DECEMBER 2011 Welcome To

Total Page:16

File Type:pdf, Size:1020Kb

DECEMBER 2011 Welcome To DECEMBER 2011 Welcome to THE GLOBE AT A GLANCE We are so pleased to be celebrating this holiday season The sixth-largest regional with the combined talents of theatre in the country, Burt Bacharach and Steven Sater. The Old Globe offers more Working with Burt and Steven on programming and a greater Some Lovers for the past year has repertoire than any theatre been an unforgettable experience, of its size. and it is my pleasure to share the • • • show with Globe audiences at last. Some Lovers brings Burt’s unique As a not-for-profit theatre melodies together with Steven’s with an annual budget insightful book and music, and the averaging $20 million, the J. KATARZYNA WORONOWICZ KATARZYNA J. result is an exciting collaboration Globe earns $10 million in between two artists at the top of ticket sales and must raise an their field. Some Lovers is also a holiday gift for lovers of Burt’s work who additional $10 million from have been clamoring for him to return to writing for the theatre since his individual and institutional successful 1968 musical Promises, Promises. tax-deductible donations. The holidays are a time for thanksgiving. As many of you may know, I • • • am stepping down from my position as Executive Producer of The Old The Globe provides more Globe at the end of December. I want to take a moment to thank all of than 20 different community you who have made my nine years at the Globe so memorable. As I leave and education programs the Globe, I look back on nearly a decade of artists and audiences, staff to nearly 50,000 people members and students, donors and volunteers with gratitude and with annually. real pride in the theatre that we have come together to make and to • • • experience. The Old Globe has sent 20 In this transitional time, The Old Globe is in the capable hands of Interim productions to Broadway Managing Director Michael Murphy. Michael has been our General since 1987. Manager for eight years; his wealth of institutional knowledge and skillful leadership will be an asset to the Globe as we look to the future. • • • Thank you for celebrating your holiday season with us! I offer my sincere In 1987, The Old Globe/ wishes for a Happy Holiday and a joyful 2012. University of San Diego Master of Fine Arts program was established to provide the highest caliber in training of young classical actors. Louis G. Spisto Executive Producer PERFORMANCES MAGAZINE 1 PRESENTS SOME LOVERS BOOK AND LYRICS BY MUSIC BY STEVEN SATER BURT BACHARACH Takeshi Kata Jenny Mannis Ben Stanton Leon Rothenberg SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Jim Carnahan, CSA Matthew Silver CASTING STAGE MANAGER VOCAL DESIGN ANNMARIE MILAZZO ORCHESTRATOR JONATHAN TUNICK MUSIC SUPERVISOR LON HOYT MUSICAL STAGING DENIS JONES DIRECTED BY WILL FREARS —————————————————— SHERYL AND HARVEY WHITE THEATRE Conrad Prebys Theatre Center November 26 - December 31, 2011 2 PERFORMANCES MAGAZINE THE CAST (in order of appearance) BEN ..............................................................................................................................................................................Jason Danieley MOLLY ....................................................................................................................................................................... Michelle Duffy YOUNG BEN .......................................................................................................................................................Andrew Mueller YOUNG MOLLY ......................................................................................................................................................Jenni Barber Stage Manager ....................................................................................................................................................... Matthew Silver Assistant Stage Manager .............................................................................................................. Jennifer Leigh Wheeler SETTING New York City, Christmas Eve – Past and Present There will be no intermission. PRODUCTION STAFF Creative Associate ...........................................................................................................................................Whitney Mosery Assistant Director .......................................................................................................................................................Kim Sullivan Assistant Scenic Design ........................................................................................................................................Sean Fanning Associate Costume Design ......................................................................................................................Charlotte Devaux Assistant Lighting Design ......................................................................................................................................Jason Bieber Stage Management Intern .....................................................................................................Gabriela Gutierrez Huerta Music Intern .........................................................................................................................................................Laura Nan Peete The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher. PERFORMANCES MAGAZINE 3 Board of Directors Both used pseudonyms, but Dr. Seuss and O. Henry were two very different American storytellers. It’s remarkable that two of their best-known tales form the basis for shows at the Globe’s Conrad Prebys Theatre Center during San Diego’s holiday season. Here in the White Theatre, Steven Sater and Burt Bacharach have combined to create a new musical, Some Lovers, inspired by O. Henry’s “The Gift of the Magi,” while next door on the Shiley Stage, The Grinch huffily steals gifts from the hearths of Whoville. In their different ways, both productions tell volumes about the power of human generosity. That generosity of spirit is amply reflected here at the Globe; generous donors underwrote the theatre complex and the stages that bear their names, and Audrey Geisel gives us the royalty-free rights to perform The Grinch. Numerous others contributed major gifts, which help sustain the Globe as a national leader among regional theatres. Meanwhile, hundreds more do smaller parts each year to cover the half of the Theatre’s budget that isn’t provided by ticket sales. Your generosity not only makes possible the great work on our stages but also supports extensive educational programs for young people at a time when many of our schools are struggling. As your thoughts inevitably turn toward helping others this holiday season, please remember to include the Globe in your year-end plans. From everyone at The Old Globe, Happy Holidays and heartfelt thanks for your support throughout the year! Sincerely, Harold W. Fuson, Jr. Chair, Board of Directors BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer DIRECTORS Daphne Jameson Crystal Watkins Deborah Szekely Mary Beth Adderley Jo Ann Kilty Karin Winner Hon. Pete Wilson Elizabeth Altman Susan Major June Yoder Joseph Benoit Paula Powers Carolyn Yorston-Wellcome EMERITUS DIRECTORS Pamela Cesak Conrad Prebys* Vicki Zeiger Garet B. Clark Nicole A. Clay David Reagan J. Dallas Clark (1913–2005) *Executive Committee Member Peter J. Cooper* Sandra Redman* Bea Epsten Valerie S. Cooper Reneé Schatz HONORARY DIRECTORS Sally Furay, R.S.C.J. Pamela A. Farr Jean Shekhter Mr s. Richard C. Adams Bernard Lipinsky (1914-2001) Karen Fox Louis G. Spisto* (1912–2005) Delza Martin (1915–2005) Victor P. Gálvez Ann Steck Clair Burgener (1921-2006) Darlene Shiley Jean-Marie Hamel, Ph.D. Daniel L. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Patsy Shumway Kathryn Hattox* Julie H. Sullivan, Ph.D. Audrey Geisel Elizabeth Helming Dean Thorp Paul Harter Nanci Hull Evelyn Mack Truitt Gordon Luce (1925-2006) Viviana Ibañez Debra Turner Dolly Poet (1921-2007) Deni Jacobs Stacey LeVasseur Vasquez 4 PERFORMANCES MAGAZINE LEADERSHIP Production Sponsors GIFTS Mickey Stern The Old Globe recognizes and thanks Mickey Stern has been a patron and supporter of the arts for many years, both the following generous individuals in San Diego and previously in Omaha, Nebraska. She strongly believes in the who have made extraordinary gifts Globe’s artistic goals, its stability as a leading not-for-profit institution and the impact of the theatre’s work in the community, both on its stages and in San of $1 million or more. These major Diego area schools. Mickey has shown generous support for Globe projects. She contributions have been designated was a sponsor for the world premiere of Sammy in 2009 and Golda’s Balcony for artistic, endowment and facilities with Tony Award-nominated actress Tovah Feldshuh in 2010. projects, and help The Old Globe remain one of our country’s great The Edgerton Foundation theatre institutions. The Old Globe world premiere Some Lovers has received a prestigious Edgerton Foundation New
Recommended publications
  • Equity News Summer 2019
