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NOVEMBER - DECEMBER 2016 I ISSUE 2 WAGNER UNMASKED HANDEL’S MESSIAH E.T. – THE EXTRA-TERRESTIAL, FILM WITH ORCHESTRA wso.ca I 204-949-3999 MESSAGE FROM THE EXECUTIVE DIRECTOR November and December are months of gratitude, contemplation, celebration, and renewal. In November, we celebrate the freedom of our nation and remember the sacrifices made by many during the wars of the past, and we can all be so thankful for the peaceful nation of opportunity in which we live. Live music performances with the WSO provide time to listen attentively and explore new landscapes created by the music. After one concert, an audience member approached me and said,“I am just so thankful that I am alive and that I heard that music tonight.”Perhaps that is the great gift of the live symphonic experience in our busy distracting lives, it gives us time to reflect and be grateful for the many blessings of our lives. In this period of thankfulness and family celebration, we encourage you to include time for some fine musical explorations with friends and family members to add to your holiday season and truly make the season bright.We also know that many people make annual charitable gifts at this time of year, and WSO staff members would be very pleased to talk with you about projects and opportunities for annual giving or planning for legacy gifts that can support the work of the WSO in our community. More than 30% of the WSO’s annual budget comes through the generosity of the community.This makes it possible to keep tickets affordable, provide educational programs for youth and young adults, and serve our community with celebratory concerts at various points in the year. The best way to experience the WSO for the first time, is to attend with friends or family members who enjoy the experience. As you consider holiday gift options, consider the enjoyment it could bring to friends and family members to attend a WSO concert with you. Dinner & Symphony ticket packages are popular gift items, as are flex packages of tickets, or for this year the Winnipeg Culture Pass is available through the WSO box office for $89. From all of us at the WSO, best wishes for a wonderful holiday season and a new year brimming with good health, great music, and wonderful times with friends and family members. Trudy Schroeder Executive Director Winnipeg Symphony Orchestra November – December 2016 I OVERTURE 1 WSO SPONSORS, FUNDERS AND ACKNOWLEDGEMENTS The WSO proudly acknowledges the ongoing support of the following sponsors, media and funders: COMMUNITY ENGAGEMENT PARTNER EDUCATION & COMMUNITY ENGAGEMENT PROGRAMS IN MEMORY OF PETER D. CURRY POPS KIDS CONCERTS CLASSICS A SERIES SERIES SERIES WSO IN BRANDON INDIVIDUAL CONCERTS MARTY & MICHELLE ARNOLD & MYRA WEINBERG AND FAMILY FRIEMAN CARMYN ALESHKA & GREG FETTES MANITOBA HYDRO SOUNDCHECK POPS PRESENTING OFFICIAL RADIO STATION HOLIDAY TOUR PROGRAM MEDIA PARTNER OF THE WSO CLASSICS PIANO RAFFLE CAR RAFFLE CORPORATE SUSTAINABILITY Women’s Committee of the Winnipeg Symphony Orchestra FUNDERS November – December 2016 I OVERTURE 3 CONDUCTORS Alexander Mickelthwate, Music Director German conductor Alexander Mickelthwate is renowned for his “splendid, richly idiomatic readings” (LA Weekly),“fearless” approach and “first-rate technique” (Los Angeles Times). Critics have noted Alexander’s extraordinary command over the Austro-Germanic repertoire, commenting on the “passion, profundity, emotional intensity, subtlety and degree of perfection achieved” in Bruckner’s Symphony No. 7 as “miraculous” (Anton Kuerti, 2011). Following on from his tenure as Assistant Conductor with the Atlanta Symphony Orchestra, which he completed in 2004, Alexander Mickelthwate was Associate Conductor of the Los Angeles Philharmonic for three years, under the direction of Essa-Pekka Salonen. Now in his tenth season as Music Director of the Winnipeg Symphony Orchestra, Alexander has significantly developed the orchestra’s profile through active community engagement and innovative programming initiatives like the annual Winnipeg New Music Festival and the Indigenous Music Festival. Chosen to perform at the Carnegie Hall Spring For Music Festival in New York, May 2014, due to “creative and innovative programming” (CBC Manitoba Scene), the orchestra was the only Canadian ensemble in the showcase. As well as significantly contributing to the Winnipeg New Music Festival and Indigenous Festival, Alexander led the orchestra’s first out of province tour since 1979 to the National Arts Centre in Ottawa, launched the international conducting masterclasses, the New Music Festival 2012 film project and played a major part in the acoustic overhaul of the Centennial Concert Hall. Photographer: Grajewski Fotograph Inc. Julian Pellicano, Resident Conductor Julian