The Black Panther Party: Books of Interest
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The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
50Th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr
50th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr. Jakobi Williams: library resources to accompany programs FROM THE BULLET TO THE BALLOT: THE ILLINOIS CHAPTER OF THE BLACK PANTHER PARTY AND RACIAL COALITION POLITICS IN CHICAGO. IN CHICAGO by Jakobi Williams: print and e-book copies are on order for ISU from review in Choice: Chicago has long been the proving ground for ethnic and racial political coalition building. In the 1910s-20s, the city experienced substantial black immigration but became in the process the most residentially segregated of all major US cities. During the civil rights struggles of the 1960s, long-simmering frustration and anger led many lower-class blacks to the culturally attractive, militant Black Panther Party. Thus, long before Jesse Jackson's Rainbow Coalition, made famous in the 1980s, or Barack Obama's historic presidential campaigns more recently, the Illinois Chapter of the Black Panther Party (ILPBB) laid much of the groundwork for nontraditional grassroots political activism. The principal architect was a charismatic, marginally educated 20-year-old named Fred Hampton, tragically and brutally murdered by the Chicago police in December 1969 as part of an FBI- backed counter-intelligence program against what it considered subversive political groups. Among other things, Williams (Kentucky) "demonstrates how the ILPBB's community organizing methods and revolutionary self-defense ideology significantly influenced Chicago's machine politics, grassroots organizing, racial coalitions, and political behavior." Williams incorporates previously sealed secret Chicago police files and numerous oral histories. Other review excerpts [Amazon]: A fascinating work that everyone interested in the Black Panther party or racism in Chicago should read.-- Journal of American History A vital historical intervention in African American history, urban and local histories, and Black Power studies. -
And at Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind Linda Garrett University of San Francisco, [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2018 And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind Linda Garrett University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/diss Part of the Education Commons Recommended Citation Garrett, Linda, "And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind" (2018). Doctoral Dissertations. 450. https://repository.usfca.edu/diss/450 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. University of San Francisco And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind A Dissertation Presented to The Faculty of the School of Education International and Multicultural Education Department In Partial Fulfillment For the Requirements for Degree of the Doctor of Education by Linda Garrett, MA San Francisco May 2018 THE UNIVERSITY OF SAN FRANCISCO DISSERTATION ABSTRACT AND AT ONCE MY CHAINS WERE LOOSED: HOW THE BLACK PANTHER PARTY FREED ME FROM MY COLONIZED MIND The Black Panther Party was an iconic civil rights organization that started in Oakland, California, in 1966. Founded by Huey Newton and Bobby Seale, the Party was a political organization that sought to serve the community and educate marginalized groups about their power and potential. -
Do Guns Preclude Credibility?: Considering the Black Panthers As a Legitimate Civil Rights Organisation
