Mehreen Creation

Total Page：16

File Type：pdf, Size：1020Kb

+91-8048608035 Mehreen Creation https://www.indiamart.com/irfathandembroidery/ We, Mehreen Creation, are engaged in Manufacturing and Wholesaling a wide assortment of handpicked quality of Ladies Abaya, Ladies Farasha and much more. About Us Established in the year 2012, We, Mehreen creation, are engaged in Manufacturing and Wholesaling a wide assortment of handpicked quality of Ladies Abaya, Ladies Farasha and much more. Being a quality focused firm, we assure the quality of these products is never compromised. Due to our large production capacity, we take and manage the bulk orders of these products. With the aid of our strong logistic support professionals, we deliver these products within promised time frame. Under the supervision of our Proprietor, Mr. Shaikh, we have attained a new horizon in this domain. He is known for his excellent management skills and customer centric approach. For more information, please visit https://www.indiamart.com/irfathandembroidery/profile.html LADIES KAFTAN O u r P r o d u c t s Dubai Modern Khaleeji Arabic 2018 Exclusive Modern Dubai Caftan 5026 Kaftan Dress 5030 Bridal Modern Kaftan Dress Exclusive Modern Kaftan 5032 Dress 5004 LADIES FARASHA O u r P r o d u c t s Black Color Dubai Modern Yellow Modern Bridal Kaftan Kaftan 5002 Dress 1019 Modern Night Wear Farasha Dubai Farasha Modern Dress Embroidery Dress 1003 LADIES ABAYA O u r P r o d u c t s Fancy Ladies Abaya Ladies Abaya Exclusive Ladies Abaya Designer Ladies Abaya LADIES JALABIYA O u r P r o d u c t s Ladies Jalabiya Fancy Ladies Jalabiya Designer Jalabiya NEW ITEMS O u r P r o d u c t s Arabian Fancy Kaftan Dress Mehreen Creation Dubai Beach Bridal Kaftan Green Farasha Design Hand Made Moroccan Farasha Dress O u r OTHER PRODUCTS: P r o d u c t s 2018 New Dubai Modern Fancy Ladies Farasha Kaftan Dress 5005 Arabian Fancy Jilbab Modern Mehreen Creation Modern Dress 1009 Kurties O u r OTHER PRODUCTS: P r o d u c t s Ladies Poncho Ladies Thobe Bridal Machine Embroidery Moroccan Kaftan Machine Dress 5028 Embroidery Ari Work Dress F a c t s h e e t Year of Establishment : 2012 Nature of Business : Exporter and Manufacturer Total Number of Employees : 11 to 25 People CONTACT US Mehreen Creation Contact Person: Tamanna Shaikh Plot No. 21, Line C, Room No. 2, Shivaji Nagar Govandi, Near Hari Masjid, Road 3 Mumbai - 400043, Maharashtra, India +91-8048608035 https://www.indiamart.com/irfathandembroidery/.

Copy Link

Recommended publications

Belly Dance: an Example of Cultural Authentication? Redacted for Privacy Abstract Approved
AN ABSTRACT OF THE THESIS OF Jennie L. Embree for the degree of Master of Science in Apparel, Interiors, Housing, and Merchandising presented on September 24, 1998. Title: Belly Dance: An Example of Cultural Authentication? Redacted for Privacy Abstract Approved: Elaine Pedersen Cultural authentication is a concept that was developed by Erekosima (1979), Erekosima and Eicher (1981), and Eicher and Erekosima (1980, 1995) to aid in the description of the transfer of artifacts from one culture to another. The purpose of this study was to investigate whether the development of belly dance costume in the United States is an example of cultural authentication and, in so doing, further test and refine the concept of cultural authentication. Contemporary belly dance costume in the United States was described after conducting field research of the belly dance community over a period of ten months. The history of belly dance and its associated costume in America was explored through the review of previous historical research. Belly dance and its associated costume in the United States was then analyzed in terms of cultural authentication by addressing a series of seven questions. These seven questions were formulated to determine whether the four levels of cultural authentication (selection, characterization, incorporation, and transformation) occurred, and whether they occurred in that order. Contemporary belly dance costume in the United States was classified into two categories: replicated and creatively interpreted. The dancer who wears replicated costumes believes that he/she is imitating, to the best of his/her ability, a documented style of dress worn by a specific ethnic group, at a specific time, within the areas of the Near and Middle East.
