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HOW the CAST of TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED on BROADWAY!
SHANDON TRAVEL | SPRING 2020 HOW THE CAST OF TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED ON BROADWAY! SPRING 2020 - BROADWAY SPOTLIGHT BOOK YOUR BROADWAY TICKETS before you fly! Online booking facility now available! Buy great value Broadway tickets before you fly. Enjoying a Broadway show has never been easier! Don’t waste your valuable sight-seeing time waiting in long queues in Times Square or on Broadway. Many shows sell out and you may be disappointed if you wait until the last minute. Book in advance to guarantee the seat of your choice. Check our current schedule for the shows you would like to see by visiting our website at https://www.shandontravel.ie/broadway-tickets You can also call us at 021 4277094 or email [email protected] for ticket information and reservations. Let us help you enjoy the perfect Broadway experience that only Broadway can offer! 021 427 7094 • www.shandontravel.ie/broadway-tickets 76 Grand Parade, Cork, T12 WPV2 Ireland HOW THE CAST OF TINA GETS INSPIRED BY THE LEGEND HERSELF WHAT'S LOVE GOT TO DO WITH IT? Well, everything! Since it opened on ... 2020 SPRING ISSUE 1 BROADWAY SPOTLIGHT Holli’ Conway (Ikette) HOW HAS TINA TURNER INSPIRED OR INFLUENCED YOU? Tina has inspired me because her ... story has no end. From her journey Broadway in November 2019, with Ike, her solo career, her works we’ve loved Tina – The Tina as an author, to this musical. She has Turner Musical. Full disclosure, taught me that as long as you’re alive we loved it when we got a sneak you have space to continue writing peek of it when the show was in your story. -
OCTOBER 2016 Welcome to October Sky! We Can’T Imagine a More Perfect Show to Give Our 2016–2017 Season a Great Launch (If You’Ll Pardon the Pun)
OCTOBER 2016 Welcome to October Sky! We can’t imagine a more perfect show to give our 2016–2017 Season a great launch (if you’ll pardon the pun). New musicals are, of course, one of The Old Globe’s specialties, and the upcoming season is filled with exactly the kind of work the Globe does best. In this very theatre, you’ll have a chance to see a revival of Steve Martin’s hilarious Picasso at the Lapin Agile; the exciting backstage drama Red Velvet; and the imaginative, fable- like musical The Old Man and The Old Moon. And of course, we’re bringing back The Grinch for its 19th year! Across the plaza in the Sheryl and Harvey White Theatre, we hope you’ll join us for work by some of the most exciting voices in the American theatre today: award-winning actor/ songwriter Benjamin Scheuer (The Lion), Globe newcomer Nick Gandiello (The Blameless), the powerful and trenchant Dominique Morisseau (Skeleton Crew), and the ingenious Fiasco Theater, with their own particular spin on Molière’s classic The Imaginary Invalid. It’s a season we’re extremely proud and excited to share with all of you. DOUGLAS GATES Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. We’re also proud to welcome the outstanding creative team that has made October Sky a reality. Director/choreographer Rachel Rockwell is an artist whose work we’ve long admired, whose skill in staging is matched by her deft touch with actors. She’s truly a perfect fit for this heartwarming and triumphant show. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Donor-Advised Fund
WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST. -
The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros
Early Modern Culture Volume 12 Article 28 6-12-2017 The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros Follow this and additional works at: https://tigerprints.clemson.edu/emc Part of the Literature in English, British Isles Commons, and the Theatre and Performance Studies Commons Recommended Citation Stephanie Pietros (2017) "The ubP lic Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park," Early Modern Culture: Vol. 12 , Article 28. Available at: https://tigerprints.clemson.edu/emc/vol12/iss1/28 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. The Public Theater’s Free Shakespeare in the Park Troilus and Cressida Directed by Daniel Sullivan Delacorte Theater; Central Park, New York, NY Performance Date: August 9, 2016 Reviewed by STEPHANIE PIETROS he Public Theater’s production of Troilus and Cressida, directed by Daniel Sullivan, brought to the forefront the world-weariness of protracted war T that is at the heart of the play. Nothing, not even the brief romance of the titular characters, felt fresh and new, for even that was engineered by the sleazy Pandarus. The set, casting, parallels between Greeks and Trojans, jaded romances, and, ultimately, final battle between Hector and Achilles, all pointed to the conclusion Wilfred Owen drew three centuries after Shakespeare wrote his play: that Horace’s famous dictum about it being sweet and fitting to die for one’s country is not borne out by the realities of wartime. -