Do Guns Preclude Credibility 7 Do Guns Preclude Credibility?: Considering the Black Panthers as a legitimate Civil Rights organisation Rebecca Abbott Second Year Undergraduate, Monash University Discontent over social, political and racial issues swelled in the United States during the mid- sixties. Even victories for the Civil Rights movement could not stem the dissatisfaction, as evidenced by the Watts riots that broke out in Los Angeles during August 1965, only two weeks after the Voting Rights Act was signed.1 Rioting had become more frequent, thus suggesting that issues existed which the non-violent Civil Rights groups could not fix. In 1966, the National Advisory Commission on Civil Disorders reported that forty-three race riots had occurred across the country, nearly tripling the fifteen previously reported for 1964.2 The loss of faith in mainstream civil rights groups was reflected in a 1970 poll of black communities conducted by ABC-TV in which the Black Panther Party for Self Defense (BPP) was the only black organisation that ‘respondents thought would increase its effectiveness in the future.’3 This was in contrast to the National Association for the Advancement of Colored People (NAACP) and the Southern Christian Leadership Conference, which the majority thought would lose influence.4 Equality at law had been achieved, but that meant little in city ghettoes where the issues of poverty and racism continued to fester.5 It was from within this frustrated atmosphere that in October 1966, 1 See Robert Charles Smith, We Have No Leaders: African Americans in the Post-Civil Rights Era, (New York: State University of New York Press, 1996), 17. -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
Living for the City Donna Jean Murch
Living for the City Donna Jean Murch Published by The University of North Carolina Press Murch, Donna Jean. Living for the City: Migration, Education, and the Rise of the Black Panther Party in Oakland, California. The University of North Carolina Press, 2010. Project MUSE. muse.jhu.edu/book/43989. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/43989 [ Access provided at 22 Mar 2021 17:39 GMT from University of Washington @ Seattle ] 5. MEN WITH GUNS In the aftermath of the Watts rebellions, the failure of community pro- grams to remedy chronic unemployment and police brutality prompted a core group of black activists to leave campuses and engage in direct action in the streets.1 The spontaneous uprisings in Watts called attention to the problems faced by California’s migrant communities and created a sense of urgency about police violence and the suffocating conditions of West Coast cities. Increasingly, the tactics of nonviolent passive resistance seemed ir- relevant, and the radicalization of the southern civil rights movement pro- vided a new language and conception for black struggle across the country.2 Stokely Carmichael’s ascendance to the chairmanship of the Student Non- violent Coordinating Committee SNCC( ) in June 1966, combined with the events of the Meredith March, demonstrated the growing appeal of “Black Power.” His speech on the U.C. Berkeley campus in late October encapsu- lated these developments and brought them directly to the East Bay.3 Local activists soon met his call for independent black organizing and institution building in ways that he could not have predicted. -
The Place of Art in Black Panther Party Revolutionary Thought and Practice: from Revolution to Reform, a Content Analysis
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2018 The Place of Art in Black Panther Party Revolutionary Thought and Practice: From Revolution to Reform, A Content Analysis Michael James Macaluso Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Politics and Social Change Commons Recommended Citation Macaluso, Michael James, "The Place of Art in Black Panther Party Revolutionary Thought and Practice: From Revolution to Reform, A Content Analysis" (2018). Dissertations. 3364. https://scholarworks.wmich.edu/dissertations/3364 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PLACE OF ART IN BLACK PANTHER PARTY REVOLUTIONARY THOUGHT AND PRACTICE: FROM REVOLUTION TO REFORM, A CONTENT ANALYSIS by Michael Macaluso A dissertation submitted to the Graduate College in partial fulfillment of the requirements for the degree of Doctor of Philosophy Sociology Western Michigan University December 2018 Doctoral Committee: Zoann Snyder, Ph.D., Chair Thomas VanValey, Ph.D. Richard Yidana, Ph.D. Douglas Davidson, Ph.D. Copyright by Michael Macaluso 2018 ACKNOWLEDGEMENTS First, I would like to thank Dr. Zoann Snyder, Dr. Richard Yidana, Dr. Thomas Lee VanValey, and Dr. Douglas Davidson for agreeing to serve on this committee. Zoann, I want thank you for your patience throughout this journey, I truly appreciate your assistance. Richard, your help with this work has been a significant influence to this study. -
