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Hollywood Hotel – the Hotel of Hollywood®
Hollywood Hotel – The Hotel of Hollywood® Media Contacts: Relevance PR Karen Gee-McAuley / 818-541-7724 [email protected] Hannah Hurdle 805-601-5331 [email protected] Address: 1160 North Vermont Avenue Los Angeles, CA 90029 Reservations: 323-746-1248 www.thehollywoodhotel.com Social Media: Facebook: https://www.facebook.com/thehollywoodhotel Twitter: https://twitter.com/hollywoodhotel1 Pinterest: http://www.pinterest.com/hollywoodhotel/ Instagram: hollywoodhotel Established: 1903 Introduction: Situated in the heart of Hollywood, Hollywood Hotel fuses old Hollywood glamour with a modern take on deluxe amenities and newly refreshed, comfortable rooms in a centrally-located urban setting. Hollywood Hotel pays homage to the City of Angels’ creative and artistic spirit, incorporating exquisite design elements and a sense of beauty and inspiration into every guest’s stay, with a nod to the hotel’s Hollywood roots. From elegant and contemporary décor to state-of-the-art extras, thoughtful amenities and unparalleled service, Hollywood Hotel makes each guest’s stay a masterpiece. Hollywood Hotel Fact Sheet Page 2 Location: Hollywood Hotel is located in the District of Hollywood in the City of Los Angeles and is the only Hollywood hotel located most closely to the world-famous Route 66. The hotel is steps away from shopping, world-class dining and cutting edge culture and nightlife. The hotel is only minutes away from the Greek Theater, Los Angeles Zoo, the world-famous Hollywood sign, Hollywood Walk of Fame, Griffith Park Observatory, Grauman’s Chinese Theater, Gene Autry National Center and Lake Hollywood. The hotel is also adjacent to the hip streets of Los Feliz, Silver Lake (voted “Best Hipster City” by Forbes) and Echo Park (backdrop for the film “The Kids Are All Right”), filled with restaurants, one-of-a-kind boutiques and nightclubs. -
The Ithacan, 1984-04-19
Ithaca College Digital Commons @ IC The thI acan, 1983-84 The thI acan: 1980/81 to 1989/90 4-19-1984 The thI acan, 1984-04-19 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1983-84 Recommended Citation The thI acan, "The thI acan, 1984-04-19" (1984). The Ithacan, 1983-84. 22. http://digitalcommons.ithaca.edu/ithacan_1983-84/22 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1983-84 by an authorized administrator of Digital Commons @ IC. THE ITHACAN,·,,- 'Y',.o The Student Newspaper for Ithaca College ·, ;,,;i_\ ~ ,~ ~ ~, ' . ,;"y April 19, 1984 ..1\ · · · c\,,, Volume 15 Issue 11 ·:...,.., \ ,./ Ithaca College will''<>- increase• your tu1t1on• • by 8.5 percent rate Ithaca. NY--lthaca College tui principal rea~ons for the in tion will incwase S5:l6 10 crease c1rc acl<litional funds w S6.5(i2 for the 1984-85 quired for ..,,uctcnt financial aid. academic y!'ar. Coll1·g1· of fc1culty and staff salarws and ficials announcccl toclay, lwndits. ancl 1lw high co~, ot Standarcl room ancl hoard .,,,11e-of-1lw-,ir1 instrunional and student insurance will Ill· <·quipmenl cre,N· SWJ resulting 111 charges In spi11· ot IIH·s<· pressuws. of S2.992. rhe total 1984-85 sn1- 1.1ppinrn11 sc1ys lh,11 "llllaca·s den1 llill of S9.S54 rcprc-s1·n1s 1u11ion r1·m,1in~ qu11c an 8.58 pt•rc·<'nl lrl(TeclS(' 0\ er wasonablc. -
Bob Sarles Resume