    SUMMER 2019 | VOLUME 104 | ISSUE 3 ACTORS’ EQUITY ASSOCIATION Equity NEWS A CENTURY OF SOLIDARITY CELEBRATING THE 100TH ANNIVERSARY OF THE VERY FIRST EQUITY STRIKE EquityDIRECTORY EASTERN REGION WESTERN REGION BUSINESS THEATRE Kaitlyn Hoffman [email protected], x322 SPECIAL APPEARANCE, GUEST AND DINNER THEATRE ARTIST Philip Ring [email protected], x106 CABARET Kaitlyn Hoffman [email protected], x322 WITHIN LA - 99 SEAT Albert Geana-Bastare [email protected], x118 CASINO Doria Montfort [email protected], x334 TYA, STOCK, LOA TO COST & LOA TO WCLO Christa Jackson [email protected], x129 DINNER THEATRE Gary Dimon [email protected], x414 SPT, HAT Gwen Meno [email protected], x110 DINNER THEATRE ARTIST Austin Ruffer [email protected], x307 LORT Ethan Schwartz [email protected], x150 DISNEY WORLD Donna-Lynne Dalton [email protected], x604 Buckly Stephens [email protected], x602 LOA TO LORT Lyn Moon [email protected], x119 GUEST ARTIST Austin Ruffer [email protected], x307 CONTRACTS WITHIN NORTHERN CALIFORNIA Ethan Schwartz [email protected], x150 LABS/WORKSHOPS Corey Jenkins [email protected], x325 CONTRACTS WITHIN SOUTHERN CALIFORNIA Albert Geana-Bastare [email protected], x118 LOA-NYC Raymond Morales [email protected], x314 CONTRACTS WITHIN TEXAS & UTAH Christa Jackson [email protected], x129 LOA-PP Timmary Hammett [email protected], x376 Gary Dimon [email protected], x414 CONTRACTS
    [Show full text]
  • Shakespeare for the 21 Century: a Vision for the Next 25 Years (Continued)
    DRAFT SHAKESPEARE FOR THE 21ST CENTURY: THE NEXT 25 YEARS SETTING THE STAGE FOR THE FUTURE Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Shakespeare for the 21st Century: The Next 25 Years … Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Over our first 25 years, I am proud to say that the Shakespeare Theatre Company has helped to redefine classical theatre. Beyond the work of William Shakespeare, our definition – and mission – encompass the ancient Greek and Roman plays that inspired him, the works of his contemporaries and those who followed in his tradition, as well as those modern plays which, in our humble opinion, will become classics in the centuries to come. Classical theatre tells us about ourselves in a way that nothing else does, enriches our lives, helps us appreciate people unlike ourselves, makes us think and glories in the language that we speak. But without it going back into the schools and going to new generations of young people, it will be lost. It would be a terrible thing. I hope I don’t ever see that happen. Michael Kahn, reflecting on his 25 years as Artistic Director of the Shakespeare Theatre Company, April 2011 2 CONFIDENTIAL DRAFT: Friday, July 01, 2011 Shakespeare for the 21st Century: The Next 25 Years … Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Introduction Michael Kahn’s visionary leadership of the Shakespeare Theatre Company over the last 25 years has provided artistic experiences virtually unmatched anywhere else in America.
    [Show full text]
  • Rachel Chavkin Takes on Broadway
    Arts & Humanities High Art, High Ideals: Rachel Chavkin Takes on Broadway The Tony Award-winning director of Hadestown may be theater’s most forward- thinking artist. By Stuart Miller '90JRN | Fall 2019 Zack DeZon / Getty Images Making her way to the stage of Radio City Music Hall to accept the 2019 Tony Award for best direction of a musical, Rachel Chavkin ’08SOA was thinking about time. She had all of ninety seconds to get to the microphone and deliver her speech, which was written on a much-creased piece of paper folded in her hands. Seven months pregnant, Chavkin, thirty-eight, was not about to sprint. As she told Columbia Magazine days later, “I warned my husband: if they call my name, I won’t have time to hug you!” Hadestown, an enthralling, profoundly moving retelling of the myth of Orpheus and Eurydice, would, by night’s end, capture eight awards, including best original score and best musical. The accolades were not only hard won — Chavkin, a leading light of experimental theater, and Anaïs Mitchell, a singer-songwriter from Vermont, shaped and refined Hadestown for seven years — but also, some might say, overdue. In seventy-three years of the Tony Awards (named after Antoinette Perry, an actress, director, and theater advocate), Chavkin became just the fourth woman to win for best direction of a musical, joining Julie Taymor (The Lion King), Susan Stroman (The Producers), and Diane Paulus ’97SOA (Pippin). And in 2019, out of twelve new musicals on Broadway, Hadestown was the only one directed by a woman. The show, playing at the Walter Kerr Theatre on West 48th Street, is set mostly in a New Orleans–style barrelhouse at a time of economic and environmental decay.
