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Pointe in Time Above and Beyond Sa
SPONSORSHIP OPPORTUNITIES POINTE IN TIME ABOVE AND BEYOND SATURDAY, NOVEMBER 6, 2021 | 6PM | THE WESTIN PITTSBURGH Pittsburgh Ballet Theatre (PBT)’s highly anticipated, top-rated annual event – Pointe in Time – returns on Saturday, November 6, bringing elegance, artistry and fun back to The Westin Pittsburgh. The evening takes wing with the theme “Above and Beyond,” a nod to PBT’s resiliency and the forward vision of Artistic Director Susan Jaffe, who makes her debut as PBT’s fifth artistic leader. Honorary Chairs Nick and Sandi Nicholas invite you to be transfixed and transformed by the beauty and power of Pittsburgh Ballet Theatre while raising funds for one of the region’s most treasured cultural organizations. “We have been inspired by PBT’s triumph through the pandemic – its amazing Open Air Series at Flagstaff Hill, free virtual performances of Fireside Nutcracker, live performances at Carnegie Museum’s Hall of Sculpture and digital spotlights filmed at WQED. It is our honor to bring Pointe in Time to the next level in support of its innovation and future under new Artistic Director Susan Jaffe!” Nick and Sandi Nicholas 2021 Pointe in Time Honorary Chairs Swissvale native and Emmy Award-nominated actor and comedian Billy Gardell returns to his beloved Pittsburgh to attend Pointe in Time as celebrity guest and host of the live auction, which is sure to reach new heights. Billy Gardell currently stars in the CBS series Bob Hearts Abishola. Gardell starred with Melissa McCarthy in the hit series Mike & Molly as Officer Mike Biggs from 2010-2016. He had a recurring role on Young Sheldon and starred as Col. -
Dallas Theater Center Expands Community Engagement Programming
Contact: Paula Paggi, PR/Media Relations Manager (972) 342-4991 ❘ [email protected] Dallas Theater Center Expands Community Engagement Programming ® DALLAS (October 15, 2020) - 2017 Regional Theatre Tony Award Recipient Dallas Theater Center offers even more virtual options. They’ve added additional free virtual workshops with Public Works Dallas. People of all ages and skill levels can learn from professional artists. Workshops started October 12 and run through November 16. “Our year-round Public Works Dallas program provides fun and exciting opportunities for people of all ages and experiences throughout our city to experience the joys of making theater in free workshops, classes and large scale public performances. While we are sheltering in place during the pandemic, we're pivoting to provide these opportunities online,” said Kevin Moriarty, Enloe/Rose Artistic Director, Dallas Theater Center. “Though we miss gathering in person, we remain committed to being of service to our community and invite everyone to join us.” Public Works Dallas is holding virtual workshops on a variety of topics including performance, singing, and storytelling. The workshops are in collaboration with Bachman Lake Together Family Center, City of Dallas Beckley Saner & Janie C. Turner Recreation Center, and Jubilee Park and Community Center. The virtual setting allows a variety of people from across the metroplex to come together in a safe and supportive environment. “The Public Works Dallas community is resilient, they have adapted with us and long to be together again. In this virtual space, not only are we expressing ourselves artistically but we are continuing meaningful dialogue with each other. -
The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Dallas Theater Center Announces Changes to Season Schedule
Contact: Paula Paggi, PR/Media Relations Manager (972) 342-4991 ❘ [email protected] Dallas Theater Center Announces Changes to Season Schedule DALLAS (May 4, 2021) - Dallas Theater Center, the 2017 recipient of the Regional Theatre Tony Award®, unveils changes to the rest of their season. Working: A Musical and Public Works Dallas’ A Little Less Lonely will finish out the 2020-2021 schedule. Unfortunately challenges in finding an outdoor venue have led to the cancellation of War of the Worlds. The next show will be Working: A Musical presented at Strauss Square in the AT&T Performing Arts Center July 7-18. Based on Studs Terkel’s bestselling book, this unique musical features the real-life words of average working Americans. Through