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Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial
Radiant Beings: Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Kristin Michelle Ferebee Graduate Program in English The Ohio State University 2019 Dissertation Committee Dr. Thomas S. Davis, Advisor Dr. Jared Gardner Dr. Brian McHale Dr. Rebekah Sheldon 1 Copyrighted by Kristin Michelle Ferebee 2019 2 Abstract The Anthropocene era— a term put forward to differentiate the timespan in which human activity has left a geological mark on the Earth, and which is most often now applied to what J.R. McNeill labels the post-1945 “Great Acceleration”— has seen a proliferation of narratives that center around questions of radioactive, toxic, and other bodily contamination and this contamination’s potential effects. Across literature, memoir, comics, television, and film, these narratives play out the cultural anxieties of a world that is itself increasingly figured as contaminated. In this dissertation, I read examples of these narratives as suggesting that behind these anxieties lies a more central anxiety concerning the sustainability of Western liberal humanism and its foundational human figure. Without celebrating contamination, I argue that the very concept of what it means to be “contaminated” must be rethought, as representations of the contaminated body shape and shaped by a nervous policing of what counts as “human.” To this end, I offer a strategy of posthuman/ist reading that draws on new materialist approaches from the Environmental Humanities, and mobilize this strategy to highlight the ways in which narratives of contamination from Marvel Comics to memoir are already rejecting the problematic ideology of the human and envisioning what might come next. -
Psychological Terror and Social Fears in Philip K. Dick's Science Fiction
Belphégor Giuliano Bettanin Psychological Terror and Social Fears in Philip K. Dick's Science Fiction As it developed during the twentieth century, the genre of science fiction has often used themes belonging to horror literature. In point of fact, these two genres have a good deal in common. Most obviously, science fiction and horror share a fantastic background and a detachment from the probabilities of realistic fiction. Also, the birth of science fiction is closely connected to the development of the gothic novel. Mary Shelley's Frankenstein, which is commonly considered proto-science fiction, also represents a nineteenth-century development of the gothic novel. In addition, Herbert George Wells, whose work lies at the basis of modern science fiction, wrote at least one gothic novel, The Island of Doctor Moreau.1 The fusion of horror and science fiction has often generated figures of terrifying and evil aliens, robots that rebel against their human creators, and apocalyptic, post-thermonuclear-global-war scenarios. In this brief essay I shall analyze the ways in which Philip K. Dick incorporated horror themes into his oeuvre and the highly original results he obtained by mingling the two genres. For this purpose I shall discuss several of his short stories and his early novel Eye in the Sky. Besides the already mentioned motifs of the alien, the rebel robot and the atomic holocaust, Dick develops a mystical-religious motif as he explores a number of metaphysical problems that are strictly connected to his most characteristic interest in epistemological questions. From the moment of the publication of his first short stories and novels in the 1950s, Dick became one of the most representative authors of American social science fiction. -
The Android and the Human" (N.P.), (N.D.)
Ken Lopez, Bookseller Catalog . DICK, Philip K. "The Android and the Human" (n.p.), (n.d.). First. Original manuscript for a speech given by Dick at the Vancouver SF Convention at the University of British Columbia, in March 1972. 42 ribbon-copy typewritten pages, with corrections and emendations throughout in Dick's hand. The speech was later published in SF Commentary in December, 1972 and then reprinted in Vector in March-April 1973. In a letter that accompanied its publication in SF Commentary, Dick wrote that "this speech [tried]... to sum up an entire lifetime of developing thought." He concluded that it contained, "I hope, the seed for my novels to come." An important piece of writing, which anticipated the themes and concerns of the novels of Dick's last decade. Manuscript material by Dick is very scarce, particularly of such significant content. The Android and The Human Philip K. Dick, 1972 It is the tendency of the so-called primitive mind to animate its environment. Modern depth psychology has requested us for years to withdraw these anthropomorphic projections from what is actually inanimate reality, to introject -- that is, to bring back into our own heads -- the living quality which we, in ignorance, cast out onto the inert things surrounding us. Such introjection is said to be the mark of true maturity in the individual, and the authentic mark of civilization in contrast to mere social culture, such as one find in a tribe. A native of Africa is said to view his surroundings as pulsing with a purpose, a life, which is actually within himself; once these childish projections are withdrawn, he sees that the world is dead, and that life resides solely within himself. -
Brothers in Berets the Evolution of Air Force Special Tactics, 1953-2003
Brothers in Berets The Evolution of Air Force Special Tactics, 1953-2003 Forrest L. Marion, PhD Air Force History and Museums Program In Conjunction With Air Force Special Operations Command Air University Press Curtis E. LeMay Center for Doctrine Development and Education Maxwell Air Force Base, Alabama Project Editors Library of Congress Cataloging-in-Publication Data Belinda Bazinet and Dr. Ernest Allan Rockwell Names: Marion, Forrest L., author. | Air University (U.S.). Press, publisher. | Curtis E. LeMay Center for Copy Editor Doctrine Development and Education, issuing body. Tammi Dacus Title: Brothers in berets : the evolution of Air Force Cover Art and Book Design Special Tactics, 1953-2003 / Forrest L. Marion Daniel Armstrong Description: First edition. | Maxwell Air Force Base, Alabama : Air University Press, Curtis E. LeMay Cen- Composition and Prepress Production Michele D. Harrell ter for Doctrine Development and Education, [2018]. | At head of title: Air University, Curtis E. LeMay Center Print Preparation and Distribution for Doctrine Development and Education. | Includes Diane Clark bibliographical references and index. Identifiers: LCCN 2017059577| ISBN 9781585662784 | ISBN 158566278X Subjects: LCSH: United States. Air Force—Combat controllers—History. | United States. Air Force— Commando troops—History. | Special forces (Military science)—United States—History. | United States. Air Force Special Operations Command. Classification: LCC UG633 .M3144 2018 | DDC AIR UNIVERSITY PRESS 358.4131—dc23 | SUDOC D 301.26/6:T 11 -
0278.1.00.Pdf
CRITIQUE OF FANTASY, VOL. II Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contributions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our adventure is not possible without your support. Vive la open access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) Laurence A. Rickels CRITIQUE OF FANTASY VOLUME 2 The Contest between B-Genres Brainstorm Books Santa Barbara, California critique of fantasy, vol. 2: the contest between b-genres. Copyright © 2020 Laurence A. Rickels. This work carries a Creative Commons by-nc-sa 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform, and build upon the material, as long as you clearly attribute the work to the authors and editors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2020 by Brainstorm Books An imprint of punctum books, Earth, Milky Way https://www.punctumbooks.com isbn-13: 978-1-953035-18-9 (print) isbn-13: 978-1-953035-19-6 (epdf) doi: 10.21983/P3.0278.1.00 lccn: 2020939532 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J. -
Media Simulation and Manipulation in Two Novels of Philip K. Dick from the 1960S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Damian Podleśny provided by Jagiellonian Univeristy Repository Jagiellonian University, Kraków Media Simulation and Manipulation in Two Novels of Philip K. Dick from the 1960s Elisabeth Kraus (Kraus and Auer 2000: 1) suggests that for some time now we have been cautioned to “put our traditional (Enlightenment) notions of the truth or reality into quotation marks, since our experience of the real is always mediated through an empire of signs, as Roland Barthes put it.” The ever evolving, ever more sophisticated information technologies have offered new powerful means of manipulating data - and in consequence of hacking, warping or even inventing new reality. What becomes increasingly important is the awareness of the manipula tion of reality and understanding how and to what extent the mass media have invaded or even colonised our minds, in what way they influence our uncon scious, by distorting “not only our fantasies, dreams and desires, but our very concept of reality" (Kraus and Auer 2000: 1). After initial optimism about the role of the media in society in the 1960s1, the persisting attempts of mass media to totally manipulate society are ever-increasingly noticeable. The French soci ologist Jean Baudrillard (after Kraus and Auer 2000: 1) claims that the modem visual technologies have created a new culture of images, signs, and codes, which is “impenetrable to old forms of resistance.” Baudrillard points to mass media as one of the most important invaders of our reality, and whatever atti tude one may have toward Baudrillard’s thought, which is often ambiguous and unsystematic, it does provide us with an intriguing critique of contemporary, image saturated age. -
Politics, Religion, and Philosophy in the Fiction of Philip K. Dick
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2005 How Much Does Chaos Scare You?: Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/25 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] How Much Does Chaos Scare You? Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow Shakespeare’s Sister, Inc. Brooklyn, NY & lulu.com 2005 © Aaron Barlow, Creative Commons Attribution-NonCommercial-ShareAlike Foreword n 1989, while I was serving in Peace Corps in West Africa, II received a letter from an American academic publisher asking if I were interested in submitting for publication the doctoral dissertation I had completed the year before at the University of Iowa. “Why would I want to do that?” I asked. One disserta- tion on Philip K. Dick had already appeared as a book (by Kim Stanley Robinson) and Dick, though I loved his work, just wasn’t that well known or respected (not then). Plus, I was liv- ing in a mud hut and teaching people to use oxen for plowing: how would I ever be able to do the work that would be needed to turn my study from dissertation to book? When I defended the dissertation, I had imagined myself finished with studies of Philip K. -
VNDE WOOD-MILLE NOVATO, Callfo
LM VNDE�WOOD-MILLE� NOVATO, CALlFO�NIA In Pursuit of Valis: �elections from the Exegesis Clothbound: ISBN 0-88733-091-6 Softcover: ISBN 0-88733-093-2 Copyright © 1991 by The Estate of Philip K. Dick Cover art © 1991 by Ilene Meyer Preface copyright © 1991 by Lawrence Sutin. Afterword copyright © 1991 by Terence McKenna Introduction copyright © 1991 by Jay Kinney. "A PKD Chronology" is by Paul Williams A shorter version of the Introduction appeared as "The Mysterious Revelations of Philip K. Dick" in Gnosis Magazine, issue #1, Fall, 1985. (Gnosis Magazine, P.O. Box 14217, San Francisco, CA 94114.) An Underwood-Miller book by arrangement with the authors and The Estate of Philip K. Dick. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without explicit permission from the author or the author's agent, except by a reviewer who may quote brief passages. For information address the publisher: Underwood-Miller, 708 Westover Drive, Lancaster, PA 1760 1. For information about the Philip K. Dick Society, write to: PKDS, Box 611, Glen Ellen, CA 95442. Book design by Underwood-Miller Softcover type designed by Daniel Will-Harris Printed in the United States of America All Rights Reserved FIRST EDITION Library of Congress Catalog Number 89-20532 CONTENTS Preface by Lawrence Sutin .. .. .. .. .. .. .. .. .. vii Introduction by Jay Kinney .......................xvii A PKD Chronology ............................. xxxiii One: Direct Accounts oj Personal Experience . .. 1 Two: Theoretical Explanations ................. 63 Three: On His Writing Techniques and the Creative Quest jor Truth ......13 1 Four: Interpretations of His Own Works .........165 Five: Plot Outlines and Explorations jor Works-in-Progress .............. -
New Space Opera and Neoliberal Globalism a Dissertation Submitted In
UNIVERSITY OF CALIFORNIA RIVERSIDE Nostalgia for Infinity: New Space Opera and Neoliberal Globalism A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Jerome Dale Winter June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Weihsin Gui Dr. Steven Axelrod Copyright by Jerome Dale Winter 2015 The Dissertation of Jerome Dale Winter is approved: _______________________________________________________ _______________________________________________________ _______________________________________________________ Committee Chairperson University of California, Riverside Acknowledgements I would like to acknowledge the irredeemable debt I owe to my committee members Sherryl Vint, Weihsin Gui, and Steven Axelrod whose guidance and support contributed to all the virtues of this dissertation and none of its flaws. A version of part of Chapter 1 was published in the November 2013 issue of The Eaton Journal of Archival Research ; and the journal Extrapolations published Chapter 3 in their December 2014 issue. I would like to thank the editorial staff at Extrapolations for their copious feedback and faith in the project. I also wish to acknowledge The Los Angeles Review of Books , under the editorial leadership of Tom Lutz and Johnathan Hahn, and for the speculative- fiction page, under the diligent attention of Rob Latham, for allowing me to publish interviews with major SF writers who directly contributed to the contentions of this project. These writers — Norman Spinrad, Michael Moorcock, Alastair Reynolds, and Ken MacLeod — were all gracious with their precious time in fielding my questions. A special thanks to Steven Axelrod for magnanimously agreeing to serve on my committee at such short notice. Thanks as well to Rob Latham for all his vital contibutions to this dissertation. -
Collection on Philip K. Dick
http://oac.cdlib.org/findaid/ark:/13030/kt0c6034t4 No online items Collection on Philip K. Dick Finding aid prepared by Julianna Gil, Student Processing Assistant. Special Collections & University Archives The UCR Library P.O. Box 5900 University of California Riverside, California 92517-5900 Phone: 951-827-3233 Fax: 951-827-4673 Email: [email protected] URL: http://library.ucr.edu/libraries/special-collections-university-archives © 2017 The Regents of the University of California. All rights reserved. Collection on Philip K. Dick MS 199 1 Descriptive Summary Title: Collection on Philip K. Dick Date (inclusive): 1952-1992, undated Collection Number: MS 199 Extent: 2.50 linear feet(2 boxes) Repository: Rivera Library. Special Collections Department. Riverside, CA 92517-5900 Abstract: The Collection on Philip K. Dick consists of press clippings, publications, short stories and manuscripts regarding Philip K. Dick, an American novelist who has published almost entirely in the science fiction genre. His works have been published in numerous literary magazines, such as Galaxy, Amazing Stories, and Fantasy and Science Fiction. The collection also consists of newsletters from the Philip K. Dick Society, and photographs and press booklets from the film Blade Runner. Languages: The collection is in English, French, and German. Access The collection is open for research. Publication Rights Copyright Unknown: Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction, and/or commercial use, of some materials may be restricted by gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing agreement(s), and/or trademark rights. -
Insect Representations in Postatomic American Fiction and Film By
Bugs After the Bomb: Insect Representations in Postatomic American Fiction and Film by Catherine S. Cassel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English and Women’s Studies) in The University of Michigan 2016 Doctoral Committee: Professor Peggy S. McCracken, Co-Chair Professor Patricia S. Yaeger, Deceased, Co-Chair Professor Sara B. Blair Professor Jonathan E. Freedman Assistant Professor Melanie R. Yergeau © Catherine Serena Cassel 2016 DEDICATION This dissertation is dedicated to my grandparents, Karin and Jess Cassel. ii ACKNOWLEDGMENTS This dissertation would not be in existence today without the support of many colleagues and friends. I thank Patsy Yaeger for her guidance in the early stages of this dissertation for her unfailing intellectual guidance and enthusiastic embrace of my ideas. Without Patsy, who knows what avenue my pursuits may have taken, but it surely would have been more boring. I thank Peggy McCracken for being a tremendously generous and insightful mentor whose detailed and thoughtful response to my scholarship has exponentially improved it. Her feedback strengthened the quality of this dissertation in unmeasurable ways. I thank my committee members Jonathan Freedman, Sara Blair, and Melanie Yergeau, for their help and support over these past several years. I thank my grandparents, Karin and Jess Cassel, for their unwavering support. Many colleagues at University of Michigan have aided this project through intellectually sustaining conversations. I thank Sarah Linwick, Nicolette Bruner, Gen Creedon, Lauren Benjamin, and Shannon Walton for providing invaluable perspectives on the animal studies aspect of this dissertation, in personal conversations, in a Mellon Workshop on science studies and cultural theory, and through the Rackham Animal Studies Workshop. -
Philip K. Dick - Bibliography Summaryphilip K
file:///G|/rah/Philip%20K.Dick/(ebook)%20Philip%20K.%20Dick%20-%20Bibliography%20Summary.txt Philip K. Dick - Bibliography SummaryPhilip K. Dick - Bibliography Summary [Pub Biblio (New)][Pub Biblio (Old)] [Alpha] [Chron] [Main Menu] [Search] [Correct Author Info] [New Anth/Coll] [New Data] Dick, Philip Kindred (USA, 1928-1982) Awards: [Hu] = Hugo Award: [1963][1983] [Bs] = British Science Fiction Award: [1966][1982][1978] [Bl] = Balrog Award: [1984] [Bf] = British Fantasy Award: [1983] [Sc] = SF Chronicle Award: [1983] [Ca] = John W. Campbell Memorial Award: [1975] Awards with No Bibliographic Records: [Sc] = SF Chronicle Award: [1991] Interviews: Philip K. Dick: Interview (1974), Philip K. Dick: Interview (1987), So I Don't Write About Heroes (1996). Web Page: http://www.users.interport.net/~regulus/pkd/pkd-int.html Novels Solar Lottery [vt World of Chance (1956 UK)] (1955) The Man Who Japed (1956) The World Jones Made (1956) The World That Jones Made (1956) The Cosmic Puppets (1957) - Expansion of "A Glass of Darkness". Eye in the Sky (1957) Time Out of Joint (1959) Magazine Appearances: Time Out of Joint (Part 1 of 3) (1959) Dr. Futurity (1960) - Expansion of 'Time Pawn'. Vulcan's Hammer (1960) The Man in the High Castle (1962)[Hu1963][Lc1975 n][Lc1987 n][Lc1998 n] [Pr1984 x] The Game Players of Titan (1963) Clans of the Alphane Moon (1964) Martian Time-Slip (1964) - Expansion of "All We Marsmen". The Penultimate Truth (1964)[Reviews] The Simulacra (1964) The Three Stigmata of Palmer Eldritch (1964)[Bs1966][Ne1965 n][Reviews] The Unteleported Man (1964)[Reviews] Dr. Bloodmoney [vt Dr. Bloodmoney, or How We Got Along After the Bomb] (1965)[Ne1965 n] The Crack in Space (1966) - Expansion of "Cantata 140".