The Dilemma of Japan's Street and Square
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The Garden Path
Photo: David M. Cobb THE GARDEN PATH MARCH 2016 • VOLUME 15 • NUMBER 3 WELCOME BACK MEMBERS SOME TIPS FOR VISITING: On March 1, just as Portland is turning to the soft breezes and opening v Construction will continue outside the Garden gates buds of spring, the Portland Japanese Garden will welcome visitors to until Spring 2017 return to our five familiar landscapes. From new leaf growth on our v The shuttle from our parking lot to the Admission Gate will Japanese maples, to pink petals appearing on our 75-year-old weeping be available Friday, Saturday, and Sundays only cherry tree, Members will have plenty of springtime sights to enjoy. v Consider taking public transportation; much of the lower Gardeners have spent the last six months getting the Garden into parking lot is being used for construction staging peak condition, and plants are well-rested and healthy—rejuvenated v Trimet Bus-Line 63 runs every hour, Monday through Friday for spring. Inside the Garden and out, this year promises to be one of v The Garden will switch to summer hours on March 13 beauty, culture, and growth. A JOURNEY FAMILIAR AND NEW Mr. Neil was born and raised on the western slope of the Rocky Members walking up the hillside path will notice a new set of stairs with Mountains in Colorado. The fantastic array of wind-swept trees in the an altered entrance into the Garden. The stair landing allows visitors landscape instilled in him a deep fascination with their beauty and the best view to observe ongoing construction, especially the progress the resilient nature of plants. -
Japan, Land of Water No.15 Contents
Discovering Japan 2015 no.15 Special Feature Japan, Land of Water no.15 contents niponica is published in Japanese and six other languages (Arabic, Chinese, English, French, Russian and Spanish), to introduce the world to the people and culture of Japan today. The title niponica is derived from “Nip- pon,” the Japanese word for Japan. Special Feature Japan, Land of Water 04 Cities Blessed with Water 12 Water: A Natural Asset Readily Available in Japan 15 Protecting the City from Floods 16 Water Wizardry 18 A Marriage of Technology and Water 22 Tasty Japan: Time to Eat! Dashi Broth 24 Strolling Japan Special Feature The Niyodo River in Kochi No. 15 March 20, 2015 28 Souvenirs of Japan Published by: Ministry of Foreign Affairs of Japan Kasumigaseki 2-2-1, A Wave Motif to Decorate Chiyoda-ku, Tokyo 100-8919, Japan Japan, Land of Water http://www.mofa.go.jp/ Your Dining Table In Japan, people have a deep connection with the country’s plentiful water resources, Cover photo: Oirase Stream in Aomori Prefecture. The area is much admired for its waterscapes. creating a natural culture where water is not only used wisely, but also in some very unique ways. (Photo: Nawate Hideki / Aflo) Above: Icicles are a masterpiece of nature. In the Ukiyoe woodblock print by Katsushika Hokusai, entitled Shokoku Takimeguri Shimotsuke Kurokami-yama Kirifuri no Taki (“Kirifuri Falls on Mount Kurokami in Shimotsuke”), Chichibu Mountains in Saitama Prefecture, they from the artist’s A Tour of Waterfalls in Various Provinces series. His bold treatment of the rocks and water is remarkably expressive. -
The Sexual Life of Japan : Being an Exhaustive Study of the Nightless City Or the "History of the Yoshiwara Yūkwaku"
Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924012541797 Cornell University Library HQ 247.T6D27 1905 *erng an exhau The sexual life of Japan 3 1924 012 541 797 THE SEXUAL LIFE OF JAPAN THE SEXUAL LIFE OF JAPAN BEING AN EXHAUSTIVE STUDY OF THE NIGHTLESS CITY 1^ ^ m Or the "HISTORY of THE YOSHIWARA YUKWAKU " By J, E. DE BECKER "virtuous men hiive siitd, both in poetry and ulasslo works, that houses of debauch, for women of pleasure and for atreet- walkers, are the worm- eaten spots of cities and towns. But these are necessary evils, and If they be forcibly abolished, men of un- righteous principles will become like ravelled thread." 73rd section of the " Legacy of Ityasu," (the first 'I'okugawa ShOgun) DSitl) Niimrraiia SUuatratiuna Privately Printed . Contents PAGE History of the Yosliiwara Yukwaku 1 Nilion-dzutsumi ( 7%e Dyke of Japan) 15 Mi-kaeri Yanagi [Oazing back WUlow-tree) 16 Yosliiwara Jiuja ( Yoahiwara Shrine) 17 The "Aisome-zakura " {Chen-y-tree of First Meeting) 18 The " Koma-tsunagi-matsu " {Colt tethering Pine-tree) 18 The " Ryojin no Ido " {Traveller's Well) 18 Governmeut Edict-board and Regulations at the Omen (Great Gate) . 18 The Present Omon 19 »Of the Reasons why going to the Yosliiwara was called " Oho ve Yukn " ". 21 Classes of Brothels 21 Hikite-jaya (" Introducing Tea-houses"') 28 The Ju-hachi-ken-jaya (^Eighteen Tea-houses) 41 The " Amigasa-jaya -
View Trip Brochure
Inside Japan Travel with Dora C.Y. Ching *11 Associate Director of the P.Y. and Kinmay W. Tang Center for East Asian Art October 19-31, 2022 For peace of mind, all payments are 100% refundable until Thursday, July 21, 2022. Dear Princetonian, Join East Asian art specialist Dora C.Y. Ching *11 on a carefully crafted autumn journey to Japan, taking advantage of the chance to venture beyond the typical tourist sites to discover the fascinating worlds of this island nation — ancient and contemporary, urban and rural, sacred and cutting-edge. Begin in the Imperial capital of Kyoto, now a bustling modern city dotted with lovely ancient temples and gardens behind walls, and filled with some of the country’s top artisans. Then depart the city bustle for a memorable visit to the remote mountains and valleys of Shikoku Island, staying at a lovely traditional inn (ryokan) with indoor and outdoor hot spring baths (onsen). Continue to the contemporary artist retreat of Naoshima Island, and conclude with a bullet train journey to Tokyo to discover the highlights of Japan’s capital city. Throughout, savor the flavors of Japan, from simple vegetarian fare, traditionally served in Buddhist temples, to the exquisite kaiseki multi-course meals served at our ryokan. Dates are timed to coincide with both the annual Jidai Matsuri (Festival of the Ages) in Kyoto, which features a lively procession of people dressed in accurate costumes from almost every period of Japanese history, along with the beloved monthly flea market at Kyoto’s To-ji Temple, with bargains on used Japanese kimonos and other textiles, as well as antiques, ceramics and handicrafts. -
The Lesson of the Japanese House
Structural Studies, Repairs and Maintenance of Heritage Architecture XV 275 LEARNING FROM THE PAST: THE LESSON OF THE JAPANESE HOUSE EMILIA GARDA, MARIKA MANGOSIO & LUIGI PASTORE Politecnico di Torino, Italy ABSTRACT Thanks to the great spiritual value linked to it, the Japanese house is one of the oldest and most fascinating architectural constructs of the eastern world. The religion and the environment of this region have had a central role in the evolution of the domestic spaces and in the choice of materials used. The eastern architects have kept some canons of construction that modern designers still use. These models have been source of inspiration of the greatest minds of the architectural landscape of the 20th century. The following analysis tries to understand how such cultural bases have defined construction choices, carefully describing all the spaces that characterize the domestic environment. The Japanese culture concerning daily life at home is very different from ours in the west; there is a different collocation of the spiritual value assigned to some rooms in the hierarchy of project prioritization: within the eastern mindset one should guarantee the harmony of spaces that are able to satisfy the spiritual needs of everyone that lives in that house. The Japanese house is a new world: every space is evolving thanks to its versatility. Lights and shadows coexist as they mingle with nature, another factor in understanding the ideology of Japanese architects. In the following research, besides a detailed description of the central elements, incorporates where necessary a comparison with the western world of thought. All the influences will be analysed, with a particular view to the architectural features that have influenced the Modern Movement. -
