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Who Owns the News Media?
RESEARCH REPORT July 2016 WHO OWNS THE NEWS MEDIA? A study of the shareholding of South Africa’s major media companies ANALYSTS: Stuart Theobald, CFA Colin Anthony PhibionMakuwerere, CFA www.intellidex.co.za Who Owns the News Media ACKNOWLEDGEMENTS We approached all of the major media companies in South Africa for assistance with information about their ownership. Many responded, and we are extremely grateful for their efforts. We also consulted with several academics regarding previous studies and are grateful to Tawana Kupe at Wits University for guidance in this regard. Finally, we are grateful to Times Media Group who provided a small budget to support the research time necessary for this project. The findings and conclusions of this project are entirely those of Intellidex. COPYRIGHT © Copyright Intellidex (Pty) Ltd This report is the intellectual property of Intellidex, but may be freely distributed and reproduced in this format without requiring permission from Intellidex. DISCLAIMER This report is based on analysis of public documents including annual reports, shareholder registers and media reports. It is also based on direct communication with the relevant companies. Intellidex believes that these sources are reliable, but makes no warranty whatsoever as to the accuracy of the data and cannot be held responsible for reliance on this data. DECLARATION OF CONFLICTS Intellidex has, or seeks to have, business relationships with the companies covered in this report. In particular, in the past year, Intellidex has undertaken work and received payment from, Times Media Group, Independent Newspapers, and Moneyweb. 2 www.intellidex.co.za © Copyright Intellidex (Pty) Ltd Who Owns the News Media CONTENTS 1. -
The Art of Pitching (2005) the Art of Co-Production the Art of Sourcing Content National and International Annual Observances Thought Memory
Producer Guide The PArti tofc hing Pitching A Handbook for Independent Producers 2013 Revised and Updated Published by the SABC Ltd as a service to the broadcast sector Pitch the act of presenting a proposal to a broadcaster – either in person or in the form of a document The word “pitch” became common practice in the early days of cinema when studios needed an expression of the passion that was not always evident in written words. “You write the words, but you pitch the feelings.” "If you want to go quickly, go alone. If you want to go far, go together" - African proverb “A tree is known by its fruit” - Zulu proverb Content is Queen In this series The Art of Pitching (2005) The Art of Co-production The Art of Sourcing Content National and International Annual Observances Thought Memory © SABC Ltd 2013 Pitching The Art of PitchingPitching Revised Edition 2013 By Howard Thomas Commissioned by SABC Innovation and Editorial Conceptualised and initiated by Yvonne Kgame © SABC Ltd 2013 The Art of Pitching Howard Thomas has worked in the entertainment industry all his life, and in television since it first arrived in South Africa in 1976. He is an award-winning TV producer, and has worked in theatre, radio, films, magazines and digital media. He has been writing about the industry for over 20 years. He is also a respected trainer, lecturer and facilitator, columnist and SAQA accredited as an assessor and moderator. All rights reserved. No part of the publication may be reproduced or transmitted in any form or by electrical or mechanical means, including any information storage and retrieval system, without prior permission in writing from the publishers. -
SABC July/August 2021 Packages in Celebration of Mandela Month XK FM 26 Breakfast Sports Show - 4 Weeks 26
SABC July/August 2021 Packages In Celebration of Mandela Month XK FM 26 Breakfast Sports Show - 4 Weeks 26 MOTSWEDING FM 27 Covid-19 Update 27 Family Health 28 Auto Feature 29 Legal, Finance & Consumer 30 contentsSABC 1 4 Movies SABC 1- Friday July @ 21h00 4 LESEDI FM 31 Movies SABC 1- Saturday July @ 20h00 5 Business Tuesdays 31 Movies SABC 1- Sunday July @ 21h00 6 Healthy Lifestyle 32 SABC 1 SHOWS - 18h00 Block 7 Diy 33 SABC 1 SHOWS - 19h30 Block 8 Transport News 34 Monthly Package 18h00-19h30 Squeeze-back and Commercial 9 Monthly Package 18h00-19h30 Squeeze-back and Commercial 10 IKWEKWEZI FM 35 Monthly Package 19h30 Tops and tails 11 National Savings Month - 4 Weeks 35 Monthly Package 18h00-19h30 Tops and tails 12 Umma Wamambala – Woman Crush Wednesday - 13 Weeks 36 Standard Terms and Conditions 13 LIGWALAGWALA FM 37 National Savings Month - 4 Weeks 37 PHALAPHALA FM 15 Business101 - 13 Weeks 38 Uplifting Vhembe Villages/Midi Na Midanani - 5 Weeks 15 Ariphalalane/Let’s Rescue Each Other - 4 Weeks 16 RADIO 2000 39 The Glenzito Super Drive 39 THOBELA FM 17 Re Go Thusha Ka Eng” / How Can We Help You - 5 Weeks 17 SAFM 40 I Am Leader (Ke Moetapele) - 5 Weeks 18 Life Happens 40 Fighting Covid With Prayer (Re Lwantšha Covid Ka Thapelo) - 4 Weeks 19 METRO FM 41 The Metro Fm Top 40 - 8 Weeks 41 MUNGHANA LONENE FM 20 Uplifting Small Local Businesses / Pfuka Uti Endlela - 5 Weeks 20 UKHOZI FM 42 Women In Business / A Hi Tshami Hi Mavoko - 4 Weeks 21 Sigiya Ngengoma - 8 Weeks 42 Round Table Discussion On Gbv With Stakeholders/Survivors 22 Round Table Discussion On Gbv With Stakeholders/Survivors 23 TRU FM 43 Mandela’s Memorable Moments 24 Trufm Top 30 - 8 Weeks 43 RSG 25 Standard Terms and Conditions 44 Praatsaam - 1 Week 25 Intro The month of July is celebrated worldwide and in South Africa as Nelson Mandela Month. -
A Channel Guide
Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto -
12 Ict Policy Review
Broadcasting Services in the Digital Age Introduction Convergence and technological changes pose particular challenges to traditional approaches to broadcasting regulation. Increased access to high speed affordable broadband will increasingly and fundamentally change the way audiences access audio- visual content. People will be able to watch and listen to a range of television- and radio-like content on a variety of platforms and devices – and be able to create and distribute their own content via the internet. As new technologies develop and become more pervasive, audiences will be able to watch broadcasting-like content distributed and developed by international and South African organisations and companies on their computers, mobile phones, tables and other connected devices. With the introduction of internet enabled televisions, set top boxes (STBs) and gaming devices, this content will also be able to be viewed on television screens. Traditional broadcasters will face increasing competition for content, audiences, advertising and revenue from other players (including internet companies and network operators). These technological changes pose both opportunities and threats. On the one hand it will enrich diversity and allow South Africans to access news, information and entertainment programming from a range of different sources (local and international) and enable South Africans to tell their stories to an international audience. On the other hand, the need to ensure all audiences access to public interest content reflecting the cultural, social and linguistic diversity of the country could be threatened as traditional broadcasters will face increasing competition. The new framework must be flexible enough to anticipate the challenges and opportunities so that the overarching public objectives set for the sector can be realised. -
Efstathiou N.Pdf (1.773Mb)
Assessing the influence of radio advertising on consumer purchasing decisions ND Efstathiou orcid.org 0000-0002-1752-3807 Mini-dissertation accepted in partial fulfilment of the requirements for the degree Masters of Business Administration at the North-West University Supervisor: Prof CA Bisschoff Graduation: May 2019 Student number: 29788285 ABSTRACT Radio advertising is an advertising platform that has been used by brands, products and services since 1922. The influence of radio advertising on a consumer’s purchase decision is tough to determine, the research that is available on radio advertising, in general, is far less in comparison to other advertising research studies in the marketing of brands, products and services. This study aims to determine the impact of radio advertising on a consumer purchase decision. The majority of research studies rely on the effect of television and print advertising, and recently internet advertising has shown a higher engagement level for consumers to influence purchase decisions. The disruptive nature of internet advertising has had an influence on the revenue generation for traditional platforms such as radio, print and television. Radio advertising is a platform used mostly by local businesses on a local radio station in the business’s vicinity. Research in the marketing of brands, products and services have included radio advertising, including the singularity of a message of a radio advertisement message recall-analysis. Traditional media are used for branding, and to action a sales promotion to drive revenue generation and profitability. Advertising does have a material influence on consumers’ purchase decisions. The question in this study determines the influence radio would have on that decision. -
Final Report of a DRM Trial in the FM-Band
WWEECCOD ∃C the westbury community development centre Final Report of a DRM Trial in the FM‐Band Westbury, Johannnesburg, South Africa V2.6I Release Date: 29 June 2018 – ICASA Edition Document History Version Date Item changed/added 0.1 05 June 2017 Template prepared from license application, research, strategy and regulatory documentation 0.2 09 June 2017 Changed/added: Structure, objectives, timelines, systems, methodology 0.3 12 June 2017 Changed: Structure; Added: Results 0.4 13 June 2017 Added: Contributors, Copyright 0.5 22 June 2017 Added: Drive-by measurements, propagation Maps, and explanations 1.0 30 June 2017 Touch-ups 1.4 07 July 2017 About WECODEC and Project Partners, final touch-ups and release 2.0 15 April 2018 Added measurements in North Johannesburg/Gauteng 2.1 22 April 2018 Added Title Picture, added content, touch-ups 2.4 23 April 2018 Added Content in chapters Objectives, Reasons, Benefits, final touch-ups 2.5 15 May 2018 Touch-ups after review with project partners 2.6 29 June 2018 Foreword from the Chairperson/Changed Title Picture By Johannes von Weyssenhoff Project Partners: The Westbury Community The Westbury Youth The WECODEC Board Thembeka & Associates BluLemon, Edenvale, South Africa BBC World Service, London, UK Fraunhofer IIS, Erlangen, Germany STARWAVES, Switzerland The DRM Consortium Copyright All information contained in this document is protected by copyright and may be proprietary in nature. Please obtain written permission from the Technology and Knowledge Base Department of The Westbury Community Development Centre (WECODEC) via email: [email protected] prior to reproducing any part of this document, in whole or in part. -
BC-DX 280 31 Dec 1996 ANGUILLA New 6090 Khz Carib
BC-DX 280 31 Dec 1996 ________________________________________________________________________ ANGUILLA New 6090 kHz Caribbean Beacon 0610 //5935 (non Aguilla, via WWCR) Cr. Gene Scott talking about first night. Broadcasting only at nights with 80 kW while testing tx. They will announce day freq on Sun, Dec 29. Asking for reception reports. Recheck 0735 UTC and they were gone. (Hans Johnson-USA, Dec 28) Thanks to a tip from Hans Johnson and Cumbre DX, 6090 kHz Caribbean Beacon noted with an open carrier at 0340 UTC, audio started 0400 UTC sharp //WWCR-5035, and the first 10 minutes Scott was asking for telephone reports on the signal. Here on the NRD-535D, on the high 300-ft inverted-L it is +50dB/s9, the low 50-ft doublet (with the high skywave angle) it is +60dB/s9. Telephone reports started up coast to coast by 0413 UTC. Hardly difficult. (Tom Sundstrom-NJ, 29 Dec) 6090 kHz - 0410 UTC, rock mx, Dr. Scott talking about the new txer, saying at one point it was "just shy of" 75 kw, at another 80 kw, "100% modulation." Invited calls to their usual phone numbers, and ran down the calls they had been getting from listeners, mostly west coasters, TX, KS, etc, all of whom seemed to be having better reception than I was. Good strength, though I would have expected better; a hum on the signal; and a bad fqy in my area, with splatter in both directions from DW powerhouses on 6085 and 6100 until DW closes at 0600. Better, and dominant, thereafter, but nowhere near as good as the //WWCR-5935 signal. -
Link Digital Dilemmas
Digital Dilemmas for South African TV Chris Armstrong & Richard Collins July 2004 Digital Dilemmas for South African TV Table of Contents Abstract 1. Introduction - The ‘Digital Age’............................................................3 2. The Digital TV ‘Switchover’.................................................................5 3. The Digital TV Stakeholders in South Africa ......................................9 4. Policy Balancing Act .........................................................................14 5. Spectrum Efficiency ..........................................................................16 6. Interactivity........................................................................................17 7. Transmission Costs ..........................................................................19 8. Licence Fee Collection .....................................................................21 9. Citizen Access ..................................................................................22 9.1 Signal Coverage ...................................................................23 9.2 Affordability ...........................................................................25 9.3 Home-Language Provision ...................................................26 10. The Way Forward ...........................................................................28 Acknowledgements...............................................................................30 References............................................................................................31 -
Amendment to Licences of SABC 1 , SABC 2, SABC 3, RSG, Lesedi FM
STAATSKOERANT, 19 AUGUSTUS 2008 No. 31349 3 NOTICE 992 OF 2008 APPLICATION FOR THE TECHNICAL AMENDMENT TO THE LICENCES OF SABC 1, SABC 2, SABC 3, RSG, LESEDI FM, THOBELA FM, MOTSWEDING FM AND PHALAPHALA FM 1. The Independent Communications Authority of South Africa ("the Authority1') hereby gives notice, in terms of the provisions of section lO(2) of the Electronic Communications Act, No. 36 of 2005 ("EC Act"), that it has received an application from the South African Broadcasting Corporation Limited ("SABC") for the amendment to the broadcasting licences of SABC 1, SABC 2, SABC 3, RSG, Lesedi FM, Thobela FM, Motsweding FM and Phalaphala FM in terms of section 1O(1) (c) of the EC Act. 2. The amendment is sought to allow for the expansion of SABCI, SABC 2, SABC 3 and different radio stations in the areas mentioned below: 2.1 Free State Province * Philippolis - SABC 1, 2, 3 and Lesedi FM * Villiers - SABC 1, 2, 3 and Lesedi 2.2 Western Cape Province Agter-witzenberg - SABC 1, 2, 3 and RSG Genadendal - SABC 1,2,3and RSG 2.3 Limpopo Province * lndermark - SABC 1, 2, 3, and Thobela FM * Vhulaudzi o Mavhunga - SABC 1,2,3 and Phalaphala FM o Mpzema - SABC 1,2, 3 and Phalaphala FM 2.4 Northern Cape Province * Kgalagadi ISRDP Node o Springbokpan - SABC 1, 2,3, RSG and Motsweding FM o Heuningvlei - SABC 1, 2, 3 and Motsweding FM o Laxey - SABC 1,2,3 and Motsweding FM o Severn - SABC 1, 2, 3, and Motsweding FM o Loopeng - SABC 1,2,3 and Motsweding FM 4 No. -
African Studies Abstracts Online: Number 25, 2009 Boin, M.; Polman, K.; Sommeling, C.M.; Doorn, M.C.A
African Studies Abstracts Online: number 25, 2009 Boin, M.; Polman, K.; Sommeling, C.M.; Doorn, M.C.A. van Citation Boin, M., Polman, K., Sommeling, C. M., & Doorn, M. C. A. van. (2009). African Studies Abstracts Online: number 25, 2009. Leiden: African Studies Centre. Retrieved from https://hdl.handle.net/1887/13427 Version: Not Applicable (or Unknown) License: Leiden University Non-exclusive license Downloaded from: https://hdl.handle.net/1887/13427 Note: To cite this publication please use the final published version (if applicable). Number 25, 2009 AFRICAN STUDIES ABSTRACTS ONLINE Number 25, 2009 Contents Editorial policy............................................................................................................... iii Geographical index ....................................................................................................... 1 Subject index................................................................................................................. 3 Author index.................................................................................................................. 7 Periodicals abstracted in this issue............................................................................... 14 Abstracts ....................................................................................................................... 18 Abstracts produced by Michèle Boin, Katrien Polman, Tineke Sommeling, Marlene C.A. Van Doorn ii EDITORIAL POLICY African Studies Abstracts Online provides an overview of articles -
Interim Report of a DRM Mode E Trial in South Africa
WECOD ∃C the westbury community development centre IT 4455/00 Interim Report of a DRM Mode E Trial in South Africa V1.4 Release Date: 08 July 2017 Project Partners: Kofifi Media Group, Roodepoort, South Africa BluLemon, Edenvale, South Africa CR Electronics, Springs, South Africa Genssoft Technologies, Midrand, South Africa BBC World Service, London, UK Fraunhofer IIS, Erlangen, Germany WECODEC DRM Trial · Interim Report July 2017 Page 1 Document History Version Number Date Item changed/added 0.1 05 June 2017 Template prepared from license application, research, strategy and regulatory documentation 0.2 09 June 2017 Changed/added: Structure, objectives, timelines, systems, methodology 0.3 12 June 2017 Changed: Structure; Added: Results 0.4 13 June 2017 Added: Contributors, Copyright 0.5 22 June 2017 Added: Drive-by measurements, propagation Maps, and explanations 1.0 30 June 2017 Touch-ups 1.4 07 July 2017 About WECODEC and Project Partners, final touch-ups and release Copyright All information contained in this document is protected by copyright and may be proprietary in nature. Please obtain written permission from the Westbury Community Development Centre (WECODEC) via email: [email protected] prior to reproducing any part of this document, in whole or in part. WECODEC DRM Trial · Interim Report July 2017 Page 2 Contents 1. Executive Summary ..................................................................................................................... 4 2. Introduction ...............................................................................................................................