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The Hills of Dreamland
SIR EDWARD ELGAR (1857-1934) The Hills of Dreamland SOMMCD 271-2 The Hills of Dreamland Orchestral Songs The Society Complete incidental music to Grania and Diarmid Kathryn Rudge mezzo-soprano† • Henk Neven baritone* ELGAR BBC Concert Orchestra, Barry Wordsworth conductor ORCHESTRAL SONGS CD 1 Orchestral Songs 8 Pleading, Op.48 (1908)† 4:02 Song Cycle, Op.59 (1909) Complete incidental music to 9 Follow the Colours: Marching Song for Soldiers 6:38 1 Oh, soft was the song (No.3) 2:00 *♮ * (1908; rev. for orch. 1914) GRANIA AND DIARMID 2 Was it some golden star? (No.5) 2:44 * bl 3 Twilight (No.6)* 2:50 The King’s Way (1909)† 4:28 4 The Wind at Dawn (1888; orch.1912)† 3:43 Incidental Music to Grania and Diarmid (1901) 5 The Pipes of Pan (1900; orch.1901)* 3:46 bm Incidental Music 3:38 Two Songs, Op. 60 (1909/10; orch. 1912) bn Funeral March 7:13 6 The Torch (No.1)† 3:16 bo Song: There are seven that pull the thread† 3:33 7 The River (No.2)† 5:24 Total duration: 53:30 CD 2 Elgar Society Bonus CD Nathalie de Montmollin soprano, Barry Collett piano Kathryn Rudge • Henk Neven 1 Like to the Damask Rose 3:47 5 Muleteer’s Serenade♮ 2:18 9 The River 4:22 2 The Shepherd’s Song 3:08 6 As I laye a-thynkynge 6:57 bl In the Dawn 3:11 3 Dry those fair, those crystal eyes 2:04 7 Queen Mary’s Song 3:31 bm Speak, music 2:52 BBC Concert Orchestra 4 8 The Mill Wheel: Winter♮ 2:27 The Torch 2:18 Total duration: 37:00 Barry Wordsworth ♮First recordings CD 1: Recorded at Watford Colosseum on March 21-23, 2017 Producer: Neil Varley Engineer: Marvin Ware TURNER CD 2: Recorded at Turner Sims, Southampton on November 27, 2016 plus Elgar Society Bonus CD 11 SONGS WITH PIANO SIMS Southampton Producer: Siva Oke Engineer: Paul Arden-Taylor Booklet Editor: Michael Quinn Front cover: A View of Langdale Pikes, F. -
Radio 3 Listings for 6 – 12 March 2021 Page 1 of 14 SATURDAY 06 MARCH 2021 Piano, Strings and Soundtracks to Bring You Comfort and Escape
Radio 3 Listings for 6 – 12 March 2021 Page 1 of 14 SATURDAY 06 MARCH 2021 piano, strings and soundtracks to bring you comfort and escape. production.php&bestnr=00810 SAT 01:00 Through the Night (m000ss13) This episode features American rappers who have dabbled in Anna Clyne: Mythologies Baroque music from Zug in Switzerland the world of strings and piano, including Kanye West, Jay BBC Symphony Orchestra Electronica and Mac Miller. Marin Alsop (conductor) Concerti by Telemann, Couperin and Vivaldi. Presented by Avie AV2434 Catriona Young. http://www.avie-records.com/releases/anna-clyne-mythologies/ SAT 06:00 Downtime Symphony (m000sxtv) 01:01 AM Recharge with a mix of relaxing piano and orchestral sounds The Dark Night Has Vanished Georg Philipp Telemann (1681-1767) Catriona Morison (mezzo) Concerto in G, TWV 53:G1 An hour of wind-down music to help you press pause and reset Malcolm Martineau (piano) Zug Chamber Soloists your mind. Power your downtime with chilled orchestral, Linn CKD637 ambient and lo-fi tracks from artists including Chance the https://www.linnrecords.com/recording-dark-night-has-vanished 01:13 AM Rapper, Matthew Bourne and Alice Sara Ott. Georg Philipp Telemann (1681-1767) Caroline Shaw: Narrow Sea Concerto in D minor, TWV 52:d1 Sō Percussion Zug Chamber Soloists SAT 07:00 Breakfast (m000sxtx) Gilbert Kalish (piano) Saturday - Elizabeth Alker Dawn Upshaw (vocals, percussion) 01:25 AM Caroline Shaw (organ) Francois Couperin (1668-1733) Classical music for breakfast time, plus found sounds and the Nonesuch 7559791788 (2 CDs) Concerto no 13, from 'Les goûts-réunis (Nouveaux Concerts)' odd unclassified track. -
Vol. 17, No. 3 December 2011
Journal December 2011 Vol.17, No. 3 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] December 2011 Vol. 17, No. 3 President Editorial 3 Julian Lloyd Webber FRCM Gerald Lawrence, Elgar and the missing Beau Brummel Music 4 Vice-Presidents Robert Kay Ian Parrott Sir David Willcocks, CBE, MC Elgar and Rosa Newmarch 29 Diana McVeagh Martin Bird Michael Kennedy, CBE Michael Pope Book reviews Sir Colin Davis, CH, CBE Robert Anderson, Martin Bird, Richard Wiley 41 Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 46 Sir Andrew Davis, CBE Simon Thompson Donald Hunt, OBE Christopher Robinson, CVO, CBE CD reviews 49 Andrew Neill Barry Collett, Martin Bird, Richard Spenceley Sir Mark Elder, CBE 100 Years Ago 61 Chairman Steven Halls Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Gerald Lawrence in his Beau Brummel costume, from Messrs. William Elkin's published piano arrangement of the Minuet (Arthur Reynolds Collection). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained. Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
Welcome to the Summer Season at the RNCM
Sonic art, laser beams and technology ignite our artistic programme, with the first-ever RNCM and Welcome FutureEverything collaboration, creating Tools for Unknown Futures – a festival combining innovative art and performance with new devices, insightful discussion and playful social to the experimentation (28 Mar – 1 Apr). Contrast, social debate and fast-changing Summer politics lie at the core of all of this, permeating our entire Summer programme with Zoe Trope (5 Apr), I Came and I Vanished (27 Apr), Youth Perform’s presentation of the post-WW1 season at socio-political Brecht/Weill collaboration, The Threepenny Opera (23 – 26 Apr), and culminating in the music of the salons and the RNCM concert halls between 1890 – 1900, in our Day of Song at the Royal Exchange Theatre (27 Apr). Opera Scenes are back (27, 29 May, 6, 13 Jun) covering a rich and diverse repertoire and RNCM Opera goes to the Capitol Theatre with a fantastic production of Stephen Sondheim’s Company (25 Jun – 4 Jul) Our International Artist Diploma recitals feature the beautiful tenor voice of Kang Wang in Ludwig van Beethoven’s An die ferne Geliebte (30 Apr), as well as the Zelkova Quartet (13 Jun) with Beethoven and Bartók String Quartets; while Chester Cathedral welcomes our International Artist Diploma Concerto Weekend (5 – 7 Jun) featuring Mozart’s glorious, yet wistful, Piano Concerto in E flat major (Yasmin Rowe), Rossini’s rarely performed Bassoon Concerto in B flat major (Alejandra Rojas), Ibert’s high-spirited, yet lyrical Flute Concerto (Helen Wilson) and Schumann’s spontaneously romantic Cello Concerto in A minor (Mikhail Nemstov). -
GCSE, AS and a Level Music Difficulty Levels Booklet
GCSE, AS and A level Music Difficulty Levels Booklet Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Music (1MU0) Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) First teaching from September 2016 First certification from 2017 (AS) 2018 (GCSE and A level) Issue 1 Contents Introduction 1 Difficulty Levels 3 Piano 3 Violin 48 Cello 71 Flute 90 Oboe 125 Cla rinet 146 Saxophone 179 Trumpet 217 Voic e 240 Voic e (popula r) 301 Guitar (c lassic al) 313 Guitar (popula r) 330 Elec tronic keyboa rd 338 Drum kit 344 Bass Guitar 354 Percussion 358 Introduction This guide relates to the Pearson Edexcel Level 1/Level 2 GCSE (9-1) in Music (1MU0), Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) and Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) qualifications for first teaching from 2016. This guide must be read and used in conjunction with the relevant specifications. The music listed in this guide is designed to help students, teachers, moderators and examiners accurately judge the difficulty level of music submitted for the Performing components of the Pearson Edexcel GCSE, AS and A level Music qualifications. Examples of solo pieces are provided for the most commonly presented instruments across the full range of levels. Using these difficult y levels For GCSE, teachers will need to use the book to determine the difficulty level(s) of piece(s) performed and apply these when marking performances. For AS and A Level, this book can be used as a guide to assist in choosing pieces to perform, as performances are externally marked. -
BMS News August 2018
BRITISH MUSIC SOCIETY nAUGUST 2018 ews THE PIPER OF DREAMS A Ruth Gipps perspective ELGAR ENIGMA Rachel Barton Pine’s magnifica musica Agenda British Music Society’s news and events What you missed at the AGM his report of our Annual General Meeting covers the key areas of the Recordings Chairman’s TBritish Music Society’s activities as The generous bequest from Michael follows: Hurd for recordings has finally come to an end unfortunately and it is only to be welcome E-News expected that new releases by the Society will In the summer of 2017, Harold Diamond be less frequent now in number. New 'll keep my address short as the indicated his need to retire from his position opportunities to record will largely depend Chairman's Report from this as the monthly E-news editor. There were on receipt of grants from other funding year's AGM on June 30 is being difficulties finding another member with the bodies. I necessary time and the increasingly In November 2017, the songs of Arthur reproduced in this edition of Printed demanding technological skills to do this job. Benjamin and Edgar Bainton with Susan News. What it will not tell you is In light of this, the decision was made to Bickley (mezzo), Christopher Gillett (tenor) Dominic Daula, our new Journal employ Michael Wilkinson and Nicholas and Wendy Hiscocks (piano) with some Editor, joined the Committee at the Keyworth of Revolution Arts to conduct the funding from The Edgar Bainton Society AGM and John Gibbons revealed work for an agreed sum of £100 per month. -
Rumon Gamba Courtesy of the Ruth Gipps Collection
RUTH GIPPS Symphonies Nos 2 and 4 Song for Orchestra Knight in Armour Rumon Gamba Courtesy of the Ruth Gipps Collection Ruth Gipps, aged twenty, having recently composed ‘Knight in Armour’ Ruth Gipps (1921 – 1999) premiere recording Symphony No. 4, Op. 61 (1972) 31:58 To Sir Arthur Bliss 1 Moderato – Allegro molto – Poco meno mosso – Tempo I (Allegro molto) – Moderato – Allegro molto – Poco meno mosso – Allegro molto – Moderato 9:59 2 Adagio – Più mosso – Tempo I (Adagio) 6:44 3 Scherzo. Allegretto – Poco meno mosso – Allegretto – Coda – 4:17 4 Finale. Andante – Allegro molto – Poco meno mosso – Tempo I. Allegro molto – Meno mosso – Tempo I. Allegro molto – Poco meno mosso – Tempo I (Allegro molto) – Andante maestoso – Presto 10:50 3 premiere recording 5 Knight in Armour, Op. 8 (1940) 9:53 Symphonic Poem Allegro moderato – Più lento – A tempo Symphony No. 2, Op. 30 (1945) 20:57 in B major • in H-Dur • en si majeur in One Movement 6 Moderato – 0:48 7 Allegro moderato – Poco meno – Più mosso – Meno mosso – 5:26 8 Andante – Maestoso – 2:40 9 Tempo di Marcia − 3:13 10 Adagio – 3:09 11 Allegro moderato – Tranquillo – 2:13 12 Moderato – Appassionato – 1:43 13 Allegro – Più mosso – Molto allargando 1:41 4 premiere recording 14 Song for Orchestra, Op. 33 (1948) 6:03 Andante – Allegretto – Meno mosso – Allegro moderato – Allegretto – Andante – Lento TT 69:20 BBC National Orchestra of Wales Lesley Hatfield leader Rumon Gamba 5 Rumon Gamba Andreas Nilsson Ruth Gipps: Symphonies Nos 2 and 4 and other works Early years and ‘Knight in Armour’, Op. -
U·M·I University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road
Music for clarinet and string quartet by women composers. Item Type text; Dissertation-Reproduction (electronic) Authors Rothenberg, Florie. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 14:53:18 Link to Item http://hdl.handle.net/10150/186505 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Vol. 18, No 3 December 2013
Journal December 2013 Vol.18, No. 3 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] December 2013 Vol. 18, No. 3 Editorial The Severn Suite: Manuscripts, Music and Myths 4 President Robert Kay Julian Lloyd Webber FRCM Imperial propaganda and Caractacus: The woodlands and Elgar’s love of country 30 Bryson Mortensen Vice-Presidents Elgar’s Religious Beliefs 42 Sir David Willcocks, CBE, MC Peter Sutton Diana McVeagh Michael Kennedy, CBE Elgar’s Music for Powick Asylum 53 Michael Pope Barry Collett Dame Janet Baker, CH, DBE Music reviews 55 Leonard Slatkin Julian Rushton Sir Andrew Davis, CBE Donald Hunt, OBE Book reviews 59 Christopher Robinson, CVO, CBE Martin Bird, David Bury, Diana McVeagh, Carl Newton, John Norris Andrew Neill Sir Mark Elder, CBE CD reviews 71 Martin Bird, Ruth Hellen, Richard Wiley DVD reviews 74 Chairman Martin Bird Steven Halls Letters 76 Tony Jones, Christopher Morley, Carl Newton, Robin Self, Alan Tongue Vice-Chairman Stuart Freed Recording notes 79 Michael Plant Treasurer Clive Weeks 100 Years Ago 80 Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: First recording of The Severn Suite. A 78 of excerpts by the winning band, recorded the day after the Festival (Collection of Michael Plant). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. -
Vol. 17, No. 1 April 2011
Journal April 2011 Vol.17, No. 1 The Society President Julian Lloyd Webber FRCM Vice-Presidents Ian Parrott Sir David Willcocks, CBE, MC Diana McVeagh Michael Kennedy, CBE Michael Pope Sir Colin Davis, CH, CBE Dame Janet Baker, CH, DBE Leonard Slatkin Sir Andrew Davis, CBE Donald Hunt, OBE Christopher Robinson, CVO, CBE Andrew Neill Chairman Steven Halls Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary Helen Petchey The Elgar Society Journal 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2011 Vol. 17, No. 1 Editorial 3 Tales from the Complete Edition - 5: 4 Pageant of Empire John Norris Tales from the Complete Edition - 6: 15 Music for Strings Julian Rushton A Letter and a Poem Unmasked: Two Documents from John Bridcut’s film 18 Elgar: The Man behind the Mask18 Kevin Allen A very good idea at the time: 22 Sir Edward Elgar - Principal Conductor, London Symphony Orchestra Martin Bird Did Elgar achieve a century? 37 Stephen Lloyd Book reviews 41 J.P.E. Harper-Scott, Martin Bird, Jane Bird, Andrew Neill Music reviews 47 J.P.E. Harper-Scott, Julian Rushton DVD reviews 54 Martin Bird, Frank Beck CD reviews 57 Kevin Mitchell, Andrew Neill, Martin Bird, Barry Collett, Paul Adrian Rooke Letters 68 Norman Rosenberg 100 Years Ago 69 Geoffrey Hodgkins The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Elgar and Vera Hockmann at a Union of Graduates in Music dinner, March 1933 Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. -
Eldon Black Album Collection
Albums Eldon Black Album Collection These albums are only available for use by ASU students, faculty, and staff. Ask at the Circulation Desk for assistance. (Use the Adobe "Find" to locate song(s) and/or composer(s).) Catalog Number Title Notes 1 Falstaff-Verdi Complete 2 La Perichole Complete 3 Tosca-Puccini Complete 4 Cavalleria Rusticana-Mascagni Complete 5 The Royal Family of Opera 5A lo son l'umile ancella from Adriana Lecouvreur by Cilea 5B Come rugiada al cespite from Ernani by Verdi 5C In questo suolo a lusingar tua cura from La Favorita by Donizetti 5D E lucevan le stelle from Tosca by Puccini 5E Garden Scene Trio from Don Carlo by Verdi 5F Oh, di qual onta aggravasi from Nabucco by Verdi 5G In quelle trine morbide from Manon Lescaut by Puccini 5H Dulcamara/Nemorino duet from "Ecco il magico liquor" from L'Elisir D'Amore by Donizetti 5I Il balen from Il Trovatore by Verdi 5J Mon coeur s'ouvre a ta voix from Samson et Dalila by Saint-Saens 5K Bel raggio lusingheir from Semiramide by Rossini 5L Le Veau d'or from Faust by Gounod 5M Page's Aria from Les Huguenots by Meyerbeer 5N Depuis le jour from Louise by Charpentier 5O Prize Song from Die Meistersinger by Wagner 5P Sois immobile from William Tell by Rossini 5Q Cruda sorte from L'Italiana in Algeri by Rossini 5R Der Volgelfanger bin ich from The Magic Flute by Mozart 5S Suicidio! from La Gioconda by Ponchielli 5T Alla vita che t'arride from A Masked Ball by Verdi 5U O mio babbino caro from Gianni Schicchi by Puccini 5V Amor ti vieta from Fedora by Giordano 5W Dei tuoi figli from -
Macdowell Colony Doreen Carwithen Teresa Carreno Ethel Smyth Ruth Gipps Maud Powell Dorothy Gow Society of Women Musicians
The Maud Powell SignatureSignature Women in Music The March of the Women Marion Bauer Amy Beach Jenny Lind The MacDowell Colony Doreen Carwithen Teresa Carreno Ethel Smyth Ruth Gipps Maud Powell Dorothy Gow Society of Women Musicians Premiere Online Issue ~ June 2008 2 The Maud Powell Signature, Women in Music, June 2008 The Maud Powell Signature, Women in Music The March of the Women June 2008, Vol. II, No. 2 Premiere online issue Contents From the desk of . Daryle Gardner-Bonneau, Sigma Alpha Iota …………………………………………... 5 Editorial—The March of the Women ……………………………………………………………………………… 7 Jenny Lind, The Swedish Nightingale by Leslie Holmes ……………………………………………………….. 11 Women with a Cause, The Creation of the MacDowell Colony by Robin Rausch ………………………….. 21 Marion Bauer, From the Wild West to New York Modernism by Susan Pickett ……………………………... 31 Graveyard Stories by Susan Pickett …………………………………………………………………….. 47 The Society of Women Musicians, A Major Step Forward …………………………………………………… 49 in the “March of the Women” by Pamela Blevins Doreen Carwithen, Breaking Down Barriers by Andrew Palmer ………………………………………………. 57 The Children’s Corner ……………………………………………………………………………………………... 69 Amy Beach, “Stealing from the Birds” and other adventures in music by Marie Harris Cameos of More Women in Music ………………………………………………………………………………. 81 Teresa Carreño by Pamela Blevins Maud Powell by Karen Shaffer Dorothy Gow by John France Ethel Smyth by Pamela Blevins The Learning Center ……………………………………………………………………………………………….. 93 Brighter Women Through Music by Madeline Frank