American Literature Mrs

Total Page:16

File Type:pdf, Size:1020Kb

American Literature Mrs American Literature Mrs. Jestice English 3 August 23 “In 1492 . Columbus sailed the ocean blue,” financed by King Ferdinand and Queen Isabella. https://www.youtube.com/watch?v=H CpTIn66Nd0 https://www.youtube.com/watch?v=b2ClSABkDp8 https://www.youtube.com/watch?v=oRdxUFDoQe0 ROMEO AND JULIET The United Kingdom New World Settlers American Folklore Davy Crockett https://www.youtube.com/watch?v= txcRQedoEyY Puritans—1620’s American values and character shaped by the moral, ethical, and religious convictions of the Puritans, who arrived in 1620 and by 1640, 20,000 Puritans had arrived. https://www.youtube.com/watch?v=2 eMkth8FWno and https://www.youtube.com/watch?v=k 3jt5ibfRzw Strict adherence to the Bible Heaven and Hell Bland clothing Puritan Feudalism? LAWS OF NEW ENGLAND RELIGIOUS EXTREMISM WE INHERITED—WORK ETHIC, DEMAND FOR JUSTICE, DESIRE FOR EQUALITY WITCH HUNTS . American Literary Timeline From 1750 to 1865 Classicism (Age of Reason) American Romanticism Early Romanticism 1800-1840 Historical setting: • Nationalism – the struggle, long after independence, to establish the US as a “real” country. • Economically, struggled for independence • Industrial Revolution – cities and factories • Manifest Destiny – westward expansion meant more land for farming, more roads, canals, and attempts at better communication. • Divisions – country was so big, communication still poor, so many political factions developed • In 1837, President Jackson warned that internal divisions were the greatest threat facing America. (Have things changed today…?) Writers and philosophers emphasized… • Intuition and imagination – not reason --to be freed from conventional thinking --inner life & one’s irrational mind were explored --be able to see the inner, infinite reality of Nature and Man • Potential for social and spiritual development – YET still valued individual over society. • Nature as a way to recover natural/moral virtues that are corrupted by society • Humanitarian concern for “common man” Writers emphasized… • Nature – beautiful, strange, mysterious, in constant change • The past – as a result of AND to create more nationalism – wanting to create a unique American tradition/folklore (Irving, Cooper) • Inner world of human nature – to find emotional truths (Bryant, Cooper) or examine the irrationality of the human mind (Poe) Authors and styles include… Edgar Allan Poe Washington Irving – – short stories, legends, folktales, short stories essays James Fenimore Cooper – novels William Cullen Bryant – poetry Major events include… 1803 – Louisiana Purchase 1804-1806 – Lewis & Clark explore new land 1812-1814 – second war with England 1823 – Monroe Doctrine (US would oppose any European expansion in the Western Hemisphere) 1825 – Erie Canal opens in New York 1828 – construction begins on B&O Railroad 1836 – Morris invents the telegraph American Romanticism 1820-1865 National Optimism • Rapid expansion of US population • Agricultural advancement • Industrial advancement • Frontier • Technological advancements •Completion of the Erie Canal •Vulcanization of rubber •First railroads •Reaping machine •The Revolver •Telegraph lines •Drilling of the first oil wells Issues Undermining Nat’l Optimism 1. SECTIONALISM – North vs. South • Economic security/superiority • Slavery expansion • Political leadership – Created compromises of 1820, 1833, and 1850 American Renaissance (a.k.a. Late Romanticism) 1840-1860 Historical setting: • Extreme growth – spread across continent, population doubled, industrialization, widespread poverty, little education • Nationalism and optimism • Slavery issue began to dominate – anti-slavery poets Lowell, Whittier, Thoreau. Reform efforts • Establish unions, utopian communities • Adult education (through speakers, libraries, museums, newspapers, etc.) and tax-supported public education in all states by 1860 • Women’s Rights Movement: --Before: women couldn’t vote, make legal decisions, wife beating was legal almost every state --Increased public schools = increased job opportunities for women = other job opportunities --Women became very involved in all reform efforts --National right to vote in 1920, but Colorado allowed it in 1898. 2. CIVIL WAR (N); WAR between the STATES (S) – South left devastated – Five billion dollars spent – 600,000 men dead – Constitutional questions of secession and slavery settled, but left “grim wounds of bitterness and hatred” that are still healing. 3. CULTURAL PROVINCIALISM – To do more with lit. than politics – No international copyright laws • Works from Europe pirated by American publishing companies • American writers received little critical or monetary encouragement to develop their talent. – Limited perspective and expectations of American readers. – Was American writing to be universal and comparable to the great works of Europe? • Broader view that wound up prevailing • (Thank goodness!) • Aided by the achievement of Romantic writers European Romanticism? • Early 1800’s-1850 • Fueled by desire for independence • Shelley, Keats, Lord Byron • Jane Austen American Romanticism • Roots in Europe • In the U.S., it ran from 1820-1865 • Of all the literary and philosophical movements, this one has probably most affected the perception of people’s relationships to others and to God. Romance: Less formal version of epic Noble character on a series of adventures Pastoral setting Love interest and the idealization of women Roots in medieval France Resurrected and recreated in Britain starting around 1798 Carried across the water to America Characteristics of American Literary Romanticism 1. INDIVIDUALISM – Popularized by the frontier tradition – Jacksonian democracy – Abolitionism Rejection of the Puritan belief in total depravity: Based on the teachings of John Locke and J.J. Rouseau . People were naturally benevolent . Mind was a tabula rosa at birth . Corrupted by institutions that sought to dehumanize individuals .People worth highlighting are those closest to Nature Rousseau’s “noble savage” British poets’ pastoral people as main characters 2. IMAGINATION – Reaction against the earlier age’s emphasis on Reason – Abandonment of literary tradition in favor of experimentation – “Organicism”: every idea held within it an inherent structure 3. EMOTION – Feeling is now considered superior to rationality as the mode of perceiving and experiencing reality – Intuition leads one to truth – Truth/reality are now highly subjective 4. NATURE – The means of knowing Truth • God reveals himself solely through Nature • Nature becomes a moral teacher – The actual subject matter of the Romantics Edenic and untouched by Adam’s fall A retreat for men . U.S. lit. full of lavish descriptions of Nature . U.S. lit. different in the sense of wild Nature vs. Europe’s cultivated Nature Literature • A huge amount, of a high quality • Nationalistic, but became universal too • Two main different ideas in philosophy/ writing at this time: and Transcendentalism • Form of idealism • Term originated with Immanuel Kant • People should “transcend” or rise above the lower animistic impulses of life and move from the rational to the spiritual • Truth, in other words, is not discovered through the 5 senses • Human soul is part of the Oversoul or universal spirit, which it returns to at a person’s death • This Oversoul/ Life Force is part of everyone • Oversoul can be found anywhere, so pilgrimages are not necessary • Ultimately a pantheistic set of religious ideas • Nature has spiritual manifestations, so God can be found in Nature • Death is never to be feared, for once we die, we merely pass to the Oversoul • Emphasis placed on the here and now American Authors THE KNICKERBOCKERS 1.WASHINGTON IRVING (1783-1859) – Not so much fiction as “sketches” – Distinctly American settings and characters – The History of New York • Narrator: Diedrich Knickerbocker • “Rip Van Winkle” and “The Legend of Sleepy Hollow” 2. JAMES FENIMORE COOPER (1789-1851) Not a very accurate portrayal of the French-Indian War Not a very accurate picture of Native- Americans Praised more for what he attempted than what he actually wrote. NEW ENGLAND SCHOOL 1. Henry Wadsworth Longfellow 2. Oliver Wendell Holmes 3. John Greenleaf Whittier 4. James Russell Lowell Popularized romantic ideas. Minor influences, though heavily anthologized Emerson and Thoreau • Believed universal truths lie beyond what we can know with our senses. --senses – we know the natural world --reason – use this knowledge to create new things --intuition – transcends the natural world – our souls relate to a world beyond the physical. • God, humanity, and all of nature share a universal soul. • Optimistic – nature is basically good, therefore man is basically good. • Emphasis on the individual – everyone can experience God, try to understand the inner self (irrational mind) through reflection. • Even people who disagreed with “Transcendentalism” found new self-awareness by relating to their inner selves and the natural world. TRANSCENDENTAL OPTIMISTS RALPH WALDO EMERSON (1803-1882) .Famous for poetry, Nature and “Self- Reliance” .Lived off his wife’s estate after she died of TB .Influenced heavily by the British Romantic poets .Spokesman for transcendentalism who was very optimistic about humans’ benevolent nature .Spent much of his life in Concord, Mass .Lectured and made the rounds as a proponent of transcendentalism TRANSCENDENTAL OPTIMISTS HENRY DAVID THOREAU (1817-1862) Probably best known for Civil Disobedience Practiced his own preaching Influenced future leaders • Walden
Recommended publications
  • The Purloined Life of Edgar Allan Poe by Jeffrey Steinberg Edgar Allan Poe
    Click here for Full Issue of Fidelio Volume 15, Number 1-2, Spring-Summer 2006 EDGAR ALLAN POE and the Spirit of the American Republic The Purloined Life Of Edgar Allan Poe by Jeffrey Steinberg Edgar Allan Poe great deal of what people think they know about dark side, and the dark side is that most really creative Edgar Allan Poe, is wrong. Furthermore, there geniuses are insane, and usually something bad comes of Ais not that much known about him—other than them, because the very thing that gives them the talent to that people have read at least one of his short stories, or be creative is what ultimately destroys them. poems; and it’s common even today, that in English liter- And this lie is the flip-side of the argument that most ature classes in high school—maybe upper levels of ele- people don’t have the “innate talent” to be able to think; mentary school—you’re told about Poe. And if you ever most people are supposed to accept the fact that their lives got to the point of being told something about Poe as an are going to be routine, drab, and ultimately insignificant actual personality, you have probably heard some sum- in the long wave of things; and when there are people mary distillation of the slanders about him: He died as a who are creative, we always think of their creativity as drunk; he was crazy; he was one of these people who occurring in an attic or a basement, or in long walks demonstrate that genius and creativity always have a alone in the woods; that creativity is not a social process, but something that happens in the minds of these ran- __________ domly born madmen or madwomen.
    [Show full text]
  • James Fenimore Cooper and Thomas Cole Corie Dias
    Undergraduate Review Volume 2 Article 18 2006 Painters of a Changing New World: James Fenimore Cooper and Thomas Cole Corie Dias Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the American Art and Architecture Commons, Comparative Literature Commons, and the Literature in English, North America Commons Recommended Citation Dias, Corie (2006). Painters of a Changing New World: James Fenimore Cooper and Thomas Cole. Undergraduate Review, 2, 110-118. Available at: http://vc.bridgew.edu/undergrad_rev/vol2/iss1/18 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2006 Corie Dias 110 Painters ofa Changing New World: James Fenimore Cooper and Thomas Cole BY CORlE DIAS Corie wrote this piece as part of her uthor James Fenimore Cooper and painter Thomas Cole both Honors thesis under the mentorship of Dr. observed man's progress west and both disapproved of the way Ann Brunjes. She plans on pursuing a career in which the settlers went about this expansion. They were not in the fine arts field, while also continuing against such progress. but both men disagreed with the harmful to produce her own artwork. way it was done, with the natural environment suffering irreversible harm. Had the pioneers gone about making their changes in a different way, Cooper and Cole seem to suggest, the new society could have been established without corrupting the environment and would not have been criticized by these artists; however, the settlers showed little or no regard for the natural state of this new land.
    [Show full text]
  • The Legacy of Henry Wadsworth Longfellow
    Maine History Volume 27 Number 4 Article 4 4-1-1988 The Legacy of Henry Wadsworth Longfellow Daniel Aaron Harvard University Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the Modern Literature Commons, and the United States History Commons Recommended Citation Aaron, Daniel. "The Legacy of Henry Wadsworth Longfellow." Maine History 27, 4 (1988): 42-67. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol27/iss4/4 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. DANIEL AARON THE LEGACY OF HENRY WADSWORTH LONGFELLOW Once upon a time (and it wasn’t so long ago), the so-called “household” or “Fire-Side” poets pretty much made up what Barrett Wendell of Harvard University called “the literature of America.” Wendell devoted almost half of his still readable survey, published in 1900, to New England writers. Some of them would shortly be demoted by a new generation of critics, but at the moment, they still constituted “American literature” in the popular mind. The “Boston constellation” — that was Henry James’s term for them — had watched the country coalesce from a shaky union of states into a transcontinental nation. They had lived through the crisis of civil war and survived, loved, and honored. Multitudes recognized their bearded benevolent faces; generations of school children memorized and recited stanzas of their iconic poems. Among these hallowed men of letters, Longfellow was the most popular, the most beloved, the most revered.
    [Show full text]
  • Little Journeys to the Homes of Great Business Men by Elbert Hubbard
    LITTLE JOURNEYS TO THE HOMES OF GREAT BUSINESS MEN BY ELBERT HUBBARD JOHN J. ASTOR The man who makes it the habit of his life to go to bed at nine o'clock, usually gets rich and is always reliable. Of course, going to bed does not make him rich--I merely mean that such a man will in all probability be up early in the morning and do a big day's work, so his weary bones put him to bed early. Rogues do their work at night. Honest men work by day. It's all a matter of habit, and good habits in America make any man rich. Wealth is a result of habit. --JOHN JACOB ASTOR LITTLE JOURNEYS Victor Hugo says, ``When you open a school, you close a prison.'' This seems to require a little explanation. Victor Hugo did not have in mind a theological school, nor yet a young ladies' seminary, nor an English boarding-school, nor a military academy, and least of all a parochial institute. What he was thinking of was a school where people--young and old-- were taught to be self-respecting, self-reliant and efficient--to care for themselves, to help bear the burdens of the world, to assist themselves by adding to the happiness of others. Victor Hugo fully realized that the only education that serves is the one that increases human efficiency, not the one that retards it. An education for honors, ease, medals, degrees, titles, position--immunity--may tend to exalt the individual ego, but it weakens the race and its gain on the whole is nil.
    [Show full text]
  • Beyond the American Landscape: Tourism and the Significance of Hawthorne’S Travel Sketches
    The Japanese Journal of American Studies, No. 27 (2016) Copyright © 2016 Toshikazu Masunaga. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. Beyond the American Landscape: Tourism and the Significance of Hawthorne’s Travel Sketches Toshikazu MASUNAGA* INTRODUCTION: 1832 After graduating from Bowdoin College in 1825, Nathaniel Hawthorne went back to his hometown, Salem, Massachusetts, where he concentrated on writing in order to become a professional writer. His early masterpieces such as “Young Goodman Brown” and “My Kinsman, Major Molineux” were written during the so-called solitary years from 1825 to 1837, and he viewed those Salem years of his literary apprenticeship as “a form of limbo, a long and weary imprisonment” (Mellow 36). But biographers of Hawthorne point out that this self-portrait of a solitary genius was partly invented by his “self-dramatizations” (E. H. Miller 87) to romanticize his younger days. In fact, he maintained social engagements, and his sister Elizabeth testified that “he was always social” (Stewart 38). He was more active and outgoing than his own fabricated self-image, and he even made several trips with his uncle Samuel Manning as well as by himself.1 While strenuously writing tales, he undertook an American grand tour alone, traveling around New England and upstate New York in 1832. He was one of those tourists who rushed to major tourist destinations of the day such as the Hudson Valley, Niagara Falls, and the White Mountains in order *Professor, Kwansei Gakuin University 1 2 TOSHIKAZU MASUNAGA to spend leisure time and to find cultural significance in the scenic beauty of the American natural landscape.
    [Show full text]
  • The Carlyle Society
    THE CARLYLE SOCIETY SESSION 2006-2007 OCCASIONAL PAPERS 19 • Edinburgh 2006 President’s Letter This number of the Occasional Papers outshines its predecessors in terms of length – and is a testament to the width of interests the Society continues to sustain. It reflects, too, the generosity of the donation which made this extended publication possible. The syllabus for 2006-7, printed at the back, suggests not only the health of the society, but its steady move in the direction of new material, new interests. Visitors and new members are always welcome, and we are all warmly invited to the annual Scott lecture jointly sponsored by the English Literature department and the Faculty of Advocates in October. A word of thanks for all the help the Society received – especially from its new co-Chair Aileen Christianson – during the President’s enforced absence in Spring 2006. Thanks, too, to the University of Edinburgh for its continued generosity as our host for our meetings, and to the members who often anonymously ensure the Society’s continued smooth running. 2006 saw the recognition of the Carlyle Letters’ international importance in the award by the new Arts and Humanities Research Council of a very substantial grant – well over £600,000 – to ensure the editing and publication of the next three annual volumes. At a time when competition for grants has never been stronger, this is a very gratifying and encouraging outcome. In the USA, too, a very substantial grant from the National Endowment for the Humanities means that later this year the eCarlyle project should become “live” on the internet, and subscribers will be able to access all the volumes to date in this form.
    [Show full text]
  • 19Th Century American Authors, Literature, Informational Texts, and Visual Representation
    19th Century American Authors, Literature, Informational Texts, and Visual Representation (Correlating to Cottonwood Middle School’s 8th Grade Language Arts textbook: The Elements of Literature) Lisa Ashley Cottonwood Middle School Cottonwood, AZ NEH Summer Institute 2009 Introduction and Rationale Having participated in this year’s Picturing Early America: People, Places, and Events 1770-1870, a four-week-long summer institute on interpreting and teaching early American art, my goal for the upcoming 2009-2010 school year is to incorporate visual references to EACH of my 8th grade Language Arts literature lessons. Being a Title One, low income school, our classroom materials are limited. We do have, however, classroom sets of the Holt textbook, Elements of Literature. The text contains fictional prose from the American authors Edgar Allen Poe, Mark Twain, and Nathanial Hawthorne. Additionally, the text also contains a nonfiction piece on Harriet Tubman and The Underground Railroad. Goals I have begun to build files with 19th century images of authors and illustrations of their works. These files will be available for any other teachers who would like to use them and who teach similar content in their English/Language Arts classrooms. This Power Point is just the beginning presentation of my files. National Endowment for the Humanities “Picturing America” Images Because our district was awarded a set of these images, I hope to enrich our current Language Arts curriculum by creating lessons connecting the images to as many reading and writing activities as possible. This endeavor to couple texts with images will be an ongoing, continuous process for me this year: I will need to find images of prints, paintings, and illustrations that are suitable and engaging for my students and pair them with activities that will extend and enrich our already existing texts.
    [Show full text]
  • Fame After Life: the Mystery of Edgar Allan Poe's Death
    http://dx.doi.org/10.7592/FEJF2016.65.mollegaard FAME AFTER LIFE: THE MYSTERY OF EDGAR ALLAN POE’S DEATH Kirsten Møllegaard Abstract: Although contemporary legends often deal with the trials and anx- ieties of everyday life, a considerable body of folk narratives deals with famous historical people and the mysteries, rumors, and anecdotes ascribed to them. American author Edgar Allan Poe (1809–1849) was a trend-setting author of gothic horror and dark mysteries. His short, difficult life and strange death have fueled both academic and folkloristic narratives. Where the academic narratives often analyze his fiction biographically as reflections of his life such as his -im poverishment, alcoholism, and frustrated ambition, the folk narratives typically focus on his death at the age of forty. By straddling literary and popular fame, Poe-lore occupies a dynamic Spielraum in contemporary folklore because his haunted life and mysterious death, similar to the literary conventions for the gothic in literature, collapse ‘high’ and ‘low’ culture. The folklore of famous people is intimately – perhaps even mysteriously – tied to the perception of individual identity and the social experience of city crowds, strangers, and alienation. In Poe’s case, the intertwining of his fiction with his real-life struggles has made Poe scholarship the most biographically centered of any American writer, past or present, and produced Poe not only as a towering legend in American literature, but also as a legendary figure in the popular imagination. Keywords: biography, contemporary legends, death, Edgar Allan Poe, fame, gothic literature, Poe Toaster http://www.folklore.ee/folklore/vol65/mollegaard.pdf Kirsten Møllegaard The boundaries which divide Life from Death are at best shadowy and vague.
    [Show full text]
  • World Literature According to Wikipedia: Introduction to a Dbpedia-Based Framework
    World Literature According to Wikipedia: Introduction to a DBpedia-Based Framework Christoph Hube,1 Frank Fischer,2 Robert J¨aschke,1,3 Gerhard Lauer,4 Mads Rosendahl Thomsen5 1 L3S Research Center, Hannover, Germany 2 National Research University Higher School of Economics, Moscow, Russia 3 University of Sheffield, United Kingdom 4 G¨ottingenCentre for Digital Humanities, Germany 5 Aarhus University, Denmark Among the manifold takes on world literature, it is our goal to contribute to the discussion from a digital point of view by analyzing the representa- tion of world literature in Wikipedia with its millions of articles in hundreds of languages. As a preliminary, we introduce and compare three different approaches to identify writers on Wikipedia using data from DBpedia, a community project with the goal of extracting and providing structured in- formation from Wikipedia. Equipped with our basic set of writers, we analyze how they are represented throughout the 15 biggest Wikipedia language ver- sions. We combine intrinsic measures (mostly examining the connectedness of articles) with extrinsic ones (analyzing how often articles are frequented by readers) and develop methods to evaluate our results. The better part of our findings seems to convey a rather conservative, old-fashioned version of world literature, but a version derived from reproducible facts revealing an implicit literary canon based on the editing and reading behavior of millions of peo- ple. While still having to solve some known issues, the introduced methods arXiv:1701.00991v1 [cs.IR] 4 Jan 2017 will help us build an observatory of world literature to further investigate its representativeness and biases.
    [Show full text]
  • Biography of Edgar Allan Poe (Adapted)
    Name ________________________________ Date ___________ Period __________ English - Literature Biography of Edgar Allan Poe (Adapted) Poe's Childhood Edgar Poe was born in Boston on January 19, 1809. His parents were David and Elizabeth Poe. David was born in Baltimore on July 18, 1784. Elizabeth Arnold came to the U.S. from England in 1796 and married David Poe after her first husband died in 1805. They had three children, Henry, Edgar, and Rosalie. Elizabeth Poe died in 1811 when Edgar was two years old. She had separated from her husband and had taken her three kids with her. Henry went to live with his grandparents while Edgar was adopted by Mr. and Mrs. John Allan and Rosalie was taken in by another family. John Allan was a successful merchant, so Poe grew up in good surroundings and went to good schools. When Poe was six, he went to school in England for five years. He learned Latin and French, as well as math and history. He later returned to school in America and continued his studies. Edgar Allan Poe went to the University of Virginia in 1826. He was 17. Even though John Allan had plenty of money, he only gave Poe about a third of what he needed. Although Poe had done well in Latin and French, he started to drink heavily and quickly became in debt. He had to quit school less than a year later. Poe in the Army Edgar Allan Poe had no money, no job skills, and had been shunned by John Allan. Therefore, Poe went to Boston and joined the U.S.
    [Show full text]
  • Common Place: Rereading 'Nation' in the Quoting Age, 1776-1860 Anitta
    Common Place: Rereading ‘Nation’ in the Quoting Age, 1776-1860 Anitta C. Santiago Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Anitta C. Santiago All rights reserved ABSTRACT Common Place: Rereading ‘Nation’ in the Quoting Age, 1776-1860 Anitta C. Santiago This dissertation examines quotation specifically, and intertextuality more generally, in the development of American/literary culture from the birth of the republic through the Civil War. This period, already known for its preoccupation with national unification and the development of a self-reliant national literature, was also a period of quotation, reprinting and copying. Within the analogy of literature and nation characterizing the rhetoric of the period, I translate the transtextual figure of quotation as a protean form that sheds a critical light on the nationalist project. This project follows both how texts move (transnational migration) and how they settle into place (national naturalization). Combining a theoretical mapping of how texts move and transform intertextually and a book historical mapping of how texts move and transform materially, I trace nineteenth century examples of the culture of quotation and how its literary mutability both disrupts and participates in the period’s national and literary movements. In the first chapter, I engage scholarship on republican print culture and on republican emulation to interrogate the literary roots of American nationalism in its transatlantic context. Looking at commonplace books, autobiographies, morality tales, and histories, I examine how quotation as a practice of memory impression functions in national re-membering.
    [Show full text]
  • Chapter 1. Introduction: America and the Excessive
    Notes CHAPTER 1. INTRODUCTION: AMERICA AND THE EXCESSIVE 1. Louis Legrand Noble, The Life and Works of Thomas Cole, ed. E. S. Vesell (Cambridge, Mass., 1964) p. 72. 2. Ibid., p. 148. 3. Quoted in Perry Miller, The Life of the Mind in America (New York, 1965) p. 302. 4. Daniel]. Boors tin, The Americans: The National Experience (London, 1966) p. 352. 5. Walt Whitman, The Complete Poems, ed. F. Murphy (London, 1975) pp. 741-2. 6. Ibid., pp. 742-3. 7. Ibid., p. 749. 8. Ibid., p. 760. 9. William H. Prescott, The History of the Conquest of Peru, ed. J. F. Kirk (London, 1886) p. 126. 10. William H. Prescott, The History of the Conquest of Mexico, ed. J. F. Kirk (London, 1886) p. 178. 11. Ibid., p. 313. 12. Ibid., pp. 313-14. 13. Francis Parkman, La Salle and the Discovery of the Great West (New York, 1956) p. 146. 14. Ibid., pp. 226--7. 15. Ibid., p. 225. 16. Ibid., p. 319. 17. James Fenimore Cooper, Notions of the Americans (New York, 1963) n, 44. 18. James Parton, Famous Americans of Recent Times (New York, 1967), p. 88. 19. Ibid., pp. 138--9. 20. H. von Holst,john C. Calhoun (Boston, 1882), p. 199. 21. John William Ward, Andrew jackson- Symbol for an Age (New York, 1955) p. 159. 22. See Alan Heimert, 'Moby-Dick and American Political Symbolism', American Quarterly, 15 (Winter 1963) 498--534. 23. Ward, Andrew jackson, pp. 164-5. 24. Robert V. Remini, Andrew jackson (New York, 1969) pp. 97-8. 25.
    [Show full text]