    [Show full text]
  • BOYD-QUINSON MAINSTAGE OCTOBER 4-22, 2017 SETTING New York, 1880'S CAST in ORDER of APPEARANCE
    JULIANNE BOYD, ARTISTIC DIRECTOR AND Carla and Edward Slomin PRESENT BY Patrick Hamilton FEATURING Ali Rose Dachis Mark H. Dold Kevin O'Rourke Kim Stauffer Peggy Pharr Wilson SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kate Noll Beth Goldenberg Scott Pinkney Joel Abbott HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Anne Ford-Coates Renée Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE DIGITAL MARKETING NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg The Pekoe Group Matt Ross Public Relations DIRECTED BY Louisa Proske SPONSORED IN PART BY Hildi and Walter Black & Esther and Dr. Robert Rosenthal Student matinees sponsored in part by the Dobbins Foundation & Susan and David Lombard STUDENT MATINEE TALKBACKS SPONSORED BY Price Chopper/Market 32 GASLIGHT is presented by special arrangement with SAMUEL FRENCH, INC. BOYD-QUINSON MAINSTAGE OCTOBER 4-22, 2017 SETTING New York, 1880's CAST IN ORDER OF APPEARANCE Mr. Manningham .................................................................................. Mark H. Dold* Mrs. Manningham ................................................................................. Kim Stauffer* Elizabeth .....................................................................................Peggy Pharr Wilson* Nancy ...............................................................................................Ali Rose Dachis* Rough ................................................................................................Kevin O'Rourke* STAFF Production
    [Show full text]
  • SPIDER-MAN: a BUMPY RIDE on BROADWAY the Broadway Production of “Spider-Man: Turn Off the Dark” Suffered from Vast Expenses and Discord
    FROM THE NEW YORK TIMES ARCHIVES SPIDER-MAN: A BUMPY RIDE ON BROADWAY The Broadway production of “Spider-Man: Turn Off the Dark” suffered from vast expenses and discord. (Sara Krulwich/The New York Times) TBook Collections Copyright © 2015 The New York Times Company. All rights reserved. Cover photograph by Sara Krulwich/The New York Times This ebook was created using Vook. All of the articles in this work originally appeared in The New York Times. eISBN: The New York Times Company New York, NY www.nytimes.com www.nytimes.com/tbooks Broadway’s ‘Spider-Man’ Spins A Start Date By PATRICK HEALY February 24, 2009 The widely anticipated new musical “Spider-Man, Turn Off the Dark,” with music and lyrics by Bono and the Edge and directed by Julie Taymor (“The Lion King”), took a big swing toward a Broadway debut on Tuesday: the producers announced that the show would begin previews on Jan. 16 at the Hilton Theater. The musical, produced by Hello Entertainment/David Garfinkle, Martin McCallum, Marvel Entertainment and Sony Pictures Entertainment, is to open on Feb. 18. Industry insiders have said its budget would be the largest in Broadway history, about $40 million; a spokesman for the show, Adrian Bryan-Brown, said on Tuesday that the producers would not comment on the dollar amount. ‘Spider-Man’ Musical Names 2 Of Its Stars June 27, 2009 Evan Rachel Wood will be Mary Jane Watson and Alan Cumming will star as Norman Osborn (a k a Green Goblin) in the upcoming Broadway musical “Spider-Man, Turn Off The Dark,” the producers announced on Friday.
    [Show full text]
  • Othello by WILLIAM SHAKESPEARE Directed by Michael Kahn Featuring Avery Brooks and Patrick Page
    For Immediate Release: Press Contact: Liza Holtmeier August 1, 2005 202.608.6302 [email protected] SHAKESPEARE THEATRE COMPANY’S 2005-2006 SEASON OPENS WITH Othello BY WILLIAM SHAKESPEARE Directed by Michael Kahn Featuring Avery Brooks and Patrick Page WASHINGTON, D.C. – The Shakespeare Theatre Company opens its 2005-2006 season with Artistic Director Michael Kahn directing a production of Othello from August 30 to October 30, 2005. With poetry rivaling King Lear and with the psychological depth of Hamlet, Shakespeare’s Othello is a highly charged tale of jealousy, prejudice, revenge and the destruction of innocence. For the production, Kahn directs a cast that includes Avery Brooks as Othello, Patrick Page as Iago, Colleen Delany as Desdemona, Lise Bruneau as Emilia and Company Member David Sabin as Brabantio. Media partner The Washingtonian magazine provides promotional support throughout the run. Passed over for the position of Othello’s lieutenant, Iago begins to plot his revenge against the Moor. Believing his wife, Emilia, has been unfaithful with Othello, Iago plans to poison Othello’s marriage with jealousy. As Iago’s lies begin to take hold, Othello questions more and more the fidelity of his new bride, eventually destroying his once-happy marriage. “Othello is extraordinary in its psychological complexities, and I think it is a reduction of the play to say it is simply a study of jealousy,” says Michael Kahn. “It’s a study of a great man, the world around him and his destruction. And although the play deals with jealousy – and, to an even greater extent, obsession – it doesn’t start out as a play about jealousy.
    [Show full text]
  • M4mprogram.Pdf
    STC Board of Trustees Board of Trustees W. Mike House Emeritus Trustees Michael R. Klein, Chair Jerry J. Jasinowski R. Robert Linowes*, Robert E. Falb, Vice Chair Norman D. Jemal Founding Chairman John Hill, Treasurer Scott Kaufmann James B. Adler Pauline Schneider, Secretary Abbe D. Lowell Heidi L. Berry* Michael Kahn, Artistic Director Eleanor Merrill David A. Brody* Melissa A. Moss Melvin S. Cohen* Trustees Robert S. Osborne Ralph P. Davidson Nicholas W. Allard Stephen M. Ryan James F. Fitzpatrick Ashley M. Allen George P. Stamas Dr. Sidney Harman* Stephen E. Allis Bill Walton Lady Manning Anita M. Antenucci Lady Westmacott Kathleen Matthews Jeffrey D. Bauman Rob Wilder William F. McSweeny Afsaneh Beschloss Suzanne S. Youngkin V. Sue Molina Landon Butler Walter Pincus Dr. Paul Carter Ex-Officio Eden Rafshoon Chelsea Clinton Chris Jennings, Emily Malino Scheuer* Dr. Mark Epstein Managing Director Lady Sheinwald Andrew C. Florance Mrs. Louis Sullivan Miles Gilburne Daniel W. Toohey Barbara Harman Sarah Valente John R. Hauge Lady Wright Stephen A. Hopkins Lawrence A. Hough * Deceased 2 Dear Friend, Table of Contents Welcome to the first mainstage show of our 2013-2014 The Invention of Sex season, Measure for Measure. by Drew Lichtenberg 6 I am thrilled that Jonathan Title Page 9 Munby has returned to direct William Shakespeare’s About the Playwright 10 bracingly modern and human Synopsis 11 play after his excellent work on The Dog in the Manger here in 2009. By placing this story in a Cast 13 decadent 1930s Vienna, in an Austria on the brink Cast Biographies 14 of Fascist annexation, Jonathan brings enduring Direction and questions to the forefront of his production: Design Biographies 18 How do you reign in a society of excess while preserving justice? How far does the responsibility About STC 20 of our leadership extend into social life? What is Support 22 the role of government and religion in policing sexuality? All of these debates are very much alive For STC 30 in Washington, D.C.
    [Show full text]
  • Theater Reviews
    NYC’s #1 FREE DAILY www.metro.us 18 theater WEEKEND, JUNE 24-26, 2011 live on broadway Also playing RETROSPECTIVE: Fast on 44th St. ‘Phantom’ facts: ‘Baby ‘Phantom Opened in London in It’s You!’ 1986; came to N.Y. in 1988 Won 7 Tony Awards that A Jersey housewife dis- year, including Best covers girl group, the Musical Shirelles, in this Became the longest- female-empowerment running show in 2006, story of the ’60s. of the Opera’ surpassing ‘Cats’ Broadhurst Theatre Played more than 9,700 $49-$177 performances on www.babyits Broadway; 65,000 total youonbroadway.com How does Broadway’s longest-running musical hold up after 23 years? Grossed more than $5 ‘Memphis’ Moving love story and powerful music balance dated elements billion worldwide JOAN MARCUS In 1950s Memphis, he challenge of a while scenes change; sim- finding love in a show that’s been on- ple aural tricks and flicker- dance club is anything Tstage for nearly a ing lights are as spooky as but safe; this musical quarter-century is to high-tech craft. However, a is inspired by a remain relevant to audi- rejuvenation of energy and true story. ences who might have ac- vision wouldn’t hurt the Shubert Theatre tually first seen it as chil- play, lest it rest on its lau- $42-$252 dren and can now bring rels and retire before your www.memphis their own. “Phantom of the grandkids can attend. themusical.com Opera,” which debuted on the Great White Way in he crystal-clear, mas- ‘Rock of 1988, is now at the Majestic terfully commanded Theatre showing the same Tvocals required by Ages’ songs you may know from the leads (currently a time when the B-side of Sara Jean Ford as Christine Set on the Sunset your Michael Crawford and Hugh Panaro as the Strip in 1987, this mixtape played George Phantom), held against rock musical features Michael.
