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Magazine 28Th Sept. → 1St Oct. 2018

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Magazine 28Th Sept. → 1St Oct. 2018 Magazine 28th Sept. → 1st Oct. 2018 Jardin des Tuileries, Paris Premiere Premiere Classe Tuileries | 28th Sept. → 1st Oct. 2018 28th Sept. Magazine Edito By Thomas Phélizon, creative director Par Thomas Phélizon, directeur artistique of Premiere Classe Tuileries trade show, du salon Premiere Classe Tuileries, édition Spring/Summer 2019 edition printemps-été 2019 Let’s wake up. Réveillons-nous. And let’s dream. Et rêvons. The future is already here. Le futur est déjà là. This is our premise. It’s the idea that Voilà notre postulat. Celui qui aura nourri nourished my thinking for this edition of the ma réflexion pour cette édition du salon Premiere Classe Tuileries trade show, Premiere Classe Tuileries. Avec comme mot with the mysterious and almost magical d’ordre mystérieux et quasi incantatoire : theme of ‘Future Fiction’. « Futur Fiction ». In 2018, the future is a game of cards for En 2018, le futur est un jeu de cartes dont which anyone and everyone can decide the tout un chacun peut décider des règles. rules. And those cards are interconnected, Des cartes interconnectées, dont le sens et with meaning and values that look to the les valeurs se sont tournées vers l’avenir, future, technology and sharing. Within this la technologie et le partage. Dans ever-moving and resolutely collaborative cette synergie mouvante et résolument synergy, accessories design is breaking collaborative, la création d’accessoires down the barriers between craftsmanship fait tomber les frontières entre artisanat and new technologies, as our ambitions et nouvelles technologies. Nos désirs converge to write a new story. convergent pour écrire une histoire nouvelle. Don’t let’s outlaw dreaming. Let’s mix the Ne nous interdisons pas de rêver. Mêlons expertise of the past with the tools of the à l’infini le savoir-faire passé aux outils du present; come together and look ahead, see présent. Extrapolons à l’unisson et voyons où where this combined logic could take us. cette logique combinatoire nous mène. Let’s observe without judgement, despise Observons sans préjuger. Abhorrons la censorship; and abhor self-censorship even censure et plus encore l’autocensure. more. Let’s try another way. Allow ourselves Essayons autrement et laissons-nous rêver. to dream. Enjoy losing ourselves. Discover Adorons nous égarer. Découvrons ce dont what we’re capable of; together. nous sommes capables. Ensemble. Let’s learn to leave things to chance. Apprenons à laisser s’immiscer le hasard, Hand over the reins, because chance might et confions-lui les rênes. Il pourrait just be right. avoir raison. Thomas Phélizon _1_ Maps Plans LOUVRE ENTRÉE PRINCIPALE - MAIN ENTRANCE FACE AU/TO 194 RUE DE RIVOLI 75001 PARIS General map of Premiere Classe Tuileries trade show Plan général des salons Premiere Classe Tuileries DIANE GAIGNOUX TOUR DU FUTUR # PREMIERE CLASSE DRESSING 1 Rue Saint-Honoré Rue Saint-Florentin Rue Cambon Rue Castiglione Rue d’Alger Rue du 29 juillet Rue Saint-Roch Rue Royale Concorde Rue de Rivoli Tuileries WE DO NOT WORK ALONE TOUR DU FUTUR Place # PREMIERE CLASSE de la DRESSING 2 Concorde Jardin des Tuileries Pyramide du Louvre EXPOSED Quai des Tuileries la Seine Pont de la Concorde # PREMIERE CLASSE DRESSING 3 Keys Légendes Premiere Classe Tuileries ERWAN BALLAN Front desk / Accueil TOUR DU FUTUR Doors / Portes # PREMIERE CLASSE DRESSING 4 @PremiereClasseParis #PremiereClasse #Tuileries _3_ Team Contents Équipe Sommaire Premiere Classe Tuileries INTERVIEWS WSN DEVELOPPEMENT ............... Thomas Phélizon 27-29 rue Guénégaud - 75006 Paris 07 On using fiction to define the future +33(0)1 40 13 74 74 Ou l’art de définir le futur par la fiction [email protected] www.premiere-classe.com 09 ............... Annabelle Jouot & Julien Ribot Art direction duo D.A. en duo Direction Générale General management 11 ............... We Do Not Work Alone Xavier Clergerie Tower of the future n°1 Frédéric Maus Tour du futur n°1 Directrice de l’offre 13 ............... Diane Gaignoux Offering Director Tower of the future n°2 Tour du futur n°2 Sylvie Pourrat [email protected] 15 ............... Erwan Ballan Emily Tarac Tower of the future n°3 [email protected] Tour du futur n°3 Responsables commerciales PREMIERE CLASSE TUILERIES Sales managers Sophie Gourgeandé 17 ............... Premiere Classe #Dressing [email protected] #Flair #FuturaForma Aurore Michaud [email protected] 19 ............... ...supports young designers | ... soutient la jeune création Virginie Trento [email protected] Festival international de Mode, de Photographie et d’Accessoires de Mode à Hyères Association Nationale pour le développement des Arts et de la Mode Virginie Trento [email protected] 21 ............... Change the record party Catastrophe Zombie Zombie Pour exposer To exhibit [email protected] EXHIBITORS | EXPOSANTS +33(0)1 40 13 74 70 23 ............... Premiere Classe Tuileries Contact presse Brands list by alphabetical order Liste des marques par ordre alphabétique Press contact [email protected] 45 ............... Exposed Brands list by alphabetical order Liste des marques par ordre alphabétique _5_ ON USING FICTION TO DEFINE THE FUTURE Thomas Phélizon OU L’ART DE DÉFINIR LE FUTUR PAR LA FICTION As creative director for the Premiere Classe En charge de la direction artistique du salon Tuileries trade show, Thomas Phelizon is Premiere Classe Tuileries, Thomas Phelizon the man behind this year’s theme of Future est l’instigateur de Futur Fiction, le mot Fiction. Alongside artists Julien Ribot and d’ordre de cette édition. Aux côtés du duo Annabelle Jouot, he has created different d’artistes Julien Ribot et Annabelle Jouot, expressions, stagings and visual identities. il en a imaginé les différentes expressions, scénographies et identités visuelles. He might be looking forwards with Future Fiction, but Thomas Phelizon still has a past. Projeté dans le Futur Fiction, Thomas Phelizon As an interior designer and set designer, he a néanmoins un passé. Architecte d’intérieur co-founded Les Beaux Jours agency nearly a et set designer, il co-fonde l’agence Les decade ago, after cutting his design teeth in Beaux Jours il y a près de dix ans, après museum staging. The first project he took on avoir fait ses armes de scénographe with his two new associates, who were both dans la muséographie. Le premier projet architects, was a studio for Matthieu Chedid. imaginé auprès de ses associés, tous deux Ever since, the team of three has striven for architectes, est le studio de Matthieu Chedid. reinvention with each project, freeing their Depuis, le trio a pour motto de se réinventer way of looking and nourishing their creativity à chaque dossier, de décentrer son regard with side activities like music and ceramics. et se nourrir d’activités annexes, comme It’s a blend of genres that is also present in la musique ou la céramique. Un mélange the Tuileries this fall, where concerts and des genres que l’on retrouve cet automne art will be staged alongside the fashion and dans les allées de Premiere Classe Tuileries accessories showcased at Premiere Classe où concerts et art côtoient la mode et les Tuileries. accessoires. Premiere Classe Tuileries: Why did you decide to base Premiere Classe Tuileries : this edition in the future? Pourquoi placer cette édition sous le signe du futur ? Thomas Phelizon: To be able to own it. The idea isn’t to predict the future of design, Thomas Phelizon : Pour le prendre en main! more to inspire it, making Premiere Classe L’idée n’est pas de prédire le futur de la Tuileries a laboratory in which to invent création, mais de le provoquer. Le salon possible scenarios for the world to come. devient un laboratoire où s’inventent des scénarii de ce que pourrait être l’avenir. How do you imagine these fictions? Comment s’imaginent ces fictions ? Rooted in openness, which is why artists and musicians are mixing with designers Dans l’ouverture. C’est pourquoi, telles des and their work to create bridges between passerelles entre univers, plasticiens, artistes creative worlds. These kinds of mash-ups ou musiciens se mêlent aux designers et à produce creative accidents and serendipity, leur travail. Des carambolages qui provoquent that happenstance that is so helpful to the accidents et sérendipité, ce hasard qui fait si creative process. We used it ourselves in bien les choses dans le processus de création. our own work for this edition, with Oblique Nous l’avons nous-même utilisé dans notre Strategies, a card game devised by Brian Eno propre travail pour cette édition, usant des « to stimulate musical creativity. stratégies obliques », le jeu de cartes imaginé par Brian Eno pour stimuler l’inventivité des musiciens par l’occurrence. © artwork by Annabelle Jouot & Julien Ribot Interview _7_ ART DIRECTION DUO Annabelle Jouot Julien Ribot D.A. EN DUO A creative couple – she’s a fashion editor Couple de créatifs - elle est rédactrice mode and fiber artist, he’s a musician, director and et artiste-tisseuse, il est musicien, réalisateur visual artist - Annabelle Jouot and Julien et artiste visuel - à la ville, Annabelle Jouot et Ribot have been working together for nearly Julien Ribot travaillent en team depuis près a year, art directing projects and creating d’un an. Ensemble, ils prennent en charge la visual identities and line-ups. For Premiere direction artistique de projets et imaginent Classe Tuileries, they invited four arty l’identité visuelle ou la programmation de guests to contribute to their Towers of the ces derniers. Pour Premiere Classe Tuileries, Future and express their vision of the future ils invitent quatre intervenants arty à in videos mixing soft forms, mythological prendre place dans leurs « Tours du futur » creatures, textured footwear and saturated et expriment leur vision de l’avenir dans une color. campagne vidéo où se mêlent formes molles, créatures mythologiques, souliers texturés et coloris saturés.
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