As Visionary Fashion Designer Raf Simons Puts It: “GOOSE Is New

Total Page:16

File Type:pdf, Size:1020Kb

As Visionary Fashion Designer Raf Simons Puts It: “GOOSE Is New GOOSE As visionary fashion designer Raf Simons puts it: “GOOSE is new energy.” And fifteen years after bursting onto the scene with Bring It On, the band’s debut album on UK label Skint, the Belgian four-piece is far from running out. In fact, since opening their own playground Safari Studios in their hometown of Kortrijk, they’re recording new tracks, remixes, and collaborations at a faster pace than ever before. And like in the ‘old’ days – when they hooked up with legendary graphic designer Storm Thorgerson for the artwork of their sophomore album Synrise or with newfangled fashion photographers Willy Vanderperre and Pierre Debusschere to create a series of short films – GOOSE has found just the right artist to paint a picture of its new sonic exploits. His name? Bart Stolle, known for bridging the gap between century-old traditions and the digital age. Because if there is one thing GOOSE knows a thing or two about, it’s bridging gaps – between rockers and ravers, pillheads and pissheads, minimalists and maximalists. The band has been bringing together polar worlds since 2006 and making it seem like they were always meant to be together – all the while rewriting its DNA on almost every single occasion. Like when they made a multimedia installation called De/ReConstruction, during which they performed an entire set with each band member on a different floor of a massive building. Or when they teamed up with Audi, using the auto manufacturer’s showpiece R8 engine as a synthesizer at a live performance called Circles. And then, of course, there is GOOSE NON STOP, the band’s new signature live set, in which they reimagine their past bangers, and which has led to arresting gigs at festivals like Tomorrowland and Pukkelpop. So really, Raf Simons is slightly off. “GOOSE is NEW ENERGY” sounds more like it. DISCOGRAPHY BRING IT ON (2006), Skint/Sony SYNRISE (2010), Safari Records/Universal Music Belgium CONTROL CONTROL CONTROL (2012), Safari Records/Universal Music Belgium WHAT YOU NEED (2016), Safari Records/Universal Music Belgium GOOSE NON STOP LIVE at PUKKELPOP (2018), Safari Records/Universal Music Belgium (NEW SINGLES) SOMETHING NEW ( 2019 ) Safari Records/Universal Music Belgium GIRLS WHO ACT LIKE BOYS ( 2019 ) Safari Records/Universal Music Belgium GIRLS WHO ACT LIKE BOYS remix EP (2020) Safari Records/Universal Music Belgium QUOTES “Onstage powerhouse, successfully bridging the gap between electronic music and rock” The Guardian. “I am sad to discover Disney’s A&R is buying his electronic music in airports stores. Luckily I found this exciting Tron: Legacy remix from our Belgium cousins GOOSE.” Pedro ‘Busy P’ Winter “Immense album 8/10” NME (Bring it on) “GOOSE is new energy” Raf Simons “They don’t need our advice at all, they can do everything by themselves” 2MANY DJ’s / Soulwax ( Stephen & David Dewaele ) contact: [email protected] / Press: [email protected] Facebook / Instagram / Website / Spotify .
Recommended publications
  • Soulwax from Deewee Mp3, Flac, Wma
    Soulwax From Deewee mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: From Deewee Country: UK & Europe Released: 2017 Style: Electro, Synth-pop, Disco MP3 version RAR size: 1389 mb FLAC version RAR size: 1143 mb WMA version RAR size: 1332 mb Rating: 4.2 Votes: 218 Other Formats: APE AC3 MIDI WMA AHX MOD VOX Tracklist Hide Credits A1 Preset Tense 1:32 Masterplanned A2 4:07 Written-By – L. Thomas*, P. Sanders* A3 Missing Wires 4:48 A4 Conditions Of A Shared Belief 3:12 B1 Is It Always Binary 3:30 B2 Do You Want To Get Into Trouble? 4:26 B3 My Tired Eyes 4:17 B4 Transient Program For Drums And Machinery 6:23 C1 Trespassers 4:04 C2 The Singer Has Become A Deejay 3:21 C3 Here Come The Men In Suits 5:10 D1 Goodnight Transmission 4:07 Companies, etc. Phonographic Copyright (p) – Deewee Copyright (c) – Deewee Licensed To – Play It Again Sam [PIAS] Made By – The Vinyl factory Mastered At – The Exchange Mike Marsh Mastering Recorded At – Studio Deewee Mixed At – Studio Deewee Produced At – Studio Deewee Published By – Strictly Confidential Published By – Deewee Published By – Ferrell Sanders Music Published By – Copyright Control Credits Creative Director – Ill-Studio Engineer – Frederik De Witte, Phil Evans Engineer [Assistant] – Oliver Geerts Management – Karey*, Marc* Mastered By – Mike Marsh Performer – Blake Davies, David Dewaele, Iggor Cavalera*, Laima Leyton, Stefaan Van Leuven, Stephen Dewaele, Victoria Smith Photography By – Ill-Studio, Younes Klouche Recorded By, Producer, Mixed By – Soulwax Written-By – D. Dewaele*, S. Dewaele* Notes (P) & (C) Deewee under exclusive license to Play It Again Sam.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition
    Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition Philip A. Gunderson © 2004 Post-Modern Culture 15.1 Review of: Danger Mouse (Brian Burton), The Grey Album, Bootleg Recording 1. Depending on one's perspective, Danger Mouse's (Brian Burton's) Grey Album represents a highpoint or a nadir in the state of the recording arts in 2004. From the perspective of music fans and critics, Burton's creation--a daring "mash-up" of Jay-Z's The Black Album and the Beatles' eponymous 1969 work (popularly known as The White Album)--shows that, despite the continued corporatization of music, the DIY ethos of 1970s punk remains alive and well, manifesting in sampling and low-budget, "bedroom studio" production values. From the perspective of the recording industry, Danger Mouse's album represents the illegal plundering of some of the most valuable property in the history of pop music (the Beatles' sound recordings), the sacrilegious re-mixing of said recordings with a capella tracks of an African American rapper, and the electronic distribution of the entire album to hundreds of thousands of listeners who appear vexingly oblivious to current copyright law. That there would be a schism between the interests of consumers and the recording industry is hardly surprising; tension and antagonism characterize virtually all forms of exchange in capitalist economies. What is perhaps of note is that these tensions have escalated to the point of the abandonment of the exchange relationship itself. Music fans, fed up with the high prices (and outright price-fixing) of commercially available music, have opted to share music files via peer-to-peer file sharing networks, and record labels are attempting in response to coerce music fans back into the exchange relationship.
    [Show full text]
  • The Narrative Potential of Album Covers
    Studies in Visual Arts and Communication: an international journal Vol 2, No 2 (2015) on-line ISSN 2393 - 1221 The Narrative Potential of Album Covers Robert J. Belton Abstract In Popular Music Studies there appears to be a conceptual divide between the aesthetics of videos and those of album covers because the former move in time and the latter do not. One of the consequences of this separation is that music video studies tend to take inspiration from film and media studies whereas album cover studies tend to derive ideas and methods from art history. This paper asks if this isn’t a missed opportunity. It argues that album covers can and do exist in time, and it offers a type of analysis that shows how still and moving images both integrate with music to create a modal hybrid that is greater than simply the sum of their parts. One can, for example, profitably deploy narrative analysis to understand still images. Similarly, one can deploy art historical methods to assess music videos. There is a conceptual divide between the switching vertical recession to a horizontal aesthetics of album covers and those of videos plane 3. In contrast to mere depictions of objects because the latter move in time, while the and spatial relations, Lessing argued that poetry former do not. This paper argues that album necessarily exists in time as the result of the covers do exist in time, because they, too, are in consecutive presentation of elements. He semiotic coordination with music, producing concluded that pictures only represent things, opportunities for multimodal analyses.
    [Show full text]
  • Ism Z33/Docz Programma Cinemaaah!
