Number 15 the November Issue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gabrielle De Louise Archambault
Volume 31 numéro 3 Été 2013 5,95 $ ÉTÉ 2013 Gabrielle de Louise Archambault DOSSIER Cinéma et femmes REVUE DE CINÉMA PUBLIÉE PAR L’ASSOCIATION DES CINÉMAS PARALLÈLES DU QUÉBEC VOLUME 31 NUMÉRO 3 VOLUME DU QUÉBEC PARALLÈLES DES CINÉMAS L’ASSOCIATION PUBLIÉE PAR REVUE DE CINÉMA Envoi Poste-publications No de convention : 40069242 ENTRETIEN SPECTACLE FILMS Denis Côté En allant au cinéma Hannah Arendt La Chasse Mud C0 M49 Y66 K0 Volume 31 numéro 3 Été 2013 2 EN COUVERTURE Gabrielle 2 Entretien avec Louise Archambault SOMMAIRE 8 Commentaire critique ENTRETIEN 12 Denis Côté Scénariste et réalisateur de Vic et Flo ont vu un ours 20 Commentaire critique SPECTACLE 12 59 56 En allant au cinéma FILMS 10 Hannah Arendt de Margarethe von Trotta 58 Au-delà des collines de Cristian Mungiu 59 La Chasse de Thomas Vinterberg 60 The Great Gatsby de Baz Luhrmann 61 Mud de Je Nichols 62 Sarah préfère la course de Chloé Robichaud 10 63 This Must Be the Place de Paolo Sorrentino 23 Introduction au dossier 24 Les pionnières québécoises 28 Au Québec en 2013 38 L’horreur au féminin 42 Le combat émancipateur 46 Du masculin au féminin 50 Les lms les plus populaires 54 Coret 20 Courts et grand talent Volume 31 numéro 3 Été 2013 RÉDACTION ÉDITION ABONNEMENT ANNUEL PAYABLE À L’ACPQ (4 NUMÉROS) Éric Perron, rédacteur en chef Association des cinémas parallèles du Québec (ACPQ) Individuel : 23 $ – Institutionnel : 45,99 $ (taxes comprises) [email protected] Martine Mauroy, directrice générale Étranger : 60 $ (non taxable) 514.252.3021 poste 3413 4545, av. -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Squatting – the Real Story
Squatters are usually portrayed as worthless scroungers hell-bent on disrupting society. Here at last is the inside story of the 250,000 people from all walks of life who have squatted in Britain over the past 12 years. The country is riddled with empty houses and there are thousands of homeless people. When squatters logically put the two together the result can be electrifying, amazing and occasionally disastrous. SQUATTING the real story is a unique and diverse account the real story of squatting. Written and produced by squatters, it covers all aspects of the subject: • The history of squatting • Famous squats • The politics of squatting • Squatting as a cultural challenge • The facts behind the myths • Squatting around the world and much, much more. Contains over 500 photographs plus illustrations, cartoons, poems, songs and 4 pages of posters and murals in colour. Squatting: a revolutionary force or just a bunch of hooligans doing their own thing? Read this book for the real story. Paperback £4.90 ISBN 0 9507259 1 9 Hardback £11.50 ISBN 0 9507259 0 0 i Electronic version (not revised or updated) of original 1980 edition in portable document format (pdf), 2005 Produced and distributed by Nick Wates Associates Community planning specialists 7 Tackleway Hastings TN34 3DE United Kingdom Tel: +44 (0)1424 447888 Fax: +44 (0)1424 441514 Email: [email protected] Web: www.nickwates.co.uk Digital layout by Mae Wates and Graphic Ideas the real story First published in December 1980 written by Nick Anning by Bay Leaf Books, PO Box 107, London E14 7HW Celia Brown Set in Century by Pat Sampson Piers Corbyn Andrew Friend Cover photo by Union Place Collective Mark Gimson Printed by Blackrose Press, 30 Clerkenwell Close, London EC1R 0AT (tel: 01 251 3043) Andrew Ingham Pat Moan Cover & colour printing by Morning Litho Printers Ltd. -
YANA MEERZON This Essay Examines the Forms of History and Memory Representation in Incendies, the 2004 Play by Wajdi Mouawad, An