Pellicano’s boundless musical appetite makes him a formidable interpreter of the symphonic repertoire as well as a versatile conductor in a wide range of genres. He is currently the Resident Conductor of the Winnipeg Symphony Orchestra, Artist in Residence at the Norfolk Chamber Music festival, and Music Director of the University of Manitoba Symphony Orchestra. Pellicano has built his career by following an unconventional path.The creation, with Dr. Paul Lehrman, of a new performance edition of George Antheil's Ballet Mecanique first brought Pellicano to the public’s attention. From 2009 to 2013 he served as Music Director of the Longy School of Music Conservatory Orchestra where he established a rigorous and distinctive new orchestral program. Pellicano has conducted the Orquestra Sinfonica de Porto Alegre (Brazil), Hartford Symphony Orchestra, Eastern Connecticut Symphony, New Britain Symphony,The Kallisti Ensemble, Boston’s Dinosaur Annex Ensemble and Milwaukee's Present Music. He has worked in masterclasses with Kurt Masur, Peter Eötvös, Zsolt Nagy, Martyn Brabbins, and Carl St. Clair. As a young musician he played drums, percussion, organ, and accordion in rock, blues and jazz groups. An autodidact, he was accepted to the Peabody Conservatory as a percussionist without typical classical training. He also holds degrees from the Royal College of Music (Stockholm), and the Yale School of Music where he was awarded the 2008 Presser Music Award and the Philip F.Nelson Award. He premiered Martin Bresnick’s critically acclaimed opera My Friend's Story at the International Festival of Arts and Ideas and has conducted at Carnegie Hall with the Yale Philharmonia Orchestra. Photographer: Nardella Photography Inc. 4 OVERTURE I November – December 2016 WINNIPEG SYMPHONY ORCHESTRA 2016-2017 SEASON MUSIC DIRECTOR CELLOS TRUMPETS Alexander Mickelthwate Yuri Hooker, Principal Isaac Pulford, Acting Principal Leana Rutt, Assistant Principal Paul Jeffrey RESIDENT CONDUCTOR Alex Adaman Brian Sykora The Patty Kirk Memorial Chair Julian Pellicano Arlene Dahl Carolyn Nagelberg COMPOSER-IN-RESIDENCE TROMBONES Emma Quackenbush Harry Stafylakis Steven Dyer, Principal Sean Taubner Keith Dyrda FIRST VIOLINS Gwen Hoebig, Concertmaster BASSES BASS TROMBONE The Sophie-Carmen Eckhardt- Meredith Johnson, Principal Julia McIntyre, Principal Gramatté Memorial Chair, endowed Andrew Goodlett, Assistant Principal by the Eckhardt-Gramatté Foundation Travis Harrison TUBA Karl Stobbe, Associate Concertmaster Paul Nagelberg Chris Lee, Principal Mary Lawton, Assistant Concertmaster Bruce Okrainec TIMPANI Chris Anstey Daniel Perry Mona Coarda Mike Kemp, Principal Supported by Gorden & Audrey Fogg Rodica Jeffrey FLUTES Hong Tian Jia Jan Kocman, Principal Meredith McCallum PERCUSSION Martha Durkin Jane Pulford Frederick Liessens, Principal Sonia Shklarov PICCOLO Julie Savard HARP Jun Shao Martha Durkin Richard Turner, Principal Endowed by W.H. & S.E. Loewen SECOND VIOLINS OBOES **Jeremy Buzash, Principal Beverly Wang, Principal *Darryl Strain, Principal Robin MacMillan ORCHESTRA PERSONNEL Elation Pauls, Assistant Principal MANAGER Karen Bauch ENGLISH HORN Chris Lee Kristina Bauch Robin MacMillan, Principal PRINCIPAL LIBRARIAN **Teodora Dimova Raymond Chrunyk *Elizabeth Dyer CLARINETS Bokyung Hwang Micah Heilbrunn, Principal ASSISTANT LIBRARIAN Susan McCallum Michelle Goddard Laura MacDougall Takayo Noguchi Claudine St-Arnauld BASSOONS Alex Eastley, Principal *On Leave VIOLAS Kathryn Brooks **Temporary Position Daniel Scholz, Principal Anne Elise Lavallée, HORNS Please note: Non-titled (tutti) Assistant Principal string players are listed Patricia Evans, Principal Laszlo Baroczi alphabetically and are seated Ken MacDonald, Associate Principal Margaret Carey according to a rotational system. Richard Bauch James Robertson Greg Hay The Hilda Schelberger Memorial Chair Fred Redekop is the official Piano *Merrily Peters Caroline Oberheu Tuner and Technician of the WSO. Mike Scholz Michiko Singh November – December 2016 I OVERTURE 5 Wagner Unmasked: Tristan und Isolde Alexander Mickelthwate, conductor Peter Wedd, tenor (Tristan) Karen Foster, soprano (Isolde) CLASSICS Mary Phillips, mezzo-soprano (Brangäne) Nathan Starke, bass (Marke) Peter John Buchan, tenor (Melot) Kris Kornelsen, baritone (Kurwenal) Rob Herriot, host and stage director* Tristan und Isolde: Prelude & Liebestod Richard Wagner (1813-1883) Tristan und Isolde: An Overview* - INTERMISSION - Tristan und Isolde: Act II Scene I Scene II Scene III Presented with English surtitles. Friday, November 4 8:00 p.m. Classics A Series Sponsor: Saturday, November 5 8:00 p.m. Official Radio Station of the WSO Classics: Pre-Concert Chat on the Piano Nobile at 7:15 p.m. Pre-Concert Performance on the Piano
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