[Show full text]
An Analysis of the Characteristics of Balinese Costume - Focus On The Legong Dance Costume
Print ISSN 1229-6880 Journal of the Korean Society of Costume Online ISSN 2287-7827 Vol. 67, No. 4 (June 2017) pp. 38-57 https://doi.org/10.7233/jksc.2017.67.4.038 An Analysis of the Characteristics of Balinese Costume - Focus on the Legong Dance Costume - Langi, Kezia-Clarissa · Park, Shinmi⁺ Master Candidate, Dept. of Clothing & Textiles, Andong National University Associate Professor, Dept. of Clothing & Textiles, Andong National University⁺ (received date: 2017. 1. 12, revised date: 2017. 4. 11, accepted date: 2017. 6. 16) ABSTRACT1) Traditional costume in Indonesia represents identity of a person and it displays the origin and the status of the person. Where culture and religion are fused, the traditional costume serves one of the most functions in rituals in Bali. This research aims to analyze the charac- teristics of Balinese costumes by focusing on the Legong dance costume. Quantitative re- search was performed using 332 images of Indonesian costumes and 210 images of Balinese ceremonial costumes. Qualitative research was performed by doing field research in Puri Saba, Gianyar and SMKN 3 SUKAWATI(Traditional Art Middle School). The paper illus- trates the influence and structure of Indonesian traditional costume. As the result, focusing on the upper wear costume showed that the ancient era costumes were influenced by animism. They consist of tube(kemben), shawl(syal), corset, dress(terusan), body painting and tattoo, jewelry(perhiasan), and cross. The Modern era, which was shaped by religion, consists of baju kurung(tunic) and kebaya(kaftan). The Balinese costume consists of the costume of participants and the costume of performers.
[Show full text]
Generating Geographies and Genealogies: Jewish Women
GENERATING GEOGRAPHIES AND GENEALOGIES: JEWISH WOMEN WRITING THE TWENTIETH CENTURY IN FRENCH by NATALIE RACHEL KAFTAN BRENNER A DISSERTATION Presented to the Department of Romance Languages and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2019 DISSERTATION APPROVAL PAGE Student: Natalie Rachel Kaftan Brenner Title: Generating Geographies and Genealogies: Jewish Women Writing the Twentieth Century in French This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Romance Languages by: Evlyn Gould Chairperson and Advisor Karen McPherson Core Member Gina Herrmann Core Member Judith Raiskin Institutional Representative and Janet Woodruff-Borden Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2019 ii © 2019 Natalie Rachel Kaftan Brenner iii DISSERTATION ABSTRACT Natalie Rachel Kaftan Brenner Doctor of Philosophy Department of Romance Languages June 2019 Title: Generating Geographies and Genealogies: Jewish Women Writing the Twentieth Century in French This dissertation offers an alternative account of Jewish history and experience from within the post-Holocaust and postcolonial Francophone world through the study of six autobiographically-inclined texts written by three generations of Francophone Jewish women of diverse geographical origins. While France was the first European nation-state to grant citizenship to Jews in 1791 and the French Republic has since branded itself as a beacon of tolerance, this tolerance has been contingent upon a strict politics of assimilation and has been challenged by French colonization and participation in the Holocaust.