YANA MEERZON STAGING MEMORY IN WAJDI MOUAWAD ’S INCENDIES : ARCHAEOLOGICAL SITE OR POETIC VENUE ? This essay examines the forms of history and memory representation in Incendies , the 2004 play by Wajdi Mouawad, and its 2010 film version, directed by Denis Villeneuve. Incendies tells the story of a twin brother and sister on the quest to uncover the mystery of their mother’s past and the silence of her last years. A contemporary re-telling of the Oedipus myth, the play examines what kind of cultural, collective, and individual memo - ries inform the journeys of its characters, who are exilic children. The play serves Mouawad as a public platform to stage the testimony of his child - hood trauma: the trauma of war, the trauma of exilic adaptation, and the challenges of return. As this essay argues, when moved from one medium to another, Mouawad’s work forces the directors to seek its historical and geographical contextualization. If in its original staging, Incendies allows Mouawad to elevate the story of his personal suffering to the universals of abandoned childhood, to reach in its language the realms of poetic expres - sion, and to make memory a separate, almost tangible entity on stage, then the 2010 film version by Villeneuve turns this play into an archaeological site to excavate the recent history of a single war-torn Middle East country (supposedly Lebanon), an objective at odds with Mouawad’s own view of theatre as a venue where poetry meets politics. Naturally the transposition from a play to a film presupposes a significant mutation of the original and raises questions of textual fidelity. -
The Divine Comedy Inferno • Purgatory • Paradise • a Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno
Dante The Divine Comedy Inferno • Purgatory • Paradise • A Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno 1 Canto I 7:43 2 Canto II 7:27 3 Canto III 7:45 4 Canto IV 8:02 5 Canto V 8:16 6 Canto VI 6:55 7 Canto VII 7:44 8 Canto VIII 7:28 9 Canto IX 7:34 10 Canto X 7:29 11 Canto XI 5:51 12 Canto XII 7:03 13 Canto XIII 7:21 14 Canto XIV 7:50 15 Canto XV 5:58 16 Canto XVI 7:39 2 17 Canto XVII 6:30 18 Canto XVIII 7:36 19 Canto XIX 6:35 20 Canto XX 6:29 21 Canto XXI 6:18 22 Canto XXII 7:11 23 Canto XXIII 8:00 24 Canto XXIV 7:45 25 Canto XXV 7:17 26 Canto XXVI 7:36 27 Canto XXVII 6:21 28 Canto XXVIII 7:43 29 Canto XXIX 7:10 30 Canto XXX 7:57 31 Canto XXXI 7:55 32 Canto XXXII 6:35 33 Canto XXXIII 8:34 34 Canto XXXIV 8:30 Time: 4:10:30 3 Purgatory 35 Canto I 8:16 36 Canto II 8:01 37 Canto III 8:24 38 Canto IV 8:45 39 Canto V 8:23 40 Canto VI 9:01 41 Canto VII 7:35 42 Canto VIII 8:11 43 Canto IX 9:00 44 Canto X 8:20 45 Canto XI 8:14 46 Canto XII 7:54 47 Canto XIII 9:07 48 Canto XIV 8:05 49 Canto XV 8:31 50 Canto XVI 8:11 4 51 Canto XVII 8:13 52 Canto XVIII 7:53 53 Canto XIX 8:17 54 Canto XX 8:28 55 Canto XXI 8:11 56 Canto XXII 8:12 57 Canto XXIII 7:44 58 Canto XXIV 8:55 59 Canto XXV 8:06 60 Canto XXVI 8:28 61 Canto XXVII 8:09 62 Canto XXVIII 7:47 63 Canto XXIX 7:20 64 Canto XXX 7:55 65 Canto XXXI 7:58 66 Canto XXXII 8:32 67 Canto XXXIII 8:59 Time: 4:33:28 5 Paradise 68 Canto I 8:42 69 Canto II 8:36 70 Canto III 6:38 71 Canto IV 7:48 72 Canto V 7:47 73 Canto VI 7:44 74 Canto VII 8:12 75 Canto VIII 7:41 76 Canto IX 7:48 -
Theatre Film Incendies Comparaison
De la pièce de théâtre au film L'auteur(de(la(pièce(de(théâtre(:(Wajdi(MOUAWAD((1968)! - Wajdi MOUAWAD est né au Liban en 1968. - Il quitte ce pays à l'âge de 8 ans, durant la guerre civile. - Il part avec sa famille vivre en France, puis au Québec. - Diplômé (en 1991) en interprétation de l'École nationale de théâtre du Canada à Montréal, il est comédien, auteur et metteur en scène. - En 2009, il est l’artiste associé de la 63ème édition du Festival d’Avignon. - Toujours en 2009 [? À vérifier !], il reçoit le grand prix du théâtre de l’Académie française pour l’ensemble de son œuvre dramatique. La(pièce(de(théâtre( Création de la pièce Date et lieu de création : le 14 mars 2003 au Théâtre de Quat'Sous à Montréal - Incendies est créé le 14 mars 2003 au Théâtre de Quat'Sous à Montréal. Incendies est le deuxième volet de la tétralogie « Le sang des promesses » - La tétralogie « Le sang des promesses » comprend également : * Littoral (1997 ; nouvelle version : 2009) * Forêts (2006) * Ciels (2009). Inspiration - Pièce écrite en réaction à la guerre en Irak. Caractéristiques de la pièce La pièce la plus réaliste de la tétralogie « Le sang des promesses » - C'est selon Wajdi MOUAWAD lui-même la pièce la plus réaliste de la tétralogie « Le sang des promesses ». Problématiques de la pièce - Tout comme Littoral, cette pièce travaille autour de la question de l'origine. Une pièce créée avec et grâce aux comédiens qui l'interprètent - Selon Wajdi MOUAWAD, cette pièce « n'aurait jamais vu le jour sans la participation des comédiens. -