Still Black Still Strong
STIll BLACK,STIll SfRONG l STILL BLACK, STILL STRONG SURVIVORS Of THE U.S. WAR AGAINST BLACK REVOlUTIONARIES DHORUBA BIN WAHAD MUMIA ABU-JAMAL ASSATA SHAKUR Ediled by lim f1elcher, Tonoquillones, & Sylverelolringer SbIII01EXT(E) Sentiotext(e) Offices: P.O. Box 629, South Pasadena, CA 91031 Copyright ©1993 Semiotext(e) and individual contributors. Printed in the United States of America. ISBN 978-0-936756-74-5 1098765 ~_.......-.;,;,,~---------:.;- Contents DHORUDA BIN W"AHAD WARWITIllN 9 TOWARD RE'rHINKING SEIl'-DEFENSE 57 THE CuTnNG EDGE OF PRISONTECHNOLOGY 77 ON RACISM. RAp AND REBElliON 103 MUM<A ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsON-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 P ANIllER DAZE REMEMBERED 193 ASSATA SHAKUR PRISONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRIBUTORS 272 THE CAMPAIGN TO FREE BLACK POLITICALPRISONERS 272 Contents DHORUBA BIN "W AHAD WAKWITIllN 9 TOWARD REnnNKINO SELF-DEFENSE 57 THE CurnNG EOOE OF PRISON TECHNOLOGY 77 ON RACISM, RAp AND REBEWON 103 MUMIA ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsoN-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 PANTHER DAZE REMEMBERED 193 ASSATA SHAKUR PJusONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRmUTORS 272 THE CAMPAIGN TO FREE BUCK POLITICAL PRISONERS 272 • ... Ahmad Abdur·Rahmon (reIeo,ed) Mumio Abu·lomol (deoth row) lundiolo Acoli Alberlo '/lick" Africa (releosed) Ohoruba Bin Wahad Carlos Perez Africa Chorl.. lim' Africa Can,uella Dotson Africa Debbi lim' Africo Delberl Orr Africa Edward Goodman Africa lonet Halloway Africa lanine Phillip. -
Berkeley-In-The-60S-Transcript.Pdf
l..J:J __J -- '-' ... BERKELEY IN THE SIXITES Transcript House n-American Activities Committee Demonstration, May 196(J (Music. "Ke a Knockin") T Narrator: y In the 1960s y generation set out on a journey of change. Coming out of an atmosphere f conformity a new spirit began to appear. One of the first signs was a demo tration, organized by Berkeley students in May of 1960 against .;')~u.P -'- the House -American Activities Committee. Archival/Co gressman Willis, HUAC Chairman: \ ' .., iJ' ,o-, «\' What we are ere to do is to gather information as we are ordered to by an act of Congress ith respect to the general operation of the communist conspiracy. Chairman W lis (off camera): Proceed to th next question. Archival/Un entified Witness: I'm not in the habit of being intimidated and I don't expect to start now. Now what was yo_ question? "{/\Thatwas your question. C Lawyer (off camera): Are you now n this instant a member of the communist party. BITS TRAN RIPT 2 t,...J-,,i._l-.. } 'Li..- Narrator: We came out 0 protest because we were against HUAC's suppression of political free m. In the 50s HUAC created a climate of fear by putting people on trial for t ir political beliefs. Any views left of center were labeled subversive. e refused to go back to McCarthyism. Archival/Wi liam Mandel: )/",'; 0 ~ If you think am going to cooperate with this collection of Judases, of men who sit ther in violation of the United States Constitution, if you think I will cooperat with you in any way, you are insane. -
One City One Book 2017 Program Guide
San Francisco Public Library #onecityonebookFALL 2017 @sfpubliclibrary #sfpubliclibrary 2 sfpl.org/onecityonebook WELCOME Dear Readers, We are excited to announce our 13th annual One City One Book title, Black against Empire: The History and Politics of the Black Panther Party by authors Joshua Bloom and Waldo E. Martin. The Bay Area is renowned for its activism of the 1960s which helped define the history and culture of our region. Bold, engrossing, and richly detailed, Black against Empire explores the organizations’s genesis, rise and decline— imparting important lessons for Black against Empire is the today’s resistance movements. winner of the American Book Award. The book has been banned by the California Department of Corrections. Read the book and join us for book discussions, themed exhibits, author talks and many other events. City Librarian Luis Herrera 1 Updated event information at sfpl.org/onecityonebook or (415) 557-4277 ABOUT THE BOOK BLACK AGAINST EMPIRE: Black against Empire is the THE HISTORY AND first comprehensive overview POLITICS OF THE BLACK and analysis of the history and PANTHER PARTY politics of the Black Panther This timely special edition, pub- Party. The authors analyze key lished by University of California political questions, such as why Press on the 50th anniversary of so many young black people the founding of the Black Panther across the country risked their Party, features a new preface lives for the revolution, why the by the authors that places the Party grew most rapidly during Party in a contemporary political the height of repression, and why landscape, especially as it relates allies abandoned the Party at to Black Lives Matter and other its peak of influence. -
Picking up the Books: the New Historiography of the Black Panther Party
PICKING UP THE BOOKS: THE NEW HISTORIOGRAPHY OF THE BLACK PANTHER PARTY David J. Garrow Paul Alkebulan. Survival Pending Revolution: The History of the Black Panther Party. Tuscaloosa: University of Alabama Press, 2007. 176 pp. Notes, bibliog- raphy, and index. $28.95. Curtis J. Austin. Up Against the Wall: Violence in the Making and Unmaking of the Black Panther Party. Fayetteville: University of Arkansas Press, 2006. 456 pp. Photographs, notes, bibliography, and index. $34.95. Paul Bass and Douglas W. Rae. Murder in the Model City: The Black Panthers, Yale, and the Redemption of a Killer. New York: Basic Books, 2006. 322 pp. Pho- tographs, notes, bibliography, and index. $26.00. Flores A. Forbes. Will You Die With Me? My Life and the Black Panther Party. New York: Atria Books, 2006. 302 pp. Photographs and index. $26.00. Jama Lazerow and Yohuru Williams, eds. In Search of the Black Panther Party: New Perspectives on a Revolutionary Movement. Durham: Duke University Press, 2006. 390 pp. Notes and index. $84.95 (cloth); $23.95 (paper). Jane Rhodes. Framing the Black Panthers: The Spectacular Rise of a Black Power Icon. New York: The New Press, 2007. 416 pp. Notes, bibliography, and index. $35.00. A comprehensive review of all published scholarship on the Black Panther Party (BPP) leads to the inescapable conclusion that the huge recent upsurge in historical writing about the Panthers begins from a surprisingly weak and modest foundation. More than a decade ago, two major BPP autobiographies, Elaine Brown’s A Taste of Power (1992) and David Hilliard’s This Side of Glory (1993), along with Hugh Pearson’s widely reviewed book on the late BPP co-founder Huey P. -
Black Revolutionary Icons and `Neoslave' Narratives
Social Identities, Volume 5, N um ber 2, 1999 B lack Revolutionary Icons and `N eoslave ’ Narrative s JOY JAMES U niversity of C olorado Over the centuries that America enslaved Blacks, those men and women most determined to win freedom became fugitives, ¯ eeing from the brutal captivity of slavery . Many of their descendants who fought the Black liberation struggle also became fugitives. These men and women refused to endure the captivity awaiting them in retaliation for their systematic effort to win freedom. But unlike runaway slaves, these men and women fought for a more expansive freedom, not merely as individuals, but for an entire nation, and sought in the face of interna- tionally overwhelming odds to build a more humane and democratic political order. (Kathleen Neal Cleaver, 1988) As a slave, the social phenomenon that engages my whole consciousness is, of course, revolution. (George Jackson, 1972) Neoslave Narrative s Historically, African Americans have found themselves corralled into dual and con¯ ictual roles, functioning as either happy or sullen slaves in compliant conformity or happy or sullen rebels in radical resistance to racial dominance. The degree to which historical slave narratives continue to shape the voices of their progeny rem ains the object of some speculation. In his introduction to Live from Death Row: This is M umia Abu-Jam al,1 John Edgar Widem an argues that many Americans continue to encounter black life and political struggles through the `neoslave narrative’ (popularise d in the 1970s by the television miniseries Roots based on Alex Haley’s ® ctional text of the same title).