DOCSLIB.ORG

Verzeichnis Des Nachlasses Von Alois Höfler (1853-1922)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Verzeichnis Des Nachlasses Von Alois Höfler (1853-1922) VERZEICHNIS DES NACHLASSES VON ALOIS HÖFLER (1853-1922) Bearbeitet von Ulf Höfer Forschungsstelle und Dokumentationszentrum für österreichische Philosophie Graz 1994 Ulf Höfer, Forschungsstelle und Dokumentationszentrum für österreichische Philosophie Sparbersbachgsse 41, A-8010 Graz, 1994. INHALT Einleitung ........................................................................................................................................... VII A. Handexemplare und Separatabdrucke von Höflers publizierten Schriften ......................................... 1 B. Fahnen und Druckvorlagen zu Publikationen .................................................................................. 36 C. Manuskripte und Typoskripte zu Publikationen .............................................................................. 53 C.l. Manuskripte zu veröffentlichten Schriften ............................................................................. 53 C.2. Manuskripte zu veröffentlichten Vorträgen ............................................................................ 66 D. Unpublizierte Schriften .................................................................................................................... 68 D.I. Manuskripte und Typoskripte zu verschiedenen Themen ...................................................... 68 D.2. Manuskripte zu Vorlesungen und Kollegien .......................................................................... 81 D.3. Manuskripte zu Vorträgen ...................................................................................................... 85 E. Kleinere Schriften, Mitschriften, Exzerpte, Notizzettel ................................................................. 87 E.l. Aufzeichnungen aus Kollegien und Schriften aus der Studienzeit ......................................... 87 E.2. Mitschriften aus dem Philosophiestudium .............................................................................. 87 E.3. Aufzeichnungen aus Vorträgen ............................................................................................... 88 E.3.1. Vorträge in der Gesellschaft für Hochschulpädagogik ................................................... 88 E.3.2. Vorträge in der philosophischen Gesellschaft Wien ......................................................... 88 E.3.3. Vorträge im Verein Mittelschule ...................................................................................... 91 E.4. Exzerpte und Abschriften ........................................................................................................ 91 E.5. Schriften für oder im Zusammenhang mit Institutionen und Vereinen .................................. 94 E.5.1. Ministerium für Kultus und Unterricht ........................................................................... 94 E.5.2. Philosophische Gesellschaft an der Universität Wien ...................................................... 96 E.5.3. Universität Czernowitz ..................................................................................................... 98 E.5.4. Universität Prag ................................................................................................................. 98 E.5.5. Universität Wien ............................................................................................................... 99 E.6. Notizzettel ................................................................................................................................ 109 E.7. Sonstige Manuskripte von Alois Höfler .................................................................................. 110 L. Dokumente und Zeugnisse von Alois Höfler .................................................................................. 111 L.l. Schulzeugnisse ....................................................................................................................... 111 IV Inhalt L.2. Studienunterlagen und Zeugnisse ............................................................................................ 111 L.3. Sonstige Dokumente ................................................................................................................ 114 L.4. Lebensläufe und diverses Persönliches ................................................................................. 115 M.Materialien über Alois Höfler ......................................................................................................... 117 M.l. Mitschriften von Vorträgen Alois Höflers ............................................................................ 117 M.2. Mitschriften von Vorlesungen Alois Höflers ....................................................................... 117 M.3. Kommentare und Korrekturvorschläge zu Publikationen Höflers .......................................... 118 M.4. Approbationsgutachen über Lehrbücher Höflers ................................................................. 119 M.5. Besprechungen von Publikationen Höflers .......................................................................... 120 M.6. Besprechungen von Publikationen aus Höflers Umkreis ..................................................... 133 M.7. Berichte und Zeitungsmeldungen über Alois Höfler ............................................................ 133 M.8. Nachrufe auf Alois Höfler ...................................................................................................... 137 M.9. Würdigungen und Arbeiten über Alois Höfler nach 1922 ................................................... 