Bob Sarles [email protected] (415) 305-5757 Documentary I Got A Monster Editor. True crime feature documentary. Directed by Kevin Abrams. Alpine Labs. The Nine Lives of Ozzy Osbourne Producer, editor. An A&E documentary special. Osbourne Media. Born In Chicago Co-director, Editor. Feature documentary. Shout! Factory/Out The Box Records. Mata Hari The Naked Spy Editor. Post Production Producer. Feature documentary. Red Spoke Films. BANG! The Bert Berns Story Co-director (with Brett Berns), editor. Theatrically released feature documentary. Sweet Blues: A Film About Mike Bloomfield Director, Editor. Produced by Ravin’ Films for Sony Legacy. Moon Shot Editor. Documentary series produced for Turner Original Productions and aired on TBS. Peabody Award recipient. Two Primetime Emmy nominations: editing and outstanding documentary. The Story of Fathers & Sons Editor. ABC documentary produced by Luna Productions. Unsung Editor. Documentary television series produced by A.Smith & Company for TV One. Behind The Music Producer and Editor. Documentary television series produced by VH1. Digital Divide Series Editor. PBS documentary series produced by Studio Miramar. The True Adventures of The Real Beverly Hillbillies Editor. Feature documentary. Ruckus Films. Wrestling With Satan Co-Producer, editor. Feature documentary. Wandering Eye Productions. Feed Your Head Director, editor. Documentary film produced for the Rock and Roll Hall of Fame, Cleveland. Yo Cip! Director, Editor. Documentary short. A Ravin’ Film for Cipricious Productions. Produced by Joel Peskin. Coldplay Live! At The Fillmore Director, editor. Television series episode produced by BGP/SFX. Take Joy! The Magical World of Tasha Tudor Editor. Documentary. Aired on PBS. Spellbound Prods. Teen People Presents 21 Stars Under 21 Editor. -
Fact Sheet-Hollywood-S
CRA/LA THE COMMUNITY REDEVELOPMENT AGENCY OF LOS ANGELES, CALIFORNIA HOLLYWOOD REDEVELOPMENT PROJECT The 1,107-acre Hollywood and insufficient open space existed Redevelopment Project is located in the area. According to the approximately six miles northwest of the Hollywood Circulation Study, the Los Angeles Civic Center at the foot of following streets were identified as the Hollywood Hills. The project is requiring improvements: Sunset and generally bounded by Franklin Avenue Santa Monica Boulevards, La Brea, on the north, Serrano Avenue on the Franklin and Highland Avenues, and east, Santa Monica Boulevard and Vine Street. A 1981 Parking and Fountain Avenue on the south and La Traffic Study identified a shortage of Brea Avenue on the west. The approximately 4,523 parking spaces. Hollywood Redevelopment Plan was · Old, obsolete, and substandard adopted by the Los Angeles City structures were blight on the area, Council on May 7, 1986. This plan sets including approximately 50 forth an array of goals that include residential units classified as encouraging economic development; substantially deteriorated and promoting and retaining the approximately 2,450 units classified entertainment industry; revitalizing the as overcrowded. The Agency in historic core; preserving and expanding 1984 estimated that 380,000 square housing for all income groups; meeting feet of commercial office space was social needs of area residents; providing in need of moderate to heavy urban design guidelines; and preserving rehabilitation, while 1.5 million historically significant structures. square feet of retail space was in need of moderate or heavy Conditions at Time of Adoption rehabilitation. The Hollywood Redevelopment Project area was found to contain the following · Irregular parcels which did not meet conditions of blight: established planning and zoning standards or economic requirements · Economic stagnation was for development were found characterized by a shortage of throughout the area. -
Annual Report 2009 Annual Report Art Stations Foundation 5050