Insider's Japan
Smith College presents INSIDER’S JAPAN May 20-June 1, 2015 13 days from $5,686 total price from Los Angeles, San Francisco ($4,995 air & land inclusive plus $691 airline taxes and departure fees) This tour is provided by Odysseys Unlimited, six-time honoree Travel & Leisure’s World’s Best Tour Operators award. An Exclusive Small Group Tour for Smith Travel Featuring Professors Jamie Hubbard & Maki Hirano Hubbard Tour membership limited to 24 alumnae and friends of Smith College INSIDER’S JAPAN 13 days from $5,686 total price from Los Angeles, San Francisco ($4,995 air & land inclusive plus $691 airline taxes and departure fees) t’s a land of delicate art and bustling commerce, of rich traditions and I dizzying modernity; a jumble of sights, sounds, and tastes that for visitors are truly foreign — and truly fascinating. This well-crafted tour features the highlights of Tokyo and Kyoto, engages us in local life, and takes us off the beaten path to the lovely historic cities of Takayama and Kanazawa. Day 1: Depart U.S. for Tokyo, Japan JAPAN Day 2: Arrive in Tokyo After arriving in Sea of Japan Japan’s financial, commercial, and political capital Lake Suwa this evening, we transfer to our hotel where we learn about the journey ahead at a briefing with Kyoto our Odysseys Unlimited Tour Director. Osaka Hiroshima Day 3: Tokyo We spend the morning tour- Destination ing this amazing city that comprises 23 wards Motorcoach and covers a staggering 840 miles. We focus on Train Pacific Ocean a smaller area as we visit some of Tokyo’s top Extension (train) Entry/Departure sights, including Shinto Meiji Shrine, a peace- ful enclave of temples and gardens; and historic Avg. -
Shigisan Engi Shigisan Engi Overview
Shigisan engi Shigisan engi Overview I. The Shigisan engi or Legends of the Temple on Mount Shigi consists of three handscrolls. Scroll 1 is commonly called “The Flying Granary,” Scroll 2 “The Exorcism of the Engi Emperor,” and Scroll 3 “The Story of the Nun.” These scrolls are a pictorial presentation of three legends handed down among the common people. These legends appear under the title “Shinano no kuni no hijiri no koto” (The Sage of Shinano Province) in both the Uji sh¯ui monogatari (Tales from Uji) and the Umezawa version of the Kohon setsuwash¯u (Collection of Ancient Legends). Since these two versions of the legends are quite similar, one is assumed to be based on the other. The Kohon setsuwash¯u ver- sion is written largely in kana, the phonetic script, with few Chinese characters and is very close to the text of the Shigisan engi handscrolls. Thus, it seems likely that there is a deep connection between the Shigisan engi and the Kohon setsuwash¯u; one was probably the basis for the other. “The Flying Granary,” Scroll 1 of the Shigisan engi, lacks the textual portion, which has probably been lost. As that suggests, the Shigisan engi have not come down to us in their original form. The Shigisan Ch¯ogosonshiji Temple owns the Shigisan engi, and the lid of the box in which the scrolls were stored lists two other documents, the Taishigun no maki (Army of Prince Sh¯otoku-taishi) and notes to that scroll, in addition to the titles of the three scrolls. -
