A Abrams, M.H., 203 Abstraction, 267 Actor-Network Theory, 9, 56, 76

Total Page:16

File Type:pdf, Size:1020Kb

A Abrams, M.H., 203 Abstraction, 267 Actor-Network Theory, 9, 56, 76 Index A Ashbery, John, 188 Abrams, M.H., 203 Attachment, 63 Abstraction, 267 Attridge, Derek, 91, 197, 198, 206, Actor-network theory, 9, 56, 76 214, 224, 279 Adorno, Theodor, 126, 165, 263, Attridge, Derek and Staten, Henry 281 The Craft of Poetry, 225 Aesthetic, 6, 261 Auden, W.H., 224 Aestheticist, 244 Austen, Jane, 102 Aesthetic judgment, 267 Auster, Paul, 83 Affect, 5, 63 Austin, J.L., 38, 230 Affective, 45 “Author-function”, 30 Algebra, 249 Althusserian, 69 B Althusser, Louis, 72, 245, 281 Bacon, Francis, 126, 164 American pragmatism, 145 Bacow, Lawrence, 45 Anker, Elizabeth S., 51 Badiou, Alain, 245 Arendt, Hannah, 170 Barthes, Roland, 30, 135, 139 Aristotelean, 127 Bate, W. Jackson, 221 Aristotle, 38, 100, 223, 283 Baudelaire, Jean, 124 Poetics, 38, 223 Baudrillard, Jean, 60 Armstrong, Isobel, 4 Best, Stephen, 77 Arnold, Matthew, 146, 176 Bhabha, Homi, 45 Artifact, 25 Billy Budd, 102 Artwork, 279 Bloom, Harold, 102, 141, 222 © The Editor(s) (if applicable) and The Author(s), under exclusive 297 license to Springer Nature Switzerland AG 2021 A. Sridhar et al. (eds.), The Work of Reading, https://doi.org/10.1007/978-3-030-71139-9 298 INDEX Booth, Stephen, 27 Consumer, 46 Borges, Jorge Luis, 38 Contextualist, 10, 260 Botticelli, 135 Cordelia, 156 Bradley, F.H., 130 Cowley, Abraham, 117 Breslin, James E.B., 198 Craft, 1, 283 Brooks, Cleanth, 24, 101, 287 Critical Theory, 115, 135, 261 New Criticism, 204, 207, 214 Critique, 44, 67, 145 on Keats, 206 Culler, Jonathan, 105, 225 pedagogy, 199, 201, 203, 204 Cultural Theory, 136 The Well Wrought Urn, 26, 101, Culture and Society, 138 198, 200–205 Cusk, Rachel, 244, 282 Brooks, Cleanth and Warren, R.P. Outline, 254 An Approach to Literature, 206 Understanding Poetry, 199–202, 205, 206 D Brooks, Peter, 106 Data, 220 Brower, Reuben, 215, 285 Data-driven, 13 Browning, Robert, 119 Davie, Donald, 226 Brown, Wendy, 83 “The Death of the Author”, 30 Deconstruction, 12, 244, 285 Deconstructive, 138 C Defamiliarization, 262 Caesar, Julius, 154 Defamiliarizing, 93 Cahiers pour l’Analyse, 245 De Man, Paul, 205, 207 Calvinism, 127 Derrida, Jacques, 101, 145 Canon, 34, 104, 136, 219, 244 Descartes, Rene, 250 Canonical, 4 Descriptivism, 78 Chapman, Elizabeth, 117 Dewey, John, 175 Chiasmus, 87 Dickinson, Emily, 225 Ciardi, John, 223 Diction, 225 Citizens, 174 Distant reading, 73, 168 Classic, 136, 141 Donne, John, 24, 117, 292 Claudius, 157 Dryden, John, 221 Cleveland, John, 117 During, Simon, 180 Close-reader, 283 Close reading, 10, 25, 170, 195, 197, 198, 200, 203, 208, 215, 243, E 262, 265 Eagleton, Terry, 148, 177, 198 Cognitive, 95 Ecocriticism, 262 Coleridge, S.T., 24, 100, 200, 229 Eichenbaum, Boris, 28 Collini, Stefan, 188 Eliot, T.S., 100, 116, 134, 208, 209, Complex words, 227 222, 281, 287 INDEX 299 “Tradition and the Individual Foucault, Michel, 30, 145 Talent”, 222 Frankfurt School, 115, 174 Elizabethan, 119 Free indirect discourse, 52, 250, 269 Elliott, Jane, 115 Free indirect style, 244 Empirical, 263 Fregean Logic, 247 Empirical Science, 13 Frege, Gottlob, 248 Empiricism, 12 Freud, 55, 108 Empirico-historical, 4 Freudian, 95, 222, 284 Empirico-historicism, 220 Friedman, Susan Stanford, 93 Empsonian, 134 Empson, William, 107, 134, 170, 205, 228, 287 G Some Versions of Pastoral, 237 Galileo, 126 The Structure of Complex Words, Gallop, Jane, 203 