original songs by Stephen Schwartz (Wicked), Lin-Manuel Miranda (Hamilton, In the Heights), James Taylor and others, Working lifts up the voices of teachers, waiters, truck drivers and the essential workers who often go unnoticed but whose work uplifts our lives day in and day out. “Working is a glorious exploration of why humans strive to do a good day’s work each and every day - even during a pandemic. Simply put, we strive to build upon our parent’s dreams, to build our own dreams, and to build a future for our children’s dreams. Under the beautiful and heartfelt direction of Diane and Hal Brierley Resident Acting Company member, Tiana Kaye Blair, making her Dallas Theater Center directing debut, Working helps us understand the “American” dream takes many shapes and forms. We could not be happier to bring Dallas audiences safely together, outdoors and socially distanced, to share in this musical theater celebration of essential workers, generational dreams and our common humanity,” said Sarahbeth Grossman, Artistic Producer, Dallas Theater Center. -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Top Programs – Total Canada (English)
Top Programs – Total Canada (English) February 22, 2021 - February 28, 2021 Based on confirmed program schedules and final audience data including 7-day playback, Demographic: All Persons 2+ Total 2+ Rank Program Broadcast Outlet Weekday Start End # Aired AMA(000) 1 THE GOOD DOCTOR CTV Total M...... 22:00 23:00 1 2173 2 9-1-1: LONE STAR CTV Total M...... 21:01 22:00 1 2148 3 9-1-1 Global Total M...... 20:00 21:00 1 2058 4 THE GOLDEN GLOBES CTV Total ......S 20:00 23:04 1 1784 5 YOUNG SHELDON CTV Total ...T... 20:00 20:31 1 1752 6 THE ROOKIE CTV Total ......S 19:00 20:00 1 1579 7 CTV EVENING NEWS CTV Total MTWTF.. 17:59 19:00 5 1569 8 THE EQUALIZER Global Total ......S 20:00 21:00 1 1532 9 NHL HOCKEY-LEAFS Sportsnet National+ ..W.... 19:12 21:37 1 1358 10 THIS IS US CTV Total .T..... 21:00 22:00 1 1336 11 CALL ME KAT CTV Total ...T... 21:00 21:30 1 1313 12 B POSITIVE CTV Total ...T... 20:31 21:00 1 1255 13 CTV EVENING NEWS WEEKEND CTV Total .....SS 18:00 19:00 2 1193 14 SATURDAY NIGHT LIVE Global Total .....S. 23:29 01:02 1 1178 15 THE CONNERS CTV Total ..W.... 21:00 21:30 1 1177 16 BULL Global Total M...... 22:00 23:00 1 1166 17 LAW & ORDER: SVU CTV Total ...T... 22:00 23:00 1 1118 18 NCIS: NEW ORLEANS Global Total ......S 22:00 23:00 1 1076 18 CTV NATIONAL NEWS CTV Total MTWTFSS 23:00 23:30 7 1076 20 NCIS: LOS ANGELES Global Total ......S 21:00 22:00 1 1063 21 CLARICE Global Total ...T.. -
Boardwalk Empire
BOARDWALK EMPIRE "Pilot" Written by Terence Winter FIRST DRAFT April 16, 2008 EXT. ATLANTIC OCEAN - NIGHT With a buoy softly clanging in the distance, a 90-foot fishing schooner, the Tomoka, rocks lazily on the open ocean, waves gently lapping at its hull. ON DECK BILL MCCOY, pensive, 40, checks his pocket watch, then spits tobacco juice as he peers into the darkness. In the distance, WE SEE flickering lights, then HEAR the rumble of motorboats approaching, twenty in all. Their engines idle as the first pulls up and moors alongside. BILL MCCOY (calling down) Sittin' goddarnn duck out here. DANNY MURDOCH, tough, 30s, looks up from the motorboat, where he's accompanied by a YOUNG HOOD, 18. MURDOCH So move it then, c'mon. ON DECK McCoy yankS a canvas tarp off a mountainous stack of netted cargo -- hundreds of crates marked 'Canadian Club Whiskey·. With workmanlike precision, he and .. three CREWMAN hoist the first load of two dozen crates up and over the side, lowering it down on a pulley. As the net reaches the motorboat: MURDOCH (CONT'D) (to the Young Hood) Liquid gold, boyo. They finish setting the load in place, then Murdoch guns the motorboat and heads off. Another boat putters in to take his slot as the next cargo net is lowered. TRACK WITH MURDOCH'S MOTORBOAT as it heads inland through the darkness over the water. Slowly, a KINGDOM OF LIGHTS appears on the horizon, with grand hotels, massive neon signs, carnival rides and giant lighted piers lining its shore. As we draw closer, WE HEAR faint music which grows louder and LOUDER -- circus calliope mixed with raucous Dixieland jazz. -
Donor-Advised Fund
WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
TRU Speak Program 021821 XS
THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed