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Portada Libro Primera Muestra De Cine De Medio Oriente

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Portada Libro Primera Muestra De Cine De Medio Oriente PRIMERA MUESTRA DE CINE DE MEDIO ORIENTE CONTEMPORÁNEO FIRST MIDDLE EAST CONTEMPORARY CINEMA EXHIBITION Fundación Gilberto Alzate Avendaño - Cinemateca Distrital Bogotá, D.C. Muestra realizada con el apoyo de la Universidad Central y su Cineclub Exhibition supported by Universidad Central and its Film-club Noviembre 2010 November 2010 La Cinemateca Distrital hace parte de la Fundación Gilberto Alzate Avendaño de la Alcaldía Mayor de Bogotá D.C. Cinemateca Distrital (Cinematheque of Bogotá’s Capital District) is part of Fundación Gilberto Alzate Avendaño of Bogotá’s City Hall Samuel Moreno Rojas ALCALDE MAYOR DE BOGOTÁ D.C. City Mayor of Bogota D.C. Catalina Ramírez Vallejo SECRETARIA DE CULTURA, RECREACIÓN Y DEPORTE Secretary of Culture, Entertainment and Sports Ana María Alzate Ronga DIRECTORA FUNDACIÓN GILBERTO ALZATE AVENDAÑO Director of Fundación Gilberto Alzate Avendaño Sergio Becerra Vanegas COORDINADOR DE ARTES AUDIOVISUALES DIRECTOR DE LA CINEMATECA DISTRITAL Coordinator of the Audio-Visual Arts Departament Director of Cinemateca Distrital Primera muestra de cine de Medio Oriente Contemporáneo First Middle East Contemporary Cinema Exhibition Cinemateca Distrital Noviembre 2010 /November 2010 EDITOR / Publisher Sergio Becerra DISEÑO / Design Oscar Javier Zambrano Cruz Alcaldía Mayor de Bogotá DISEÑO DE PORTADA / Cover Design Carlos Ramírez CORRECIÓN DE ESTILO / Copyediting María Villa MATERIAL GRÁFICO Y FOTOGRÁFICO / Graphic and Photographic Material Embajada de Francia en Colombia y Ministerio de Relaciones Exteriores de Francia (Beirut Oeste), MEC Film (Alemania) (El pueblo de un solo hombre, El tirador, Pide un deseo, Yo soy el que lleva flores a su tumba, Un lunes, Mirando mal, Como veinte imposibles, Diario de un prostituto), Beirut DC (Líbano) ( El pueblo de un solo hombre, Janoub/Sur, Hayda Lubnan/Así es el Líbano, Póstumo, Sana Helwa/Feliz cumpleaños, Vecinos en aprietos, 7 días laborales, Desde Beirut I y II, Irak: camino más allá del atardecer, Para Sarah, Elie Feyrouz, Ejteyah/Invasión, A pesar de la guerra, Tahaddi/El reto, Ustura/Mitología), Cineplex Colombia (Caramel), Cine Colombia (Paraíso ahora), Samir Helo (Sentido Común), Natalia Díaz (Rompe el día), Augustus Film/Palestinian Film Foundation © (La boda de Rania), Arte France Cinema © (Intervención divina), Ness Communication and Productions Ltd © (Atash/Sed), Augustus Film/Clarity Productions/JBA Productions/Philistine Films © (La sal de este mar). France Embassy in Colombia y and Foreign Affairs Ministry of France (West Beirut), MEC Film (Germany) (The One Man Village, The Shooter, Make a Wish, I Am the One who Bring Flowers to her Grave, On a Monday, Looking Awry, Like Twenty Impossibles, Diary of a Male Whore), Beirut DC (Le- banon) (The One Man Village, Janoub/South, Hayda Lubnan/This is Lebanon, Posthumous, Sana Helwa/Happy Birthday, Neighbours in Need, 7 Days a Work, From Beyrouth I and II, Irak: Road Beyond the Sunset, To Sarah, Elie Feyrouz, Ejteyah/Invasion, In Spite of the War, Tahaddi/The Challenge, Ustura/Mithology), Cineplex Colombia (Caramel), Cine Colombia (Paradise Now), Samir Helo (Common Sense), Natalia Díaz (Break the Day Down), Augustus Film/Palestinian Film Foundation © (Rana’s Wedding), Arte France Cinema © (Divine Intervention), Ness Communication and Productions Ltd © (Atash/Thirst), Augustus Film/Clarity Productions/JBA Productions/Philistine Films © (Salt of this Sea). ARTÍCULOS / Articles Alberto Elena, Francisco Galindo, Irit Neidhardt, Rasha Salti, Sergio Becerra. La publicación de “El nuevo cine árabe: Oriente Medio”, artículo del libro Los cines periféricos: África, Oriente Medio, India, de Alberto Elena, edita- do por Paidós (Barcelona, 1999), se realiza con la autorización expresa del autor y del editor titulares de los derechos de la obra. The publication of “The New Arab Cinema: Middle East”, article previously published in the book The Peripheric Cinema, Africa, Middle East, India, by Alberto Elena, published by Paidos (Barcelona 1999), is included here with full permission of the author and copyright owners. FILMOGRAFÍA / Filmography Juan Guillermo Ramírez BIBLIOGRAFÍA / Bibliography Alexander Montero, Harriet Malinowitz, Sergio Becerra ICONOGRAFÍA / Iconography Ana María López TRADUCCIÓN / Translation Camila Pedraza, María Villa, Sergio Becerra AGRADECIMIENTOS / Acknowledgments Un especial reconocimiento al apoyo de las directivas que hicieron posible este proyecto / A special acknowledgment to the directives that supported and made possible this project: Ivan Acosta (Cineclub Universidad Central), Zeina Sfeir (Beyrouth DC), Irit Neidhardt (MEC Film), Yvette Jassir (Asociación de Damas Colombo-pales- tinas), Ketty Valbuena, Jacqueline Katah, Tatiana Nehme, Yuhaina Kadamani (Unión Libanesa Cultural Mundial, Capítulo Colombia), Hassan Muslimani (Embajada del Líbano), Imad Nabil Jada’a, Riyad Al Halabi y Estrella Vallejo (Embajada de Palestina), Jean-Michel Marlaud y Annouchka de Andrade (Embajada de Francia), Rida Mariette Aljure Salame (Embajada de Colombia en el Líbano/Ministerio de Relaciones Exteriores), Guillermo Páramo, Nelson Gnecco, Blanca Giral (Universidad Central), Pilar Gordillo. Igualmente expresamos nustra gratitud a: / As well as our gratitude to: El Grupo de Danza Folklórica Libanesa El Arz (bajo la dirección del profesor Nehme Nehme), la familia Helo (Francisco Javier, Ernesto, Samir, Edgar, Nicolás), Bilateral, Chaid Neme Hermanos, Munir Fallah, Carlos Llano, Pía Barragán (Cine Colombia), John Jairo Quevedo (Editorial Planeta Colom- bia), Octavia Pascual (Editorial Paidós España), Rasha Salti, Eduardo Kronfly, Carlos Ramírez y Maria Fernanda Prieto. Todo nuestro reconocimiento al compromiso de Eliane Raheb (cineasta libanesa) y Nizar Hassan (cineasta palestino), que fueron invitados especiales de la muestra, así como al profesor Alberto Elena, por su permanente apoyo y generosidad. Nuestra gratitud con Adriana Cupitra por su apoyo en la construcción de la bibliografía. Our full recognition to the commitment of Eliane Raheb (Lebanese filmmaker) and Nizar Hassan (Palestinian filmmaker) that were our special guests in the exhibition, as well as to professor Alberto Elena, for his permanent support and generosity. We are grateful with Adriana Cupitra for her help with the bibliography. IMPRESIÓN / Printing Subdirección Imprenta Distrital DDI ISBN 978-958-8471-44-0 CINEMATECA DISTRITAL Carrera 7 No. 22-79, Bogotá, Colombia Teléfonos: (571) 281 0797 - (571) 284 80 76 - Cel.: (57) 301 368 49 32 - Fax.: (571) 334 34 51 www.cinematecadistrital.gov.co / www.fgaa.gov.co La presencia de la Cinemateca Distrital en la Sala Azteca-Fundadores, de julio de 2009 a julio de 2010, fue posible gracias a la alianza entre la Funda- ción Gilberto Alzate Avendaño y la Universidad Central. La programación de la sala durante ese tiempo fue un esfuerzo conjunto entre la Cinemateca Distrital y el Cineclub de la Universidad Central. From July 2009 to July 2010 Cinemateca Distrital was able to function in Sala Azteca-Fundadores thanks to the partnership between Fundación Gil- berto Alzate Avendaño and Universidad Central. The film exhibition programmes were the result of a collaborative effort between Cinemateca Distrital and Universidad Central’s Film-club. La Fundación Gilberto Alzate Avendaño no comparte necesariamente las opiniones expresadas por los colaboradores de esta publicación. Gilberto Alzate Avendaño Foundation does not necessarily subscribe the opinions expressed by the collaborators of this publication. PUBLICACIÓN GRATUITA. PROHIBIDA SU VENTA / THIS PUBLICATION IS NOT FOR SALE. Para Sarah / To Sarah Dir. Zeina Sfeir y Nadine El-Khoury (Líbano / Lebanon), 2003. Yo soy quien lleva flores a su tumba/ I Am The One Who Brings Flowers to Her Grave. Dir. Hala Abdallah y Ammar Al Beik (Siria / Syria - Francia / France), Mec Film, 2006. El pueblo de un solo hombre / The One Man Village, Dir. Simon El Habre, (Líbano / Lebanon) Mec Film, 2008. Irak: el camino más allá del atardecer / Iraq: Road Beyond Sunset Dir. Bassem Fayad (Líbano / Lebanon), 2004. ÍNDICE / Content 9 La luna y el olivar: elementos introductorios a los cines del Medio Oriente 21 The Moon and the Olive Tree: Preliminary Elements to Middle East Cinemas Sergio Becerra 33 Breve versión del conflicto en el Medio Oriente 43 Brief Perspective of Conflict in the Middle East Francisco Galindo 51 El “nuevo cine” árabe: Oriente Medio 61 The “New Arab” Cinema: The Middle East Alberto Elena 71 De la insoportable levedad a la seriedad impertérrita. La ominosa historia de cómo el cine libanés se tomó en serio a sí mismo 87 From Unbearable Lightness to Undaunted Seriousness. The Uncanny Story of How Lebanese Cinema Took Itself Seriously Rasha Salti 101 ¿Cine palestino? 111 Palestinian Cinema? Irit Neidhardt 119 Filmografía Filmography Juan Guillermo Ramírez 131 Bibliografía Bibliography Harriet Malinowitz, Alexander Montero, Sergio Becerra 149 Sobre los autores 151 About the Authors Irak: el camino más allá del atardecer/ Iraq: Road Beyond Sunset Dir. Bassem Fayad (Líbano / Lebanon), 2004. Tahaddi (El reto / The Challenge) Dir. Nizar Hassan(Palestina / Palestine), 2000. Yo soy quien le lleva flores a su tumba / I Am The One Who Brings Flowers to Her Grave. Dir. HalaAbdallah y Ammar Al Beik (Siria y Francia/ Syria & France), 2006. Para Sarah / To Sarah Dir. Zeina Sfeir y Nadine El-Khoury (Líbano / Lebanon), 2003. La luna y el olivar: Elementos introductorios a los cines del Medio Oriente Por Sergio Becerra La relación entre Occidente y Oriente es una relación
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