Diplomarbeit Pia Bodenseher
DIPLOMARBEIT Titel der Diplomarbeit „Joseph Quesnel et Michel Tremblay – Le théâtre révolutionnaire au Québec : De ses origines à la modernité“ Verfasserin Pia Bodenseher angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 236 346 Studienrichtung lt. Studienblatt: Diplomstudium Romanistik Französisch Betreuer: Univ.-Prof. Dr. Jörg Türschmann Table des matières INTRODUCTION.......................................................................................................3 1. L’HISTOIRE DU THÉÂTRE AU QUÉBEC – DU «THÉÂTRE DE NEPTUNE» AUX « BELLES-SŒURS »..................................................................6 1.1. 1606 – 1758................................................................................................6 1.1.1. Le théâtre de Neptune..................................................................6 1.1.2. L’influence du clergé sur l’activité théâtrale ..............................7 1.2. 1765 – 1898..............................................................................................12 1.2.1. Les troupes anglophones et le théâtre de garnison...................12 1.2.2. Le théâtre de société..................................................................13 1.3. 1890 – 1929..............................................................................................15 1.3.1. La pratique scénique des minorités culturelles .........................17 1.3.2. L’âge d’or du théâtre et la concurrence cinématographique ...18 1.4. 1930 – 1968..............................................................................................19 -
Prioritizing Investments in Our Community's Recovery & Resiliency
Prioritizing Investments in Our Community’s Recovery & Resiliency PG&E Settlement Funds Community Input Survey Data Compilation Responses collected September 15 to October 25, 2020 1 Begins on Page 3 ………………………………………………………. Graph data for Spanish Survey Responses Begins on Page 22 …………………………………..…………………. Graph Data for English Survey Responses Begins on Page 42 ……………….. Open-Ended Response: Shared ideas (Spanish Survey Responses) Begins on Page 44………………….. Open-Ended Response: Shared ideas (English Survey Responses) Begins on Page 189 ..………... Open-Ended Response: Comments for Council (Spanish Responses) Page 190………..……….. Open-Ended Response: Comments for Council (English Survey Responses) 2 SPANISH SURVEY RESPONSES Did you reside within the Santa Rosa city limits during the October 2017 wildfires? Total Responses: 32 yes no 6% 94% 3 SPANISH SURVEY RESPONSES Was your Santa Rosa home or business destroyed or fire damaged in the 2017 wildfires, or did a family member perish in the 2017 wildfires? Total Responses: 32 yes no 25% 75% 4 SPANISH SURVEY RESPONSES Do you currently reside within the Santa Rosa city limits? Total Responses: 32 yes no 13% 87% 5 SPANISH SURVEY RESPONSES Survey Respondents Current Area of Residence 32 Surveys Did not Respond Outside SR within 3% Sonoma County 3% Northwest SR 38% Northeast SR 22% Southwest SR 34% 6 SPANISH SURVEY RESPONSES Where do you reside? Outside City Limits No Response City Limits Out of County Out of State within Sonoma County Provided Northeast Sebastopol 1 - 0 - 0 unknown 1 Fountaingrove 1 -
JOHN SANDOE (BOOKS) LTD Independent Bookseller in Chelsea Since 1957
JOHN SANDOE (BOOKS) LTD Independent bookseller in Chelsea since 1957 10 BLACKLANDS TERRACE, LONDON, SW3 2SR +44 (0) 207 589 9473 www.johnsandoe.com [email protected] BOOKS FOR CHRISTMAS 2017 A selection of books to be published between now and Christmas Robert Louis Stevenson: An Anthology: Selected by Adolfo Bioy Casares & Jorge Price and availability may be subject to occasional revision BIOGRAPHY MY HOUSE OF SKY: A LIFE OF J A BAKER Hetty Saunders, introduction by Robert Macfarlane First biography of the author of The Peregrine, winner of the Duff Cooper Prize in 1967 and recently described as “the gold standard for all nature writing”. £20 THE VANITY FAIR DIARIES: 1983-1992 Tina Brown Vivid insights into life at the New York razor’s edge where fashion, culture and politics meet. After her success there, it is hard to recall that this was a failing magazine when TB began her tenure as editor. £25 BRUTUS: THE NOBLE CONSPIRATOR Kathryn Tempest Still the most famous political assassin in history (pace Lee Harvey Oswald), it remains arguable that he was acting from duty to his country on the Ides of March. £25 CARRINGTON’S LETTERS Dora Carrington, edited by Anne Chisholm “Your letters are a great pleasure,” said Lytton Strachey, “I lap them down with breakfast and they do me more good than tonics, blood capsules or iron jelloids.” What more can one say? £30 THE FIRST IRON LADY: A LIFE OF CAROLINE OF ANSBACH Matthew Dennison The brilliant wife of George II, one of the German princesses who brought the Enlightenment to England: matriarch, politician and regent, she was also a champion of science, philosophy, gardening, inoculation, physics, literature and the arts. -
Wednesday, 28 April 2021 1 (10.00 Am) 2 MR FERNANDES: Good
1 1 Wednesday, 28 April 2021 2 (10.00 am) 3 MR FERNANDES: Good morning, everyone, and welcome to 4 the third day of evidential hearings in Tranche 1 5 Phase 2 at the Undercover Policing Inquiry. My name is 6 Neil Fernandes and I am the hearings manager. 7 For those of you in the virtual hearing room, please 8 turn off both your camera and microphone unless you're 9 invited to speak by the Chairman, as Zoom will pick up 10 on all noises and you will be on screen. 11 I now hand over to the Chairman, Sir John Mitting, 12 to formally start proceedings. 13 Chairman. 14 THE CHAIRMAN: Thank you. As at the beginning of every 15 evidential session, a recording made last year is going 16 to be played. For those listening to it for the first 17 time, please listen carefully. 18 I am conducting this Inquiry under a statute, 19 the Inquiries Act 2005, which gives me the power to make 20 orders regulating the conduct of the Inquiry, including 21 its hearings. In the exercise of that power, I have 22 made a number of orders which affect what you may and 23 may not do in the hearing rooms and after you leave 24 them. Breach of any of the orders is a serious matter 25 and may have serious consequences for you. 2 1 If I am satisfied that a person may have breached an 2 order, I have the power to certify the matter to 3 the High Court, which will investigate and deal with it 4 as if it had been a contempt of that court. -
LES SILENCES DU PALAIS and INCENDIES Anna Bernard
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository FRAMING PERCEPTIONS OF VIOLENCE AGAINST WOMEN IN FILM: LES SILENCES DU PALAIS AND INCENDIES Anna Bernard-Hoverstad A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Romance Language (French). Chapel Hill 2013 Approved by: Dominique D. Fisher Sahar Amer Martine Antle ABSTRACT ANNA BERNARD-HOVERSTAD: Framing Perceptions of Violence against Women in Film: Les Silences du Palais and Incendies (Under the direction of Dominique D. Fisher) This thesis focuses on how contemporary Francophone films visually represent violence against women, and explores how sexual violence functions to continue the subjugation and systematic victimization of women. I examine how Moufida Tlatli’s Les Silences du Palais and Denis Villeneuve’s Incendies approach the subject and portrayal of rape within the greater narrative of the film. The two films, quite different in their premise and setting, find commonality as they both treat and depict rape and family dynamics. As such, my goal is to evaluate how the historical contexts of the films affect the portrayal of the violent act and how it is committed, and I consider questions about the viewer’s perceptions of the perpetrators intentions might nuance their reactions to the rape scene, as well as to the film as a whole. ii TABLE OF CONTENTS CHAPTER 1. Introduction …………………………………………………………………………1 2. Les Silences du Palais………………………………………………………………13 3. Incendies…………………………………………………………………………....30 4. -
Punk · Film RARE PERIODICALS RARE
We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly.