composer was depressed by a severe family affliction, and at the same time had met the misfortune of losing all his savings through the failure of those to whom he had intrusted them. It may have been also that the labored and heavy style of the story had something to do with the dry and somewhat forced style of the music, as well as its lack of the brightness and fancy which are so apparent in "Pinafore" and "Patience." The first act opens at King Hildebrand's palace, where the courtiers are watching for the arrival of King Gama and his daughter, the Princess Ida, who has been promised in marriage to Hilarion, Hildebrand's son. When Gama finally comes, Ida is not with him, and he explains to the enraged Hildebrand that she is at Castle Adamant, one of his country houses, where she is president of a woman's university.
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I Have a Song to Sing O! Program.Pdf
Musical Numbers With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) ...........................Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) ..................... James Mills and Sarah Caldwell Smith Am I Alone and Unobserved? (Patience)............................................... James Mills A British Tar (H.M.S. Pinafore) ................................Alex Corson, Albert Bergeret, Artistic Director Matthew Wages, David Wannen I’m Called Little Buttercup Wand’ring Minstrels (H.M.S. Pinafore) .............. Angela Christine Smith in We’re Called Gondolieri (The Gondoliers) ...................................Alex Corson and Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) ...................................Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) ................. Matthew Wages and Men Director: James Mills When All Night Long a Chap Remains (Iolanthe) ..........................................David Wannen Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Three Little Maids From School are We (The Mikado) .............................Rebecca Hargrove, Editor: Danny Bristoll Angela Christine Smith, Sarah Caldwell Smith Sarah Caldwell Smith, Soprano The Sun, Whose Rays are All Ablaze Rebecca Hargrove, Soprano (The Mikado) ..............................Rebecca Hargrove Angela Christine Smith, Contralto Here’s a How-de-do! Alex Corson, Tenor (The Mikado) ......................................Alex Corson, James Mills, Comic Baritone James
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Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with Date and Length of Original London Run • Thespis 1871 (63)
Sinfonicron Light Opera presents Ruddigore, or The Witch’s Curse January 23-26, 2020 Kimball Theatre Osher Lifelong Learning Institute November 15, 2019 Ken Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with date and length of original London run • Thespis 1871 (63) • Trial by Jury 1875 (131) • The Sorcerer 1877 (178) • HMS Pinafore 1878 (571) • The Pirates of Penzance 1879 (363) • Patience 1881 (578) • Iolanthe 1882 (398) G&S Works, Continued • Princess Ida 1884 (246) • The Mikado 1885 (672) • Ruddigore 1887 (288) • The Yeomen of the Guard 1888 (423) • The Gondoliers 1889 (554) • Utopia, Limited 1893 (245) • The Grand Duke 1896 (123) Elements of Gilbert’s stagecraft • Topsy-Turvydom (a/k/a Gilbertian logic) • Firm directorial control • The typical issue: Who will marry the soprano? • The typical competition: tenor vs. patter baritone • The Lozenge Plot • Literal lozenge: Used in The Sorcerer and never again • Virtual Lozenge: Used almost constantly Ruddigore: A “problem” opera • The horror show plot • The original spelling of the title: “Ruddygore” • Whatever opera followed The Mikado was likely to suffer by comparison Ruddigore Time: Early 19th Century Place: Cornwall, England Act 1: The village of Rederring Act 2: The picture gallery of Ruddigore Castle, one week later Ruddigore Dramatis Personae Mortals: •Sir Ruthven Murgatroyd, Baronet, disguised as Robin Oakapple (Patter Baritone) •Richard Dauntless, his foster brother, a sailor (Tenor) •Sir Despard Murgatroyd, Sir Ruthven’s younger brother
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Gilbert & Sullivan Austin
The GILBERT & SULLIVAN OCIETY OF USTIN FEBRUARY - MARCH 2013 NEWSLETTER S A PRESIDENT’S MESSAGE Charles Smaistrla is another frequent audience member for Austin G&S productions and musicales. He may by Libby Weed very well have handed you a playbill or Our Annual Meeting on January 6, helped you fi nd a seat, since he has served chronicled by Reba Gillman in this as an usher for quite a few productions. newsletter, was a most enjoyable occasion Charles is an attorney and economic for many reasons. For those of us continuing consultant. He also enjoys travel, and he to serve on the board of directors, it was a is very involved with the activities of the time of rejoicing because of our pleasure in Rotary Club (Austin University Area). He welcoming the two new board members elected that afternoon. has served as president of his Rotary Club Continuing to represent you on the board are Chris Buggé, Reba and also of the Capital City A&M Club. Charles is the father of two Gillman, Leonard Johnson, David Little, Roberta Long, Michael sons, one of whom lives in Cedar Park and one in Paris, France. He Meigs, Robert Schneider, Pat Turpin, Libby Weed, and Dave has, between these two sons, fi ve grandchildren. Charles has begun Wieckowski. All of us are delighted to welcome our two newest investigating potential venues for musicales in the coming seasons. colleagues. He has also donated a copier/printer to our offi ce and has used his computer skills to get everything in top working order.
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Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2001 -- Issue 63 Of course, you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is observed. There's nothing like a bargain. W ith the postal rate on letters weighing more than an ounce going up on July 1, it seemed like a good idea to try to get a "fat" newsletter out before the change. So here we are. Although we're lacking any play synopses this time around, we do have the answers to last year's Big Quiz, plenty of news of G&S productions, and some interesting insights from Arthur Robinson. So let's see how it goes. Oh, Members, How Say You, What is it You've Light Opera at (330) 263-2345 / www.wooster.edu/OHIOLIGHTOPERA/ . Or e-mail Done? [email protected]. And their address is The We were saddened and pleased to learn that MGS College of Wooster, Wooster, OH 44691. member and frequent G&S lead performer David Michaels is leaving the Chicago area for Seattle. Sad because he’s Although Light Opera Works isn't presenting any G&S going, and glad because he’ll be seeing more of his family this season, they do have an interesting program for youth, (and able to report on G&S activity in Washington State)! featuring, among other things, an opportunity to work on a Best wishes for his move and his future! production of The Pirates of Penzance. Their Musical Theater Summer Workshops (“for kids 8 to 18") this year By the way, someone asked what our membership include Annie (July 9-14, 2001), Pirates of Penzance (July statistics are, after the renewals were returned.
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Princess Ida Or, Castle Adamant
Since 1976, we have been spreading the joys of G&S through Annual Grand Productions • Musicales Educational/Community Outreach Musical Scholarships • Newsletters Gilbert & Sullivan Austin holds nonprofit status under 501(c)(3) of the IRS code. GSA Office: 310 West 43rd Street, Austin, TX 78751 Mailing Address: P. O. Box 684542, Austin, TX 78768-4542 Phone: (512) 472-4772 Our web site: www.gilbertsullivan.org E-mail: [email protected] Artistic Director Ralph MacPhail, Jr. Music Director Jeffrey Jones-Ragona Board of Directors Libby Weed President Diane Radin Vice President Dave Wieckowski Treasurer and CFO Michael Meigs Secretary and Bursar Sue Ricket Caldwell Scholarships Coordinator Leann Fryer Musicale Coordinator David Little Publicist Robert L. Schneider Wand’ring Minstrels Coordinator Sarah Slaughter Volunteer Coordinator Charles Smaistrla Legal Counsel David Treadwell Donor Outreach Michelle Vanecek Historian, Office Manager This project is funded and supported in part by a grant from the Texas Commission on the Arts and in part by the Cultural Arts Division of the City of Austin Economic Development Department. Visit Austin at NowPlayingAustin.com 2 Gilbert & Sullivan Austin presents Princess Ida or, Castle Adamant IN CONCERT Worley Barton Theater at Brentwood Christian Church September 14, 2019, 7:30 pm and September 15, 2019, 2 pm Written by Composed by W. S. Gilbert Arthur Sullivan Stage Director Music Director Michelle Haché Jeffrey Jones-Ragona Producer Libby Weed Production Manager Bill Hatcher Assistant Production
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GILBERT and SULLIVAN: Part 1
GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were.
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November 2019 Newsletter
GILBERT & SULLIVAN AUSTIN NOVEMBER 2019 NEWSLETTER PRESIDENT’S MESSAGE by Libby Weed Perhaps you have just joined the merriment of Gilbert & Sullivan Austin in recent months or years. Or maybe you’ve been a part of our band for decades. Either way, you participate in something rather special. Long-timers recognize that our group has grown stronger and more prominent on the local cultural scene in recent years, as evidenced in numerous ways: ♪ Our summer grand productions, their directors, and their cast Join us on Sunday, November 10, at 2 pm for our next performance—a members are honored regularly at the B. Iden Payne award FREE musicale at Worley Barton Theatre at Brentwood Christian ceremonies and recognized as some of the best in local musical School. In Name That G&S Character, G&S storylines will be theatre. turned upside down in the format of an uproarious musical game ♪ We present a complete season that includes concert versions of show. This hilarious musicale will quiz our contestant about lost G&S operas, Texas premieres of one-act Victorian comic operas stories (OK—we made them up!) of popular G&S characters. Try and other scripts, and imaginative musicales that feature some to guess the correct character along with our contestant, and hear of the best voices in central Texas. some of your favorite G&S songs performed as “clues.” We also promise a hefty measure of “topsy-turvy” twists that would make ♪ We have a board of talented and hard-working G&S aficionados even William S. Gilbert proud, as creative new stories will be spun who are determined to keep these marvelous works alive and which tie together characters from different G&S shows.
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Krantz, W&M J.D
Precious Nonsense: The Operas of Gilbert and Sullivan Osher Lifelong Learning Institute College of William and Mary May 2021 Ken Krantz, W&M J.D. 1977 [email protected] Patience: Well, it seems to me to be nonsense. Lady Angela: Nonsense? Yes, perhaps. But oh, what precious nonsense. Patience, Act I Sir Arthur Sullivan •Born 1842 •Knighted 1883 •Died 1900 •He wrote the music Sir William S. Gilbert •Born 1836 •Knighted 1907 •Died 1911 •He wrote the words Richard D’Oyly Carte •Born 1844 •Died 1901 •He ran the business The G & S Canon: 1 + (11 + 2) = 14 The music to their first collaboration, Thespis, was never published and has been lost. The last two, Utopia, Limited and The Grand Duke are seldom produced. The standard repertory consists of the 11 works from Trial by Jury to The Gondoliers. The next slides give the dates and length of the original London run for each opera. Lecture 1 May 6 •Thespis 1871 (63) •Trial by Jury 1875 (131) •The Sorcerer 1877 (178) •HMS Pinafore 1878 (571) •The Pirates of Penzance 1879 (363) Lecture 2 May 13 •Patience 1881 (578) •Iolanthe 1882 (398) •Princess Ida 1884 (246) •The Mikado 1885 (672) Lecture 3 May 20 •Ruddigore 1887 (288) •The Yeomen of the Guard 1888 (423) •The Gondoliers 1889 (554) •Utopia, Limited 1893 (245) •The Grand Duke 1896 (123) The G&S Cast: Women •The Soprano: Josephine, Mabel, Yum-yum •The Mezzo-soprano (Jesse Bond): Hebe, Edith, Pitti-sing •The Contralto (Rosina Brandram): Little Buttercup, Ruth, Katisha The G&S Cast: Men •The Tenor: Ralph Rackstraw, Frederic, Nanki-poo •The Patter Baritone (George Grossmith): Sir Joseph Porter, Major-General Stanley, Ko-ko •The Heavy Baritone (Rutland Barrington): Captain Corcoran, Police Sergeant, Pooh-bah •The Bass (Richard Temple): Dick Deadeye, Pirate King, Mikado It is absolutely essential to the success of this piece that it should be played with the most perfect earnestness and gravity throughout.
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Princess Ida
Princess Ida LET’S STUDY A PLAY TOGETHER Summer 2012 Princess Ida CONTENT PLANNED FOR TODAY’S CLASS: • William Schenk Gilbert • Arthur Sullivan • G&S Collaboration • D’Oyly Carte’s role • Savoy Theater • G&S – output 2 Princess Ida TODAY’S CLASS CONTENT (cont.) • Topsy Turvy trailer • Class discussion • Update on where our characters are now (Act II, start of Scene 4) • Read Act II, III to end 3 Princess Ida William Schwenk Gilbert (1836 -1911 ): • Gifted writer and librettist • Came from a nautical family • Educated as a lawyer, but unsuccessful in that field • Wrote satires, short stories, humorous poetry before meeting Sullivan • Wrote an earlier “Princess Ida” 4 Princess Ida • Gilbert (1879) 5 Princess Ida Sir W. Schwenk Gilbert 6 Princess Ida Arthur Sullivan (1842 -1900): • Gifted musician • Classically trained • Studied in Germany and Austria and held a Doctorate in Music • Was a well-regarded conductor • Wrote oratorios, operas, ballads, hymns, ballets, songs • Wrote the music for “Onward, Christian Soldiers” and “The Lost Chord” • A well-known Sullivan grand opera is “Ivanhoe” • Considered possibly “the best English composer of the 19th century” 7 Princess Ida • Sullivan (1870) 8 Princess Ida Sir Arthur Sullivan 9 Princess Ida Richard D’Oyle Carte (1844 – 1901): • Musician, ran a theatrical management company • Desired to start a light opera company in London • Had produced Sullivan’s “Cox and Box” • Introduced Gilbert to Sullivan – result “Trial by Jury” and twelve more 10 Princess Ida Richard D’Oyly Carte (Cont.) • Opened the
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Playbill Editor/Photographer Sue Ricket Caldwell Still Photography Cecily Johnson Sales Manager Dave Wieckowski Supertitles Preparation Ralph Macphail, Jr
Th ank You! We are particularly grateful to the following for their valued assistance with this production of H.M.S. Pinafore: KMFA 89.5 and Time Warner Cable News, Barb Jernigan of the Georgetown Palace our media sponsors Th eatre for designing T-shirts for H.M.S. H-E-B for their generous support of our gala Pinafore reception Janette Jones for the use of her hairpieces to John Aielli and KUTX 98.9 FM properly style the lovely cast Armstrong Moving & Storage, an Agent for Brenda Ladd Photography United Van Lines Th e Reverend James Lee and Georgette Charles Antonie for coordinating concessions Kleinpeter of New Covenant Fellowship Austin Creative Alliance of Austin AustinLiveTh eatre.com for publicity David Little, Allan Longacre, and Michael Brandon Blake for recreating the ship’s crest Meigs for their outstanding leadership and that was used by the D’Oyly Carte support in our publicity eff orts Company in their productions of H.M.S. Roberta Longg for coordinating the cast lunch Pinafore Cynthia Millerr for pipe and drape Brentwood Christian School Music Lori Morin, Cindy Singleton, and Missy Department for lending music stands and Weaver for serving as hosts in the Worley chairs for the orchestra Barton Th eater Adam Brown, Lillian Allen, Shannon Stennis, Travis Pollard for making preparations in the Carolyn Stennis, and Mary Striblingg for theater Mr. R. B. Rudyy help with load-in for lending a car to our Artistic Director Carol Brown for help with wigs Cindy Sadler, Director of Spotlight on Opera, Dianne Donovan and KMFA 89.5 FM
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