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Slum Clearance in Havana in an Age of Revolution, 1930-65
SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 by Jesse Lewis Horst Bachelor of Arts, St. Olaf College, 2006 Master of Arts, University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS & SCIENCES This dissertation was presented by Jesse Horst It was defended on July 28, 2016 and approved by Scott Morgenstern, Associate Professor, Department of Political Science Edward Muller, Professor, Department of History Lara Putnam, Professor and Chair, Department of History Co-Chair: George Reid Andrews, Distinguished Professor, Department of History Co-Chair: Alejandro de la Fuente, Robert Woods Bliss Professor of Latin American History and Economics, Department of History, Harvard University ii Copyright © by Jesse Horst 2016 iii SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 Jesse Horst, M.A., PhD University of Pittsburgh, 2016 This dissertation examines the relationship between poor, informally housed communities and the state in Havana, Cuba, from 1930 to 1965, before and after the first socialist revolution in the Western Hemisphere. It challenges the notion of a “great divide” between Republic and Revolution by tracing contentious interactions between technocrats, politicians, and financial elites on one hand, and mobilized, mostly-Afro-descended tenants and shantytown residents on the other hand. The dynamics of housing inequality in Havana not only reflected existing socio- racial hierarchies but also produced and reconfigured them in ways that have not been systematically researched. -
Tenth Conference on Cuban and Cuban-American Studies
Cuban Research Institute School of International and Public Affairs Tenth Conference on Cuban and Cuban-American Studies “More Than White, More Than Mulatto, More Than Black”: Racial Politics in Cuba and the Americas “Más que blanco, más que mulato, más que negro”: La política racial en Cuba y las Américas Dedicated to Carmelo Mesa-Lago February 26-28, 2015 WELCOMING REMARKS I’m thrilled to welcome you to our Tenth Conference on Cuban and Cuban-American Studies. On Friday evening, we’ll sponsor the premiere of the PBS documentary Cuba: The Forgotten Organized by the Cuban Research Institute (CRI) of Florida International University (FIU) Revolution, directed by Glenn Gebhard. The film focuses on the role of the slain leaders since 1997, this biennial meeting has become the largest international gathering of scholars José Antonio Echeverría and Frank País in the urban insurrection movement against the specializing in Cuba and its diaspora. Batista government in Cuba during the 1950s. After the screening, Lillian Guerra will lead the discussion with the director; Lucy Echeverría, José Antonio’s sister; Agustín País, Frank’s As the program for our conference shows, the academic study of Cuba and its diaspora brother; and José Álvarez, author of a book about Frank País. continues to draw substantial interest in many disciplines of the social sciences and the humanities, particularly in literary criticism, history, anthropology, sociology, music, and the On Saturday, the last day of the conference, we’ll have a numerous and varied group of arts. We expect more than 250 participants from universities throughout the United States and presentations. -
El Puerto De La Habana. Un Recorrido Por Su Historia Militar Hasta 1898
EL PUERTO DE LA HABANA. UN RECORRIDO POR SU HISTORIA MILITAR HASTA 1898 HAVANA PORT. A RUN THROUGH OF IT’S MILITARY HISTORY UNTIL 1898 Gustavo Placer Cervera RESUMEN ABSTRACT La historia de La Habana está indisolu- The history of Havana is undeniably blemente ligada a la de su hermosa ba- linked to its beautiful history, magnifi- hía, magnífico puerto natural, a su acti- cent natural port, its economic activity vidad económica y a su historia militar. and its military history. Trade, war and Comercio, guerra y navegación: la his- navigation: the history of port-villa, toria de la villa-puerto, poco a poco little by little changed into capital city, transformada en capital girará durante will live for centuries in accordance siglos alrededor de estos factores deter- with these factors that will shape its minando su fisonomía y destino hasta appearance and destiny up until the end th finales del siglo XIX. El contenido de la of the 19 century. The following is ponencia es sobre los inicios. Los pri- contained in the paper: meros ataques de piratas y su respuesta. The beginnings. The first pirate attacks El primer sistema defensivo. La cons- and the response. The first system of trucción naval. La toma de La Habana defense. The naval construction. The por los ingleses en 1762. La construc- takeover of Havana by the English in ción del segundo sistema defensivo. La 1762. The construction of the second Habana, base de la recuperación de Las system of defense. Havana, base of the Floridas y Bahamas. El siglo XIX. El recovering of Florida and the Bahamas. -
Reglas De Congo: Palo Monte Mayombe) a Book by Lydia Cabrera an English Translation from the Spanish
THE KONGO RULE: THE PALO MONTE MAYOMBE WISDOM SOCIETY (REGLAS DE CONGO: PALO MONTE MAYOMBE) A BOOK BY LYDIA CABRERA AN ENGLISH TRANSLATION FROM THE SPANISH Donato Fhunsu A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2016 Approved by: Inger S. B. Brodey Todd Ramón Ochoa Marsha S. Collins Tanya L. Shields Madeline G. Levine © 2016 Donato Fhunsu ALL RIGHTS RESERVED ii ABSTRACT Donato Fhunsu: The Kongo Rule: The Palo Monte Mayombe Wisdom Society (Reglas de Congo: Palo Monte Mayombe) A Book by Lydia Cabrera An English Translation from the Spanish (Under the direction of Inger S. B. Brodey and Todd Ramón Ochoa) This dissertation is a critical analysis and annotated translation, from Spanish into English, of the book Reglas de Congo: Palo Monte Mayombe, by the Cuban anthropologist, artist, and writer Lydia Cabrera (1899-1991). Cabrera’s text is a hybrid ethnographic book of religion, slave narratives (oral history), and folklore (songs, poetry) that she devoted to a group of Afro-Cubans known as “los Congos de Cuba,” descendants of the Africans who were brought to the Caribbean island of Cuba during the trans-Atlantic Ocean African slave trade from the former Kongo Kingdom, which occupied the present-day southwestern part of Congo-Kinshasa, Congo-Brazzaville, Cabinda, and northern Angola. The Kongo Kingdom had formal contact with Christianity through the Kingdom of Portugal as early as the 1490s. -
Artelogie, 16 | 2021 Diaspora, De/Reterritorialization and Negotiation of Identitary Music Practic
Artelogie Recherche sur les arts, le patrimoine et la littérature de l'Amérique latine 16 | 2021 Fotografía y migraciones, siglos XIX-XXI. Diaspora, de/reterritorialization and negotiation of identitary music practices in “La Rumba de Pedro Pablo”: a case study of Cuban traditional and popular music in 21st Madrid Iván César Morales Flores Electronic version URL: https://journals.openedition.org/artelogie/9381 DOI: 10.4000/artelogie.9381 ISSN: 2115-6395 Publisher Association ESCAL Electronic reference Iván César Morales Flores, “Diaspora, de/reterritorialization and negotiation of identitary music practices in “La Rumba de Pedro Pablo”: a case study of Cuban traditional and popular music in 21st Madrid”, Artelogie [Online], 16 | 2021, Online since 27 January 2021, connection on 03 September 2021. URL: http://journals.openedition.org/artelogie/9381 ; DOI: https://doi.org/10.4000/artelogie. 9381 This text was automatically generated on 3 September 2021. Association ESCAL Diaspora, de/reterritorialization and negotiation of identitary music practic... 1 Diaspora, de/reterritorialization and negotiation of identitary music practices in “La Rumba de Pedro Pablo”: a case study of Cuban traditional and popular music in 21st Madrid Iván César Morales Flores This text is part of the article “La Rumba de Pedro Pablo: de/reterritorialization of Cuban folkloric, traditional and popular practices in the Madrid music scene of the 21st century” published in Spanish in the dossier “Abre la muralla: refracciones latinoamericanas en la música popular española desde los años 1960”, Celsa Alonso and Julio Ogas (coords.), in Cuadernos de Etnomusicología, Nº 13, 2019, as a result of the Research Project I+D+i: “Música en conflicto en España y Latinoamérica: entre la hegemonía y la transgresión (siglos XX y XXI)” HAR2015-64285- C2-1-P. -
Evbeyi Deathless Free Download Evbeyi Deathless Free Download
evbeyi deathless free download Evbeyi deathless free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a290bdf8ed0c48 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Lyrics Deathless. What's your name? Do you know why I'm here? She was, she was Innocent Sweet sixteen Frozen with fear Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless He said, he said You're not clean You might deal All the same with that skin She was, she was Funny looks With her books Left for dead in the streets Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless. -
Lecuona Cuban Boys
SECCION 03 L LA ALONDRA HABANERA Ver: El Madrugador LA ARGENTINITA (es) Encarnación López Júlvez, nació en Buenos Aires en 1898 de padres españoles, que siendo ella muy niña regresan a España. Su figura se confunde con la de Antonia Mercé, “La argentina”, que como ella nació también en Buenos Aires de padres españoles y también como ella fue bailarina famosísima y coreógrafa, pero no cantante. La Argentinita murió en Nueva York en 9/24/1945.Diccionario de la Música Española e Hispanoamericana, SGAE 2000 T-6 p.66. OJ-280 5/1932 GVA-AE- Es El manisero / prg MS 3888 CD Sonifolk 20062 LA BANDA DE SAM (me) En 1992 “Sam” (Serafín Espinal) de Naucalpan, Estado de México,comienza su carrera con su banda rock comienza su carrera con mucho éxito, aunque un accidente casi mortal en 1999 la interumpe…Google. 48-48 1949 Nick 0011 Me Aquellos ojos verdes NM 46-49 1949 Nick 0011 Me María La O EL LA CALANDRIA Y CLAVELITO Duo de cantantes de puntos guajiros. Ya hablamos de Clavelito. La Calandria, Nena Cruz, debe haber sido un poco más joven que él. Protagonizaron en los ’40 el programa Rincón campesino a traves de la CMQ. Pese a esto, sólo grabaron al parecer, estos discos, y los que aparecen como Calandria y Clavelito. Ver:Calandria y Clavelito LA CALANDRIA Y SU GRUPO (pr) c/ Juanito y Los Parranderos 195_ P 2250 Reto / seis chorreao 195_ P 2268 Me la pagarás / b RH 195_ P 2268 Clemencia / b MV-2125 1953 VRV-857 Rubias y trigueñas / pc MAP MV-2126 1953 VRV-868 Ayer y hoy / pc MAP LA CHAPINA. -
Havanareporter YEAR VI
THE © YEAR VI Nº 7 APR, 6 2017 HAVANA, CUBA avana eporter ISSN 2224-5707 YOUR SOURCE OF NEWS & MORE H R Price: A Bimonthly Newspaper of the Prensa Latina News Agency 1.00 CUC, 1.00 USD, 1.20 CAN Caribbean Cooperation on Sustainable Development P. 3 P. 4 Cuba Health & Economy Sports Maisí Draws Tourists Science Valuable Cuban Boxing to Cuba’s Havana Hosts Sugar by Supports Enhanced Far East Regional Disability Products Transparency P.3 Conference P. 5 P. 13 P. 15 2 Cuba´s Beautiful Caribbean Keys By Roberto F. CAMPOS Many tourists who come to Cuba particularly love the beak known as Coco or White Ibis. Cayo Santa Maria, in Cuba’s the north-central region “Cayos” and become enchanted by their beautiful and Adjacent to it are the Guillermo and Paredón has become a particularly popular choice because of its very well preserved natural surroundings and range of Grande keys, which are included in the region´s tourism wonderful natural beauty, its infrastructure and unique recreational nautical activities. development projects. Cuban culinary traditions. These groups of small islands include Jardines del Rey Cayo Coco is the fourth largest island in the Cuban 13km long, two wide and boasting 11km of prime (King´s Gardens), one of Cuba´s most attractive tourist archipelago with 370 square kilometers and 22 beachfront, Cayo Santa María has small islands of destinations, catering primarily to Canadian, British kilometers of beach. pristine white sands and crystal clear waters. and Argentine holidaymakers, who praise the natural Cayo Guillermo extends to 13 square kilometers Other outstandingly attractive islets such as environment, infrastructure and service quality. -
Cuerpo Y Bolero. La Lupe: Una Aproximación En Clave De Artefacto Cultural
ISSN 2250-7116 ARTÍCULO / ARTIGO / ARTICLE el oído pensante 8.1 (febrero-julio, 2020): [65-85] 65 doi: 10.34096/oidopensante.v8n1.7597 Cuerpo y bolero. La Lupe: una aproximación en clave de artefacto cultural Celiner de Jesús Ascanio Barrios " Universidad de las Américas, Quito, Ecuador [email protected] Christian Paul Chasi Escobar Universidad de las Américas, Quito, Ecuador [email protected] Recepción: septiembre 2019. Aceptación: diciembre 2019. Resumen El cuerpo es el lugar en donde se inscribe la subjetividad. No existe subje- tividad sin cuerpo. Más allá de las teorías políticas, los estudios sobre esta categoría se abren también a perspectivas que lo conectan con la vida y el deseo. El cuerpo erótico constituye así una deriva que dialoga con las Políticas del Afecto y los Estudios Culturales. Nuestro trabajo parte de un