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Airton Tomazzoni / Catarina Saraiva / Diana Blok / Maria idança.txt Volume 4 Agosto 2011 idança.txt Volume 4 August 2011 Ben em O monta-cargas, de Harold Pinter, interpretado pela atriz Marjan Luif. Ben in Harold Pinter’s The Dumb Waiter played by actress Marjan Luif. AIRTON TOMAZZONI / CATARINA SARAIVA / DIANA BLOK / MARIA RIBOT E TAMARA CUBAS / JORGE ALENCAR Aguiar, Giovane 73 / Giorgia 76, 77, Raoul-Auger 19, 20 85 / Luif, Marjan 42 Alencar, Jorge 66 / 78 / Cornazzano, / Foucault, Michel / Luís XIV 16, 17 / Alvarez, Raphael Antonio 15, 16 / 11, 13, 82, 83, 84 / Marinelli, Ricardo 69, 70 / Apisuk, Cubas, Tamara 52 Freire, Marcelino 75, 76, 77 / Marshal, Chumpon 34 / / D’Cruz, Marion 78, 79 / Gardner, James 11, 28 / Arbeau, Thoinot 15, 34 / de Jong, Trudy Ella 12 / Gluck, Leo Martinus, Miroto 16 / Beauchamps, 44 / de Rooy, 76, 78 / Godard 33, 34 / Masseno, Pierre 20, 21 / Blok, Felix 43 / Deleuze, , Jean-Luc 27 / André 73 / Mendes, Diana 41 / Blok, Gilles 28, 29 / Gonçalves, Simone Murilo 78, 79 / Mol, Monica 46 / Bonem, Derrida, Jacques 84 70 / Hardt, Michael Albert 48 / Monte, Natal Jacome Didden, Sjoerd 47 / 26, 28 / Howe, Elias Cândida 77, 78, 20, 22 / Bonstein Dourado, Rodrigo 21, 23 / Issa, Tatiana 79 / Narodowsky, 12, 13 / Bourcier, 69, 70 / Dourado, 69, 70 / Jesus Cristo Mariano 17, 19, 28 Paul 14, 17, 24 / Rodrigo Carvalho 46 / Kahlo, Frida 7, / Naser, Lucía 52 / Bündchen, Giselle Marques 84 / Ebreo, 43 / Kuen, Tang Fu Negri, Antonio 28 72 / Butler, Judith Guglielmo 15, 16/ 37 / La Ribot 52 / / Negri, Cesari 15, 84 / Calvo, Blanca Effendy, Noor 33, Larrosa, Jorge 28 / 16 / Ng, Joavien 52 /Caminada, 34 / Evelin, Marcelo Licon, Aldren 70 / 34, 35 / Oliveira, Eliana 28 / Caroso, 63, 64, 74 / Falcão, Lorin, Andre 18, 20 Edmilson Castro Fabrizio 15, 16 / Carolina 71, 72, / Lourenço, Kleber de 67 / Pacheco, Coll, Charles 22, 79 / Fernandes, 78, 79 / Louro, Elielson 74 / Park, 24 / Conceição, Aroldo 72 /Feuillet, Guacira Lopes 84, Jeanny 34 / Parodi, idança.txt idança.txt Vol.4 – Agosto / August 2011 2 3 Vol. 4 – Agosto / August 2011 Carole 53 / Passos, William 7, 44, 47, Fernando 72, 73 / 50 / Silva, Eliana Patricia Barbara 79 Rodrigues 73 / / Pelbart, Peter Pál Steele, Christopher 29 /Pereira, Roberto 49 / Stoneley, 29 / Piacenza, Peter 85 / Sucena, Domenico de 15, 16 Eduardo 13, 14, 15, / Pinter, Harold 42 29 / Tajudin, Yudi 36 / Pittoors, Frida 50 / Tchekhov, Anton / Portinari, Maribel 7, 45 / Tomazzoni, 14, 29 / Preciado, Airton 10 / Torres, Beatriz 85 / Primo, Pata 53, 62 / Rosa 14, 29 / Toulouze, Michel Rameau, Pierre 19, 15, 16 / Veiga-Neto, 21 / Ribeiro, Sheila Alfredo 29 / Vianna, 78, 80 / Saidel, Erivelto 75, 76, 77 Henrique 76, 78 / / Vieira, Helena Saraiva, Catarina 74 / Warmerdam, 30 / Seabra, Vincent van 45 / Rickyoncé 74 / Widodo, Besar 34 / Sen, Ong Keng 33, Wilde, Oscar 49 34 / Shakespeare, idança.txt idança.txt Vol.4 – Agosto / August 2011 4 5 Vol. 4 – Agosto / August 2011 O idança.txt é um projeto que visa reunir História. Jorge Alencar, baiano, criador de diretores, compositores, coreógrafos e artistas textos de reflexão sobre as artes cênicas na dança, teatro e audiovisual, faz em seu artigo de áreas diversas. Nesse trabalho, eles são contemporaneidade escritos por pesquisadores um panorama da estética queer nas artes caracterizados e retratados como personagens e artistas de diversos países, com perspectivas cênicas, examinando trabalhos de diferentes do teatro (como o Shylock, de Shakespeare, diversas. Este volume IV traz artigos de Airton partes do Brasil que produzem fissuras nas ou a Irina, de Tchekhov), das artes (como Tomazzoni e de Jorge Alencar, que trabalham questões de gênero. Frida Kahlo), ou da História (como a rainha em diferentes regiões do Brasil, e de Catarina Elizabeth I). Saraiva, de Portugal, além de uma entrevista Catarina Saraiva, nascida em Lisboa e com La Ribot e Tamara Cubas, realizada residente em Madri, escreve sobre o mercado Com apoio da Fundação Prince Claus, da por Lucía Naser, pesquisadora nascida em das artes no Sudeste asiático e reflete sobre Holanda, o idanca.txt é uma série de cinco Montevidéu, Uruguai. Conta ainda com um as relações mantidas entre programadores, edições PDF. O projeto conta com parceria ensaio de fotos da artista Diana Blok, também curadores, produtores e artistas na região da IETM, da revista Obscena e da revista nascida na capital uruguaia embora residente a partir da própria experiência. Já a eletrônica Questão de Crítica. Cada edição, nos Países Baixos, em colaboração com pesquisadora Lucía Naser conversa com La que poderá ser lida on-line, baixada, impressa diversos criadores das artes cênicas. Ribot e Tamara Cubas, importantes nomes da e usada em sala de aula, propõe uma cena contemporânea de dança, sobre questões constante troca de experiências e ideias, Airton Tomazzoni, brasileiro do Rio Grande relevantes no trabalho das duas criadoras. algumas vindas de zonas de sombra, regiões do Sul, coreógrafo, jornalista e professor em desenvolvimento onde a informação ainda universitário, analisa em seu texto os manuais O ensaio fotográfico deste volume traz alguns circula com dificuldade, especialmente em uma de dança publicados desde o século XIX até retratos da série Adventures in cross-casting área de conhecimento tão ampla quanto as os dias atuais e a relação desse material com (Aventuras com papéis cruzados), realizada artes cênicas. o pensamento sobre a dança ao longo da por Diana Blok em parceria com atrizes, Os editores The idanca.txt project aims to gather texts dance, visual and theater artist from Bahia. up as characters from the theater (like reflecting upon the contemporary performing He traces a panorama of queer aesthetics Shakespeare’s Shylock or Tchékhov’s Irina), arts written by researchers from several in performing arts, examining works from the arts (like Frida Kahlo) or History (like countries and different perspectives. The 4th different parts of Brazil that create loopholes Queen Elizabeth I). volume brings articles by Airton Tomazzoni in gender issues. and Jorge Alencar, who work in different With the support of Prince Claus Fund, from regions of Brazil, by Catarina Saraiva, from Catarina Saraiva was born in Lisbon and lives Holland, idanca.txt is a series of five PDF Portugal, and an interview with La Ribot in Madrid. She writes about the performing editions. The project also has a partnership and Tamara Cubas, made by Lucía Naser, a arts market in Southeast Asia and reflects of IETM network, Obscena magazine and the researcher from Montevideo, Uruguay. The upon the relationships between programmers, Brazilian electronic magazine Questão de issue also features a photo essay of artist curators, producers and artists in the region, Crítica. Each edition, that can be read online, Diana Blok, also born Uruguay, but currently based on her own experience. Researcher downloaded, printed, used in classrooms, living in the Netherlands. She collaborated Lucía Naser talked with La Ribot and Tamara proposes a constant exchange of experiences with several performing artists. Cubas about relevant issues in the work of and ideas, some of them comings from shadow both artists. zones, regions in development where the Airton Tomazzoni, a choreographer and information still circulates with difficulty, University professor from Southern Brazil, The photo essay brings some portraits of especially in an area of knowledge as wide analyses dance manuals published from the the series Adventures in cross-casting, made as the performing arts. 19th century to our days and the relationship by Diana Blok in partnership with actors, between that material and dance knowledge directors, composers, choreographers and The editors throughout history. Jorge Alencar is a artists from different areas. They dress idança.txt idança.txt Vol.4 – Agosto / August 2011 6 7 Vol. 4 – Agosto / August 2011 DANÇANDO E APRENDENDO A SER: ESTRATÉGIAS DE SUBJETIVAÇÃO NOS MANUAIS DE DANÇA por Airton Tomazzoni 10– 29 / O MERCADO DAS ARTES PERFORMATIVAS CONTEMPORÂNEAS NO SUDESTE ASIÁTICO. UMA VISÃO OCIDENTAL SOBRE O SETOR por Catarina Saraiva 30–39 / ADVENTURES IN CROSS-CASTING por Diana Blok 40– 51 / A DUAS VOZES – ENTREVISTA COM MARIA RIBOT E TAMARA CUBAS por Lucía Naser 52–65 / CIRQUE DU SOLANGE: MAPA INTRODUTÓRIO DE UM PICADEIRO BICHA por Jorge Alencar 66–85 DANCING AND LEARNING TO BE: STRATEGIES OF SUBJECTIFICATION IN DANCE MANUALS by Airton Tomazzoni 10–29 / THE CONTEMPORARY PERFORMING ARTS MARKET IN SOUTHEAST ASIA. A WESTERN POINT OF VIEW ABOUT THE SECTOR by Catarina Saraiva 30–39 / ADVENTURES IN CROSS-CASTING by Diana Blok 40–51 / TWO VOICES – INTERVIEW WITH MARIA RIBOT E TAMARA CUBAS by Lucía Naser 52–65 / CIRQUE DU SOLANGE: AN INTRODUCTORY MAP OF A QUEER CIRCUS RING by Jorge Alencar 66–85 idança.txt idança.txt Vol.4 – Agosto / August 2011 8 9 Vol. 4 – Agosto / August 2011 DANÇANDO E APRENDENDO A SER: ESTRATÉGIAS DE SUBJETIVAÇÃO NOS MANUAIS DE DANÇA Por Airton Tomazzoni Dois pra lá, dois pra cá. Pé direito. Pé colabora na formação de um certo tipo de DANÇANDO E esquerdo. Lentamente. Acelera. Orientações sujeitos e de como o ato de dançar envolve APRENDENDO A como essas costumam estar presentes em complexas práticas, requintadas e eficientes, muitas lições de manuais que marcaram a de governamento. E, ao mencionar dimensão SER: ESTR ATÉGIAS história da dança. Orientações sobre como política, não estou me referindo a aspectos se mover adequadamente no palco ou nos partidários, nem a ações da esfera do governo DE SUBJETIVAÇÃO salões. Orientações que podem garantir uma estatal. Alinho-me, nesse sentido, à perspectiva boa dança, mas também bons sujeitos. E é de Michel Foucault, que entende a política a NOS MANUAIS nesse último aspecto que estou interessado. partir das ambíguas relações de poder2 e de 1 Em como a dança é um aparato para a sua expressão não apenas na esfera pública DE DANÇA constituição de sujeitos. Embora as implicações oficial, mas em todo investimento no ato de políticas envolvidas nas práticas de dança e em governar3 os outros, seja na escola, na família, Por Airton Tomazzoni suas estratégias discursivas venham ganhando na igreja, na mídia.
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