Chart: Top25 VIDEO HIP HOP

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Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-06-03 --- Previous Report Date(LW): 2012-05-28 TW LW TITLE ARTIST GENRE RECORD LABEL 1 7 Twerk It (xxx) V.i.c Hip Hop Interscope Records 2 10 Bag Of Money Wale Ft. T Pain Hip Hop Maybach Music Group 3 5 Lap Dance Tyga Hip Hop YMCMB 4 8 Beez In The Trap (clean) Nicki Minaj Ft. 2 Chainz Hip Hop Cash Money Records 5 6 Hyfr Ft. Lil Wayne Drake Hip Hop Cash Money Records 6 13 Right By My Side (explicit) Ft. Chris Brown Nicki Minaj Hip Hop Cash Money Records 7 18 Hyfr (clean) Drake Ft. Lil Wayne Hip Hop Cash Money Records 8 9 Californication David Banner Ft. Snoop Dogg, Nipsey Hussle, The Hip Hop Big Face Records 9 16 Still Got It Tyga Ft. Drake Hip Hop YMCMB 10 12 Sideline Story J. Cole Hip Hop Roc Nation 11 15 Take Care (clean) Drake Ft. Rihanna Hip Hop Cash Money Records 12 21 I Dont Really Care Waka Flocka Ft. Trey Songz Hip Hop Atlantic Records 13 14 Got That Work (dirty) Fabolous Hip Hop Island Def Jam Records 14 19 Starships (clean) Nicki Minaj Hip Hop Cash Money Records 15 23 Faded (clean) Tyga Ft. Lil Wayne Hip Hop YMCMB 16 24 The Don (explicit) Nas Hip Hop The Jones Experience / Def Jam 17 3 Bitch Betta Have My Money Tyga Ft Yg Kurupt Hip Hop YMCMB 18 Way Too Gone (explicit) Ft. Future Young Jeezy Hip Hop Island Def Jam Records 19 I'm Gone Ft. Big Sean (dirty) Tyga Hip Hop YMCMB 20 25 I'm Gone Ft. Big Sean (clean) Tyga Hip Hop YMCMB 21 Goldie (explicit) A$ap Rocky Hip Hop Polo Grounds Music / RCA Records 22 U The Type Ft. Wooh Da Kid Waka Flocka Hip Hop Atlantic Records 23 2 Beez In The Trap (explicit) Ft. 2 Chainz Nicki Minaj Hip Hop Cash Money Records 24 Hurt Somebody (explicit) Ft. French Montana Akon Hip Hop Interscope Records 25 17 Swear To God Rick Ross Hip Hop MayBach Music * Moved up the chart * New this week Nov 20, 2012 10:47 AM.

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The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship.
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Download Download
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Perspectives in Education 2015: 33(2) http://www.perspectives-in-education.comprovided by South East Academic Libraries System (SEALS) ISSN 0258-2236 © 2015 University of the Free State Sexual socialisation in Life Orientation manuals versus popular music: Responsibilisation versus pleasure, tension and complexity Catriona Macleod Dale Moodley Lisa Saville Young This paper compares two forms of sexual socialisation to which learners are exposed: the sexuality education components of the Life Orientation (LO) manuals and the lyrical content and videos of popular songs. We performed a textual analysis of the sexual subject positions made available in, first, the LO manuals used in Grade 10 classes and, second, the two songs voted most popular by the Grade 10 learners of two diverse schools in the Eastern Cape. Of interest in this paper is whether and how these two forms of sexual socialisation – one representing state-sanctioned sexual socialisation and the other learners’ chosen cultural expression that represents informal sexual socialisation – dovetail or diverge. Against a backdrop of heterosexuality and an assumption of the ‘adolescent-in-transition’ discourse, the main sexual subject positions featured in the LO manuals are the responsible sexual subject and the sexual victim. A number of sexualised subject positions are portrayed in the songs, with these subject positions depicting sex as a site of pleasure, tension and complexity. Although these two modes of sexual socialisation use different genres of communication, we argue that learners’ choice of songs that depict fluid sexual subject positions can help to inform LO sexuality education in ways that takes learners’ preferred cultural expression seriously and that moves away from the imperative of responsibilisation.
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