annual report 2009 annual report art stations foundation 5050 Foundation 5 The Mission 6 Organisational structure 7 Exhibitions program 8 Dance Program 20 Music Program 32 Film Program 40 Callendar 46 3 foundation art stations foundation 5050 Art Stations Foundation is a project designed and initiated by Grażyna Kulczyk, and is the culmination of the Founder’s philosophy for running a business.. By exploring the aesthetics of contemporary art and inspiring various types of creative processes by means of exhibitions, workshops, performances, interventions and theoretical publications, the Foundation aims to assist people in their conscious personal growth and help them to open their minds to culture and discover its values. Through its projects, the Art Stations Foundation provides an interdis- ciplinary platform for the presentation and exploration of various fields of the arts, including the fine arts, dance, film and music. The audience takes part in the activities of the Art Stations Foundation’s while visiting Stary Browar, where venues devoted to the display of art include a multi-storey exhibition space and Studio Słodownia +3. In conjunction with Stary Browar, the Art Stations Foundation defines a new category of lifestyle – an art lifestyle. 4 5 the mission / organisational structure art stations foundation 5050 The Art Stations Foundation is a privately owned non-profit The Foundation was established by its Founder – Grażyna Kulczyk. organisation founded in the belief that art has a positive influ- The Founder appoints themembers of the sta. ence on the community, and that experiencing it provides The Board: young people with a chance for a better, more creative and The Board’s duties and responsibilities: more conscious life. -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
Outside Agency Approvals
Required Agency Approvals / Contact List WEST HOLLYWOOD Planning & Development Services 8300 Santa Monica Boulevard West Hollywood, CA 90069-6216 tel 323 848.6475 fax 323.848.6569 REQUIRED AGENCY APPROVALS / CONTACT LIST COMMUNITY DEVELOPMENT DEPARTMENT Current and Historic Preservation Planning Long Range and Mobility Planning 8300 Santa Monica Blvd., 2nd Floor 8300 Santa Monica Blvd., 2nd Floor West Hollywood, CA 90069 West Hollywood, CA 90069 Contact: Assigned Project Planner Contact: Richard Garland Phone Number: (323) 848-6475 Phone Number: (323) 848-6457 Development Approvals, "Conditions of Transportation plan check. Approval", Land Use, Zoning, On-Site Landscaping, On-Site Parking, Aesthetics. Building & Safety Division 8300 Santa Monica Blvd., 2nd Floor Contact: Building & Safety Permit Technician Phone Number: (323) 848-6320 or (323) 848-6475 (323) 848 -6335 (Inspector) 6475 Building Plan Checking, Permit issuance, Inspections, Certificates of Occupancy. DEPARTMENT OF PUBLIC WORKS Commercial Code Division City Engineering Division 8300 Santa Monica Blvd., 2nd Floor 8300 Santa Monica Blvd., 2nd Floor West Hollywood, CA 90069 West Hollywood, CA 90069 Contact: Dan Mick Contact: Project Civil Engineer Phone Number: (323) 848-6882 Phone Number: (323) 848-6375 Construction Mitigation Plan, Hours of Off-site improvements, street curbs, gutters & Construction Operation, enforcement of the sidewalks, driveway aprons, cutting, digging, List Contact / Approvals Agency Required "Conditions of Approval ". storing or overhanging in or -
Executive Summary Hollywood Hills High School
Executive Summary Hollywood Hills High School Broward County School District Mr. Lourde Gonzalez 5400 Stirling Road Hollywood, FL 33021 Document Generated On October 24, 2016 TABLE OF CONTENTS Introduction 1 Description of the School 2 School's Purpose 3 Notable Achievements and Areas of Improvement 4 Additional Information 6 Executive Summary Hollywood Hills High School Introduction Every school has its own story to tell. The context in which teaching and learning takes place influences the processes and procedures by which the school makes decisions around curriculum, instruction, and assessment. The context also impacts the way a school stays faithful to its vision. Many factors contribute to the overall narrative such as an identification of stakeholders, a description of stakeholder engagement, the trends and issues affecting the school, and the kinds of programs and services that a school implements to support student learning. The purpose of the Executive Summary (ES) is to provide a school with an opportunity to describe in narrative form the strengths and challenges it encounters. By doing so, the public and members of the school community will have a more complete picture of how the school perceives itself and the process of self-reflection for continuous improvement. This summary is structured for the school to reflect on how it provides teaching and learning on a day to day basis. Page 1 © 2016 Advance Education, Inc. All rights reserved unless otherwise granted by written agreement. Executive Summary Hollywood Hills High School Description of the School Describe the school's size, community/communities, location, and changes it has experienced in the last three years. -
KNXT Dereservation Petition
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In the Matter of ) ) Amendment of Section 73.622(b) ) MB Docket No. ____ DTV Table of Allotments ) RM No. ____ (Visalia, California) ) To: Office of the Secretary Attn: Chief Video Division, Media Bureau JOINT PETITION FOR RULEMAKING AND REQUEST FOR WAIVER DIOCESE OF FRESNO EDUCATION CORP. and VENTURA TV VIDEO AND APPLIANCE CENTER, INC. Michelle A. McClure, Esq. Kathleen Victory, Esq. Keenan P. Adamchak, Esq. Fletcher, Heald & Hildreth, PLC 1300 N. 17th Street, Suite 1100 Arlington, VA 22209 Tel: (703) 812-0400 Fax: (703) 812-0486 [email protected] [email protected] [email protected] Counsel for Petitioners Date: August 9, 2019 TABLE OF CONTENTS SUMMARY .................................................................................................................................... ii I. “COMPELLING CIRCUMSTANCES” JUSTIFY DERESERVATION OF CHANNELS *50/*22, VISALIA, CALIFORNIA ........................................................................................... 2 A. Operation of KNXT as an NCE Television Station is not Financially Viable ............. 3 B. Operation of KNXT as a Commercial Television Station would not have a Negative Impact on the Fresno-Visalia Market ..................................................................................... 7 C. The Public Interest Benefits of Operating KNXT as a Commercial Station Outweigh the need for 2 NCE Television Stations in the Fresno Market ............................................... 8 II. IT IS IN -
News Master Contract
AGREEMENT BY AND BETWEEN NATIONAL ASSOCIATION OF BROADCAST EMPLOYEES AND TECHNICIANS-COMMUNICATIONS WORKERS OF AMERICA, AFL-CIO AND FOX TELEVISION STATIONS, INC. FOR STATION KTTV/KCOP (NEWS) June 30, 2016 - June 29, 2019 TABLE OF CONTENTS ARTICLE I - RECOGNITION AND WARRANTY 1 Section 1.01 Recognition and Warranty 1 ARTICLE II- SCOPE OF UNIT 1 Section 2.01 Employees Covered 1 Section 2.02 Persons Excluded 1 ARTICLE III - DUTIES 2 Section 3.01 _____________________________SupervisionlCross Perfomance of Duties 2 Section 3.02 ________Directors 2 Section 3.03 _________________Associate Directors 2 Section 3.04 News___________Writers 2 Section 3.05 ________________Assignment Editors 3 Section 3.06 _______________________________________Producers/Show Producers/Associate Producers/ _____________________________________Character Generator Operators 3 Section 3.07 _____________Field Production 4 Section 3.08 News_____________Assistants 4 Section 3.09 _________Messengers 5 Section3.10 ___________________________________Performance of Duties by Management Employees 6 Section3.11 _____________Edit Coordinator 6 Section 3.12 ________________________________Performance of Non-Bargaining Unit Duties 7 ARTICLE IV EMPLOYMENT 7 Section 4.01 Union Shop 7 Section 4.02 Probationary Employees 7 Section 4.03 Non-Discrimination 8 Section 4.04 Inspection 8 Section 4.05 Drivers Licenses 8 ARTICLE V- CHECK-OFF 8 Section 5.01 Authorizations 8 Section 5.02 Deductions 8 Section 5.03 Calculations 9 Section 5.04 Check-Off Authorization 9 ARTICLE VI- NO STRIKES-NO LOCKOUT 10 Section 6.01 No Strike 10 Section 6.02 No Lockout 10 ARTICLE VII- GRIEVANCE AND ARBITRATION 10 Section 7.01 Grievance and Arbitration 10 Section 7.02 Compliance 11 Section 7.03 Grievance Committee Members 11 11 ARTICLE VIII- DISCHARGES 11 Section 8.01 Discharges 11 ARTICLE IX - WORK SCHEDULE, MEALS, HOURS AND PENALTIES 12 Section 9.01 Work Week. -