139 N. Diverse nicht weiter zuordenbare Materialien ................................................................................ 143 P. Sammlungen .................................................................................................................................. 145 P.l. Fremde Manuskripte und Typoskripte ................................................................................... 136 P.2. Fremde Druckfahnen und Separatabdrucke ............................................................................. 149 P.3. Zeitungsartikel und Zeitungsmeldungen ................................................................................ 173 P.4. Kongreßeinladungen und Programme .................................................................................... 176 S. Dokumente zu Schulangelegenheiten ............................................................................................ 178 5.1. Gymnasium der Theresianischen Akademie, Wien ............................................................... 178 5.1.1. Theresianum, allgemein ................................................................................................... 178 5.1.2. Theresianum, Lehrmittel ................................................................................................ 180 5.1.3. Theresianum, Lehrstoff ..................................................................................................181 5.2. Deutsches Staats-Gymnasium, Prag-Altstadt .......................................................................... 182 5.3. Gymnasium, Wien-Hietzing ..................................................................................................... 182 5.4. Lehrpläne und Diverses zu Schulen .......................................................................................183 U. Materialien von und zu Universitäten .............................................................................................184 U.I.Universität Wien .................................................................................................................... 184 U.2. Universität Prag ....................................................................................................................... 188 U.3. Universität München ...............................................................................................................189 V. Materialien zu Vereinen und Gesellschaften .................................................................................190 V.11. Erziehungsbund, Wien [= Reichsbund für Erziehung und Unterricht] .............................. 193 V.19. Gesellschaft für Hochschulpädagogik .................................................................................200 Inhalt V.37. Philosophische Gesellschaft an der Universität Wien ........................................................ 207 V.72. Wiener Akademischer Wagner Verein ............................................................................... 234 W.Materialien zur Reichsratswahl 1911 ............................................................................................ 242 X. Buchhandlungs- und Verlagsprospekte ......................................................................................... 244 Z. Zeitschriften und Zeitungen ............................................................................................................ 249 Z.I.Zeitschriften und Periodica ....................................................................................................249 Z.2. Tages- und Wochenzeitungen ................................................................................................ 251 ZZ. Materialien aus dem Besitz von Karl Höfler ............................................................................... 256 ZZ. 1. Vermischte Dokumente, teilweise in Zusammenhang mit der posthumen Veröffentlichung von Büchern von Alois Höfler ..................................................................256 ZZ.2. Separata
Load more

Recommended publications
  • Gustav Mahler : Conducting Multiculturalism
    GUSTAV MAHLER : CONDUCTING MULTICULTURALISM Victoria Hallinan 1 Musicologists and historians have generally paid much more attention to Gustav Mahler’s famous career as a composer than to his work as a conductor. His choices in concert repertoire and style, however, reveal much about his personal experiences in the Austro-Hungarian Empire and his interactions with cont- emporary cultural and political upheavals. This project examines Mahler’s conducting career in the multicultural climate of late nineteenth-century Vienna and New York. It investigates the degree to which these contexts influenced the conductor’s repertoire and questions whether Mahler can be viewed as an early proponent of multiculturalism. There is a wealth of scholarship on Gustav Mahler’s diverse compositional activity, but his conducting repertoire and the multicultural contexts that influenced it, has not received the same critical attention. 2 In this paper, I examine Mahler’s connection to the crumbling, late nineteenth- and early twentieth-century depiction of the Austro-Hungarian Empire as united and question whether he can be regarded as an exemplar of early multiculturalism. I trace Mahler’s career through Budapest, Vienna and New York, explore the degree to which his repertoire choices reflected the established opera canon of his time, or reflected contemporary cultural and political trends, and address uncertainties about Mahler’s relationship to the various multicultural contexts in which he lived and worked. Ultimately, I argue that Mahler’s varied experiences cannot be separated from his decisions regarding what kinds of music he believed his audiences would want to hear, as well as what kinds of music he felt were relevant or important to share.
    [Show full text]
  • Arnold Schoenberg and Music Criticism
    JOURNAL OF OF RESEARCH ONLINE MusicA JOURNALA JOURNAL OF OF THE THE MUSIC UNIVERSITY COUNCIL OF OF ADELAIDE AUSTRALIA t ‘WHERE POWERS ARE BOLDLY STIRRING, I COUNSEL OPEN War’: ARNOLD SCHOEN- BERG AND MUSIC CRITICISM t is commonplace to contemplate Arnold Schoenberg, the putative father of ALEXANDER CARPENTER modern music, as the subject of music criticism, much of it staunchly negative. It is well-known that Schoenberg’s entire biography is coloured by his oppositional ■ Iorientation towards music critics and criticism: indeed, the title of this article comes Fine Arts and Humanities from Schoenberg’s (1909b/1975) bellicose essay, ‘About Music Criticism’, in which University of Alberta he damns those Viennese critics who prejudge music and who even disrupt or seek Augustana Campus to have performances stopped before a work can have a fair hearing. Over the 4901-46 Avenue course of his professional life, Schoenberg responded to critics and criticism in a number of different ways. First, he fired back, writing letters and essays defending his Camrose, Alberta music but also challenging not only the credentials of critics but the very institution Canada T4V 2R3 of music criticism itself. Second, he painted, literally painted, music critics in rather unflattering terms, representing on canvas what he considered their worst qualities in a series of amateur expressionistic paintings from the early part of the twentieth [email protected] century. And third, he withdrew himself and the modern music he championed into the Society for Private Musical Performance. Most importantly, Schoenberg also penned what I would consider his own music criticism: offering prescriptions for performance and interpretation, proposing a process for journalistic music criticism, musing on musical aesthetics generally and writing critical essays on the significance of specific composers.
    [Show full text]
  • ARNOLD SCHOENBERG's RELIGIOUS ODYSSEY Submitted
    FROM THE LADDER TO THE MOUNTAIN: ARNOLD SCHOENBERG'S RELIGIOUS ODYSSEY Submitted in partial fulfihnent of the req~ements for the degree of Doctor of Philosophy in the Department of Music University of Natal. Durban, 1998 by ROSELINE SHAPIRO DECLARATION I declare that unless otherwise stated this is my own, original work ---------------il--------------slgnedfL4Luu lltP· .. R. Shapiro December 1998 CONTENTS ABSTRACT ........................................................................................... .iv ACKN"OWLEDGMENTS ........................................................................ v ABBREVIATIONS ................................................................................ vi INTRODUCTION ................................................................................ vii PROLOGUE .......................................................................................... 1 JEWISH IDENTITY IN VIENNA Notes ......................................................................................... 27 I. SCHOENBERG APPROACHING THE LADDER. ..................... .30 SOURCES OF DIE JAKOBSLEITER Notes ......................................................................................... 60 11. DIE JAKOBSLEITER .................................................................... 63 Notes ....................................................................................... 91 Ill. THE PATH OF THE BIBLE. ...................................................... 94 DER BIBLISCHE WEG Notes ......................................................................................
    [Show full text]
  • Schoenberg and the Gesamtkunstwerk Path to Abstraction By
    Schoenberg and the Gesamtkunstwerk Path to Abstraction by John Blythe A thesis submitted to the University of Birmingham for the degree of MA by Research in the History of Art Dept. of Art History, Curating and Visual Studies, College of Arts and Law, University of Birmingham. February 2019. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. To the technicians Tom and Marlowe Contents Lists of Figures Lists of Illustrations Introduction page 1 Schoenberg’s First Exhibitions page 3 Review of literature page 14 National Gallery Exhibition page 20 Berlinische Exhibition page 27 Richard Gerstl page 29 Schoenberg’s Jewish Antecedents page 35 Research Methodology page 43 Thesis Structure page 51 Chapter 1 Schoenberg’s fin-de-siècle Vienna and Harmonielehre. page 53 The Discourse on Synaesthesia in fin-de-siècle Vienna page 53 Austrian culture and politics page 56 Origins of Viennese Discourse on Synaesthesia page 60 A Widening Discourse page 66 Schoenberg’s Harmonielehre page 76 Honoré de Balzac’s Seraphita page 90 Summary page 92 Chapter 2: First Triad – Wagner, Schopenhauer and Schoenberg. page 94 Gesamtkunstwerk page 94 Overtones to the First Triad page 116 Gurrelieder, a new redemption page 125 Summary page 128 Chapter 3: Second Triad and the Idea of Language.
    [Show full text]
  • Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn Alyson Sue Vaaler University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Modern Antiquity: Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn Alyson Sue Vaaler University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Music Commons Recommended Citation Vaaler, Alyson Sue, "Modern Antiquity: Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn" (2013). Theses and Dissertations. 172. https://dc.uwm.edu/etd/172 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MODERN ANTIQUITY: MODERN INTERPRETATIONS OF FOLK SOURCES IN GUSTAV MAHLER’S SONGS FROM DES KNABEN WUNDERHORN by Alyson Vaaler A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin - Milwaukee May 2013 ABSTRACT MODERN ANTIQUITY: MODERN INTERPRETATIONS OF FOLK SOURCES IN GUSTAV MAHLER’S SONGS FROM DES KNABEN WUNDERHORN by Alyson Vaaler The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Mitchell Brauner Between 1805 and 1808, Ludwig Achim von Arnim (1781-1831) and Clemens Brentano (1778-1842) compiled a three-volume collection of German folk poetry entitled Des Knaben Wunderhorn or “The Youth’s Magic Horn.” The collection had an especially mystical appeal for composer Gustav Mahler who set songs to twenty-four of the Wunderhorn poems. Mahler published his Wunderhorn songs in fin-de-siècle Vienna, and was contemporary with a league of artists, writers and philosophers who were attempting to combat the city’s fascination with the past and tradition.
    [Show full text]
  • Gustav Mahler's Third Symphony
    Gustav Mahler’s Third Symphony: Program, Reception, and Evocations of the Popular by Timothy David Freeze A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology) in The University of Michigan 2010 Doctoral Committee: Associate Professor Steven M. Whiting, Co-Chair Professor Albrecht Riethmüller, Freie Universität Berlin, Co-Chair Professor Roland J. Wiley Professor Michael D. Bonner Associate Professor Mark A. Clague © 2010 Timothy David Freeze All rights reserved To Grit ii ACKNOWLEDGMENTS The road leading to the completion of this dissertation was longer and more scenic than I ever intended it to be. It is a great pleasure to acknowledge here the many individuals and organizations that provided support and encouragement along the way. I am especially grateful to the co-chairs of my committee. Without the unflagging support of Steven M. Whiting, whose sage counsel on matters musical and practical guided me from start to finish, this project would not have been possible. I am equally indebted to Albrecht Riethmüller, whose insight and intellectual example were a beacon by whose light this dissertation took shape. I would also like to thank R. John Wiley, whose extensive and penetrating feedback improved the dissertation and my own thinking in countless ways, and Mark Clague and Michael Bonner, both of whom provided valuable comments on content and style. In Ann Arbor, I would like to acknowledge the support of the entire musicology faculty at the University of Michigan. Louise K. Stein gave helpful advice in the early stages of this project. In Berlin, I benefited from conversations with Federico Celestini, Sherri Jones, and Peter Moormann.
    [Show full text]
  • Franz Liszt Studies in Central European Histories
    Franz Liszt Studies in Central European Histories Edited by Roger Chickering (Georgetown University) David M. Luebke (University of Oregon) Editorial Board Steven Beller (Washington, D.C.) Marc R. Forster (Connecticut College) Atina Grossmann (Columbia University) Peter Hayes (Northwestern University) Susan Karant-Nunn (University of Arizona) Mary Lindemann (University of Miami) H.C. Erik Midelfort (University of Virginia) David Sabean (University of California, Los Angeles) Jonathan Sperber (University of Missouri) Jan de Vries (University of California, Berkeley) VOLUME 59 The titles published in this series are listed at brill.com/sceh Franz Liszt A Story of Central European Subjectivity By Erika Quinn LEIDEN | BOSTON Cover illustration: Josef Danhauser, Liszt at the Piano, 1840. Oil on Canvas. © Bildarchiv Preußischer Kulturbesitz, Berlin / Nationalgalerie, Staatliche Museen / Art Resource, NY. Quinn, Erika, author. Franz Liszt : a story of Central European subjectivity / by Erika Quinn. pages cm. — (Studies in Central European histories, ISSN 1547-1217 ; 59) Includes bibliographical references and index. ISBN 978-90-04-27921-6 (hardback : alk. paper) — ISBN 978-90-04-27922-3 (e-book) 1. Liszt, Franz, 1811–1886. 2. Composers—Hungary—Biography. 3. Music—Hungary—19th century—History and criticism. 4. Music—Germany—19th century—History and criticism. I. Title. ML410.L7Q56 2015 780.92—dc23 [B] 2014023817 This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see brill.com/brill-typeface. issn 1547-1217 isbn 978-90-04-27921-6 (hardback) isbn 978-90-04-27922-3 (e-book) Copyright 2014 by Koninklijke Brill nv, Leiden, The Netherlands.
    [Show full text]
  • Events Surrounding the Death of Anton Bruckner
    Events surrounding the death of Anton Bruckner Bruckner's will The year 1896 Death of Bruckner The Bruckner Estate Formalin embalming of Bruckner Official statement of Bruckner's death given by the Municipality of Vienna The funeral procession from the Upper-Belvedere Kustodenstöckl to the Karlskirche The Karlskirche funeral ceremony The funeral procession from the Karlskirche to the Westbahnhof The St. Florian funeral ceremony The aftermath Related events ending the year 1896 Funerals of Johannes Brahms (1897) _______________________________________________________________________ Bruckner's will 10 November 1893 : Confined to bed in Vienna, for almost the whole year, Anton Bruckner (aged 69) will see his health deteriorating (again) but, this time, in an alarming way. He decides it is now time for him to undertake the drafting of his will. (Originally, Bruckner had appointed his close friend Rudolf Weinwurm, who composed of the patriotic Cantata « Germania » , as his executor due to his legal training.) His brother Ignaz (Nazi) and his sister Rosalie (Sali) will be appointed his legal heirs. The composer requests that his patriotic Cantata « Germanenzug » (WAB 70) be played in his memory during the funeral ceremonies. Bruckner will make another special request to the church authorities : his coffin must be wide and his remains exposed (not buried) in the crypt of the abbey church of St. Florian (like former Dean, Jodok « Jodocus » Stülz, prelate of the monastery, benevolent protector and friend of Bruckner) , just below the great organ, which since bears his name : « I demand that my remains be placed in a metal coffin that will be exposed to air (not buried) in the crypt of the church of St.
    [Show full text]
  • Mcclatchie, Stephen. the Gustav Mahler
    THE GUSTAV MAHLER-ALFRED ROSÉ COLLECTION AT THE UNIVERSITY OF WESTERN ONTARIO AN INVENTORY BY STEPHEN MCCLATCHIE © Stephen McClatchie 1996 Instructions for Use The following is an inventory of the Gustav Mahler-Alfred Rosé Collection at the University of Western Ontario. It includes complete holdings of the collection except for the Mahler Family Letters from the original donation and supplement 1. The Collection comprises twenty-one envelopes (E1-E21), an oversize category, and five supplements (S1-5). Each item in the Collection has an individual accession number. The shelfmark for each item is made up of three components: the location, a descriptor, and the accession number, e.g. E7-MD-344. The most common descriptors are the following: M Gustav Mahler J Justine Mahler F Mahler Family A Alma Mahler Ar Arnold Rosé Al Alfred Rosé Ma Maria Rosé R Rosé family C "Celebrity" (neither a Mahler nor a Rosé) D Document (also used for scores, recordings, and memorabilia) p postcard ph photograph t telegram Within each category, items are arranged by accession number. For background information about the Collection, see Stephen McClatchie, "The Gustav Mahler- Alfred Rosé Collection at the University of Western Ontario" Notes 52 (December 1995): 385- 406; and the letter in Notes 52 (June 1996): 1337. 1 2 Table of Contents Instructions for Use. 1 Table of Contents.. 2 1. Mahler Letters and Mahler Documents in the Original Donation 4 1.1 Letters from Mahler 4 1.2 Letters to Mahler (see also 4.2) 5 1.3 Mahler Documents 9 2. Rosé Correspondence (from original donation and all supplements) 11 3.
    [Show full text]
  • The Gustav Mahler-Alfred Rosé Collection
    WESTERN ARCHIVES FINDING AID FOR The Gustav Mahler-Alfred Rosé Collection AFC 382 Prepared by Astrid Ramos under the supervision of University Archivist Robin Keirstead and with the assistance of Music Library Director Brian McMillan. Table of Contents ........................................................................................................................Biographical Sketch/Administrative History .........................................................................................................................4 .......................................................................................................................................................................................................................................................................................................................................................................................................................... ........................................................................................................................Scope and Content .........................................................................................................................4 .........................................................................................................................................................................................................................................................................................................................................................................................................................
    [Show full text]
  • Hans Richter's Conducting Career in England, 1877-1911
    HANS RICHTER'S CONDUCTING CAREER IN ENGLAND, 1877-1911 A thesis submitted to the faculty of San Francisco State University in partial fulfillment of the requirements for the degree Master of Arts in Music by Paul Cummings San Francisco, California May, 1992 Copyright by Paul Cummings 1992 CERTIFICATION OF APPROVAL I certify that I have read Hans Richter's Conducting Career in England, 1877-1911 by Paul Cummings, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree: Master of Arts in Music at San Francisco State University. Dr. William Hopkins Professor of Music Dr. Henry Onderdonk Professor Music Dr. Dean Suzuki Asst. Professor of Music sic HANS RICHTER'S CONDUCTING CAREER IN ENGLAND, 1877-1911 Paul Cummings San Francisco State University 1992 The subject of this work is the life and career of Hans Richter (1843-1916), an eminent Austro-Hungarian conductor who specialized in interpretations of German Romantic music written during the second half of the nineteenth century. Primary focus will be on the first ten years (1877-86) of his thirty-five-year career as a conductor in England. The Richter Concerts, his series of London orchestral performances between 1879 and 1902, receive the most detailed coverage, while his activities as conductor of the Vienna Philharmonic Orchestra (1875-98) are only covered where relevant. Among the areas discussed are the repertoire performed at his concerts, its reception by music critics and the public, and the similarities between Richter's London and Vienna repertoire.
    [Show full text]
  • "Der CSU Unter Die Gürtellinie" 82 Briefe Und Manuskripte
    "der CSU unter die Gürtellinie" 82 Briefe und Manuskripte KATALOG 183 Eberhard Köstler Autographen & Bücher September 2018 Eberhard Köstler Autographen & Bücher oHG Eberhard Köstler - Dr. Barbara van Benthem Traubinger Straße 5 - D - 82327 Tutzing Telefon [0049] (0)8158 - 36 58 Mobil [0049] (0)151 58 88 22 18 Telefax [0049] (0)8158 - 36 66 [email protected] Online-Shop: www.autographs.de Mitglied im Verband deutscher Antiquare und der International League of Antiquarian Booksellers Nr. 14 Johannes Brahms Vorderumschlag: Nr. 47 Wassily Kandinsky Titelzitat: Nr. 1 Herbert Achternbusch Geschäftsbedingungen: Es gelten die gesetzlichen Regelungen der Bundesrepublik Deutschland. - Das Angebot des Kataloges ist freibleibend. Bestellungen werden in der Reihenfolge ihres Einganges ausgeführt. Versandkostenpauschale im Inland EUR 4,50; im Ausland meist 7,50. Für die Echtheit der Autographen wird garantiert. Erfüllungsort und Gerichtsstand für beide Teile ist Tutzing. - Abbildungen und Zitate dienen ausschließlich der Orientierung der Kaufinteressenten und stellen keine Veröffentlichung im Sinne des Urheberrechtes dar. Alle Rechte an den zitierten Texten und den Abbildungen bleiben den Inhabern der Urheberrechte vorbehalten. Nachdrucke sind genehmigungspflichtig. "der CSU unter die Gürtellinie" 1 Achternbusch, Herbert, Schriftsteller (geb. 1938). 2 masch. Briefe mit eigenh. Korrekturen und U., 1 Typoskript mit ei- genh. Korrekturen und Überklebungen sowie 1 Originalfoto- grafie, verso eigenh. beschriftet. Ohne Ort, 22. IV. bis 7. VIII. 1985. Fol. Zusammen ca. 9 Seiten. 450,– An den Redakteur Wolfram Schütte, u.a. über Achternbuschs Zwist mit Siegfried Unseld, sein Buch "Die Blaue Blume" und das Filmpro- jekt "Heilt Hitler!": "[...] Ich meine, jemand mußte offiziell die deut- sche Romantik beenden, daß der deutsche Traum ausgeträumt ist mit allem Drumunddran von Wissenschaft und Tandaramdei [...].
    [Show full text]