fenómeno, pensado como “artefacto cultural”, que se origina en la música y estalla hacia otros campos generando una productividad. El objetivo del presente artículo es analizar categorías como cuerpo y erotismo y su - nalidad de excepción” en quien vida y obra se mezclan para dar lugar a un artefactorelación con cultural: el bolero, La Lupe. a partir Nuestro de una corpus figura está que conformado constituye por una formatos “perso que permitirán leer esta productividad que representa La Lupe en Lati- noamérica durante el siglo XX. Partiremos de las propuestas teóricas de Roger Dadoun sobre erotismo, cuerpo y deseo, y de las discusiones sobre “originalidad” de Gilles Deleuze, en diálogo con diferentes lecturas sobre el bolero que permitirán comprender las categorías anteriores, tomando en cuentaPalabras la clave:especificidad artefacto que cultural, tienen bolero, dentro erotismo, del imaginario cuerpo, La latinoamericano. -
Playbill 0911.Indd
umass fine arts center CENTER SERIES 2008–2009 1 2 3 4 playbill 1 Latin Fest featuring La India 09/20/08 2 Dave Pietro, Chakra Suite 10/03/08 3 Shakespeare & Company, Hamlet 10/08/08 4 Lura 10/09/08 DtCokeYoga8.5x11.qxp 5/17/07 11:30 AM Page 1 DC-07-M-3214 Yoga Class 8.5” x 11” YOGACLASS ©2007The Coca-Cola Company. Diet Coke and the Dynamic Ribbon are registered trademarks The of Coca-Cola Company. We’ve mastered the fine art of health care. Whether you need a family doctor or a physician specialist, in our region it’s Baystate Medical Practices that takes center stage in providing quality and excellence. From Greenfield to East Longmeadow, from young children to seniors, from coughs and colds to highly sophisticated surgery — we’ve got the talent and experience it takes to be the best. Visit us at www.baystatehealth.com/bmp Supporting The Community We Live In Helps Create a Better World For All Of Us Allen Davis, CFP® and The Davis Group Are Proud Supporters of the Fine Arts Center! The work we do with our clients enables them to share their assets with their families, loved ones, and the causes they support. But we also help clients share their growing knowledge and information about their financial position in useful and appropriate ways in order to empower and motivate those around them. Sharing is not limited to sharing material things; it’s also about sharing one’s personal and family legacy. It’s about passing along what matters most — during life, and after. -
Music Production and Cultural Entrepreneurship in Today’S Havana: Elephants in the Room
MUSIC PRODUCTION AND CULTURAL ENTREPRENEURSHIP IN TODAY’S HAVANA: ELEPHANTS IN THE ROOM by Freddy Monasterio Barsó A thesis submitted to the Department of Cultural Studies In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (September, 2018) Copyright ©Freddy Monasterio Barsó, 2018 Abstract Cultural production and entrepreneurship are two major components of today’s global economic system as well as important drivers of social development. Recently, Cuba has introduced substantial reforms to its socialist economic model of central planning in order to face a three-decade crisis triggered by the demise of the USSR. The transition to a new model, known as the “update,” has two main objectives: to make the state sector more efficient by granting more autonomy to its organizations; and to develop alternative economic actors (small private businesses, cooperatives) and self-employment. Cultural production and entrepreneurship have been largely absent from the debates and decentralization policies driving the “update” agenda. This is mainly due to culture’s strategic role in the ideological narrative of the ruling political leadership, aided by a dysfunctional, conservative cultural bureaucracy. The goal of this study is to highlight the potential of cultural production and entrepreneurship for socioeconomic development in the context of neoliberal globalization. While Cuba is attempting to advance an alternative socialist project, its high economic dependency makes the island vulnerable to the forces of global neoliberalism. This study focuses on Havana’s music sector, particularly on the initiatives, musicians and music professionals operating in the informal economy that has emerged as a consequence of major contradictions and legal gaps stemming from an outdated cultural policy and ambiguous regulation. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin