Pongratz-Leisten2001.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cuneiform Monographs
VANSTIPHOUT/F1_i-vi 4/26/06 8:08 PM Page ii Cuneiform Monographs Editors t. abusch ‒ m.j. geller s.m. maul ‒ f.a.m. wiggerman VOLUME 35 frontispiece 4/26/06 8:09 PM Page ii Stip (Dr. H. L. J. Vanstiphout) VANSTIPHOUT/F1_i-vi 4/26/06 8:08 PM Page iii Approaches to Sumerian Literature Studies in Honour of Stip (H. L. J. Vanstiphout) Edited by Piotr Michalowski and Niek Veldhuis BRILL LEIDEN • BOSTON 2006 VANSTIPHOUT/F1_i-vi 4/26/06 8:08 PM Page iv This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data is available on http: // catalog.loc.gov ISSN 0929-0052 ISBN-10 90 04 15325 X ISBN-13 978 90 04 15325 7 © Copyright 2006 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill Academic Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands VANSTIPHOUT/F1_i-vi 4/26/06 8:08 PM Page v CONTENTS Piotr Michalowski and Niek Veldhuis H. L. J. Vanstiphout: An Appreciation .............................. 1 Publications of H. -
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
Questions for History of Ancient Mesopotamia by Alexis Castor
www.YoYoBrain.com - Accelerators for Memory and Learning Questions for History of Ancient Mesopotamia by Alexis Castor Category: Rise of Civilization - Part 1 - (26 questions) Indentify Uruk Vase - oldest known depiction of gods and humans. 3000 B.C. What 2 mountain ranges frame Mesopotamia Zagros Mountains to the east Taurus Mountains to the north When was writing developed in ancient late 4th millenium B.C. Mesopotamia Identify creature: lamassu - Assyrian mythical creature During the 3rd and 2nd millenium B.C. what north - Akkad were the 2 major regions of north and south south - Sumer Mesopotamia called? When did Hammurabi the law giver reign? 1792 - 1750 B.C. What work of fiction did Ctesias, 4th century account of fictional ruler called B.C. Greek, invent about Mesopotamia Sardanapalus, whose empire collapsed due to self-indulgence What does painting refer to: Death of Sardanapalus by Eugene Delacroix in 1827 refers to mythical ruler of Mesopotamia that 4th Century Greek Ctesias invented to show moral rot of rulers from there Who was: Semiramis written about by Diodorus of Greece in 1st century B.C. queen of Assyria and built Bablyon different lover every night that she killed next day mythical Identify ruins: Nineveh of Assyria Identify: 5th century B.C. inscription of Darius I carved in mountainside at Behistun in Iran Identify: Ishtar Gate from Babylon now located in Berlin Identify the ruin: city of Ur in southern Mesopotamia Define: surface survey where archeologist map physical presence of settlements over an area Define: stratigraphy study of different layers of soil in archeology Define: tell (in archaeology) a mound that build up over a period of human settlement Type of pottery: Halaf - salmon colored clay, painted in red and black, geometric and animal designs When was wine first available to upper around 3100 B.C. -
The Elamite Cylinder Seal Corpus, C.3500 – 1000 BC
The Elamite Cylinder Seal Corpus, c.3500 – 1000 BC Volume I, Part III K. J. Roach Doctor of Philosophy, (Near Eastern) Archaeology 2008 The University of Sydney Chapter 5 – Summary of Style Distribution across the Elamite Sites The purpose of this chapter is to detail and outline the specific glyptic style distribution at each site included in the Corpus. This survey has two main objectives. The first is the summation and discussion of the Elamite styles from each site, and thereby the revision and reassessment of the ‘glyptic material’ survey presented for each site in the initial site survey section (Chapter 2), by detailing the site glyptic material in the terms of the new Elamite stylistic paradigm here presented. The second intention is to provide some of the background information and data, be it contextual, stylistic and chronological, regarding the function of various glyptic items at each site and across Elam, thereby enabling the following discussion on glyptic function (Chapter 6). The style distribution (how many styles and in what proportions) of each site will be presented, and thereby the basic chronological distribution of the glyptic material, with any necessary discussion where this information strongly contradicts the established chronological periodisation of a site, will be outlined. The glyptic material types (seals/sealings) and the specific materials will be presented, as will any information regarding seal function from provenance (that is, grave or temple context etc.) or type (sealing type especially). For the most part, this information may be presented and detailed in graphs, figures and tables. 5.1 Susa As already mentioned and explained, Susa has contributed by far the most items to the Corpus. -
DESENVOLVIMENTO DO ESQUEMA DECORATIVO DAS SALAS DO TRONO DO PERÍODO NEO-ASSÍRIO (934-609 A.C.): IMAGEM TEXTO E ESPAÇO COMO VE
UNIVERSIDADE DE SÃO PAULO MUSEU DE ARQUEOLOGIA E ETNOLOGIA PROGRAMA DE PÓS-GRADUAÇÃO EM ARQUEOLOGIA DESENVOLVIMENTO DO ESQUEMA DECORATIVO DAS SALAS DO TRONO DO PERÍODO NEO-ASSÍRIO (934-609 a.C.): IMAGEM TEXTO E ESPAÇO COMO VEÍCULOS DA RETÓRICA REAL VOLUME I PHILIPPE RACY TAKLA Dissertação apresentada ao Programa de Pós-Graduação em Arqueologia do Museu de Arqueologia e Etnologia da Universidade de São Paulo para obtenção do título de Mestre em Arqueologia. Orientadora: Profª. Drª. ELAINE FARIAS VELOSO HIRATA Linha de Pesquisa: REPRESENTAÇÕES SIMBÓLICAS EM ARQUEOLOGIA São Paulo 2008 RESUMO Este trabalho busca a elaboração de um quadro interpretativo que possibilite analisar o desenvolvimento do esquema decorativo presente nas salas do trono dos palácios construídos pelos reis assírios durante o período que veio a ser conhecido como neo- assírio (934 – 609 a.C.). Entendemos como esquema decorativo a presença de imagens e textos inseridos em um contexto arquitetural. Temos por objetivo demonstrar que a evolução do esquema decorativo, dada sua importância como veículo da retórica real, reflete a transformação da política e da ideologia imperial, bem como das fronteiras do império, ao longo do período neo-assírio. Palavras-chave: Assíria, Palácio, Iconografia, Arqueologia, Ideologia. 2 ABSTRACT The aim of this work is the elaboration of a interpretative framework that allow us to analyze the development of the decorative scheme of the throne rooms located at the palaces built by the Assyrians kings during the period that become known as Neo- Assyrian (934 – 609 BC). We consider decorative scheme as being the presence of texts and images in an architectural setting. -
Purim Part 1: ● the Authorship of This Book Is Unknown
Purim Part 1: ● The authorship of this book is unknown. It must have been obviously written after the death of Ahasuerus (the Xerxes of the Greeks), which took place B.C. 465. The minute and particular account also given of many historical details makes it probable that the writer was contemporary with Mordecai and Esther. Hence we may conclude that the book was written probably about B.C. 444-434, and that the author was one of the Jews of the dispersion. This book is more purely historical than any other book of Scripture; and it has this remarkable peculiarity that the name of God does not occur in it from first to last in any form. It has, however, been well observed that "though the name of God be not in it, his finger is." The book wonderfully exhibits the providential government of God. By: M.G. Easton M.A., D.D., Illustrated Bible Dictionary, Third Edition ● Since Purim is a national holiday and is not listed as a holy day in Leviticus 23 or elsewhere, it is not a biblically required observation for those in the Church of God. As Esther 9:27-28 points out it was a Jewish invention for Jews. 1. Esther 1 ● Verses 1-2=At this time you have Israelites scattered from India to Sub-Saharan Africa. Ahasuerus--It is now generally agreed among learned men that the Ahasuerus mentioned in this episode is the Xerxes who figures in Grecian history.) ;[Šušān; Greek: Σοῦσα [ˈsuːsa שׁוּ ָשׁן :Susa (/ˈsuːsə/; Persian: Šuš; [ʃuʃ]; Hebrew ● Syriac: ܫܘܫ Šuš; Middle Persian: Sūš, Šūs; Old Persian: ςρ Çūšā) was an ancient city of the Proto-Elamite, Elamite, First Persian Empire, Seleucid, Parthian, and Sasanian empires of Iran, and one of the most important cities of the Ancient Near East. -
Sibel Özbudun
Sibel Özbudun SİYASAL İKTİDARIN KURULMA VE KURUMSALLAŞMA SURECİNDE TÖRENLERİN İŞLEVLERİ 7H17IRC7IR K O P L 7 IR ARAŞTIRMA - İNCELEME DİZİSİ ANAHTAR KİTAPLAR YAYINEVİ Kloüfarer Cad. İletişim Han No:7 Kat:2 34400 Cağaloğlu-İstanbul Tel.: (0.212) 518 54 42 Fax: (0.212)638 11 12 SİBEL ÖZBUDUN AYİNDEN TÖRENE SİYASAL İKTİDARIN KURULMA VE KURUMSALLAŞMA SÜRECİNDE TÖRENLERİN İŞLEVLERİ AYİNDEN TÖRENE SİBEL ÖZBUDUN Kitabın Özgün Adı: Ayinden Törene Yayın Hakları: © Sibel Özbudun / Anahtar Kitaplar - 1997 Kapak Grafik: İrfan Ertel Kapak Resmi Tasarımlı Mustafa Deniz Arun Kapak Filmi: Ebru Grafik Baskı: Ceylan Matbaacılık Birinci Basım: Mart 1997 ISBN 975-7787-52-3 SİBEL ÖZBUDUN AYİNDEN • • TÖRENE SİYASAL İKTİDARIN KURULMA VE KURUMSALLAŞMA SÜRECİNDE TÖRENLERİN İŞLEVLERİ Geleceğin ‘töremiz’ toplumu için... S.Ö. İÇİNDEKİLER Önsöz........................................... .............................. 9 1. Bölüm: Kuramsal Çerçeve, Yöntem, Tanımlar, Yaklaşımlar........................................................ 11 1.1. Kuramsal Çerçeve.............................................................. 11 1.2. Yöntem................................................ *........ .................. 13 1.3. Tanımlar........................................................................... 16 1.4. Yaklaşımlar....................................................................... 21 1.4.1. Antropolojide Başlıca Yaklaşımlar............................. 21 1.4.2. Mitos ve Ayin Hareketi............................................. 24 1.4.3. Son Dönem Yaklaşımları......................................... -
Teaching Morality in Antiquity
Orientalische Religionen in der Antike Ägypten, Israel, Alter Orient Oriental Religions in Antiquity Egypt, Israel, Ancient Near East (ORA) Herausgegeben von / Edited by Angelika Berlejung (Leipzig) Joachim Friedrich Quack (Heidelberg) Annette Zgoll (Göttingen) 29 Teaching Morality in Antiquity Wisdom Texts, Oral Traditions, and Images Edited by T. M. Oshima with Susanne Kohlhaas Mohr Siebeck T. M. OSHIMA, born 1967; PhD in Assyriology from the Hebrew University of Jerusalem, Israel; 2008–10 Alexander-von-Humboldt fellow at the University of Leipzig in Germany; 2010–13 re- search fellow at the Friedrich-Schiller University in Jena (project of the German Research Founda- tion [DFG]); since 2015 DFG project at the University of Leipzig. SUSANNE KOHLHAAS, born 1986; 2016 MA in Assyriology from Leipzig University; 2011–15 research assistant at the Institute for ancient Near Eastern Studies at Leipzig University; 2016–18 research assistant at DFG project “Teaching Morality in Antiquity”. ISBN 978-3-16-156480-2 / eISBN 978-3-16-156481-9 DOI 10.1628/978-3-16-156481-9 ISSN 1869-0513 / eISSN 2568-7492 (Orientalische Religionen in der Antike) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available at http://dnb.dnb.de. © 2018 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher’s written permission. This applies particularly to reproductions, translations and storage and processing in electronic systems. The book was printed on non-aging paper by Gulde Druck in Tübingen, and bound by Buchbinderei Spinner in Ottersweier. -
ANE Deities Compared Genesis 1-11 the Babylonians and Akkadians Adopted the Sumerian Pantheon with Little Changes
ANE Deities Compared Genesis 1-11 The Babylonians and Akkadians adopted the Sumerian pantheon with little changes. Gods were often renamed but their role and status in the pantheon generally remained the same. The dominance of Babylon, however, also led to the ascendancy of the god of Babylon: Marduk assumed power over An, Enlil, and Enki. Sumerian Aspect of Deity Babylonian/Akkadian An God of the heavens Anu Enlil God of the earth and air Enlil / Ellil Enki God of water; Ea god of wisdom and magic Ninhursag (Nimmah, Nintu, Ki) Mother-goddess Aruru Nanna-Sin Moon god Sin Utu Sun God; Shamash god of justice Ereshkigal Goddess of the underworld Nergal Ishkur Storm god Marduk (Adad, Ashur, Bel) Abzu Primordial sweet-water ocean Apsu (Enki’s abode) Nanshe The salt-water ocean Tiamat1 Dumuzi God of vegetation; god of the Tammuz underworld; shepherd god Inanna Fertility goddess; Ishtar goddess of love and war Ashnan God of grain Dagan Nidaba, Nisaba God of scribes, literacy, Nabu and wisdom Anunnaki2 Lesser gods, workers Anunnaki, Igigi2 Blue = the supreme gods (highest of the seven primary gods) Red = additional members of the seven primary gods Green = other important gods 1 Enuma Elish tells the story of Marduk’s victory over the sea monster Tiamat. 2 Anunnaki and Igigi are both collective terms for a group of otherwise nameless gods. It is uncertain whether or not they stand for the same group of gods. The Anunnaki seem to hold a higher position. Chart inspired by G. Herbert Livingston, The Pentateuch and Its Cultural Environment (pp. -
Urnamma of Ur in Sumerian Literary Tradition
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 1999 Urnamma of Ur in Sumerian Literary Tradition Flückiger-Hawker, Esther Abstract: This book presents new standard editions of all the hitherto known hymns of Urnamma, the founder of the Third Dynasty of Ur (fl. 2100 B.C.), and adds new perspectives to the compositions and development of the genre of Sumerian royal hymns in general. The first chapter (I) is introductory in nature (historical background, the reading of the name Urnamma, Sumerian royal hymns). The second chapter (II) presents a general survey of Urnamma’s hymnic corpus, including arguments for a broader definition of Sumerian royal hymns and an attempt at classifying the non-standard orthography found in Urnamma’s hymns. The third chapter (III) deals with correlations of Urnamma’s hymns with other textual sources pertaining to him. A fourth chapter (IV) is devoted to aspects of continuity and change in royal hymnography by analyzing the Urnamma hymns in relation to other royal hymns and related genres. A discussion of topoi of legitimation and kingship and narrative materials in different text types during different periods of time and other findings concerning statues, stelas and royal hymns addnew perspectives to the ongoing discussion of the original setting of royal hymns. Also, reasons are given why a version of the Sumerian King List may well be dated to Urnamma and the thesis advanced that Išmēdagan of Isin was not only an imitator of Šulgi but also of Urnamma. The final of the chapter IV shows that Urnamma A, also known as Urnamma’s Death, uses the language of lamentation literature and Curse of Agade which describe the destruction of cities, and applies it to the death of a king. -
More Figurative Responses to Assyrian Domination
NOSELESS IN NIMRUD: MORE FIGURATIVE RESPONSES to ASSYRIAN DOMINATION Barbara nevling porter ABSTRACT In 1980 Carl Nylander proposed that the famous copper head depicting an ancient Akkadian ruler (perhaps Sargon I), discovered at Nineveh in a severely damaged state, had been the victim of deliberate mutilation, probably at the hands of Medes after Nineveh fell in 612 BCE to a joint Median-Babylonian attack. There are also clearly deliberate mutilations in scenes involving Elamites in bas-reliefs at Nineveh, which Julian Reade suggested represent a similar figurative revenge on Assyria, perhaps by Elamite soldiers who helped capture that city. Reade later identified further examples of selective mutilation in Nineveh palaces. Here, I point out figurative mutilations in a second Assyrian city, Kalḫu, focusing on a little-noticed Assyrian bas-relief at the Bowdoin College Museum of Art in Brunswick, Maine that shows extensive mutilation, particularly of the face and body of the king, in a pattern echoing and extending the mutilations seen at Nineveh. As Nylander first suggested, such mutilation appears to be an act of “political iconoclasm” by Assyria’s former subjects. In the Bowdoin relief, the winged divinity following the king has also been subjected to mutilation (an apparently unique case). A third figure has also been added, crudely sketched on the stone. This figure, facing the king, appears to wear the hat of an Elamite king. The addition of an image of the much-demeaned (and quite dead) rulers of Elam, placed here in a position of power before the disfigured image of their Assyrian counterpart, went beyond figurative revenge to announce the birth of a new political order, in which the long-conquered peoples of southern Mesopotamia would see their independence, their political identity, and their much-abused honor at last restored. -
Mythsandlegends 11
하얀파도의 神話想像世界 11 - 메소포타미아 2010 신화ㆍ상상세계 사전 (神話ㆍ想像世界 辭典) 제11권 메소포타미아 일러두기 이 글을 제가 여기저기의 글을 편집해서 만든 신화ㆍ상상세계 사전의 열한 번째 부분이다. 티그리스와 유프라테스 강 사이에 있는 메소포타미아의 신화와 전설을 모 았다. 아직까지 Encyclopedia Mythica와 조철수의 『수메스 신화』에서 발췌한 내 용이 대부분이다. 하지만 조철수 교수는 세계에서 수메르어를 전공한 몇 안되는 분 중 한 분이기 때문에 앞으로 영어로 표기된 발음이 아니고 수메르어에 가까운 표기 로 수메르 신화를 접할 수 있을 것 같다. [ ] 안에 지역을 집어넣어 구별할 수 있도록 하였습니다. 책이름은 『 』에 넣 고, 잡지나 신문 등 기타는 「 」에 넣었다. (2008.8) 수메르 사람들은 기원전 4천경에 물건을 상징하는 물표를 만들어 그 표면에 물건 의 특색을 그려 넣어서 사용했다. 기원전 3300년경에 상형문자와 숫자를 쓰기 시작 했다. 그들은 중국 사람들처럼 많은 상형문자를 만들지 않았다. 기원전 2600년경에 는 사용하는 문자가 줄어들어 약 700개의 문자만 썼다. 수메르 사람들은 기존의 문 자를 조합해서 새로운 낱말로 만들어 썼다. 중국 사람들도 기존의 글자를 이용해서 새로운 뜻을 표현했지만, 그들은 새로운 글자를 만들어 냄으로써 글자 수가 기하급 수적으로 늘어나게 만들었다. 수메르 사람들은 “루(lu2, 사람)”와 “갈(gal, 큰)”을 합쳐서 갈루(GAL.LU2)로 표기 하고 루갈로 읽었다. 그 뜻은 “왕”이 되었다. 하지만 “큰 사람”을 말하는 경우에는 루-갈(lu2-gal)로 표기했다. 한편 한 문자를 여러 음으로 발음하고 그 뜻도 각기 다 른 경우가 있다. “입”은 카(ka)인데, “말하다”라는 뜻인 “둑(dug4)”으로 읽거나 “말 씀”이라는 뜻인 “이님(inim)”, “이빨”이라는 뜻인 “주(zu)”로 읽기도 했다. 수메르 사람들은 모든 단어를 표의문자로 만들지 않았다. “꿈”이라는 단어는 “마 무드(mamud)”라고 하는데, “꿈”이라는 표의문자를 만들지 않고 2개 음절로 “마-무 드(ma-mud)”로 표기했다.