228 Galperin, William H., 198 Enlightenment, 55 Gascoigne, George, 237 Entrepreneur, 46 Gender, 206 Epistemology, 247 Ghosh, Amitav, 262 Gödel, Kurt, 221 Erasmus, 155 Goneril, 156 Event, 14 Gray, Thomas, 119 Experience, 11 Greenblatt, Stephen, 28, 99, 204 Eyers, Tom, 6, 283 Grierson, Herbert J.C., 116 F H Felski, Rita, 6, 78, 285 Haggard, Stephen, 147 Feminism, 284 Halliwell, Stephen, 223 Fenollosa, Ernst, 226 Hamlet, 88, 153 Feyerabend, Paul, 145 Haraway, Donna, 274 Feynman, Richard, 63 Hazlitt, William, 178 Field, 219 Heather Love, 78 First-person narration, 251 Hegel, 122 First Quarto, 159 Hegelian, 254 Fish, Stanley, 24, 89 Heidegger, 126 Flaubert, Gustav, 252 Hemingway, Ernest, 256 Madame Bovary, 252 Hermeneutic, 134, 138 Ford, Ford Madox, 147 Hermeneutics of suspicion, 49, 123, Form, 284 145 Formal analysis, 4 Hill, Geoffrey, 224 Formalism, 30, 248 Hillis Miller, J., 73 Form (literary), 198 Historicism, 59, 243, 284. See also Forster, E.M., 147 New Historicism 300 INDEX Historicist, 10 Ode to a Nightingale, 199, 200, Historicity, 35 202, 209 Holmes, Sherlock, 51 Ode to Psyche, 195, 198, 206–208, Homer, 39, 106, 293 210, 212, 214 Horkheimer, 126 On First Looking into Chapman’s Hugo, Victor, 27 Homer, 200 Hulme, T.E., 55 Paradise Lost, 195, 196, 209 Humanism, 35, 54 The Eve of St. Agnes, 200 Humanist, 246 To Autumn, 200 Humanities, 44 Kenner, Hugh, 129 Hume, David, 219 Kermode, Frank, 133, 230, 281 Husserl, Edmund, 56, 127 King Lear, 141, 156 Kohlbergian, 54 Kuhn, Thomas, 220 I Idioculture, 15 Iliad, 40, 106 L Industry, 46 Lacan, Jacques, 145, 245 Instrumental, 6 Latour, Bruno, 5, 53, 73, 293 Instrumentalism, 262 Latourianism, 275 Interdisciplinarity, 48 Leavis, F.R., 182, 281, 290 Interiority, 250 Leavisite, 134 Inter-textual, 15, 35 Lentricchia, Frank, 136 Interventions, 91 Levine, Caroline, 6, 87, 102 Irigaray, Luce, 245 Levinson, Marjorie B., 5, 98, 204 Irony, 202, 203, 205, 211, 214 Lévi-Strauss, Claude, 224 Liberal humanism, 45 “Library of Babel”, 38 J The Limits of Critique, 43 Jacobean, 119 Linguistics, 293 Jameson, Fredric, 148, 198 Linguistic Theory, 6 Jarvis, Simon, 168 The literary, 12, 61, 138 Johnson, Barbara, 67, 101 Literary criticism, 280 Johnson, Samuel, 117 Literary Criticism: A Concise Political Jonson, Ben, 227 History, 103 Literary Sociology, 94 Literary Theory, 94 K Lolita, 147 Kant, Immanuel, 53, 100, 121 London Review of Books, 135 Keats, John Luhmann, Niklas, 124 La Belle Dame sans Merci, 200 Lukács, György, 36 Ode on a Grecian Urn, 195, 201, Luther, Martin, 123 202 Lyotard, Francis, 124 INDEX 301 M N Macbeth, 161 Nabakov, Vladimir, 147 MacPherson, Sandra, 87 Nagel, Thomas, 164 Manifestos, 92 Nagy, Gregory, 39 Man, Paul de, 27, 101, 138 Narrative, 231, 244 Mansfield Park, 103 Narratology, 95, 250, 283 Mao, Douglas, 214 Narrator, 15 Marcus, Sharon, 77 Neoliberal Capitalism, 6 Marlowe, Christopher, 104 Neoliberalism, 45, 173 Marvell, Andrew, 129 Neoliberalization, 99 Marxism, 115, 245 Neuroscience, 290 Marxist, 147, 281 New Criticism, 30, 96, 116, 207, Marx, Karl, 55, 70 214, 284, 290 Mathematics, 247 New Critics, 24 Matthew, Book of, 236 New Formalism, 91, 204 McCabe, Colin, 135 New Historicism, 96, 99, 204. See also McCallum, James Dow, 200 Historicism College Omnibus, 200 Ngai, Sianne, 106 McDonald, Ronan, 281 Nietzsche, Friedrich, 34, 55, 123, 169 McGann, Jerome J., 27, 204 Norris, Christopher, 134 Melville, Herman, 229 North, Joseph, 6, 58, 103, 198. See Metaphor, 9 also Close reading; New Criticism Metaphysicals, 116 Novel, 15, 257, 267 