[Show full text]
City Research Online
Wilford, Stephen (2016). Bledi Cockneys: music, identity and mediation in Algerian London. (Unpublished Doctoral thesis, City, University of London) City Research Online Original citation: Wilford, Stephen (2016). Bledi Cockneys: music, identity and mediation in Algerian London. (Unpublished Doctoral thesis, City, University of London) Permanent City Research Online URL: http://openaccess.city.ac.uk/17031/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected]. Bledi Cockneys: Music, Identity and Mediation in Algerian London Stephen Wilford PhD Department of Music School of Arts and Social Sciences City University London November 2016 City, University of London Northampton Square London EC1V 0HB United Kingdom T
[Show full text]
Historiesof Ornament
HISTORIES of ORNAMENT FROM GLOBAL TO LOCAL Edited by GÜLRU NECIPOĞLU and ALINA PAYNE With contributions by María Judith Feliciano Alina Payne Michele Bacci Finbarr Barry Flood Antoine Picon Anna Contadini Jonathan Hay David Pullins Thomas B. F. Cummins Christopher P. Heuer Jennifer L. Roberts Chanchal Dadlani Rémi Labrusse David J. Roxburgh Daniela del Pesco Gülru Necipoğlu Hashim Sarkis Vittoria Di Palma Marco Rosario Nobile Robin Schuldenfrei PRINCETON UNIVERSITY PRESS Anne Dunlop Oya Pancaroğlu Avinoam Shalem Princeton and Oxford Marzia Faietti Spyros Papapetros and Gerhard Wolf Copyright © 2016 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW press.princeton.edu {~?~Jacket/cover art credit here, if needed} All Rights Reserved Library of Congress CataLoging-in-PubLiCation Data Histories of Ornament : From Global to Local / Edited by Gulru Necipoglu and Alina Payne ; With contributions by Michele Bacci, Anna Contadini, Thomas B.F. Cummins, Chanchal Dadlani, Daniela del Pesco, Vittoria Di Palma, Anne Dunlop, Marzia Faietti, Maria Judith Feliciano, Finbarr Barry Flood, Jonathan Hay, Christopher P. Heuer, Remi Labrusse, Gulru Necipoglu, Marco Rosario Nobile, Spyros Papapetros, Oya Pancaroglu, Alina Payne, Antoine Picon, David Pullins, Jennifer L. Roberts, David J. Roxburgh, Avinoam Shalem, Hashim Sarkis, Robin Schuldenfrei, and Gerhard Wolf. pages cm Includes bibliographical references and index. ISBN 978-0-691-16728-2 (hardcover : alk. paper) 1. Decoration and ornament, Architectural. I. Necipoglu, Gulru, editor. II. Payne, Alina Alexandra, editor. NA3310.H57 2016 729.09—dc23 2015022263 British Library Cataloging- in- Publication Data is available This book has been composed in Vesper Pro Light and Myriad Pro Printed on acid- free paper.
[Show full text]
Muslimness in Contemporary Literary Imaginations
TRANSNATIONAL SPACES, TRANSITIONAL PLACES: MUSLIMNESS IN CONTEMPORARY LITERARY IMAGINATIONS _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _____________________________________________________ In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy ____________________________________________________________ by NERIMAN KUYUCU Prof. Karen Piper, Dissertation Supervisor MAY 2020 © Copyright by Neriman Kuyucu 2020 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled TRANSNATIONAL SPACES, TRANSITIONAL PLACES: MUSLIMNESS IN CONTEMPORARY LITERARY IMAGINATIONS presented by Neriman Kuyucu a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. Professor Karen Piper Professor Nathan Hofer Professor Christopher Okonkwo Professor Lynn Itagaki To all the souls who have found home in spaces in between ACKNOWLEDGEMENTS I am deeply indebted to everyone who has contributed to this dissertation over the past few years. To my supervisor and mentor, Karen Piper, I am forever grateful. Thank you for the patience, care, and intelligence with which you have read and discussed several drafts and chapters. I would also like to extend my deepest gratitude to my committee, Christopher Okonkwo, Nathan Hofer, and Lynn Itagaki for their assistance and suggestions throughout my project. This dissertation would not have been completed without the support of my friends and family near and far. To Aylin, Burçin, and Radka, I am grateful for all the invaluable moments of laughter, reflection, and fun. Thank you for always being there for me, no matter how many miles separate us. Thank you to Kristin, Carley, Becky, and Burcu for your companionship, support, distraction, and commiseration.
[Show full text]
Construction Similarities of Traditional Arabic Costume and the Indian Salwar-Kameez Monisha Kumar and Amita Walia
Textiles and Clothing Research Centre e-Journal Volume 2, Issue 3, February 2018, pp. 7-13 Construction Similarities of Traditional Arabic Costume and the Indian Salwar-Kameez Monisha Kumar and Amita Walia The origin of SalwarKameez cannot be exactly isolated in one country. With the emergence of Islam in the Middle East and Arab peninsula, the style of clothing was clearly defined for both men and women. The Shalwar (Persian), Šalvr (Turkish), Sirwl (Arabic) is a form of baggy trousers fastened by a drawstring at the waist. The word ‘Kameez’ is originally Arabic and is sometimes spelt as Qameezor Qamis. This is used to describe a shirt usually of varied lengths. Therefore it can be easily interpreted that the origin of the garment SalwarKameez is either Persian or Arabic. It has been recorded and well documented in the history of costumes that the draped garments have been predominant in the Indian subcontinent throughout history. By the end of Gupta period, stitched garments like the Choli and Ghagra were being used; still the royalty continued wearing the draped garments- Antariya and Uttariya. The slave dynasty, during the 1100AD, introduced bifurcated garments both for men and women in the Indian subcontinent. Following the Afghan and Mughal invasions, there were significant changes in the costumes for both men and women. The present day SalwarKameez, popular as one of the traditional Indian costume, traces back its origin to the Persian influence which was brought to India by the Mughals who followed Islam. Traditional Arabic Costumes The Middle East (Fig. 1) consists of seventeen countries and Iran (Persia) is one of them.
[Show full text]
Dress As a Marker of Identity Construction in Arab Women's
Acta Scientiarum http://periodicos.uem.br/ojs/acta ISSN on-line: 1983-4683 Doi: 10.4025/actascilangcult.v41i1.42346 LITERATURA / LITERATURE Dress as a Marker of Identity Construction in Arab Women’s Literature from the Diaspora Amani Abu Joudeh and Yousef Awad* The University of Jordan, 11942, Amman, Jordan. *Author for correspondence. E-mail: [email protected] ABSTRACT. This paper argues that dress is not a mere choice an individual makes; rather, it metonymizes almost every aspect of one’s identity. Through a critical analysis of Arab British novelists Fadia Faqir’s (2014) Willow Trees Don’t Weep and Leila Aboulela’s (2010) Lyrics Alley, the paper accentuates the skillful employment of dress in these novels and highlights its different implications. It also brings to light the strong relationship between the main characters and their choice of dress. In addition, this study draws on different theories of dress as an interdisciplinary subject in sociology, psychology, and cultural studies. The paper cites textual evidence which focuses on the different implications of dress and shows how these authors have used dress deliberately to comment on important social and political issues in their homelands and/in diaspora. Furthermore, it concentrates on these sartorial episodes to show that the identity construction of the main characters in these novels intricately intertwines with socioeconomic, political, cultural, religious, and psychological circumstances. Keywords: Fadia Faqir; Leila Aboulela; diaspora; dress; identity construction. O ator de vestir-se como um marcador de construção de identidade na literatura das mulheres árabes da diáspora RESUMO. Este artigo problematiza que o vestuário não é uma mera escolha que um indivíduo faz; em vez disso, metoniza quase todos os aspectos da sua identidade.
[Show full text]
Ni Francaise, Ni Juive, Ni Arabe: the Influence of Nineteenth Century French Judaism on the Emergence of Franco- Jewish- Arab Literature
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Ni Francaise, Ni Juive, Ni Arabe: The Influence of Nineteenth Century French Judaism on the Emergence of Franco- Jewish- Arab Literature Deborah Rosalind Gruber Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/570 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Ni Française, ni juive ni arabe: The Influence of Nineteenth Century French Judaism on the Emergence of Franco Jewish Arab Literature by Deborah Gruber A dissertation submitted to the Graduate Faculty in French in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 i ©2015 DEBORAH GRUBER All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in French in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Dr Ammiel Alcalay ……………………… Date Chair of Examining Committee …………………………………………….. Dr Julia Przybos ………………………. …………………………………………….. Date Executive Officer Dr Ammiel Alcalay……………………………………………… Dr Antoinette Blum……………………………………………… Dr Francesca Sautman……………………………………………… Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract Ni française, ni juive, ni arabe : The Influence of Nineteenth Century French Judaism on the Emergence of Franco- Jewish- Arab Literature by Deborah Gruber Advisor Dr. Ammiel Alcalay This study proposes that the influence of nineteenth century French Judaism on the Jewish communities of the Middle East from approximately 1910-1956 has had an indelible influence on the evolution of Franco- Jewish- Arab literature today.
[Show full text]
Jeweled Islamic Textiles - Imperial Symbols
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 Jeweled Islamic Textiles - Imperial Symbols Louise W. Mackie The Cleveland Museum of Art Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Mackie, Louise W., "Jeweled Islamic Textiles - Imperial Symbols" (2002). Textile Society of America Symposium Proceedings. 531. https://digitalcommons.unl.edu/tsaconf/531 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Jeweled Islamic Textiles - Imperial Symbols Louise W. Mackie The Cleveland Museum of Art Soon after Islam was revealed to the Prophet Muhammad in Arabia in the early 7th century, his followers began spreading the faith. Within one century, Islam had been carried across North Africa to Spain and across the Middle East to Central Asia. Great centers of civilization developed in the political capitals, such as Damascus, Baghdad and Cairo, and later in Istanbul and Isfahan, accompanied by elaborate court ceremonies to promulgate their wealth and power. Imperial ceremonials were equivalent to theatrical settings, usually based on strict hierarchies and rigid protocol, in which luxurious textiles were vital symbols. Four overt textile symbols of imperial wealth and power - throne covers, throne room carpets, red-carpet receptions, and robes of honor - will be considered here. All together, they provide insight into the original significance of extant Islamic textiles whose status, given the comparatively few archival tidbits, often challenges evaluation.
[Show full text]
Dress Culture in the Young State of Israel Anat Helman
——————————————————— iNTRODUCTION ——————————————————— A Coat of Many Colors: Dress Culture in the Young State of Israel — 1 — ISRAEL: SOCIETY, CULTURE, AND HISTORY Series Editor: Yaacov Yadgar, Political Studies, Bar-Ilan University Editorial Board: Alan Dowty, Political Science and Middle Eastern Studies, University of Notre Dame Tamar Katriel, Communication Ethnography, University of Haifa Avi Sagi, Hermeneutics, Cultural studies, and Philosophy, Bar-Ilan University Allan Silver, Sociology, Columbia University Anthony D. Smith, Nationalism and Ethnicity, London School of Economics Yael Zerubavel, Jewish Studies and History, Rutgers University ——————————————————— iNTRODUCTION ——————————————————— A Coat of Many Colors: Dress Culture in the Young State of Israel Anat Helman Boston 2011 — 3 — Library of Congress Cataloging-in-Publication Data Helman, Anat. A coat of many colors : dress culture in the young state of Israel / Anat Helman. p. cm. -- (Israel: society, culture, and history) Includes bibliographical references and index. ISBN 978-1-934843-88-8 (hardback) 1. Clothing and dress--Israel--History--20th century. 2. Israel--Politics and government-- 20th century. 3. Israel--Social life and customs--20th century. I. Title. GT1430.I8H45 2011 391.0095694'0904--dc22 2011006281 Copyright © 2011 Academic Studies Press All rights reserved Book design by Adell Medovoy Published by Academic Studies Press in 2011 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-1-644-69326-1.
[Show full text]
DESIGNER KAFTAN C
+91-8377801322 Sham Fashion www.shamfashionindia.com Our company is one of the leading manufacturers, suppliers and exporters of Islamic Clothing, African Dress Materials and Accessories. It is acclaimed for sober designs and supreme finishing. A Member of P r o f i l e Sham Fashion, established in the year, 2012, is the preferred choice in presenting a varied range of Islamic Clothing. With the foremost prominence on proffering contemporary style and modest Kaftans & Burquas, we believe in keeping up with the wide-ranging requirements of our international Islam followers’ everyday wear, in & out of the house and specifically the decent clothing required in religious contexts. Kaftan is a front-buttoned coat or overdress with long sleeves, which usually reaching to the ankles. Kaftan belongs to an ancient Mesopotamian origin and serves as an alternative of the robe or tunic, being associated with Islamic or Islamicate cultures. In addition to the same, the proffered Burquas are widely worn by women in Islamic traditions to cover their bodies, when in public. Globally exported, our product assortment also includes African Dress material including Boubou Fabric, Bazin Fabric and Chiffon Boubou fabric. Amazing in design and supreme in finishing with eye-catching patterns and textures, our product compilation also comprises of accessories that can be easily teamed up with the excellent selection of fabric offered. Being the reputed manufacturers, suppliers and exporters, we offer our section in a varied range of sober colors, designs, sizes and finishing so that each requirement of our customer is fulfilled. With a state-of-the-art infrastructure facility and the sincere dedication of our experienced team members, we have established ourselves as one of the prominent organizations of the field.
[Show full text]