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ARTICLES AND YOU MAY ASK YOURSELF, WHAT IS THAT BEAUTIFUL HOUSE:1 HOW TAX LAWS DISTORT BEHAVIOR THROUGH THE LENS OF ARCHITECTURE Meredith R. Conway* * Professor of Law, Suffolk University Law School. Thanks to Hilary Allen, Megan Carpenter, Allison Christians, Rebecca Curtin, Sara Dillon, Joseph Glannon, Janice Griffith, Renee Landers, Camille Nelson, Diane Ring, Adam Rosenzweig, Kerry Ryan, Sarah Schendel, Patrick Shin, and Maria Toyoda for comments and suggestions. This paper also benefited from feedback received during presentations at the CUNY School of Law’s Faculty Workshop and Suffolk University School of Law Faculty Works in Progress, and to my Aunt Violet Vietoris, whose travel, interest in the Guinness Factory and the windows and thoughtfulness of me inspired this piece. 1 Talking Heads, Once in a Lifetime, Remain in Light (Feb. 2, 1981) (downloaded using iTunes). 166 [Vol. 10:2 COLUMBIA JOURNAL OF TAX LAW TABLE OF CONTENT I. INTRODUCTION 168 II. JUSTIFICATIONS FOR TAXING REAL ESTATE AND ARCHITECTURE 170 III. THE HEARTH/CHIMNEY TAX 172 A. Byzantine Empire 172 B. French Hearth Tax 172 C. The Netherlands 173 D. British Hearth Tax 173 E. Ireland 174 F. New Orleans Chimney Tax 175 IV. THE WINDOW TAX 175 A. The Window Tax of Great Britain 175 B. The British Window Tax and Separate Buildings 179 C. Window Tax in the United States 180 D. The Window Tax in Ireland 181 E. The Windows and Doors Tax of France 181 F. The Window and Door Tax in the Netherlands 182 V. TAX LAWS THAT AFFECT THE CONSTRUCTION OF BUILDINGS 182 A. -
Delft University of Technology Japan the Machiya Concept
Delft University of Technology Japan the Machiya concept Jurgenhake, Birgit Publication date 2016 Document Version Final published version Published in The City at Eye Level Citation (APA) Jurgenhake, B. (2016). Japan: the Machiya concept. In H. Karssenberg, J. Laven, M. Glaser, & M. van 't Hoff (Eds.), The City at Eye Level: Lessons for street plinths (2nd and extended version ed., pp. 161-163). Eburon Academic Publishers. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. Japan: the MachiyA concept Birgit Jürgenhake (architect) SPaCe – road – ShoP Machiya are wooden townhouses, with different variations built throughout Japan. Ma means ‘space’ or ‘between’, chi means ‘road’ and ya means ‘shop’. So in other words: a space along the road with a shop. A machiya is usually a dwelling with a shop situated towards the street. The machiya first appeared in the 11th and 12th centuries when merchants in Kyoto, the former capital of A Machiya Japan, used tables to display their products in front of their house. -
Japonisme in Britain - a Source of Inspiration: J
Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933). -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Making Shoji Free
FREE MAKING SHOJI PDF Toshio Odate,Laure Olender | 128 pages | 01 Jul 2000 | Linden Publishing Co Inc | 9780941936477 | English | Fresno, CA, United States Recommended books:Making Shoji – 翠紅舎 The shoji screens are part of a project that my friend Yann of Mokuchi Woodworking has taken on. There are 20 screens that need to be made in total, and I just finished making 8 of them. The proportions and style were based on the Making Shoji screens. The wood for the shojis is Alaskan yellow cedar, which is beautiful material to work Making Shoji. And after making a lot of chips and noise I ended up with a nice clean stack of milled parts for the rails and stiles. Making Shoji next step was to lay out all of the mortises. There are three mortises per stile, two for the top and bottom rails and one for the rail that separates the kumiko grid from the panel. After laying out all the mortise I then marked and cut the tenons. Below are the tenons nearly complete. The haunched tenons Making Shoji for the top and bottom rails and the straight tenons are Making Shoji the middle rails. My first step was to cut the shoulders for all the tenons using the table saw, then I angled the blade and cut the angle for the haunches. After that I used Making Shoji shop-made tenoning jig to cut the cheeks. For the cheek cuts I oversized the cut so that the tenons would be extra thick, then I used a horizontal router multi-router to do the final cleanup bringing the tenons to the right thickness.