    [Show full text]
  • Program from the Production
    SHAKESPEARE THEATRE COMPANY Dear Friend, Table of Contents Welcome to STC’s Hero/ STC Board of Trustees Traitor Repertory, the first Coriolanus Title Page 5 installment in the Clarice Board of Trustees W. Mike House Emeritus Trustees Smith Repertory Series. Michael R. Klein, Chair Jerry J. Jasinowski R. Robert Linowes*, About the Playwright: Shakespeare 6 Robert E. Falb, Vice Chair Norman D. Jemal Founding Chairman William Shakespeare’s John Hill, Treasurer Jeffrey M. Kaplan James B. Adler Synopsis: Coriolanus 7 Coriolanus and Friedrich Pauline Schneider, Secretary Scott Kaufmann Heidi L. Berry* Michael Kahn, Artistic Director Abbe D. Lowell David A. Brody* Coriolanus Cast 9 Schiller’s Wallenstein Eleanor Merrill Melvin S. Cohen* share a stage because the title characters The Body Politic Trustees Melissa A. Moss Ralph P. Davidson share a dilemma: their power as charismatic Nicholas W. Allard Robert S. Osborne James F. Fitzpatrick by Drew Lichtenberg 10 Ashley M. Allen Stephen M. Ryan Dr. Sidney Harman* military leaders brings them into conflict with Stephen E. Allis George P. Stamas Lady Manning Wallenstein Title Page 11 the political world. In this North American Anita M. Antenucci Bill Walton Kathleen Matthews Jeffrey D. Bauman Lady Westmacott William F. McSweeny About the Playwright: Schiller 14 premiere of Schiller’s work, translated and Afsaneh Beschloss Rob Wilder V. Sue Molina freely adapted by former Poet Laureate Robert Landon Butler Suzanne S. Youngkin Walter Pincus Synopsis: Wallenstein 15 Pinsky, Wallenstein muses, “Once men have Dr. Paul Carter Eden Rafshoon Chelsea Clinton Ex-Officio Emily Malino Scheuer* Wallenstein Cast 17 climbed the heights of greatness…the world Dr.
    [Show full text]
  • Program in Classical Acting
    FEBRUARY 2014 WELCOME Welcome to a new year and a new lineup of plays at The Old Globe! As we look ahead to 2014, we also celebrate the end of a successful and groundbreaking year. In 2013, the Globe produced 14 shows, which earned a to- tal of 33 Craig Noel Award nominations. Two of those productions—Pygmalion, directed by Nicholas Martin, and Other Desert Cities, directed by Richard Seer— DOUG GATES had second lives at other regional theatres across the Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. country, and another—A Gentleman’s Guide to Love and Murder, directed by Darko Tresnjak—is now running on Broadway. In 2013, we also marked the beginning of Artistic Director Barry Edelstein’s tenure at The Old Globe, and we are delighted to start 2014 with his Globe directorial debut. The Winter’s Tale brings together a mix of artists both new and familiar to the Globe. We’re pleased to have in the cast seven current students from The Old Globe/Uni- versity of San Diego M.F.A. Program in classical acting. Also among the actors, Globe audiences may recognize Billy Campbell (The Comedy of Errors, Much Ado About Nothing), Angel Desai (Double Indemnity), Paul Michael Valley (Beyond Thera- py), and Jordi Bertran (Dr. Seuss’ How the Grinch Stole Christmas!). We welcome the rest to the Globe for the first time. It’s a special honor to have renowned composer Michael Torke, a major name in contemporary classical music, making his Globe debut with this production. Along with an A-list design team, these gifted artists stylishly shepherd Shakespeare back onto the Globe stage after a dozen-year gap.
    [Show full text]
  • TCG Gala19 Journal
    The Complete Text: CHILDREN OF ANGELS EVERY DAY IS OPENING NIGHT TURNING NASHVILLE’S TCG MOMENT INTO NEW-PLAY MOMENTUM TCG’s Leaders of Color PLUS: GALA Martha Rivers Ingram, FEBRUARY 4, 2019 THEATRE COMMUNICATIONS GROUP Tony Kushner, Rick Miramontez Congratulations, Rick, on a well-deserved honor. Scott, Eli, and Adam TABLE OF CONTENTS VOL.1 NO.1 FEBRUARY2019 18 LEADERS OF COLOR TCG is proud to be celebrating its long-standing commitment to EVENT advancing leaders of color in the theatre fi eld ACKNOWLEDGEMENTS TCG would like to thank 22 CHILDREN OF ANGELS the following for their A generation of playwrights refl ects on a play help in making this event that still sets the bar high for their work a success! Christopher Anselmo Emily Breeze Alexandra B. Burlason Sean Campbell Hunter Chancellor Nolan Doran Samara Finkle Tara Groft Keith Hallworth Zach Hunt 32 TURNING NASHVILLE’S MOMENT Michael Jorgensen INTO NEW-PLAY MOMENTUM Renee Salem Plays in Nashville Rep’s Ingram New Works Lab go from seedling Jean Spooner Carr to sapling Suzanne Tobak 36 EVERYDAY IS OPENING NIGHT Cristina Vivenzio Jordan Roth interviews Rick Miramontez EXECUTIVE DIRECTOR AND CHIEF EXECUTIVE OFFICER Teresa Eyring DEPUTY DIRECTOR AND CHIEF OPERATING OFFICER Adrian Budhu SINCE 1961, THEATRE COMMUNICATIONS GROUP, THE NATIONAL ORGANIZATION FOR U.S. THEATRE, HAS EXISTED TO STRENGTHEN, NURTURE, AND PROMOTE DEPARTMENTS THE PROFESSIONAL NOT-FOR-PROFIT 2 WELCOME 14 ENTRANCES, featuring THEATRE. 4 TCG BOARD OF DIRECTORS Gala Co-Chairs, Presenters, and NATIONAL COUNCIL and Director Theatre Communications Group FOR THE AMERICAN 28 DONORS 520 Eighth Avenue, 24th Floor, THEATRE 42 ABOUT TCG New York, NY 10018-4156 HONOREES www.tcg.org 6 MARTHA RIVERS INGRAM 8 TONY KUSHNER 10 RICK MIRAMONTEZ HONORING Martha Rivers Ingram Tony Kushner Rick Miramontez CELEBRATING TCG Programs Committed to Advancing Leaders of Color in the Field February 4, 2019 Edison Ballroom—New York City GALA CO-CHAIRS Jacob G.
    [Show full text]
  • Regional Theatre
    M. William Shiner Stage Manager (AEA, SMA) [email protected] Current/Upcoming: The Lion King Julie Taymor PSM Disney Theatrical Group Gazelle North American Tour Hunchback of Notre Dame Scott Schwartz Shiki Theater, Tokyo Serving as Associate Director and Associate Production Supervisor for Hunchback International for Disney Theatrical Group International House of Dancing Water Franco Dragone SM Franco Dragone Entertainment Group Love’s Labor’s Lost Michael Kahn PSM Royal Shakespeare Company, Swan Stratford-upon-Avon, UK New York: 39 Steps Maria Aitken PSM Roy Gabay General Management Union Square Theater, NYC The Library Steven Soderbergh PSM The Public Theater (w/ Chloë Moretz & Lili Taylor) Pretty Filthy (musical) Steve Cosson PSM Joe’s Pub (Workshop/Concert) As You Like It Daniel Sullivan PSM Delacorte Theater (w/ Lily Rabe, Oliver Platt & Stephen Spinella – Music by Steve Martin) The Public Theater / NYSF The Total Bent – New Musical Joanna Settle PSM The Public Theater Book and Lyrics by Stew Music by Stew and Heidi Rodewald Titus Andronicus Michael Sexton PSM The Public Theater (w/ Jay O. Sanders) Measure for Measure David Esbjornson PSM Delacorte Theater The Public Theater / NYSF (in rep with All’s Well That Ends Well) The 39 Steps Maria Aitken PSM Roy Gabay General Management Dead Tech Kristin Marting PSM HERE NYC / Site Specific Work Regional Theatre: Hunchback of Notre Dame – Scott Schwartz PSM La Jolla Playhouse New Musical Paper Mill Playhouse Disney Theatrical Group Music by Alan Menken Lyrics by Stephen Schwartz
    [Show full text]