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Appendix Wuthering Heights Screen Adaptations
Appendix Wuthering Heights Screen Adaptations Abismos de Pasión (1953) Directed by Luis Buñuel [Film]. Mexico: Producciones Tepeyac. Arashi Ga Oka (1988) Directed by Kiju Yoshida [Film]. Japan: Mediactuel, Saison Group, Seiyu Production, Toho. Cime Tempestose (2004) Directed by Fabrizio Costa [Television serial]. Italy: Titanus. Cumbres Borrascosas (1979) Directed by Ernesto Alonso and Karlos Velázquez [Telenovela]. Mexico: Televisa S. A. de C. V. Dil Diya Dard Liya (1966) Directed by Abdul Rashid Kardar [Film]. India: Kary Productions. Emily Brontë’s Wuthering Heights (1992) Directed by Peter Kosminsky [Film]. UK/USA: Paramount Pictures. Emily Brontë’s Wuthering Heights (1998) Directed by David Skynner [Television serial]. UK: ITV, Masterpiece Theatre, PBS. Hihintayin Kita Sa Langit (1991) Directed by Carlos Siguion-Reyna [Film]. Philippines: Reynafilms. Hurlevent (1985) Directed by Jacques Rivette [Film]. France: La Cécilia, Renn Productions, Ministère de la Culture de la Republique Française. Ölmeyen Ask (1966) Directed by Metin Erksan [Film]. Turkey: Arzu Film. ‘The Spanish Inquisition’ [episode 15] (1970). Monty Python’s Flying Circus [Television series]. Directed by Ian MacNaughton. UK: BBC. Wuthering Heights (1920) Directed by A. V. Bramble [Film]. UK: Ideal Films Ltd. Wuthering Heights (1939) Directed by William Wyler [Film]. USA: United Artists/ MGM. Wuthering Heights (1948) Directed by George More O’Ferrall [Television serial]. UK: BBC. Wuthering Heights (1953) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1962) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1967) Directed by Peter Sasdy [Television serial]. UK: BBC. Wuthering Heights (1970) Directed by Robert Fuest [Film]. UK: American International Pictures. Wuthering Heights (1978) Directed by Peter Hammond [Television serial]. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
This Is England Brochure
oiengland_brochure 5/6/05 9:42 AM Page 2 OI THIS IS ENGLAND THE NEW FILM FROM SHANE MEADOWS PRODUCED BY - WARP FILMS EXECUTED PRODUCED / UK DISTRIBUTION- OPTIMUM RELEASING FINANCE - FILM FOUR oiengland_brochure 5/6/05 9:42 AM Page 3 KNIGHT NICK BY SKINHEAD FROM SOURCED PHOTOS DIRECTED BY SHANE MEADOWS (Dead Man’s Shoes, Once Upon A Time In The Midlands, A Room For Romeo Brass, 24/7) Credits not contractual oiengland_brochure 5/6/05 9:42 AM Page 4 SYNOPSIS 1983 WAS A TIME BEFORE MTV, BEFORE GAMEBOY, AND BEFORE 2.4 CHILDREN. UNLIKE OUR CURRENT COUCH POTATO CULTURE, IN THE EARLY EIGHTIES THERE WAS VERY LITTLE TO KEEP THE DISENCHANTED YOUTH ANESTHETISED INDOORS, SO AS UNEMPLOYMENT FIGURES ROSE AND THE YTS SCHEMES FELL, THE KIDS REFUSED TO TOE THE FACTORY LINE AND SPILLED OUT ONTO THE STREETS. THE STAGE WAS SET FOR A REVOLUTION. Rockers, New Romantics, Mods, Punks, Casuals, Smoothies, Ska kids and Skinheads stood shoulder to shoulder, hissing and spitting in the discos, precincts and subways of the working class towns across the nation. Oi! This is England tells the story of SHAUN, an 11-year-old kid growing up without a father in the north of England. Set during the summer holidays of 1983, we chart his rites of passage from a shaggy haired ruffian grieving the loss of his father into a shaven headed thug whose anger and pain are embraced by the local skinhead fraternity and ultimately the National Front. With a shell of a mother and no father to guide him, Shaun seems set for certain destruction. -
NPR ISSUES/PROGRAMS (IP REPORT) - September 1, 2016 Through September 30, 2016 Subject Key No
NPR ISSUES/PROGRAMS (IP REPORT) - September 1, 2016 through September 30, 2016 Subject Key No. of Stories per Subject AGING AND RETIREMENT 14 AGRICULTURE AND ENVIRONMENT 103 ARTS AND ENTERTAINMENT 187 includes Sports BUSINESS, ECONOMICS AND FINANCE 97 CRIME AND LAW ENFORCEMENT 153 EDUCATION 27 includes College IMMIGRATION AND REFUGEES 33 MEDICINE AND HEALTH 67 includes Health Care & Health Insurance MILITARY, WAR AND VETERANS 37 POLITICS AND GOVERNMENT 346 RACE, IDENTITY AND CULTURE 133 RELIGION 12 SCIENCE AND TECHNOLOGY 68 Total Story Count 1277 Total duration (hhh:mm:ss) 102:40:34 Program Codes (Pro) Code No. of Stories per Show All Things Considered AT 604 Fresh Air FA 35 Morning Edition ME 451 TED Radio Hour TED 8 Weekend Edition WE 179 Total Story Count 1277 Total duration (hhh:mm:ss) 102:40:34 AT, ME, WE: newsmagazine featuring news headlines, interviews, produced pieces, and analysis FA: interviews with newsmakers, authors, journalists, and people in the arts and entertainment industry TED: excerpts and interviews with TED Talk speakers centered around a common theme Key Pro Date Duration Segment Title Aging and Retirement ALL THINGS CONSIDERED 09/01/2016 0:03:53 Dallas Police Chief David Brown Announces Retirement Aging and Retirement MORNING EDITION 09/01/2016 0:02:35 In Visit With Seniors, This Boy Learned Lessons That Go Beyond The Classroom Aging and Retirement WEEKEND EDITION SATURDAY 09/03/2016 0:05:26 After Almost 30 Years As Covering American Politics, Ron Fournier Heads Home Aging and Retirement WEEKEND EDITION SATURDAY -
Camera Stylo Proof 2
SCREENING RACE ALEXANDRA MCCALLA The “hood” spaces of South Central in Los Angeles and — North Kensington in West London—known as Grove, Boyz n the Hood (1991) short for the area’s main road Ladbroke Grove—both Kidulthood (2006) experienced an influx of black migrant workers in the first half of the 20th century. The films Boyz n the Hood (1991) and Kidulthood (2006) explore the current problems of the South Central and Grove hoods respectively, while presenting the effects of the historical construction of these spaces. Both are written and directed by black men, set and shot in the areas in which they grew up, John Singleton’s Boyz n the Hood (Boyz) and Noel Clarke’s Kidulthood intimately reveal the nuances of their hoods. Through analysing the two hood films’ depiction of race and space, the socio-economic effects on race relations in London and LA can be examined. The “Great Migration” in the US, out of the South from 1910-1930, due to obtainable wealth in factory jobs, caused a shift in the African American identity; black people were not simply associated with the South’s con- 4 notations of slavery. Rheid-Pharr explains, “the black American was in some ways losing her ability to name Alexandra is currently in her third year completng herself properly, distinctly. Black identity could no lon- a double major in Economics and Cinema Studies. Within cinema studies, she has a particular ger be associated with a specific region, caste, economic interest in racial representation and identity of status, erotic affinity, or biology” (5). -
American Honey D'andrea Arnorld
Document generated on 10/05/2021 4:02 a.m. Spirale arts • lettres • sciences humaines American Honey d’Andrea Arnorld Alice Michaud-Lapointe Lectures et pratiques contemporaines du réel Number 259, Winter 2017 URI: https://id.erudit.org/iderudit/85005ac See table of contents Publisher(s) Spirale magazine culturel inc. ISSN 0225-9044 (print) 1923-3213 (digital) Explore this journal Cite this review Michaud-Lapointe, A. (2017). Review of [American Honey d’Andrea Arnorld]. Spirale, (259), 43–45. Tous droits réservés © Spirale magazine culturel inc., 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER Les lucioles du Midwest PAR ALICE MICHAUD-LAPOINTE AMERICAN HONEY Réalisation d’Andrea Arnold, 2016, 163 min. We are the new Americana High on legal marijuana Raised on Biggie and Nirvana We are the new Americana Photo : Holly Horner, courtoisie de A24 Souvent qualifié dans les médias par les termes elles, empreintes d’une légèreté poétique, lumi- vagues et communs de « brut », « authentique », neuse, qui évacue toute possibilité de lecture « immersif » ou « sans concession », le travail de la misérabiliste par le spectateur et laisse poindre la Britannique Andrea Arnold s’inscrit dans une veine vision d’un nouveau réalisme social – naturalistic particulière de réalisme social cinématographique style,pourrait-on aussi dire – peut-être plus impur, qui a rapidement été considérée par maints plus irrévérencieux, mais aussi plus libéré dans sa critiques comme un héritage contemporain des forme et ses choix esthétiques. -
Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
Conference Reports – October 2010
Scope: An Online Journal of Film and Television Studies Issue 18 October 2010 Conference Reports – October 2010 Table of Contents Bloodlines: British Horror Past and Present Michael Ahmed. .................................................................................... 3 IMAGEing Reality Stefano Odorico. ................................................................................. 8 The Moving Image: Reconfiguring Spaces of Loss and Mourning in the 21st Century Jenny Chamarette. ............................................................................. 11 NECS 2009 3rd Annual Conference: Locating Media Andrea Virginás. ................................................................................ 17 New Waves: XII International Film and Media Conference Hajnal Kiraly ...................................................................................... 21 Open Graves, Open Minds: Vampires and the Undead in Modern Culture Darren Elliott-Smith. .......................................................................... 25 Re-Living Disaster Ozlem Koksal. ................................................................................... 29 SCMS @ 50/LA (Society for Cinema and Media Studies): Archiving the Future, Mobilizing the Past Jason Kelly Roberts,. .......................................................................... 32 SCMS @ 50/LA (Society for Cinema and Media Studies) Martin L. Johnson. ............................................................................. 35 1 Conference Reports Straight Outta Uttoxeter: -
9 SONGS-B+W-TOR
9 SONGS AFILMBYMICHAEL WINTERBOTTOM One summer, two people, eight bands, 9 Songs. Featuring exclusive live footage of Black Rebel Motorcycle Club The Von Bondies Elbow Primal Scream The Dandy Warhols Super Furry Animals Franz Ferdinand Michael Nyman “9 Songs” takes place in London in the autumn of 2003. Lisa, an American student in London for a year, meets Matt at a Black Rebel Motorcycle Club concert in Brixton. They fall in love. Explicit and intimate, 9 SONGS follows the course of their intense, passionate, highly sexual affair, as they make love, talk, go to concerts. And then part forever, when Lisa leaves to return to America. CAST Margo STILLEY AS LISA Kieran O’BRIEN AS MATT CREW DIRECTOR Michael WINTERBOTTOM DP Marcel ZYSKIND SOUND Stuart WILSON EDITORS Mat WHITECROSS / Michael WINTERBOTTOM SOUND EDITOR Joakim SUNDSTROM PRODUCERS Andrew EATON / Michael WINTERBOTTOM EXECUTIVE PRODUCER Andrew EATON ASSOCIATE PRODUCER Melissa PARMENTER PRODUCTION REVOLUTION FILMS ABOUT THE PRODUCTION IDEAS AND INSPIRATION Michael Winterbottom was initially inspired by acclaimed and controversial French author Michel Houellebecq’s sexually explicit novel “Platform” – “It’s a great book, full of explicit sex, and again I was thinking, how come books can do this but film, which is far better disposed to it, can’t?” The film is told in flashback. Matt, who is fascinated by Antarctica, is visiting the white continent and recalling his love affair with Lisa. In voice-over, he compares being in Antarctica to being ‘two people in a bed - claustrophobia and agoraphobia in the same place’. Images of ice and the never-ending Antarctic landscape are effectively cut in to shots of the crowded concerts. -
Ein Film Von Thomas Vinterberg Nach Einem Buch Von Lars Von Trier
EIN FILM VON THOMAS VINTERBERG NACH EINEM BUCH VON LARS VON TRIER JAMIE BELL BILL PULLMAN MICHAEL ANGARANO DANSO GORDON NOVELLA NELSON CHRIS OWEN ALISON PILL MARK WEBBER LUCKY PUNCH I/S PRESENTS A NIMBUS - ZENTROPA PRODUCTION „DEAR WENDY“ DIRECTED BY THOMAS VINTERBERG WRITTEN BY LARS VON TRIER STARRING JAMIE BELL, BILL PULLMAN, MICHAEL ANGARANO, DANSO GORDON, NOVELLA NELSON, CHRIS OWEN, ALISON PILL, MARK WEBBER DIRECTOR OF PHOTOGRAPHY ANTHONY DOD MANTLE DFF. BSC CASTING BY AVY KAUFMAN PRODUCTION DESIGNER KARL JULIUSSON ART DIRECTOR JETTE LEHMANN FILM EDITOR MIKKEL E.G. NIELSEN SOUND DESIGNER KRISTIAN EIDNES ANDERSEN COSTUME DESIGNER ANNIE PERIER ORIGINAL SCORE BY BENJAMIN WALLFISCH CO-EXECUTIVE PRODUCERS BETTINA BROKEMPER, MARIANNE SLOT UK CO-PRODUCER GILLIAN BERRIE EXECUTIVE PRODUCERS PETER AALBÆK JENSEN, BO EHRHARDT, BIRGITTE HALD EXECUTIVE PRODUCER PETER GARDE CO-PRODUCER MARIE CECILIE GADE PRODUCER SISSE GRAUM JØRGENSEN www.dearwendy.de IN CO-PRODUCTION WITH PAIN UNLIMITED FILMPRODUKTION GMBH, SLOT MACHINE SARL, LIBERATOR2 SARL, DEAR WENDY LTD/SIGMAIII FILMS LTD. SUPPORTED BY DANISH FILM INSTITUTE, FILMSTIFTUNG NRW, EURIMAGES, NORDIC FILM- & TV FUND, THE I2I PREPARATORY ACTION OF THE EUROPEAN COMMUNITY ALSO IN CO-PRODUCTION WITH TV 2/DANMARK, ARTE FRANCE CINÉMA IN COLLABORATION WITH CANAL + FRANCE, ARTE – ZDF, SVT – SVERIGES TELEVISION AB, ZOMA FILMS LTD., TRUST FILM SALES2 APS, INVICTA CAPITAL LTD. NORDIC DISTRIBUTION IN CO-OPERATION WITH NORDISK FILM AN EGMONT COMPANY CO-DEVELOPED WITH THE FILM DEVELOPMENT PARTNERSHIP LLP, IN ASSOCIATION WITH LITTLE WING FILMS, THE SUPPORT OF THE MEDIA PROGRAM OF THE EUROPEAN UNION AN OFFICIAL DANISH, GERMAN, BRITISH AND FRENCH CO-PRODUCTION IN ACCORDANCE WITH THE 1992 EUROPEAN CONVENTION ON CINEMATOGRAPHIC CO-PRODUCTION ©COPYRIGHT 2004. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Cestrian 2010.Indd
CESTRIANThe The official magazine of the University of Chester Alumni Association 2010 HOLLYWOODBOUND BAFTA award-winning screenwriter returns to University Introduction by Professor T J Wheeler DL Vice-Chancellor and Principal of the University of Chester, Chair of the University of Chester Alumni Associati on The last year has proven to be an excepti onally busy one for the University. We have had major Estates developments with the creati on of a Gallery and Tutors’ Block for the Faculty of Arts and Media at our Kingsway campus, numerous enhancements on the main campuses at Chester and Warrington. However, the major Estates development that has dominated the agenda for the University has been the purchase, alterati on and refurbishment of our Riverside campus, which was formerly County Hall for Cheshire, located on the banks of Dee within the Walls and the City centre. The overall cost of the scheme will be about £15 million, with capital support from the NWDA/ERDF, HEFCE and the University’s funds. This massively impressive building will be the home for the Faculti es of Educati on and Children’s Services and Health and Social Care. In total, some 2,000 students will occupy the new campus from 1 September, with over 150 staff , including the University’s Marketi ng, Recruitment and Admissions Department and Business Development teams, being based there. Universiti es are more than bricks and mortar; they are about people, especially our students and the staff that support them. There have been so many initi ati ves that have been pursued by individual members of staff and students that it is impossible to pay tribute to them all, however, the University was delighted that its alumni garden received such prominent What’s inside recogniti on at the Royal Horti cultural Show at Tatt on.