An Empirical Study of the Determinants of the Run-Times of Broadway Musicals
AN EMPIRICAL STUDY OF THE DETERMINANTS OF THE RUN-TIMES OF BROADWAY MUSICALS A THESIS Presented to The Faculty of the Department of Economics and Business The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Katie Ferguson May 2011 AN EMPIRICAL STUDY OF THE DETERMINANTS OF THE RUN-TIMES OF BROADWAY MUSICALS Katie Ferguson May 2011 Mathematical Economics Abstract With an economic impact of $9.8 billion in the 2008-09 season alone, Broadway as an industry which should be economically studied. Currently there is a large gap in scholarly literature about Broadway with only three quantitative studies having been performed. This thesis aims to help fill this gap by building off of these three studies to determine which factors influence the success- measured as total days on Broadway from opening to closing night- of a Broadway musical. This thesis focuses specifically on musicals as they have been shown in all three empirical studies to have longer runs and a larger economic impact than Broadway plays. The econometric analysis finds many variables- such as a movie version of the musical being released, and winning the Tony for Best Musical- that are predictive of loner run times. Revivals are found to have substantially shorter run times than original runs and over time, musicals are lasting longer. KEYWORDS: (Broadway, Musical, Theatre, Run-time) TABLE OF CONTENTS ABSTRACT 1 INTRODUCTION 1 2 LITERATURE REVIEW 5 Characteristics of the Film Industry..................................................... 5 Live Theatre................................................. ..................................... 7 Modern Day Broadway..................................................................................... 9 Empirical Studies................................................ ..................................... 12 18 3 THEORY 4 DATA & METHODOLOGY 32 5 RESULTS AND CONCLUSION 52 APPENDIX A 65 WORKS CONSULTED 67 CHAPTER I INTRODUCTION Broadway makes an enormous impact on the local economy of New York City. -
Colonial Theatre the Lady of the Slipper Program
colonial, theatre program I \ Boylston Art Galleries! f I 292 BOYLSTON STREET Near Arlington Street 1 i Antique and Artistic Furniture | ij LARGEST STOCK IN BOSTON LOWEST PRICES COLONIAL THBATRB PROGRAM Cleansers Dyers Launderers Established 1829 The Quality of Work Carefulness of Finish and Prompt- ness of Delivery stamp LEWANDOS as the foremost Cleansers and Dyers in the Country 17 Temple Place - BOSTON SHOPS — 284 Boylstou Street Telephone Oxford 555 Telephone Back Bay 3900 WATERTOWN 1 Galen Street CAMBRIDGE 1274 Massachnaetto Aren- (Newton Deliveries) Telephone Cambridge 945 Telephone Newton North 3(X) ROXBURT 2206 Washington Street BROOKLINE 1310 Beaeon Street Telephone Roxbury 92 Telephone Brookline 5030 LTNN 70 Market Street SALEM 187 Essex Street Telephone Lynn 1860 Telephone Salem 1800 WALTHAM 193 Moody Street LOWELL 37 Merrimae Square \ Telephone 1519 Telephone Lowell 1648 i MALDEN 30 Pleasant Street Telephone 13 •' BRIDGEPORT WATERBURY HARTFORD NEW HAVEN SPRINGFIELD WORCESTER FALL RIVER PORTLAND NEW YORK PHILADELPHIA ROCHESTER ALBANY ] | WASHINGTON PROVIDENCE NEWPORT YOU CAN RELY ON LEWANDOS I COLONIAL THBATRB PROGRAM WINTER STREET TEMPLE PLACE TREiilONT STREET ROOMS - THEIR TREATMENT The Shepard Method Our “INTERIOR DECORATION” organization does an immense business. However, we command the facilities to do more—much more. This brief adver- tisement is expected to attract new customers. Our own conviction concerning the art and the economy of our work is amply reinforced by hundreds of men and women whose taste and judgment are irre- proachable. People who instinctively know the essential difference between good and bad effects are our steadfast customers. The Shepard HOME ARTS GUILD is at your service. -
Mactheatre Theatre Departme