    Cinemaaah! Ism z33/docz Pukkeldepopcorn nog aan toe, een heuse filmtent in de Petit Bazar!? Zet je in de Cinemaaah! tent gezellig neer voor een hele resem films en documentaires! Met Heima van Sigur Rós en Part Of The Weekend Never Dies van Soulwax hebben we twee top muziekdocumentaires in huis! Heima volgt Sigur Rós op tournee in hun thuisland Ijsland. Laat je meeselepen door de filmische muziekfragmenten die afgewisseld worden met adembenemende natuurbeelden. Part Of The Weekend Never Dies volgt Soulwax dan weer op hun Soulwax Nite Versions zomertour (2006) langs de hipste clubs en festivals over de hele wereld. Van een heel ander kaliber is de cult trash zombiefilm Planet Terror van het Grindhouse-project van Robert Rodriguez en Quentin Tarantino en de overrompelende natuurdocumentaire Earth. Bekijk het schema in bijlage, want er is veel meer! Programma Cinemaaah! Donderdag 14/08 Vrijdag 15/08 Zaterdag 16/08 13.00 – 13.20 13.00 – 13.30 13.00 – 13.30 One Minutes Video Best of Stash Media One Minutes Video 13.20 – 15.00 13.30 – 15.00 13.30 – 15.00 Heima: Sigur Rós Crossing the Bridge Manufactured Landscapes (2007) 97’ Fatih Akin (2005) 90’ Jennifer Baichwal (2007) 86’ 15.00 – 15.30 15.00 – 15.30 15.00 – 15.30 Best of Stash Media One Minutes Video z33 Shorts 15.30 – 17.35 15.30 – 16.40 15.30 – 17.00 Play Time Part of the Weekend Jesus Camp Jacques Tati (1967) 124’ Never Dies: Soulwax Heidi Ewing/Rachel Grady (2007) 84’ Saam Farahmand (2008) 69’ 17.35 – 17.50 16.40 – 17.30 17.00 – 17.30 Best of Stash Media z33 Shorts One Minutes Video 17.50
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • TOURISME D’Une Psychose Les Raisons Qui Brouille Karl-Johan Persson, Les Esprits INTERVIEW CEO Deh&M Airbnb Fait Aux Hôteliers Bizz
    INTERVIEW www.trends.be Karl-Johan Persson, ÉCONOMIE ET FINANCES • 38E ANNÉE • N°34 • € 5,50 • P509559 • 22 AOÛT 2013 CEO de H&M L’EOLIEN VATIL RUINER LA WALLONIE ? 4,5 milliards dans Les producteurs Les raisons le vent d’ici 2020: s’en mettent-ils d’une psychose contrat d’avenir plein qui brouille > ou gâchis ? les poches ? les esprits HIGHTECH TOURISME Dans les coulisses Comment Airbnb fait d’une écurie de F 1 de l’ombreaux hôteliers Bizz I M A G E G L O B E / J O N A S H A M E R S STARTER : ALLOCLOUD LE TÉLÉPHONE DANS LES NUAGES Adieu centrales téléphoniques! Désormais, toutes les communications peuvent passer par le «cloud». «Jusqu’à présent, les sociétés achetaient ou louaient un central à un opérateur, puis se voyaient octroyer des lignes. Notre produit permet de remplacer tout cela par le ‘cloud’», explique Ivan Gérard, cofondateur d’ALLOcloud. L’entreprise 29 l’admet sans complexe: elle veut faire de l’ombre à Belgacom en séduisant les PME. «Nos tarifs sont de 40 à 80% moins EUROS chers», assure son fondateur. Tout cela grâce à la «voix sur IP» (VoIP), une technique de communication via Internet qui par mois et par existe depuis un bail. «Là où nous innovons, c’est au niveau de l’étendue des services. Un exemple: une firme est basée collaborateur: tel est le prix minimum sur deux sites. Si l’un des collaborateurs situé dans le bâtiment A est absent, un autre travaillant dans le bâtiment B pour un appareil peut prendre l’appel!» standard ALLOcloud propose par ailleurs de relier postes fixes, smartphones, lignes personnelles et fax à un d’ALLOcloud, seul numéro.
    [Show full text]
  • DOSSIER DE PRESSE 13 Avril 2017 SOMMAIRE
    DOSSIER DE PRESSE 13 avril 2017 SOMMAIRE ÉDITO p 3 PROGRAMMATION 2017 p 4 JEUDI 6 JUILLET p 5 VENDREDI 7 JUILLET p 11 CRÉATION HUBERT-FÉLIX THIÉFAINE p 13 SO FRECH SO FRENCH p 19 SAMEDI 8 JUILLET p 20 VITALIC A LA PLAGE p 25 DIMANCHE 9 JUILLET p 29 COLOMBIA VIBRA p 34 PARTENARIATS ARTISTIQUES p 37 EUROCKS SOLIDAIRES p 38 SUR PLACE OU À EMPORTER p 41 SERVICES AUX FESTIVALIERS p 42 BILLETTERIE p 43 LE SITE DU MALSAUCY & LE CAMPING p 44 LES PARTENAIRES DU FESTIVAL p 45 L’ÉQUIPE DU FESTIVAL p 46 INFOS ET CONTACTS PRESSE p 47 Eurock’n 'Roll Circus Enveloppé d’un parfum exquis de début d’été, le festival des Eurockéennes forme un fabuleux espace de liberté, de rencontres et de découvertes. Une bulle d’oxygène salutaire où l’on savoure des pépites musicales comme on se régale de friandises à la belle saison. Une invitation à vivre un immense et joyeux rassemblement ! Cette année, ce ne sont pas 3 mais 4 jours de musiques sans frontières qui vous attendent sur la presqu’île du Malsaucy. 4 jours de partage, de joyeux foutoir, de folie rock, pop, electro et hip-hop pour une fête format XXL. À ciel ouvert, des étendues vertes à la plage en passant par les chapiteaux et les scènes du festival, une foule de curiosités à écouter et à voir se dévoile au cœur d’une République éphémère à la sociabilité amplifiée. 70 artistes composent le casting étoilé de cette 29ème édition qui s’annonce d’ores et déjà comme LE rendez-vous incontournable estival.