Michelangelo, 227 Middleton Murry, John, 129 O Miller, Christopher, 214 Oakeshott, Michael, 219 Surprise, 214 Objectivity, 262 Miller, D.A., 106 Odyssey, 40 Miller, Jacques-Alain, 245 Ogden, C.K., 182 Millet, Lydia, 265, 282 The Meaning of Meaning, 182 How the Dead Dream, 265 Olson, Charles, 226 Milner, Jean-Claude, 245 Ophelia, 154 Milton, John, 70, 120, 196, 211, 220 Orwell, George, 51 Paradise Lost, 70, 197, 233. See also Othello, 99 under Keats, John Oxymoron, 87 Mimesis, 262 Minimal interpretation, 105 Modernism, 116 P Montaigne, Michel de, 155 Paradox, 199, 202, 204, 205 Moretti, Franco, 168, 257 Pater, Walter, 143 Morrison, Toni, 96 Pedagogy, 201 Morris, William, 239 Perlocutive, 229 302 INDEX Philosophy, 48 Richard II , 28 Phonotext, 211 Richards, I.A., 6, 138, 281, 290 Plato, 173 Ricks, Christopher, 222 Plot, 267 Ricoeur, Paul, 49 Poem, 293 Romantic, 38, 120 Poetics, 153 Romantic Image, 138 Poetry, 15, 128 Rooney, Ellen, 282 Polonius, 154, 283 Rorty, Richard, 145 Positivism, 220 Roth, Marco, 190 Post-critical, 4 Rovee, Christopher, 202, 215 Postcritique, 44, 72 Ruskin, John, 213 Poststructuralism, 136, 284 Russian Formalism, 221 Poststructuralist, 35 Russian Formalist, 28, 281 Pound, Ezra, 130, 137, 222 Productivity, 47 Professional, 46 S Professionalization, 3 Said, Edward, 102, 288 Proprioception, 227 Scholarship, 6 Prose, 256 Schumpeter, Joseph, 239 Protestant Ethic and the Spirit of Science, 247 Capitalism, 123 Sedgwick, Eve, 5, 72, 102, 285 Prynne, Jeremy, 290 Sense and Sensibility, 102 Psychoanalysis, 222, 247 Sensibility, 44 Psychology, 290 Sensuous Intelligence, 235 Public intellectual, 173 Shakespeare, 27, 102, 153, 237 Shelley, Mary W., 195–197 Q Frankenstein, 195, 196 Quantification, 263 Sidney, Philip, 227 Signifier, 250 Singularity, 14 R Social context, 133 Ransom, John Crowe, 26, 198, 206, Sociology, 48 240 Sonnet, 34 Rasch, William, 281, 284 Speaking persona, 231 Reading for Form, 98 Speech acts, 38 Realism, 261 Spenser, Edmund, 209, 212, 237 Referentiality, 8 Faerie Queene, 237 Regan, 156 Sperry, Stuart M., 206, 207, 214 Reification, 267 Staten, Henry, 101, 223, 284 Renaissance, 55 STEM, 128, 174, 287 Rhees, Rush, 240 Stevens, Wallace, 183, 224 Rhythm, 7, 225 Stewart, Garrett, 210, 215 INDEX 303 Stillinger, Jack, 201, 207 V Strauss, Leo, 127 Vendleresque, 134 Stream of consciousness, 200 Villanelle, 34 Structuralism, 244, 245 Vocation, 48 Structuralist, 244 von Humboldt, Alexander, 175 Subjectivism, 262 Supplementarity, 92 Surface, 5 Surface reading, 91, 198 W Surprise, 15, 67 The Waste Land, 130 Suspicion, 5 Weber, Max, 123 Suspicious hermeneutics Weltanschauung, 56 (Hermeneutics of Suspicion), 82 White, Hayden, 220 Suspicious mentality, 44 Whitehead, A.N., 225 Swinburne, 143 Whitman, Walt, 188 Symptomatic, 5, 95 Williams, Raymond, 87, 138 Syntax, 225 Williams, William Carlos, 224 Wissenschaft, 120 T Wittgenstein, Ludwig, 124, 240 Techne, 25, 223, 284 Wolfson, Susan J., 4, 195, 196, 282 Tennyson, Alfred Lord, 117, 287 Wood, Michael, 134, 205 Theory, 3, 59, 219, 244 Wordsworth, William, 205, 213 Theory after ‘Theory, 115 “Work”, 30 Third-person narration, 251 Wuthering Heights, 142 Thousand and One Nights, 34 Wycliffe, John, 238 Tolstoy, 125 Transferable skills, 174 U Y Use-value, 174 Yeats, W.B., 101.
Recommended publications
  • Twentieth Century Criticism: Traditions and Concepts
    International Journal of Multidisciplinary Research and Development International Journal of Multidisciplinary Research and Development Online ISSN: 2349-4182, Print ISSN: 2349-5979 Impact Factor: RJIF 5.72 Received: 05-08-2018; Accepted: 12-09-2018 www.allsubjectjournal.com Volume 5 Issue 9; September 2018; Page No. 78-81 Twentieth century criticism: Traditions and concepts Bishnu Prasad Pokharel PhD. Lecturer, Nepal Sanskrit University, Bijauri, Nepal Abstract Literary theory involves questioning of the most basic assumption of literary study, speculative practice, accounts of desires and language. Theory has brought many ideas from other field of knowledge to engage in a discussion on humanities, art and literature and different issues like race, identity, mythologies, signs and many other issues that are not directly linked to literature. Theory has made literary discourse interdisciplinary by welcoming ideas from other discipline. So, literary theory is not something that has been developed in a vacuum but has arisen for the most part in response to the problems encountered by readers, scholars and critics in their practical contact with the text. It also provides excellent tools that can not only show us our world and ourselves through new and valuable lenses but also can strengthen our ability and with a good deal of insight. Russian Formalism, New Criticism, Structuralism, Post structuralism/ Deconstruction, Psychoanalysis, Feminism, Reader Response, Colonialism and New Historicism are the major theories discussed in this article. Keywords: theory, criticism, defamiliarization, text, interpretation, gender, meaning, context Introduction with the revolution” (603). The twentieth century encountered intensification of Russian Formalism was a departure from the prevailing rationalization, urbanization, secularization, increasingly Romantic Symbolism and Futurism.
    [Show full text]
  • Review of Joseph Carroll, Reading Human Nature: Literary Darwinism
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship, Research, and Creative Work at Bryn Mawr College | Bryn Mawr College... Bryn Mawr Review of Comparative Literature Volume 9 Article 1 Number 2 Fall 2011 Fall 2011 Review of Joseph Carroll, Reading Human Nature: Literary Darwinism in Theory and Practice and Virginia Richter, Literature After Darwin: Human Beasts in Western Fiction, 1859-1939. Carlo Salzani Monash University Follow this and additional works at: https://repository.brynmawr.edu/bmrcl Let us know how access to this document benefits ouy . Recommended Citation Salzani, Carlo (2011). Review of "Review of Joseph Carroll, Reading Human Nature: Literary Darwinism in Theory and Practice and Virginia Richter, Literature After Darwin: Human Beasts in Western Fiction, 1859-1939.," Bryn Mawr Review of Comparative Literature: Vol. 9 : No. 2 Available at: https://repository.brynmawr.edu/bmrcl/vol9/iss2/1 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmrcl/vol9/iss2/1 For more information, please contact [email protected]. Salzani: Salzani on Carroll and Richter Joseph Carroll, Reading Human Nature: Literary Darwinism in Theory and Practice. New York: SUNY Press, 2011. 368 pp. ISBN 9781438435220. Virginia Richter, Literature After Darwin: Human Beasts in Western Fiction, 1859-1939. Basingstoke: Palgrave Macmillan, 2011. 272 pp. ISBN 9780230273405. Reviewed by Carlo Salzani, Monash University 1. The year 2009 was the 200th anniversary of Darwin's birth and the 150th anniversary of the publication of On the Origin of Species; it was therefore named the "Darwin Year" and was celebrated all over the world by academic conferences and events targeting the general public.
    [Show full text]
  • I Russian Formalism and Prague Structuralism
    I RUSSIAN FORMALISM AND PRAGUE STRUCTURALISM The origins of Russian Formalism date back before the Russian Revolution to the activities of the Moscow Linguistic Circle and the St Petersburg-based group, Opojaz, both of which con­ cerned themselves with the study of poetic language. The major figures were Victor Shklovsky, Roman Jakobson, Boris Eikhenbaum, Osip Brik and Yury Tynyanov. The Russian Formalists rejected the unsystematic and eclectic critical ap­ proaches which had previously dominated literary study and endeavoured to create a 'literary science'. As Jakobson put it: The subject of literary science is not literature, but literariness, i.e. that which makes a given work a literary work'. The Formalists were uninterested, therefore, in the representational or expressive aspects of literary texts; they focused on those elements of texts which they considered to be uniquely literary in character. Initially they emphasised the differences between literary language and non-literary or practical language. The best known Formalist concept is that of 'defamiliarisation' (ostranenie) , a concept particularly associated with Shklovsky and discussed in his 'Art as Device', first published in 1917, where he argues that art renews human perception through creating devices which undercut and undermine habitual and automatised forms of perception. In later Formalism the emphasis shifted from the relation between literary and non-literary language to the linguistic and formal aspects ofliterary texts themselves. Jakobson and Tynyanov argued that literary devices themselves also became familiar. They shifted the focus to the means by which certain devices become dominant in literary texts and take on a defamiliarising role in relation to other devices or aspects of the text which are perceived in familiar or automatic terms.
    [Show full text]
  • On Dialogic Speech” Have Previously Appeared in PMLA 112.2 (1997) and Are Used by Permission
    SUBWAY LINE, N o. 13 Philosophica l Thinking is Yoga for the Mind ® Upper West Side Philosophers, Inc. provides a publication venue for original philosophical thinking steeped in lived life, in line with our motto: philosophical living & lived philosophy. Lev Petrovich Yakubinsky ON LANGUAGE & POETRY Three Essays Translated from the Russian, edited and with an Introduction by Michael Eskin Upper West Side Philosophers, Inc. New York • 2018 Published by Upper West Side Philosophers, Inc. P. O. Box 250645, New York, NY 10025, USA www.westside-philosophers.com / www.yogaforthemind.us English translation copyright © 2018 by Upper West Side Philosophers, Inc. The colophon is a registered trademark of Upper West Side Philosophers, Inc. Parts o f “On Dialogic Speech” have previously appeared in PMLA 112.2 (1997) and are used by permission. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or oth - erwise, without prior written permission from the publisher. For all permissions inquiries for any of our titles, contact the publisher or Copyright Clearance Center, Inc., 222 Rosewood Drive, Dan - vers, MA 01923, USA (www.copyright.com). Library of Congress Cataloging-in-Publication Data Names: Yakubinsky, Lev Petrovich, 1892-1945 author. | Eskin, Michael translator editor. Title: On language & poetry : three essays / Lev Petrovic h Yaku - binsky ; translated from the Russian, edited, and with an intro - duction by Michael Eskin. Other titles: On language and poetry Description: New York : Upper West Side Philosophers, Inc., | Series: Subway line ; no. 13 | Includes index.
    [Show full text]
  • The Anxiety of Influence: a Theory of Poetry Free
    FREE THE ANXIETY OF INFLUENCE: A THEORY OF POETRY PDF Prof. Harold Bloom | 208 pages | 03 Jul 1997 | Oxford University Press Inc | 9780195112214 | English | New York, United States The Anxiety of Influence: A Theory of Poetry - Harold Bloom - Google книги Professor Bloom Yale; author of Blake's Apocalypse,and Yeats, interprets modern poetic history — the history of poetry in a Cartesian climate — in terms of Freud's "family romance After graduating from Yale, Bloom remained there The Anxiety of Influence: A Theory of Poetry a teacher, and was made Sterling Professor of Humanities in Bloom's theories have changed the way that critics think of literary tradition and has also focused his attentions on history and the Bible. He has written over twenty books and edited countless others. He is one of the most famous critics in the world and considered an expert in many fields. In he became a founding patron of Ralston College, a new institution in Savannah, Georgia, that focuses on primary texts. Harold Bloom. Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work The Anxiety of Influence: A Theory of Poetry criticism for all students of literature and has sold over 17, copies in paperback since Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded-- neither by poets nor by responsible readers and critics.
    [Show full text]
  • Rap God: Russian Formalism Analysis
    RAP GOD: RUSSIAN FORMALISM ANALYSIS A GRADUATING PAPER Submitted in Partial Fulfillment of the Requirement for Gaining the Bachelor Degree in English Literature By: Ahmad Ridwan Malik 14150029 ENGLISH DEPARTMENT FACULTY OF ADAB AND CULTURAL SCIENCES STATE ISLAMIC UNIVERSITY SUNAN KALIJAGA YOGYAKARTA 2019 A FINAL PROJECT STATEMENT I certify that this graduating papsr is definitely my own work. I arn compietely responsible for the content of this graduating paper. Other wrjter's opinions or findings included in the graduating paper are quoted or cited in accordance with ethical standard. Yogyakttrta,March 10tll,2019 Stud. Reg. No. 14150029 KEMENTERIAN AGAMA UNIVERSITAS ISLANI NEGERI SUNAN KALIJAGA FAKULTAS ADAB DANILMU BUDAYA Jl.Marsda Adisucipto Tclp.(0274)513949 Fax (0274)552883 Yogyakarta 55281 PENGESAHAN TUGAS AKHIR Nomor:B-219/Un 02/DA/PP 00.9/05/2019 Tugas Akhir dengan judul : RAP GOD: RUSSIAN FORMALISM ANALYSIS yang dipersiapkan dan disusun oleh: Nama : AHMAD zuDWANMALIK Nomor Induk Mahasiswa : 14150029 Telah diujikan pada : Senin, l l Maret 2019 Nilai ujian Tugas Akhir : B+ dinyatakan telah diterima oleh Fakultas Adab dan Ilmu Budaya UIN Sunan Kalijaga Yogyakarta TIPI UJIAN TUGAS AKHIR Ketlla Sidang 飩玲 Ulyal Rctno Sari,SS M.Hum NIP.197711152005012002 ρ ¨ Danial IIidayatullah,SS,M Hum Aninda tti siWi,S.Pd,M Pd NIP 19760405 200901 l o16 NIP 19851011 201503 2 004 l Marct 2019 lijaga Budaya θ9/a5/2o7θ KEPIENTRIノ ぜヾAGAMA REPUBLIK INDONESIA UNⅣERSITASISLAM NEGERISUNAN KALIJAGA 畿 FAKULTAS ADAB DAN ILⅣ 側 BUDAYA Jl,Marstt Adi Sucipto Yogyab蔵 55281 Telp./Fax.(0274) al● 513949 Web : http : /ladab.uin-suka. ac. id Emaill adabの uin_suka.ac.id NOTA DINAS HalI Slcipsi Ahlad Ridwall卜Ialik Yth.
    [Show full text]
  • En809 Contemporary Literary Theory: Western and Indian 4-0-0-4
    EN809 CONTEMPORARY LITERARY THEORY: WESTERN AND INDIAN 4-0-0-4 Objectives This course would expose the student to contemporary Western and Indian literary theories, with special emphasis on Gender theories and connect them to their area of research. The understanding of literary theories would enable them to build on the foundation laid by critics and further help in creating new ideas and be innovative in the research work. Unit 1-Introduction to critical practices in the twentieth century-Russian Formalism-Bakhtin’s theories of the novel-polyphony-Heteroglossia- Defamiliarization-Barthes’ concept of Death of the author-Myth criticism-Northrop Frye-Post structuralism-Derrida’s deconstruction and the notion of centre --Intertextuality-psycho analytic criticism-Lacan-desire and discourse-Carl Jung’s contribution to psychoanalytic theory-Modernism-Fragmentation- Unit 2-Literary Feminism- Betty Friedan- Shulamith Firestone- Mary Daly-Kate Millet- Germaine Greere- Gyno- criticism-Elaine Showalter- New French Feminism- ecriture feminine-Kristeva- Cixous-Irigaray-Feminism and Psycho Analysis-Juliet Mitchell- Judith Butler Unit 3 -Postmodernism- problems of identity- Trauma theory-Theories of gaze- Postcolonialism- Race,Ethnicity,Gender- multiculturalism- Culture Studies-Eco-criticism- Unit 4-Indian Literary theories- Indian Narratology-Epic, Myth- Dr.Ayyappa Panicker-G. N.Devy TEXT BOOKS/ REFERENCES: 1. Ed., Waugh , Patricia. Literary Theory and Criticism :An Oxford Guide.Oxford: Oxford University Press,2006. 2. Barry, Peter. Beginning Theory: An Introduction to Literary and Cultural Theory. London: Manchester University Press,2009. 3. Ed; Devy, G.N. Indian Literary Criticism :Theory and Interpretation. Hyderabad:Orient Blackswan,2002. 4. Lodge, David ,Ed. Modern Criticism and Theory:A Reader.London:Longman,1988.
    [Show full text]
  • Ecocriticism & Animism
    LIT 502.01 Topics in Ecocriticism: Ecocriticism & Animism Draft Syllabus & Schedule – Autumn 2016 David L. Moore, Professor University of Montana Department of English Office: Liberal Arts 120 406-243-6708 Mailbox: Liberal Arts 133 [email protected] http://www.cas.umt.edu/english/ #damo9595 www.reflectionswest.org Please be sure to read this syllabus and schedule carefully, bring it daily to class, and refer to it throughout the semester. Some introductory perspectives on animism (plus reflections on pluralism): There seems to be a reasonable number of Western scientists and thinkers who subscribe to the idea that the ultimate constituent of the universe is mind, or mind-stuff. Fred Alan Wolf, a physicist writing popular interpretative books on the new understanding of the universe, said, “Today our position is close to the one discovered by basic tribal peoples. The concept of universal energy in our language might be called the ‘universal quantum wave function’ or ‘matter wave’ or ‘probability wave of quantum physics.’ This ‘wave’ pervades everything, and like the universal energy, it resists objective discovery. It appears as a guiding influence in all that we observe. [continues next paragraph] Perhaps it is the same thing as the ‘clear light’—the all pervading consciousness without an object of Buddhist thought. (Vine Deloria, Jr., The World We Used to Live In: Remembering the Powers of the Medicine Men 195-96) Semiosis (the creation and interpretation of signs) permeates and constitutes the living world, and it is through our partially shared semiotic propensities that multispecies relations are possible, and also analytically comprehensible.
    [Show full text]
  • 1. Literary Theory, David Carter
    Literary Theory 23/5/06 8:40 am Page 2 Other Pocket Essentials by this author: Georges Simenon Literary Theory 23/5/06 8:40 am Page 3 Literary Theory David Carter www.pocketessentials.com Literary Theory 23/5/06 8:40 am Page 4 This edition published in 2006 by Pocket Essentials P.O.Box 394, Harpenden, Herts,AL5 1XJ www.pocketessentials.com © David Carter 2006 The right of David Carter to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publishers. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. A CIP catalogue record for this book is available from the British Library. ISBN 1 904048 66 8 EAN 978 1 904048 66 4 24681097531 Typeset by Avocet Typeset,Chilton,Aylesbury, Bucks Printed and bound in Great Britain by Cox & Wyman, Reading Literary Theory 23/5/06 8:40 am Page 5 For Kim Chan Young and his family Literary Theory 23/5/06 8:40 am Page 6 Literary Theory 23/5/06 8:40 am Page 7 Acknowledgements The debt to other scholars is enormous, but there is simply no scope within the confines of this modest volume to acknowledge them all.
    [Show full text]
  • The Futurists, the Formalists, and the Marxist Critique
    The Futurists, the Formalists, and the Marxist Critique l The Futurists, the Formalists, and the Marxist Critique Edited and introduced by Christopher Pike Translated by Christopher Pike and Joe Andrew Prefaces, notes and afterword provided by Gerard Conio and translated by Rupert Swyer IINKI LINKS The Russian journal from which each of these articles has been translated is signalled at the start of each piece. This edition first published in 1979 by Ink Links Ltd, 271 Kentish Town Road, London NW5 2JS © English translation rights Ink Links Ltd., 1979- The prefaces and afterword by Gerard Conio, as well as his notes to several of the articles, are taken, with permission, from the book, Le Formalisme et le futurisme russes devant le marxisme, published by Editions l’Age d’Homme, Lausanne, 1975. © Editions l’Age d’Homme, 1975. The translation of the Gerard Conio contributions by Rupert Swyer: © English language rights Ink Links Ltd., 1979. The introduction by Christopher Pike: © World rights, Ink Links Ltd., 1979. No part of this book may be reproduced except for brief excerpts for criticism. ISBN 0906133 149 cloth Set in lOpt Garamond by Red Lion Setters, 22, Brownlow Mews, London WC1N 2LA. Printed by Whitstable Litho, Millstrood Road, Whitstable, Kent and bound by Hunter and Foulis, Bridgeside Works, McDonald Road, Edinburgh EH7 4NP. QOotfa < F'/p IQiq Contents Introduction by Christopher Pike page 1 Section I: Debate on the Formal Method 39 Preface by Gerard Conio 41 <1 Concerning the Question of the “Formalists” by B.M. Bykhenbaum 49 2 From First Source by P.N.
    [Show full text]
  • A Reader's Guide to Contemporary Literary Theory
    0582894107_cvr 22/2/05 2:21 PM Page 1 . A Reader’s Guide to Contemporary A Reader’s Guide to Contemporary Literary Theory Literary Contemporary Guide to A Reader’s Literary Theory Fifth edition Fifth edition RAMAN SELDEN PETER WIDDOWSON PETER BROOKER The best of the many guides to literary theory that are currently available. Widdowson and Brooker chart a clear and comprehensively documented path through the full range of what is best in contemporary literary theory...indispensable for all students of literature …An impressive achievement! John Drakakis, Stirling University This Guide is as stimulating and instructive an introduction to [literary theory] as any reader might wish for. John Kenny, Centre for the Study of Human Settlement and Historical Change, National University of Ireland, Galway A Reader’s Guide to Contemporary Literary Theory is a classic introduction to the ever-evolving field of modern literary theory, now expanded and updated in its fifth edition. This book presents the full range of positions and movements in contemporary literary theory. It organises the theories into clearly defined sections and presents them in an accessible and lucid style. Students are introduced, through succinct but incisive expositions, to New Criticism, Reader- Response Theory, Marxist Criticism, Structuralism, Post-Structuralism, Post-Modernism and Feminism, as well as to Cultural Materialism and New Historicism, Postcolonialism and Gay, Lesbian and Queer Theory. This new edition also considers the ‘New Aestheticism’ and engages with the idea of ‘Post-Theory’. This comprehensive book also contains extensively revised Further Reading lists, including web and electronic resources, and two appendices which recommend glossaries of key theoretical and critical terms and relevant journals.
    [Show full text]
  • Unit 3 Feminist Interventions in Theory
    Language Representation and Feminist Approaches UNIT 3 FEMINIST INTERVENTIONS IN THEORY Piyas Chakrabarti Structure 3.1 Introduction 3.2 Objectives 3.3 Feminism: A Basic Overview 3.4 Trends in Feminist Literary Criticism 3.5 Feminist Resistance to Theory 3.6 New Criticism and Feminist Literary Criticism 3.7 Formalism and Feminist Literary Criticism 3.8 Reader Response Theory and Feminist Literary Criticism 3.9 New Historicism and Feminism 3.10 Structuralism and Feminist Literary Criticism 3.11 Poststructuralism and Feminist Literary Criticism 3.12 Let Us Sum Up 3.13 Unit End Questions 3.14 References 3.15 Suggested Readings 3.1 INTRODUCTION In other units like MWG 001, Block 5, Unit 2 (Feminism and Psychoanalysis), MWG 003, Block 1, Unit 4 (Feminism and Deconstruction) and MWG 007 (Reading Gender with/in Structuralism) we have already seen how feminist theories have made a significant contribution towards creating a more aware reader, capable of viewing both literary texts and society through a gendered perspective. Now we will try to see how feminist literary criticism, itself a product of “women’s movement” of the 1960s, interacts with and critiques other schools of theory such as New Criticism, Formalism, Reader Response theory, New Historicism, Structuralism and Poststructuralism. A major debate within feminist criticism has been about the amount and kind of theory that should feature in it. The ‘Anglo-American’ feminist school has been skeptical about the efficacy of recent critical theory in helping the concerns of feminism and feminist literary criticism, while the “French” feminists have not at all been loathe to adopting and adapting a significant amount of post-structuralist and psychoanalytic theory in formulating their arguments.
    [Show full text]