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Download Oxfordshire Music Scene 34 (3.5 Mb Pdf)
WINTER 2018 FREE ISSUE 34 LITTLE BROTHER ELI SHOW THEIR ‘TOOTH’ INSIDE: BRICKWORK LIZARDS, THE CRIBS, MARK LANEGAN, WILLIE J HEALEY, ART THEEFE, SWEET BABOO, DREADZONE Also: DESERT STORM’S RECORD COLLECTION JONNY GREENWOOD & LOTS MORE OMS34 OMS34 OMM full page ad January 2018.pdf 1 02/01/2018 11:56 MUSIC NEWS the short trip down the road. They join a tempting - looking lineup which includes 6Music’s Steve Lamacq, lounge funkers Field Music, Bristol’s right wing - bothering agit - punks Idles and OMS favourites, Liverpool’s finest oddball pop merchants Her’s (who also play at the Cellar on May 12). Tickets for the day are £20.00 and can be purchased from areyoulistening.org.uk. Brian Briggs makes a welcome return to the local live music arena in March, his first, to our knowledge, since Stornoway sadly called it sayonara. Enticingly, he’s teamed up with poet / songwriter Paul Henry and they’ll be According to the publicist’s blurb, Gaz performing their collaboration The Glass Coombes’ new album, going by the typically Aisle, described as ‘a long poem with songs’ understated title World’s Strongest Man, is – along with a selection of Brian’s Stornoway ‘inspired variously by Grayson Perry’s The repertoire. It’s on Saturday March 3 at the Old Descent of Man, Frank Ocean’s Blonde, Fire Station, tickets from oldfirestation.co.uk Californian weed, British woodlands, C or on 01865 263990. unchecked masculinity, Neu! and hip- M hop’. Thankfully it is also inspired by good Some Radiohead – related activity going Y 2 year creative media degrees ol’rawkan’rewwl with spiky lead single Deep on. -
Barrington Pheloung's Cv
BARRINGTON PHELOUNG’S CV 2004/05 FILMS SHOPGIRL Production Company: Hyde Park Entertainment Directed by: Anand Tucker Produced by: Jon Jashni, Ashok Amritraj & Steve Martin Written by: Steve Martin LITTLE FUGITIVE Production Company: Little Fugitive Directed by: Joanna Lipper Produced by: Joanna Lipper, Vince Maggio, Nicholas Paleologos & Fredrick Zollo Written by: Joanna Lipper A PREVIOUS ENGAGEMENT Production Company: Bucaneer Films Directed by: Joan Carr-Wiggin Produced by: Joan Carr-Wiggin , David Gordian & Damita Nikapota Written by: Joan Carr-Wiggin TELEVISION IMAGINE: SMOKING DIARIES Directed by: Margy Kinmonth Production Company: BBC THE WORLD OF NAT KING COLE Produced by: Kari Lia Production Company: Double Jab Productions 2002/03 FILMS TOUCHING WILD HORSES Production Company: Animal Tales Productions Inc. Directed by: Eleanore Lindo Produced by: Lewis B. Chesler, David M. Perlmutter, Frank Huebner, Rob Vaughan Written by: Murray McRae TELEVISION THE STRANGE TALE OF BARRY WHO Directed by: Margy Kinmonth Documentary on Barry Joule Produced by: Margy Kinmonth/Sam Organ Production Company: Darlowsmithson Productions For BBC4. MOVE TO LEARN Directed by: Sheila Liljeqvist Documentary for Video Produced by: Sheila Liljeqvist and Barbara Pheloung Australian documentary, children with learning difficulties. SHORTS ARDEEVAN Short Feature film made in the UK. Directed and Produced by: Jonathan Richardson NIGHT’S NOONTIME Short Feature film made in the Canada. Executive Producers: Richard Clifford & Amar Singh Produced by: Hanna Tower Directed -
Radio 4 Extra Listings for 11 – 17 April 2015
