Hitler Took Cyanick Soviet Inquiry Found Result of an Autopsy Is Disclosed in Book Published Today
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Eva Braun Hitler's Odontological Identification-A Forensic Enigma?
J Forensic Sci, Apr. 1974, Vol. 19, No. 2 R. F. Sognnaes, ~ M.A., M.S., D.M.D., Ph.D. Eva Braun Hitler's Odontological Identification-A Forensic Enigma? Through generous cooperation by custodians of several museums, libraries, and govern- ment archive centers, the author has had occasion to explore various historical dental relics and reports covering the evolution of dental art and science over a period ranging from the time of George Washington to that of Adolf Hitler [1,2]. When the Berlin dentist, Dr. Hugo Johannes Blaschke, who cared for Germany's wartime leaders, was captured and interrogated by American army officers in 1945, he prepared descriptions and diagrams of the dental condition of Adolf Hitler, as well as of Martin Bormann and of Eva Braun, Hitler's longtime female companion whom he married just before the end of the war. By comparing American and Soviet reports it has been shown elsewhere that data attributed to a 1945 Russian autopsy report cited in 1968 by Bezymenski [3-5] are in harmony with Hitler's 1944 head and jaw X-rays which, after much search and research, were located through the cooperation of the Captured Record Branch of the U.S. Na- tional Archives and Records Service [2]. This discovery was followed by a detailed comparison with other dental data, as reported at the 6th International Conference on Forensic Sciences in Edinburgh in 1972 and subsequently published in early 1973 by Sognnaes and Str6m [6]. Similarly, the dental data elicited regarding Martin Bormann's dental condition, based on dental diagrams prepared by Dr. -
American Intelligence and the Question of Hitler's Death
American Intelligence and the Question of Hitler’s Death Undergraduate Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the Undergraduate colleges of The Ohio State University by Kelsey Mullen The Ohio State University November 2014 Project Advisor: Professor Alice Conklin, Department of History Project Mentor: Doctoral Candidate Sarah K. Douglas, Department of History American Intelligence and the Question of Hitler’s Death 2 Introduction The fall of Berlin marked the end of the European theatre of the Second World War. The Red Army ravaged the city and laid much of it to waste in the early days of May 1945. A large portion of Hitler’s inner circle, including the Führer himself, had been holed up in the Führerbunker underneath the old Reich Chancellery garden since January of 1945. Many top Nazi Party officials fled or attempted to flee the city ruins in the final moments before their destruction at the Russians’ hands. When the dust settled, the German army’s capitulation was complete. There were many unanswered questions for the Allies of World War II following the Nazi surrender. Invading Russian troops, despite recovering Hitler’s body, failed to disclose this fact to their Allies when the battle ended. In September of 1945, Dick White, the head of counter intelligence in the British zone of occupation, assigned a young scholar named Hugh Trevor- Roper to conduct an investigation into Hitler’s last days in order to refute the idea the Russians promoted and perpetuated that the Führer had escaped.1 Major Trevor-Roper began his investigation on September 18, 1945 and presented his conclusions to the international press on November 1, 1945. -
Whose Hi/Story Is It? the U.S. Reception of Downfall
Whose Hi/story Is It? The U.S. Reception of Downfall David Bathrick Before I address the U.S. media response to the fi lm Downfall, I would like to mention a methodological problem that I encountered time and again when researching this essay: whether it is possible to speak of reception in purely national terms in this age of globalization, be it a foreign fi lm or any other cultural artifact. Generally speaking, Bernd Eichinger’s large-scale production Downfall can be considered a success in America both fi nancially and critically. On its fi rst weekend alone in New York City it broke box-offi ce records for the small repertory movie theater Film Forum, grossing $24,220, despite its consider- able length, some two and a half hours, and the fact that it was shown in the original with subtitles. Nationally, audience attendance remained unusually high for the following twelve weeks, compared with average fi gures for other German fi lms made for export markets.1 Downfall, which grossed $5,501,940 to the end of October 2005, was an unequivocal box-offi ce hit. One major reason for its success was certainly the content. Adolf Hit- ler, in his capacity as star of the silver screen, has always been a suffi cient This article originally appeared in Das Böse im Blick: Die Gegenwart des Nationalsozialismus im Film, ed. Margrit Frölich, Christian Schneider, and Karsten Visarius (Munich: edition text und kritik, 2007). 1. The only more recent fi lm to earn equivalent revenue was Nirgendwo in Afrika. -
Ascent of Evil -The Story of Mein Kampf Study Guide
ASCENT OF EVIL THE STORY OF MEIN KAMPF STUDY GUIDE To order this and other programs call: (888) 570-5400; (310) 839-1500 www.epfmedia.com © 2017 EPF Media All Rights Reserved ASCENT OF EVIL: THE STORY OF MEIN KAMPF – STUDY GUIDE Ascent of Evil: The Story of Mein Kampf is the story of the autobiographical manifesto written by Nazi Party leader Adolf Hitler while imprisoned following his 1923 failed coup attempt in Munich. In Mein Kampf , Hitler outlined his political ideology and goals for Germany. Today, Mein Kampf is still available in libraries, on the Internet, at universities and even at bookstores worldwide. Yet much of the history of this 720-page, two-volume screed is now forgotten. Using historical footage, photographs and interviews with scholars, Ascent of Evil plunges deep into the infamous blueprint for evil’s dark secrets and reveals how this book came to be written and its impact on world. Hitler’s Early Life Adolf Hitler was born in Austria in 1889 to Klara and Alois Hitler. His father died in 1903, and his mother in 1907. After his mother’s death Hitler moved to Vienna, hoping to pursue a career as a painter, but he twice failed the entrance exam to the Vienna Academy of Fine Arts. He spent the next six years struggling to make a living through watercolor painting and other odd jobs, sometimes homeless or living in hostels. In 1913, Hitler moved to Munich, Germany, in order to avoid being drafted into the Austrian army. However, when World War I began in 1914, he enlisted in the Germany army, where he served throughout the war, receiving a number of awards for bravery. -
Hitlerjugend Division Looms Over the Graves of Its Crew
Cover Rapid Reads This short ebook is part of the “Rapid Reads” series on the German Army of World War II. This series, when complete, will offer a comprehensive overview of this absorbing topic, covering the key campaigns, tactics, commanders and equipment of the World War II Wehrmacht. We hope you enjoy this Rapid Read and that you will recommend the series to friends and colleagues. You should be able to read one of these handy eBooks in less than an hour. They’re designed for busy people on the go. If you would like to place a review on our website, or with the retailer you purchased it from, please do so. All feedback, positive or negative, is appreciated. All these Rapid Reads plus supplemental materials and ebooks on other military topics are available on our website, www.germanwarmachine.com 0 10 20km Bareur 0 5 10 miles Cherbourg St-Vaast-la-Hogue Siouville-Hague Valognes Le Havre St Mere Eglise Grandcamp Douve Courseulles Portbail Issigny Esque Carentan Bayeux Ouistreham Cabourg Touques Créances St Fromond Cerisy-le-Forêt Vie Caen Lisieux St Lô Odon Vire Drôme Villers Bocage Coutancés Orne St-Pierre- Guilberville Thury Harcourt sur-Dives Villedieu-des-Poêles Vire Falaise Granville A knocked out Panzer IV of the I SS Panzer Corps’ Hitlerjugend Division looms over the graves of its crew. The Hitlerjugend Division held the line north of Caen, but at a terrible price in both men and equipment Carnage at Caen The 12th SS Panzer Division and the defence of Caen. 5 n its billets northwest of Paris, the men of the Hitlerjugend IDivision could clearly hear the waves of Allied bombers passing overhead on the morning of 6 June 1944. -
Joseph Goebbels and Nazi Radio Propaganda
JOSEPH GOEBBELS AND NAZI RADIO PROPAGANDA: AN ASSESSMENT OF SUCCESS AND FAILURE by Chester Ferdinand Casanave Jr. A thesis submitted in partial fulfillment of the requ,irements for the degree of Master of Arts in the Division of Communications Morehead State University December, 1975 APP-!+1~THESES - Yl\ o. st.\ 1j1 Q_ 335f ' ACKNOWLEDGMENT The author would like to express his sincerest graditude to the following people: George Harper and Dr. Joe Misiewicz for their help and consideration in the formulation of many ideas here. Thanks also to Wanda Jones for her patience and help in construction and typing, to my wife Michelle, for her under standing and support, finally to Dr. Frederick Voigt for his careful and generous supervision during this experience. ~ccepted by the faculty of the School of Humanities, Morehead State University, in partial fulfillment of the requirements f or the Master of Arts degree . Master ' s Committee: TABLE OF CONTENTS fage CHAPTER I Introduction and Purpose .....••..•....... 1 CHAPTER II Procedure and Criteria.................. 5 CHAPTER III Goebbels the Man. • • . • . • . 18 CHAPTER IV Gcebbel's Philosophy •.................. 39 CHAPTER V Ministry Structure. • . 99 CHAPTER VI Summary and Conclusions. .129 APPENDIX I. ......................... .139 APPENDIX II • • • • • • • • • . • • • • • • • • • • • • • • • .156 BIBLIOGRAPHY. • • • • • • • • • • • • • • • • • • • • • • • .163 i C::HAPTER I Introduction and Purpose On the evening of May first, 1945, Dr. Paul Joseph Goebbels climbed the steps leading out of the Fuehrer Bunker and walked a short way into the Chancellery garden in the heart of Berlin. There he paused a moment to survey the shell-pocked landscape, raised a gun to his head and shot himself. It was a last act of propaganda, a fitting climax to the carefully contrived pageant he had labored for over twenty years to create. -
List of Significant Historical Characters in Der Untergang / the Downfall
list of significant historical characters in Der Untergang / The Downfall Adolf Hitler (played by Bruno Ganz) Traudl Humps Junge (played by Alexandra Maria Lara): Hitler’s youngest personal secretary, 1942-1945. Released an autobiography in 2002 and appeared in the documentary Im toten Winkel / Blind Spot, also in 2002. She died in Munich that same year. Eva Braun (played by Juliane Köhler): Hitler’s girlfriend and, very briefly, his wife. Committed suicide together with Hitler in April 1945. Hermann Fegelein (played by Thomas Kretschmann): Obergruppenführer or General in SS. Part of Hitler’s inner circle, due in part to marriage to Eva Braun’s sister and service as Himmler’s adjutant starting 1943. Fled bunker in April 1945 but was caught. Circumstances of death uncertain, but most likely executed in April 1945. Alfred Jodl (played by Christian Redl): A top officer in the Wehrmacht High Command. Signed the unconditional surrender in May 1945. Hanged October 1946 after Nuremberg Trial. Magda Goebbels (played by Corinna Harfouch): Joseph Goebbels’s wife. Had some role in the murder of their six children in Hitler’s bunker. Died May 1, 1945 along with Joseph Goebbels. Joseph Goebbels (played by Ulrich Matthes): Propaganda Minister, architect of Kristallnacht, directed book burnings. Died May 1, 1945 outside the bunker in an unconfirmed manner. Albert Speer (played by Heino Ferch): Hitler’s architect, also Minister of Armaments and War Production. Known as “the Nazi who said sorry.” At Nuremberg, sentenced to 20 years at Spandau. Released 1966, published two autobiographies. Died 1981 in London. Wilhelm Mohnke (played by André Hennicke): High-ranking General in the SS. -
Transformative Justice and the Ethos of Nuremberg
Loyola of Los Angeles Law Review Volume 33 Number 2 Symposium on Trials of the Century Article 6 1-1-2000 Transformative Justice and the Ethos of Nuremberg Jonathan Turley Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Law Commons Recommended Citation Jonathan Turley, Transformative Justice and the Ethos of Nuremberg, 33 Loy. L.A. L. Rev. 655 (2000). Available at: https://digitalcommons.lmu.edu/llr/vol33/iss2/6 This Symposium is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. TRANSFORMATIVE JUSTICE AND THE ETHOS OF NUREMBERG Jonathan Turley* I. INTRODUCTION Ideally, every case has an impact beyond its immediate parties and controversy. Courts will often craft doctrines or holdings to reach beyond the confines of a given case. Such extrinsic values are often expressed by courts in terms of deterrence and bright-line rules referring to the intended impact on future cases or conduct. The role of dicta is often to speak to such extrinsic issues, to speak to the fu- ture. Occasionally, a case will have the rare confluence of timing, facts, and issues to have a pronounced effect on society.' Some cases are so influential that their names become synonymous with legal rights, such as Miranda.2 Other cases become the symbols of the turmoil of the times, such as the Red Scare and the Rosenbergs,) * J.B. -
Fabricating the Death of Adolf Hitler Part 1
Introduction: Debunking the bunker legend any people are broadly familiar with the official narrative of Adolf Hitler's "last days", which was revisited on our cinema screens only recently in the form of the German film Do w n f a l l (Der Untergang, 2004). What they do not know is Mthat the official narrative is a political fiction—and that the revulsion it inspires is the result of deliberate planning. The little that most As the war reached its dreadful conclusion, Churchill and the British government set out to ensure that history never repeated itself—that there would be no resurgence of German of us think we know nationalism—by dictating how history would view the ultra-nationalistic Third Reich down to the very last detail. The narrative was to be so unedifying as to permanently tarnish the about the regime's prestige in the eyes of even its most ardent supporters. At no stage was historical truth a consideration. Neither the British nor the Americans showed genuine interest in circumstances of Hitler's fate. Their on l y interest lay in assigning to the movement's leader the most ignoble exit from the historical stage as possible. In this sense, the consignment of Hitler's charred Hitler's demise corpse to a rubbish-strewn bomb crater functioned as a metaphor for the consignment of the comes to us Hitler regime itself to the dustbin of history. In the foreword to Hitler's Death (2005), an anthology of documents from the Russian courtesy of British state archives designed to buttress the official narrative of the German leader's fate, historian Andrew Roberts avers: "Part of the reason why Germany has been such a successful, MI6 agent Hugh pacific, liberal democracy for the past sixty years is precisely because of the way that Hitler met his end in the manner described in mesmerising detail in this book. -
127 the Short Space Kingdoms – the April 30, 1945, Death of Adolf Hitler
#127 The Short Space Kingdoms – The April 30, 1945, Death of Adolf Hitler We are going to use two different dates and events to represent the end of Hitler’s Third Reich Germany. (1) April 30, 1945 – Death of Adolf Hitler as the Russians captured Berlin. (2) May 7, 1945 – Surrender of Germany at 2:41 a.m. to Eisenhower and the Allies. April 30, 1945, Death of Adolf Hitler According to The Rise and Fall of the Third Reich, by William H. Shirer, sometime between 1 a.m. and 3 a.m. on April 29, 1945, as Berlin was falling to the Soviets, Adolf Hitler accorded Eva Braun’s wish and formally married her. During the afternoon of April 29 came one of the last pieces of news from the outside world. Mussolini, Hitler’s fellow Fascist dictator in Italy, had been caught by Italian partisans and executed with his mistress the day before. The bodies were brought to Milan and strung up by the heels from lampposts. In the early afternoon on April 30, the Fuehrer’s chauffeur received an order to immediately deliver 200 liters of gasoline to the Chancellery garden. Hitler and Eva Braun finished their farewells and retired to their rooms. In a few moments a revolver shot was heard. Others waited for a second shot, but there was only silence. After a decent interval they quietly entered the Fuehrer’s quarters. They found the body of Adolf Hitler sprawled on a sofa dripping blood. He had shot himself in the mouth. At his side lay Eva Braun. -
Comparing Hitler and Stalin: Certain Cultural Considerations
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Comparing Hitler and Stalin: Certain Cultural Considerations Phillip W. Weiss Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/303 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Comparing Hitler and Stalin: Certain Cultural Considerations by Phillip W. Weiss A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2014 ii Copyright © 2014 Phillip W. Weiss All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. (typed name) David M. Gordon __________________________________________________ (required signature) __________________________ __________________________________________________ Date Thesis Advisor (typed name) Matthew K. Gold __________________________________________________ (required signature) __________________________ __________________________________________________ Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iv Acknowledgment I want to thank Professor David M. Gordon for agreeing to become my thesis advisor. His guidance and support were major factors in enabling me to achieve the goal of producing an interesting and informative scholarly work. As my mentor and project facilitator, he provided the feedback that kept me on the right track so as to ensure the successful completion of this project. -
Selling Hitler Tells the Story of the Biggest Fraud in Publishing History
CONTENTS About the Book About the Author Also by Robert Harris Title Page Acknowledgements List of illustrations Dramatis Personae Prologue Part One Chapter One Chapter Two Chapter Three Part Two Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Part Three Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen 1 Chapter Seventeen Chapter Eighteen Chapter Nineteen Chapter Twenty Chapter Twenty-One Chapter Twenty-Two Chapter Twenty-Three Chapter Twenty-Four Part Four Chapter Twenty-Five Chapter Twenty-Six Chapter Twenty-Seven Chapter Twenty-Eight Chapter Twenty-Nine Chapter Thirty Epilogue Picture Section Index Copyright 2 About the Book APRIL 1945: From the ruins of Berlin, a Luftwaffe transport plane takes off carrying secret papers belonging to Adolf Hitler. Half an hour later, it crashes in flames . APRIL 1983: In a bank vault in Switzerland, a German magazine offers to sell more than 50 volumes of Hitler’s secret diaries. The asking price is $4 million . Written with the pace and verve of a thriller and hailed on publication as a classic, Selling Hitler tells the story of the biggest fraud in publishing history. 3 About the Author Robert Harris is the author of Fatherland, Enigma, Archangel, Pompeii, Imperium and The Ghost, all of which were international bestsellers. His latest novel, Lustrum, has just been published. His work has been translated into thirty-seven languages. After graduating with a degree in English from Cambridge University, he worked as a reporter for the BBC’s Panorama and Newsnight programmes, before becoming political editor of the Observer and subsequently a columnist on the Sunday Times and the Daily Telegraph.