Think You Need A BFA? ................................................................................................................... 3 Is a BFA Degree Part of the Recipe for Musical Theater Success? ................................................. 7 A Little Quiz ................................................................................................................................... 12 Broadway's Big 10: Top Colleges Currently Represented on Currently Running Shows .............. 14 Monthly College Planning Guide For Visual & Performing Arts Students. ................................... 18 Theatre and Musical Theatre College Audition Timeline in a Nutshell ........................................ 48 Gain An Edge Over The Summer ................................................................................................... 50 6 Keys To Choosing The Perfect College For The Arts. ................................................................. 53 The National Association for College Admission Counseling Performing and Visual Arts Fairs in Houston & Dallas. ......................................................................................................................... 55 Unifieds ......................................................................................................................................... 58 TX Thespian Festival College Auditions......................................................................................... 68 Theatre College-Bound Resource Index. ..................................................................................... -
Would You Believe L.A.? (Revisited)
WOULD YOU BELIEVE L.A.? (REVISITED) Downtown Walking Tours 35th Anniversary sponsored by: Major funding for the Los Angeles Conservancy’s programs is provided by the LaFetra Foundation and the Kenneth T. and Eileen L. Norris Foundation. Media Partners: Photos by Annie Laskey/L. A. Conservancy except as noted: Bradbury Building by Anthony Rubano, Orpheum Theatre and El Dorado Lofts by Adrian Scott Fine/L.A. Conservancy, Ace Hotel Downtown Los Angeles by Spencer Lowell, 433 Spring and Spring Arcade Building by Larry Underhill, Exchange Los Angeles from L.A. Conservancy archives. 523 West Sixth Street, Suite 826 © 2015 Los Angeles Conservancy Los Angeles, CA 90014 Based on Would You Believe L.A.? written by Paul Gleye, with assistance from John Miller, 213.623.2489 . laconservancy.org Roger Hatheway, Margaret Bach, and Lois Grillo, 1978. ince 1980, the Los Angeles Conservancy’s walking tours have introduced over 175,000 Angelenos and visitors alike to the rich history and culture of Sdowntown’s architecture. In celebration of the thirty-fifth anniversary of our walking tours, the Los Angeles Conservancy is revisiting our first-ever offering: a self-guided tour from 1978 called Would You Believe L.A.? The tour map included fifty-nine different sites in the historic core of downtown, providing the basis for the Conservancy’s first three docent-led tours. These three tours still take place regularly: Pershing Square Landmarks (now Historic Downtown), Broadway Historic Theatre District (now Broadway Theatre and Commercial District), and Palaces of Finance (now Downtown Renaissance). In the years since Would You Believe L.A.? was created and the first walking tours began, downtown Los Angeles has undergone many changes. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
Extraordinary Entertainment in an Exceptional Setting
Extraordinary Entertainment in an Exceptional Setting Charles Fee Bob Taylor Producing Artistic Director Executive Director By William Shakespeare Directed by Charles Fee Created by Larry Gallagher Directed by Victoria Bussert July 6–August 26, 2018 | Sand Harbor | L akeTahoeShakespeare.com | 1.800.74.SHOWS Enriching lives, inspiring new possibilities. At U.S. Bank, we believe art enriches and inspires our community. That’s why we support the visual and performing arts organizations that push our creativity and passion to new levels. When we test the limits of possible, we fi nd more ways to shine. usbank.com/communitypossible U.S. Bank is proud to support the Lake Tahoe Shakespeare Festival. Incline Village Branch 923 Tahoe Blvd. Incline Village, NV 775.831.4780 ©2017 U.S. Bank. Member FDIC. 171120c 8.17 “World’s Most Ethical Companies” and “Ethisphere” names and marks are registered trademarks of Ethisphere LLC. 2018 Board of Directors Patricia Engels, Chair Michael Chamberlain, Vice Chair Atam Lalchandani, Treasurer Mary Ann Peoples, Secretary Wayne Cameron Scott Crawford Katharine Elek Amanda Flangas John Iannucci Vicki Kahn Charles Fee Bob Taylor Nancy Kennedy Producing Artistic Director Executive Director Roberta Klein David Loury Vicki McGowen Dear Friends, Judy Prutzman Welcome to the 46th season of Lake Tahoe Shakespeare Festival, Nevada’s largest professional, non-profit Julie Rauchle theater and provider of educational outreach programming! Forty-six years of Shakespeare at Lake Tahoe D.G. Menchetti, Director Emeritus is a remarkable achievement made possible by the visionary founders and leaders of this company, upon whose shoulders we all stand, and supported by the extraordinary generosity of this community, our board Allen Misher, Director Emeritus of directors, staff, volunteers, and the many artists who have created hundreds of evenings of astonishing Warren Trepp, Honorary Founder entertainment under the stars.