Radio 4 Extra Listings for 11 – 17 April 2015 Page 1 of 9 SATURDAY 11 APRIL 2015 pat couple employing her to get Vera and Christopher air-lifted Series 3 out of the diamond mine in which they have been billeted. Episode 3 SAT 00:00 Schalken the Painter by Sheridan Le Fanu Irene ...... Prunella Scales It's havoc in the Reynolds household as the preparations for the (b007sw35) Vera ...... Patricia Routledge baby's naming ceremony reach a climax. 2. The Deal Brian ...... Ewan Bailey Series 3 of Lucy Flannery's award-winning sitcom about Maria The ghoulish Vanderhausen seals his deal with Rose's uncle who The up and down relationship of two mature ladies shared via and Richard Reynolds and their lodgers. is unaware that his pupil Godfrey Schalken is in love with her... their barbed correspondence. Stars Barbara Flynn as Maria, Patrick Barlow as Richard, Linda Ian McDiarmid concludes the unabridged reading of Sheridan Written by Lou Wakefield and Carole Havman. Polan as Amy, Vivienne Rochester as Ruby, Dave Lamb as Le Fanu's supernatural tale. Producer: Claudine Toutoungi Paul, Sally Grace as Mother and Chris Emmett as Father. Producer: Lawrence Jackson First broadcast on BBC Radio 4 in January 2006. Producer: Liz Anstee. Made for BBC 7 by BBC Northern Ireland. SAT 02:45 Book of the Week (b00rzrsx) First broadcast on BBC Radio 4 in February 1997. First broadcast in June 2005. Michael Chabon - Manhood for Amateurs SAT 05:30 John Finnemore's Souvenir Programme SAT 00:30 My Life in Five Songs (b00p6v33) Episode 5 (b01n6sjq) Series 1 Jason Butler Harner continues to read from Pulitzer prize- Series 2 Edwyn Collins winning author Michael Chabon's moving, warm and witty Episode 5 The Corries signing Sally Free and Easy and David Bowie's memoir about life as a husband, father and son. -
The Darkness Till Putte I Parken
2013-03-20 09:58 CET The Darkness till Putte i Parken Debutalbumet sålde över fyra miljoner exemplar. De har varit support act till Lady Gaga under en världsturné. Nu kommer The Darkness till Putte i Parken i sommar. Ed Graham, trummor. Dan Hawkins, gitarr och kör. Justin Hawkins, sång, gitarr och klaviatur. Frankie Poullain, bas och kör. The Darkness.Glamrockarna från Norfolk som startade 2000 och gav ut debutalbumet ”Permission to Land” sommaren 2003. Det har sålt i över fyra miljoner exemplar i Storbritannien och blev naturligtvis albumetta. Sedan dess har The Darkness haft fem låtor på topp- 10 på brittiska singellistan – bland annat ”I believe in a thing called love”, ”Love is only a feeling” och ”Christmas time (Don´t let the bells end”). Splittrade 2006 och återförenade 2011 till glädje för bland andra publiken på Isle of Wight och Getaway Rock och för skivpubliken när tredje studioalbumet ”Hot Cakes” landade i augusti 2012. Det var efter det skivsläppet man var support act till Lady Gaga på hennes världturné. - En kanonbokning som gör PIP 2013 till en ännu häftigare festival, konstaterar arrangören Niclas Lagerstam. Inspirationen hos The Darkness kommer från band som AC/DC, Van Halen och Aerosmith men man har byggt på sitt musikaliska uttryck med udda instrument som säckpipa och panflöjt och med olika syntar. - The Darkness har liknats vid Thin Lizzy för sitt gitarrspel och vid Queen för sin sång, berättar Niclas Lagerstam. I helgen kunde Putte i Parken presentera kanadensiska Propagandhi, finska French Films och danska Bottled in England efter att tidigare haft klart med brittiska Iamx och Uncle Acid & The Deadbeats. -
Saiichi Sugiyama Band Epk 2016
SAIICHI SUGIYAMA BAND EPK (July 2016) British blues-rock guitarist Saiichi Sugiyama and his band are touring the UK in September 2016 ahead of their new album release next year. Saiichi Sugiyama Band is a group of musicians hailing from Surrey/London that harks back to the halcyon days of rock and soul, 1965-1974, brought together in 2010 by the guitarist/composer Saiichi [pronounced: “sigh-eee- chee”], who has a career spanning 25 years as a solo artist in the British blues scene. The core of the group is Rietta Austin (lead vocals), Saiichi Sugiyama (guitar/vocals/composer), Ben Reed (bass guitar) and Mune Sugiyama (producer/arranger/drums). When playing live, the group are augmented by touring musicians including Stuart Dixon (rhythm guitar), Katrin Yr (lead vocals) and Wez Johnson (drums). The former members Lizzie Hibbert (lead vocals) and Dave Munch Moore (keys) also record with the group in studio. The group has been spending the past months working on their new studio album in various recording studios, a follow up to the studio live album “the Smokehouse Sessions” from 2014. The new album will include a track entitled “Melting Away”, written by Saiichi and featuring the late bass hero Andy Fraser, ex-Free and composer of the 1970 smash single, “All Right Now.” The initial inspiration for “Melting Away” came to Saiichi while on a trip to his native Japan. To Saiichi the melody was reminiscent of Free guitarist Paul Kossoff, who died in 1976. Creating a demo when he returned home to the UK, Saiichi came up with bass parts that brought Free bassman Andy Fraser to mind. -
Born in Sydney Australia, Barrington Pheloung First Became Involved in Music at the Age of Six When Be Was Given His First Guita
BARRINGTON PHELOUNG Born in Sydney Australia, Barrington Pheloung first became involved in music at the age of six when he was given his first guitar. Since then his chosen career has extended into all areas of the music industry. Barrington's work in theatre is renowned. He has written scores for several West End plays including Made in Bangkok by Anthony Minghella, After the Fall by Arthur Miller and recently The Graduate by Terry Johnson. He has written over 52 commissioned scores for ballet and dance companies in Britain and Europe, conducting and recording several of them including the popular works Run Like Thunder and Rite Elektrik both choreographed by Tom Jobe. He has recently completed the score for the live show Wheel of Life which is performed by the kung-fu Shaolin Monks from China, and directed by Micha Bergese. He began his work in television in 1985 composing his first television series, the thirteen part Boon. Since then Barrington's work has been enjoyed on all of the Inspector Morse episodes with which he reached No. 4 in the UK album chart in 1991 and received a BAFTA nomination for Best Television Music in 1992. His other television work includes Portrait of a Marriage, Stanley and the Woman, Good-bye Cruel World, Blood & Peaches, Mickey Love, Cinderpath, Brown Bears Wedding and the sequel White Bear’s Secret, Days of Majesty, The Legends of Treasure Island, Trip Trap, The Gift, Neville’s Island, Mosley, The Politican’s Wife, Dalziel and Pascoe, Seeing Red and Cor Blimey amongst many others. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Colosseum – 5 X Live in Concert – Restored & Remastered in 2020
Colosseum – 5 x Live in Concert – Restored & Remastered in 2020 Colosseum sind fraglos eine der beeindruckendsten Live-Bands, die der Autor je auf der Bühne erleben durfte – und trotz Reunions und anderer „zweiter Chancen“ (vgl. JCM) hat man sie gefühlt doch trotzdem einfach viel zu selten erlebt. Das ist auch nicht mehr aufholbar, seit Kopf, Seele und Sticks der Band in Gestalt von Jon Hiseman 2018 viel zu früh das Zeitliche segnete – übrigens unmittelbar nach einem weiteren ausgezeichneten Konzert… Und was kann in einer solchen Situation überhaupt Trost bieten, was kommt da wie gerufen? Bislang unbekannte Live- Aufnahmen natürlich! Doch nicht etwa fragwürdiges Bootleg- Gelumpe, sondern gehobener Standard von Repertoire Records. Und was vermutlich noch erheblich wichtiger ist: von keinem Geringeren remastered and restored as from our very own Joachim Heinz Ehrig alias Eroc! Colosseum – Live At The Boston Tea Party (49:27, CD, Repertoire Records 2020) It was indeed „The Summer of ’69“ (13.08.69)! Schlagzeug- „Gladiator“ Jon Hiseman und Saxophonist Dick Heckstall-Smith hatten sich bei der heute allein schon wegen der sich ergebenden Band-Stammbäume hyper-legendären Graham Bond Organisation kennengelernt, wo Hiseman 1966 immerhin so eben mal Ginger Baker abgelöst hatte. Und trafen sich beiJohn Mayall’s Bluesbreakers wieder – einem schier unglaublichen Talentschuppen, wo man zu unterschiedlichen Zeiten auch Eric Clapton, Peter Green, John McVie, Mick Taylor, Walter Trout, Robben Ford oder Ainsley Dunbar hätte über den Weg laufen können. Im Frühjahr ’68 fühlten die beiden sich dann reif für ihr eigenes Ding und rekrutierten mit Tony Reeves (Bass) einen von Jons ältesten Kumpels und mitDave Greenslade einen bislang mehr dem Jazz verhafteten aber erwiesenen Tasten- Zauberer. -
Bakalářská Práce 2012
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
First Ever 'National Album Day' Announced for October 13Th 2018
– Embargoed to 00.01 hours, 23rd July 2018 – First ever ‘National Album Day’ announced for October 13th 2018 Week-long build-up of events & activity celebrating the UK’s love of the album Supported by BBC Music and with backing across the music community Artist engagement, leading the national conversation around the format as it evolves At 3.33(r)pm on Saturday, 13th October – British public invited to play favourite record Marking the 70th anniversary of the album in 2018 London, 23rd July 2018 – All sectors of the British music community have come together with BBC Music to proudly announce a new annual event – the first-ever National Album Day on Saturday, 13th October 2018. National Album Day will mark the culmination of a week-long series of events and activity around the country that will celebrate all aspects of the UK’s love of the album – new releases and classic recordings across all genres of music. It will also pay tribute to the sleeve artwork that contributes to the album’s iconic appeal. This inaugural event comes in a year that coincides with the 70th anniversary of the album1. Planned activity will include dedicated BBC Music programming and editorial support; retail events and artist personal appearances; Classic Album Sundays LP playbacks and artist interviews/fan Q&As; and online listening parties. A social media campaign (@AlbumDayUK/#NationalAlbumDay) will invite people to nominate and share the album that has most inspired them; and at 3.33pm on 13th October – National Album Day – fans, stores, radio stations and public spaces will be invited to play their favourite album in full. -
University of Chester Digital Repository
University of Chester Digital Repository Dance bands in Chester: An evolving professional network Item type Thesis or dissertation Authors Southall, Helen Citation Southall, H. V. (2015). Dance bands in Chester: An evolving professional network. (Doctoral dissertation). University of Liverpool, United Kingdom. Publisher University of Liverpool Downloaded 12-Aug-2016 14:04:06 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to item http://hdl.handle.net/10034/613505 DANCE BANDS IN CHESTER : AN EVOLVING PROFESSIONAL NETWORK Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Helen Vera Southall Dance Bands in Chester: An Evolving Professional Network ACKNOWLEDGEMENTS This thesis has been a long time in the making, and a great many people have helped along the way, starting with my parents who encouraged my early forays into music-making, and continuing with a long list of teachers in school, university and elsewhere, including my clarinet teacher Paul Harvey (formerly of the Royal Military School of Music), and Professor Stephen Banfield, then of the University of Keele, who first sparked my interest in music for dancing. Particular thanks must go to my supervisors David Pattie and Peter Harrop, who managed to give me the advice I needed when I needed it; I know from my own experience as a lecturer that this is more difficult than most people appreciate. Three local musicians have been especially helpful; Norman Frost and Les Stevenson introduced me to the network of dance band musicians still active in the area, initially via the Heswall Concert Band and later in Norman’s dance band the Norman Roy Orchestra, which I played with from 2000 to 2005.