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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Bob Marley – Wikipédia, a Enciclopédia Livre
Bob Marley – Wikipédia, a enciclopédia livre http://pt.wikipedia.org/w/index.php?title=Bob_Marley&printable=yes Bob Marley Origem: Wikipédia, a enciclopédia livre. Robert Nesta Marley , mais conhecido como Bob Marley (Nine Mile, 6 de fevereiro de 1945 — Miami, Bob Marley 11 de maio de 1981), foi um cantor, guitarrista e compositor jamaicano, o mais conhecido músico de reggae de todos os tempos, famoso por popularizar o gênero. Marley já vendeu mais de 75 milhões de discos.1 A maior parte do seu trabalho lidava com os problemas dos pobres e oprimidos. Levou, através de sua música, o movimento rastafári e suas ideias de paz, irmandade, igualdade social, libertação, resistência, liberdade e amor universal ao mundo. A música de Marley foi fortemente influenciada pelas questões sociais e políticas de sua terra natal, fazendo com que considerassem-no a voz do povo negro, pobre e oprimido da Jamaica. A África e seus problemas como a miséria, guerras e domínio europeu também foram Bob Marley durante apresentação em Estocolmo no dia 19 de junho centro de assunto de suas músicas, por tratar-se da terra de 1978. sagrada do movimento rastafári. Informação geral Hoje pode ser considerado o primeiro e maior astro Nome completo Robert Nesta Marley musical do Terceiro Mundo e a maior voz deste. Suas Também Rei do Reggae músicas mais conhecidas são " I Shot the Sheriff "," No conhecido(a) Woman, No Cry"," Could You Be Loved "," Stir It Up como "," Get Up, Stand Up "," Jamming "," Redemption Song Nascimento 6 de Fevereiro de 1945 "," One Love/People Get Ready "e," Three Little Birds Nine Mile, Saint Ann ", e tambem lançamentos póstumos como " Buffalo Jamaica Soldier "e" Iron Lion Zion ". -
Congo Congo Mp3, Flac, Wma
Congo Congo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Congo Country: Canada Released: 1979 Style: Roots Reggae MP3 version RAR size: 1225 mb FLAC version RAR size: 1322 mb WMA version RAR size: 1867 mb Rating: 4.8 Votes: 711 Other Formats: AUD VOC MP4 MOD WAV VQF ASF Tracklist A1 Days Chasing Days 4:43 A2 Jackpot 5:10 A3 Hail The World Of Jah 4:24 A4 Education Of Brainwashing 3:20 B1 Youth Man 4:30 B2 Yoyo 4:43 B3 Nana 4:39 B4 Thief Is In The Vineyard 3:18 Companies, etc. Pressed By – CBS Disques Distributed By – CBS Disques Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Printed By – Montreuil Offset Recorded At – Harry J's Recording Studio Recorded At – Aquarius Studio Mixed At – Dynamic Sounds Studios Credits Backing Vocals [Background Vocals] – Roy Johnson*, Watty Burnett Bass – Philippe Quilichini Drums – Santa*, Sly Dunbar (tracks: A3) Engineer [Ingénieurs Du Son] – Mervyn Williams, Sylvan Morris Lead Guitar – Ernest Ranglin (tracks: A3), Lennox Gordon Lead Vocals – Cedric Myton Mixed By [Mixé Par] – Geoffrey Chung, Nadette Duget Organ, Electric Piano, Piano [Acoustic Piano] – Harold Butler, Keith Sterling Percussion – Scully*, Congo*, Sticky* Producer [Produit Par] – Nadette Duget Rhythm Guitar – Earl "Chinna" Smith (tracks: A1, A3), Willie Lindo Saxophone – Tommy McCook Written-By – Cedric Myton, Roy Johnson* (tracks: A1, A3, A4, B1 to B4), Watty Burnett (tracks: A2, B2, B4) Notes Enregistré à Harry J. Studio, Aquarius Recording Co Ltd. Mixé à Dynamic Sounds Recordings Co Ltd. Kingston, Jamaïque, Février 79 [Mixed in February 1979]. Editeur: droits réservés Inner sleeve with photographs and lyrics. -
Reggae På Jamaica– En Oversigt
Reggae på Jamaica – en oversigt Indhold Jamaica ...................................................................................................1 Reggae-musikken ..................................................................................1 Ska ........................................................................................................1 Rock Steady .........................................................................................2 Reggae ..................................................................................................2 Bob Marley .......................................................................................3 Roots reggae og rasta ..........................................................................4 Dub, sound systems og toasting .........................................................5 Two-tone og ska-punk .........................................................................5 Litteratur ................................................................................................5 Jamaica Jamaica er en ø i Caribien syd for Cuba; den er ¼ så stor som Danmark og der bor ca. 2,9 mill. men- nesker (2012), ca. 90% er efterkommere af slaver. Slaveriet blev afskaffet i 1835. Der var en oprinde- lig indiansk befolkning, da Columbus opdagede øen i 1494, men den blev hurtigt udryddet. Først var Jamaica en spansk koloni, derefter engelsk indtil selvstændigheden i 1962. Reggae-musikken Ska Skamusikken var en musik og -dansestil, der kom frem i starten af 1960’erne og som var inspireret -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Jah Stitch, Pioneering Reggae Vocalist, Dies Aged 69
‘Original raggamuffin’ Jah Stitch, pioneering reggae vocalist, dies aged 69 Sound system toaster, DJ and selector, known for his understated delivery and immaculate dress died in Kingston David Katz Thu 2 May 2019 15.03 BSTLast modified on Fri 3 May 2019 09.47 BST FROM: https://www.theguardian.com/music/2019/may/02/original-raggamu ffin-jah-stitch-pioneering-reggae-vocalist-dies-aged-69 Jah Stitch on Princess Street, downtown Kingston in 2011. Photograph: Mark Read The Jamaican reggae vocalist Jah Stitch died in Kingston on Sunday aged 69, following a brief illness. Although not necessarily a household name abroad, the “original raggamuffin” was a sound system toaster and DJ who scored significant hits in the 70s, later working as an actor and appearing in an ad campaign for Clarks shoes. Born Melbourne James in Kingston in 1949, he grew up with an aunt in a rural village in St Mary, northern Jamaica, since his teenage mother lacked the financial means to care for him. He later joined her in bustling Papine, east Kingston, but conflict with his father-in-law led him to join a community of outcasts living in a tenement yard in the heart of the capital’s downtown – territory aligned with the People’s National party and controlled by the notorious Spanglers gang, which James became affiliated with aged 11. As ska and rock steady gave way to the new reggae style on the nascent Kingston music scene, young James became a regular fixture of sound system dances. He drew his biggest inspiration from the Studio One selections presented by Prince Rough on Sir George the Atomic, based in Jones Town, and the microphone skills of Dennis Alcapone on El Paso, based further west at Waltham Park Road. -
Bob Marley Background Informations
Bob Marley Background informations: Birth name: Robert Nesta Marley Also known as: Tuff Gong Born: February 6, 1945 Nine Miles, Saint Ann, Jamaica Died: May 11, 1981 Genre: Reggae, ska, rocksteady Occupation: Singer, songwriter, guitarist Instrument: Guitar, vocals Years active: 1962 – 1981 Label: Studio One, Beverley’s Upseeter/ Trojan Island/Tuff Gong Associated acts: The wailers Band, The Wailers HITS: . I shot the sheriff, . No woman, No cry, . Three little birds, . Exodus, . Could you be loved, . Jamming, . Redemption song . One love[one of his most famous love songs] Bob Marley once reflected: I don’t have prejudice against myself. My father was white and my mother was black. Them call me half-caste or whatewer. Me don’t dip on nobady’s side. Me don’t dip on the black man’s side or the white man’s side. Me dip on God’s side, the one who create me and cause me to come from black and white. Musical career: Bob Marley, Bunny Livingston, Peter McIntosh, Junior Braitheaite, Beverley Kelso and Cherry Smith – rocksteady group first named “The Teenagers”. Later “The Wailing Rudeboys”, then to “The Wailing Wailers”, and finally to “The Wailers”. Albums: * The Wailing Wailers 1966 * The Best of the Wailers 1970 * Soul Rebels 1970 * Soul Revolution 1971 * Soul Revolution Part II 1971 * African Herbsman 1973 * Catch a Fire 1973 [Wailers first album] * Burnin' 1973 * Rasta Revolution 1974 * Natty Dread 1974 * Rastaman Vibration 1976 * Exodus 1977 * Kaya 1978 * Survival 1979 * Uprising 1980 * Confrontation (izdano po Marleyjevi smrti) 1983 Bob Marley’s 13 childrens: . Imani Carole, born May 22, 1963, to Cheryl Murray; . -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Sheet1 Page 1 809 Band Jam Session BLANK (Hit
Sheet1 809 Band Jam Session BLANK (Hit Factor) Digital Near Mint $200 Al Brown Here I Am baby, come and Tit for Tat Roots VG+ $200 take me Al Senior Bonopart Retreat Coxsone Rocksteady VG $200 Old time Repress Baby Cham Man and Man Xtra Large Dancehall 2000 EXCELLENT $100 Baby Wayne Gal fi come in a dance free Upstairs Ent. Dancehall 95-99 EXCELLENT $100 Banana Man Ruling Sound Taurus Digital clash tune EXCELLENT $250 Benaiah Tonight is the night Cosmic Force Records Roots instrumental EXCELLENT $150 Beres Hammond Double trouble Steely & Clevie Reggae Digital VG+ $150 Beres Hammond They gonna talk Harmony House Roots // Lovers VG+ $150 Big Joe & Bim Sherman Natty cale Scorpio Roots VG+ $400 Big Youth Touch me in the morning Agustus Buchanan Roots VG++ $200 Billy Cole Extra careful Recrational & Educational Reggae Funk EXCELLENT $600 Bob Andy Games people play // Sun BLANK (FRM) Rocksteady VG+ // VG $400 shines for me Bob Marley & The Wailers I'm gonna put it on Coxsone SKA Good+ to VG- $350 Brigadier Jerry Pain Jwyanza Roots DJ EXCELLENT $200 answer riddim Buju Banton Big it up Mad House Dancehall 90's EXCELLENT $100 Carl Dawkins Satisfaction Techniques Reggae // Rocksteady Strong VG $200 Repress Carol Kalphat Peace Time Roots Rock International Roots VG+ $300 Chosen Few Shaft Crystal Reggae Funk VG $250 Clancy Eccles Feel the rhythm // Easy BLANK (Randy's) Reggae // Rocksteady Strong VG $500 snappin Clyde Alphonso // Carey Let the music play // More BLANK (Muzik City) Rocksteady VG $1200 El Flip toca VG Johnson Scorcher pero sin peso -
Dennis Brown ARTIST: Dennis Brown TITLE: The
DATE March 27, 2003 e TO Vartan/Um Creative Services/Meire Murakami FROM Beth Stempel EXTENSION 5-6323 SUBJECT Dennis Brown COPIES Alice Bestler; Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bill Levenson; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Cecilia Lopez; Charlie Katz; Cliff Feiman; Dana Licata; Dana Smart; Dawn Reynolds; [email protected]; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Helena Riordan; Jane Komarov; Jason Pastori; Jeffrey Glixman; Jerry Stine; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kim Henck; Kristen Burke; Laura Weigand; Lee Lodyga; Leonard Kunicki; Lori Froeling; Lorie Slater; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Mark Loewinger; Martin Wada; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Norma Wilder; Olly Lester; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robin Kirby; Ryan Gamsby; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Simon Edwards; Stacy Darrow; Stan Roche; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Dennis Brown TITLE: The Complete A&M Years CD #: B0000348-02 UPC #: 6 069 493 683-2 CD Logo: A&M Records & Chronicles Attached please find all necessary liner notes and credits for this package. Beth Dennis Brown – Complete A&M Years B0000348-02 1 12/01/19 11:49 AM Dennis Brown The Complete A&M Years (CD Booklet) Original liner notes from The Prophet Rides Again This album is dedicated to the Prophet Gad (Dr. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.