Kristian Davidek BTO Spider DJ Beware DJ Phekt Rainer Klang
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Soulwax from Deewee Mp3, Flac, Wma
Soulwax From Deewee mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: From Deewee Country: UK & Europe Released: 2017 Style: Electro, Synth-pop, Disco MP3 version RAR size: 1389 mb FLAC version RAR size: 1143 mb WMA version RAR size: 1332 mb Rating: 4.2 Votes: 218 Other Formats: APE AC3 MIDI WMA AHX MOD VOX Tracklist Hide Credits A1 Preset Tense 1:32 Masterplanned A2 4:07 Written-By – L. Thomas*, P. Sanders* A3 Missing Wires 4:48 A4 Conditions Of A Shared Belief 3:12 B1 Is It Always Binary 3:30 B2 Do You Want To Get Into Trouble? 4:26 B3 My Tired Eyes 4:17 B4 Transient Program For Drums And Machinery 6:23 C1 Trespassers 4:04 C2 The Singer Has Become A Deejay 3:21 C3 Here Come The Men In Suits 5:10 D1 Goodnight Transmission 4:07 Companies, etc. Phonographic Copyright (p) – Deewee Copyright (c) – Deewee Licensed To – Play It Again Sam [PIAS] Made By – The Vinyl factory Mastered At – The Exchange Mike Marsh Mastering Recorded At – Studio Deewee Mixed At – Studio Deewee Produced At – Studio Deewee Published By – Strictly Confidential Published By – Deewee Published By – Ferrell Sanders Music Published By – Copyright Control Credits Creative Director – Ill-Studio Engineer – Frederik De Witte, Phil Evans Engineer [Assistant] – Oliver Geerts Management – Karey*, Marc* Mastered By – Mike Marsh Performer – Blake Davies, David Dewaele, Iggor Cavalera*, Laima Leyton, Stefaan Van Leuven, Stephen Dewaele, Victoria Smith Photography By – Ill-Studio, Younes Klouche Recorded By, Producer, Mixed By – Soulwax Written-By – D. Dewaele*, S. Dewaele* Notes (P) & (C) Deewee under exclusive license to Play It Again Sam. -
Ithaca College Concert Band Ithaca College Concert Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-14-2016 Concert: Ithaca College Concert Band Ithaca College Concert Band Jason M. Silveira Justin Cusick Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Concert Band; Silveira, Jason M.; and Cusick, Justin, "Concert: Ithaca College Concert Band" (2016). All Concert & Recital Programs. 1779. http://digitalcommons.ithaca.edu/music_programs/1779 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Concert Band "Road Trip!" Jason M. Silveira, conductor Justin Cusick, graduate conductor Ford Hall Thursday, April 14th, 2016 8:15 pm Program New England Tritych (1957) William Schuman I. Be Glad Then, America (1910–1992) II. When Jesus Wept 17' III. Chester More Old Wine in New Bottles (1977) Gordon Jacob I. Down among the Dead Men (1895–1984) II. The Oak and the Ash 11' III. The Lincolnshire Poacher IV. Joan to the Maypole Justin Cusick, graduate conductor Intermission Four Cornish Dances (1966/1975) Malcolm Arnold I. Vivace arr. Thad Marciniak II. Andantino (1921–2006) III. Con moto e sempre senza parodia 10' IV. Allegro ma non troppo Homecoming (2008) Alex Shapiro (b. 1962) 7' The Klaxon (1929/1984) Henry Fillmore arr. Frederick Fennell (1881–1956) 3' Jason M. Silveira is assistant professor of music education at Ithaca College. He received his Bachelor of Music and Master of Music degrees in music education from Ithaca College, and his Ph. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition
Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition Philip A. Gunderson © 2004 Post-Modern Culture 15.1 Review of: Danger Mouse (Brian Burton), The Grey Album, Bootleg Recording 1. Depending on one's perspective, Danger Mouse's (Brian Burton's) Grey Album represents a highpoint or a nadir in the state of the recording arts in 2004. From the perspective of music fans and critics, Burton's creation--a daring "mash-up" of Jay-Z's The Black Album and the Beatles' eponymous 1969 work (popularly known as The White Album)--shows that, despite the continued corporatization of music, the DIY ethos of 1970s punk remains alive and well, manifesting in sampling and low-budget, "bedroom studio" production values. From the perspective of the recording industry, Danger Mouse's album represents the illegal plundering of some of the most valuable property in the history of pop music (the Beatles' sound recordings), the sacrilegious re-mixing of said recordings with a capella tracks of an African American rapper, and the electronic distribution of the entire album to hundreds of thousands of listeners who appear vexingly oblivious to current copyright law. That there would be a schism between the interests of consumers and the recording industry is hardly surprising; tension and antagonism characterize virtually all forms of exchange in capitalist economies. What is perhaps of note is that these tensions have escalated to the point of the abandonment of the exchange relationship itself. Music fans, fed up with the high prices (and outright price-fixing) of commercially available music, have opted to share music files via peer-to-peer file sharing networks, and record labels are attempting in response to coerce music fans back into the exchange relationship. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
The Narrative Potential of Album Covers
Studies in Visual Arts and Communication: an international journal Vol 2, No 2 (2015) on-line ISSN 2393 - 1221 The Narrative Potential of Album Covers Robert J. Belton Abstract In Popular Music Studies there appears to be a conceptual divide between the aesthetics of videos and those of album covers because the former move in time and the latter do not. One of the consequences of this separation is that music video studies tend to take inspiration from film and media studies whereas album cover studies tend to derive ideas and methods from art history. This paper asks if this isn’t a missed opportunity. It argues that album covers can and do exist in time, and it offers a type of analysis that shows how still and moving images both integrate with music to create a modal hybrid that is greater than simply the sum of their parts. One can, for example, profitably deploy narrative analysis to understand still images. Similarly, one can deploy art historical methods to assess music videos. There is a conceptual divide between the switching vertical recession to a horizontal aesthetics of album covers and those of videos plane 3. In contrast to mere depictions of objects because the latter move in time, while the and spatial relations, Lessing argued that poetry former do not. This paper argues that album necessarily exists in time as the result of the covers do exist in time, because they, too, are in consecutive presentation of elements. He semiotic coordination with music, producing concluded that pictures only represent things, opportunities for multimodal analyses. -
Ism Z33/Docz Programma Cinemaaah!
Cinemaaah! Ism z33/docz Pukkeldepopcorn nog aan toe, een heuse filmtent in de Petit Bazar!? Zet je in de Cinemaaah! tent gezellig neer voor een hele resem films en documentaires! Met Heima van Sigur Rós en Part Of The Weekend Never Dies van Soulwax hebben we twee top muziekdocumentaires in huis! Heima volgt Sigur Rós op tournee in hun thuisland Ijsland. Laat je meeselepen door de filmische muziekfragmenten die afgewisseld worden met adembenemende natuurbeelden. Part Of The Weekend Never Dies volgt Soulwax dan weer op hun Soulwax Nite Versions zomertour (2006) langs de hipste clubs en festivals over de hele wereld. Van een heel ander kaliber is de cult trash zombiefilm Planet Terror van het Grindhouse-project van Robert Rodriguez en Quentin Tarantino en de overrompelende natuurdocumentaire Earth. Bekijk het schema in bijlage, want er is veel meer! Programma Cinemaaah! Donderdag 14/08 Vrijdag 15/08 Zaterdag 16/08 13.00 – 13.20 13.00 – 13.30 13.00 – 13.30 One Minutes Video Best of Stash Media One Minutes Video 13.20 – 15.00 13.30 – 15.00 13.30 – 15.00 Heima: Sigur Rós Crossing the Bridge Manufactured Landscapes (2007) 97’ Fatih Akin (2005) 90’ Jennifer Baichwal (2007) 86’ 15.00 – 15.30 15.00 – 15.30 15.00 – 15.30 Best of Stash Media One Minutes Video z33 Shorts 15.30 – 17.35 15.30 – 16.40 15.30 – 17.00 Play Time Part of the Weekend Jesus Camp Jacques Tati (1967) 124’ Never Dies: Soulwax Heidi Ewing/Rachel Grady (2007) 84’ Saam Farahmand (2008) 69’ 17.35 – 17.50 16.40 – 17.30 17.00 – 17.30 Best of Stash Media z33 Shorts One Minutes Video 17.50 -
1. Walk the Moon
Label Copy CD1 1. WALK THE MOON - Shut Up And Dance (Petricca / Ray / Waugaman / Maiman / Berger / McMahon) Published by W B Music Corp / Warner/Chappell North America Limited / Ryan McMahon Publishing Produced by Tim Pagnotta (P) 2014 RCA Records, a division of Sony Music Entertainment USRC11401949 3.17 2. Bastille – Pompeii (Smith) Published by Universal Music Publishing Ltd Produced by Mark Crew (P) 2013 Virgin Records Ltd. Licensed courtesy of Universal Music Group GBAAA1200795 3.34 3. Metro Station - Shake It (Cyrus / Musso / Healy / Improgo) Published by EMI Music Publishing Limited (MCPS/BIEM) Produced by S*A*M / Sluggo (P) 2007 Columbia Records, a division of Sony Music Entertainment USSM10800776 3.02 4. Sam Sparro - Black & Gold (Falson / Rogg) Published by EMI Music Publishing Ltd. Produced by Jesse Rogg & Sam Sparro (P) 2007 Universal Island Records Ltd. A Universal Music Company. Licensed courtesy of Universal Music Group GBUM70800413 3.30 5. Owl City - Fireflies (Young) Published by Ocean City Park (Universal Music Corp.) ASCAP / Universal/MCA Music Limited Produced by Adam Young (P) 2009 Universal Republic Records, a division of UMG Recordings, Inc. Licensed courtesy of Universal Music Group USUM70916628 3.14 6. Orson - No Tomorrow (Rachild / Astasio / Cano / Pebworth / Jen / Roentgen) Published by Universal Music Publishing Ltd. Produced by Noah Shain, Orson and Chad Rachild (P) 2006 Mercury Records Limited Licensed courtesy of Universal Music Group GBUM70500865 2.48 7. Just Jack - Starz In Their Eyes (Allsopp) Published by Just Jack Ltd./Universal Music Publishing Ltd Produced by Jack Allsopp & Jay Reynolds (P) 2006 Mercury Records Limited Licensed courtesy of Universal Music Group GBUM70604909 3.10 8. -
Adidas Originals Unite All Originals Press
Very few DJs can jump from club sets to high-profile festival performances, to Kanye West’s larger- than-life stadium shows with ease. In today’s DJ culture, A-Trak holds a truly unique place. He and partner Nick Catchdubs founded America’s most trendsetting new label, Fool’s Gold, launching the careers of artists such as Kid Sister and Kid Cudi. Fool’s Gold’s mission to merge all aspects of club music was already outlined in Trizzy’s original mixtape manifesto, Dirty South Dance, which set the tone for his own production. He is now one of the most sought-after remixers in electronic music, and his remixes for the likes of the Yeah Yeah Yeahs and Boys Noize have become undeniable mainstays in DJ sets the world over. 