KNXT Channel 2 Press Releases 0232
http://oac.cdlib.org/findaid/ark:/13030/c83t9gg6 No online items Finding Aid of KNXT Channel 2 press releases 0232 Finding aid prepared by Katie Richardson and Boriana Boyanova The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. 1st edition USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] June 2010 Finding Aid of KNXT Channel 2 0232 1 press releases 0232 Title: KNXT Channel 2 press releases Collection number: 0232 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 3.0 Linear feet3 boxes Date (inclusive): 1961-1962 Abstract: The collection includes press releases from 1961 to 1962. creator: CBS Radio Network. creator: KNX (Radio station : Los Angeles, Calif.). creator: KNXT (Television station : Los Angeles, Calif.). Preferred Citation [Identification of item], KNXT Channel 2 press releases, Collection no. 0232, Regional History Collections, Special Collections, USC Libraries, University of Southern California. Conditions Governing Use The collection contains published articles; researchers are reminded of the copyright restrictions imposed by publishers on reusing their articles and parts of books. It is the responsibility of researchers to acquire permission from publishers when reusing such materials. The copyright to unpublished materials belongs to the heirs of the writers. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder. Conditions Governing Access COLLECTION STORED OFF-SITE. Advance notice required for access. Consult finding aid for additional information. -
Televising Watts Joe Saltzman's Black on Black
10 Televising Watts Joe Saltzman’s Black on Black (1968) on KNXT JOSHUA GLICK Joe Saltzman’s Black on Black challenged staid conventions of broadcast journalism and ste reo typical repre sen ta tions of Watts when it premiered on Los Angeles station !"#$ on July &', &()'. Shot in the thick of urban up- risings sweeping the country, the documentary took aim at prestige public a*airs specials’ depiction of Watts as a site of poverty, a crime- ridden neigh- borhood, or a war zone. Saltzman, a white liberal documentarian from the nearby suburb of Alhambra in the San Gabriel Valley, sought to provide a platform for black residents to speak for themselves and to re orient main- stream tele vi sion audiences’ understanding of South Central Los Angeles. Black on Black portrayed Watts as a community of pe ople with deep ties to their neighborhood. Residents re+ected on the meaning of black identity and spoke openly about their strug gles living within a city that marginalized their presence. Cinema and media studies scholars have written extensively on the tele- vi sion industry’s engagement with the Black Power movement, most o,en analyzing nationally broadcast situation comedies (Sanford and Son ["-., &(/0–//]), variety shows (!e Flip Wilson Show ["-., &(/1–/2], Soul Train [&(/1–011)]), and public a*airs series (Black Journal ["3$, &()'–//]). How- ever, the expanding 4eld of local programming constituted a crucial site of innovation and re sis tance to the whitewashed mainstream media.5 Black on Black directly addressed topics such as systemic racism and black cultural expression. Investigating Saltzman’s documentary demonstrates how social forces in Los Angeles shaped a national debate about the fraught relationship Downloaded from http://read.dukeupress.edu/books/chapter-pdf/790243/9781478005605-012.pdf by guest on 18 August 2020 between minorities and the 4lm and tele vi sion industry, as well as how this debate in+uenced on- the- ground media production and race relations in the city.