    [Show full text]
  • 10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
    Madness +he (,ecials +he (katalites Desmond Dekker 5B?0 +oots and Bob Marley 2+he Maytals (haggy Inner Circle Jimmy Cli// Beenie Man #eter +osh Bob Marley Die 6antastischen BuBu Banton 8nthony B+he Wailers Clueso #eter 6oA (ean #aul *ier 6ettes Brot Culcha Candela MaA %omeo Jan Delay (eeed Deichkind 'ek181Mouse #atrice Ciggy Marley entleman Ca,leton Barrington !e)y Burning (,ear Dennis Brown Black 5huru regory Isaacs (i""la Dane Cook Damian Marley 4orace 8ndy +he 5,setters Israel *ibration Culture (teel #ulse 8dam (andler !ee =(cratch= #erry +he 83uabats 8ugustus #ablo Monty #ython %ichard Cheese 8l,ha Blondy +rans,lants 4ot Water 0ing +ubby Music Big D and the+he Mighty (outh #ark Mighty Bosstones O,eration I)y %eel Big Mad Caddies 0ids +able6ish (lint Catch .. =Weird Al= mewithout-ou +he *andals %ed (,arowes +he (uicide +he Blood !ess +han Machines Brothers Jake +he Bouncing od Is +he ood -anko)icDescendents (ouls ')ery +ime !i/e #ro,agandhi < and #elican JGdayso/static $ot 5 Isis Comeback 0id Me 6irst and the ood %iddance (il)ersun #icku,s %ancid imme immes Blindside Oceansi"ean Astronaut Meshuggah Con)erge I Die 8 (il)er 6ear Be/ore the March dredg !ow $eurosis +he Bled Mt& Cion 8t the #sa,, o/ 6lames John Barry Between the Buried $O6H $orma Jean +he 4orrors and Me 8nti16lag (trike 8nywhere +he (ea Broadcast ods,eed -ou9 (,arta old/inger +he 6all Mono Black 'm,eror and Cake +unng &&&And -ou Will 0now Us +he Dillinger o/ +roy Bernard 4errmann 'sca,e #lan !agwagon -ou (ay #arty9 We (tereolab Drive-In Bi//y Clyro Jonny reenwood (ay Die9
    [Show full text]
  • No Such Thing As Too Many
    AROUND TOWN FRIDAY, JANUARY 15, 2010 G in REPORTER TOM LEEM BY CONTRIBUTING Next week sees two world-class electronica acts hit Taipei on the same night at roughly the same time. What’s a partygoer to do? it can’t yet claim the crown as Asia’s party mecca, Taiwan Diplo was officially booked, and [that] was pretty much it. Under the While has matured from a dance music backwater to a major terms and conditions of the contract, there’s nothing we can do. It’s a port of call for many of the big players who tour the region, thanks, in total coincidence, and hopefully a good one.” part, to the efforts of dedicated promoters. Though more choice means tougher decisions, in this Next week sees two world-class electronica acts — 2manydjs at instance partygoers could have the best of both worlds. Legacy and Diplo at Luxy — in the same town, on the same night, “It seems to me that if you have money to blow, I went in there [Brazil’s at roughly the same time. you would go see both shows and make it a favelas] strictly to work on With rumors of sabotage and infighting doing the rounds, killer night,” said Aurelius. promoters were eager to set the record straight. “Is it anyone’s fault? Hell no! music ... A lot of kids “When we heard that 2manydjs were going to be in Taipei Everyone just wants to hear good were really into exploring the same night,” said Marcus Aurelius, who is co-promoting music and promote the scene.
    [Show full text]
  • Corpus Antville
    Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.
    [Show full text]