2009 saw the release of two critically acclaimed DJ mixes, Infinity +1 and Fabriclive 45, as well as the birth of Duck Sauce, his collaboration with Armand Van Helden. The duo’s radio smash “aNYway” cemented itself as the dance anthem of the year, A-Trak’s first true chart- topper with two videos in international rotation and across-the-board support from Pete Tong to Busy P, David Guetta to 2manydjs. Duck Sauce’s 2010 follow up “Barbra Streisand” was even bigger, a whistling pop sensation that accumulated over 60 million YouTube views of its star-studded video while hitting platinum heights around the globe. They even covered it on X-Factor and Glee! Not bad for a kid whom many viewed as a 90’s turntablism prodigy. -
Mustang Echoes “The Voice of MHS”
Mustang Echoes “The Voice of MHS” Dates to Remember: September 26th Homecoming parade (6:00) Homecoming game vs. Reading (7:30) September 27th Homecoming dance (9:00-12:00) October 15th PSAT Homecoming 2008: Cap & Gown assembly A Day at the Zoo October 22nd Johnny Carpenter Early Release (1:00) It’s that time of year again…Homecoming! The Madeira Mustangs are poised and ready to demolish the Reading Blue Devils on our home turf. Put aside all the October 31st hype and small talk, and our Mustangs are ready for anything. This year’s team has changed drastically…new coaching staff, new offense, tougher defense—all adding up Senior picture, memory to what many experts claim will be the formula for a winning team. page, quote, and baby The 2008 Mustangs were hit hard by graduation, losing some very talented picture due athletes, but this year’s senior class could prove to be even stronger. With starting halfback Will McClanahan coming back from a great season last year, the ‘Stang November 7th running game looks to tear up the turf once again. Also, starting quarterback Kyle Voisard looks to lead the team to a huge victory Homecoming night. Kyle will be No school looking to connect to his reliable and talented wide receivers Chris Ballweg, David Wood, and Patrick O’Leary. The big dogs who will provide Will and Kyle all the November 20th-22nd protection they need include Brian Wagers, Cole Hayes, Rob Braun, and Brad Rusk. Fall play, Anne Frank After interviewing several of the varsity players, they want nothing less than the best out of everyone on game night. -
Keira Knightley Is a Natural Procrastinator
SUNDAY, NOVEMBER 10, 2013 lifestyle Gossip Cara Delevingne wants to be a Bond girl he 21-year-old model, who has launched an acting career, British student in Tuscany. Cara said: “The idea I had of her is that T says she would love to star alongside 007 hunk Daniel she’s like me and a lot of my friends who are 21, and travelling Craig in the spy films and is ready for the call for the next around Europe.” And Cara enjoys the discipline of her new profes- instalment. She told the Daily Mail newspaper: “A Bond girl sion so much, she even enjoys going to auditions. She said: “Even for would be fun. Are you kidding?! I’d do it.” After smaller act- scripts that aren’t very good. If I’m honest, I don’t care what it is. It’s an ing parts in ‘Anna Karenina’ and ‘Kids In Love’, Cara was in Italy to prepare opportunity to learn. I wouldn’t turn anything down. It’s all good experi- for her biggest role to date. Cara will play young English woman Melanie ence.” The catwalk superstar said she is also taking an Italian cultural in new film ‘The Face of An Angel’, in which she will star alongside ‘Rush’ course, adding: “This part is a perfect excuse to learn Italian. I’ve picked star Daniel Bruhl and ‘Total Recall’ actress Kate Beckinsale. She met her up very little, but I’d like to learn more.” cast mates in Siena for a read through of the script, in which her charac- ter meets filmmaker Thomas (played by Daniel), who is going through a mid-life crisis as he prepares to make a picture about the murder of a Charlie Sheen he former ‘Desperate Housewives’ star is said mad at ex-wife T to be planning to take harlie Sheen is furious that his sons are mov- her political career ing back in with Brooke Mueller.