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ADAM BOUSDOUKOS DIEFFENBACHSTRASSE 33 10967 BERLIN +49. 30. 788 988 92 ADAM BOUSDOUKOS Wohnort Hamburg Jahrgang 1975 Haarfarbe braun Augenfarbe braun Größe 174 Sprachen Deutsch, Griechisch (Muttersprachen), Englisch Dialekte norddeutsch Stimme Bariton Instrumente Gitarre, Flöte, Bouzouki Sportarten Fussball, Basketball, Schwimmen, Reiten Ausbildung Gesangsausbildung, Privater Schauspielunterricht AUSZEICHNUNGEN 10 Spezialpreis der Jury für "Soul Kitchen" 01 Grimmepreis für "Kurz und Schmerzlos" 98 BRONZENER LEOPARD beim Internationalen Filmfest von Locarno FILM 12 V8 - Du willst der Beste sein kino - Joachim Masannek 11 Das Leben ist nichts für Feiglinge kino - Andre Erkau Verbrechen ADAM BOUSDOUKOS DIEFFENBACHSTRASSE 33 10967 BERLIN +49. 30. 788 988 92 tv film - Jobst Oetzmann Marie Brand und der Moment des Sterbens tv film - Josh Broecker Vatertage kino - Ingo Rasper 10 Es war einer von uns tv film - Kai Wessel The Chalet Girl kino - Philip Trail 09 Dicke Hose kino - Henrik Peschel, Miles Terheggen Soul Kitchen kino - Fatih Akin 05 Kebab Connection kino - Anno Saul 04 Unsere Mutter ist halt anders tv film - Franziska Buch Das Duo tv film - Peter Fratzscher Gegen die Wand kino - Fatih Akin Eine andere Liga kino - Buket Alakus 03 Solino kino - Fatih Akin Wie krieg ich meine Mutter groß? tv film - Stephan Wagner Der Ärgermacher kino - S.Jürgens, B. Schoeller 02 Doppelter Einsatz tv film - Thorsten Näter Edel und Stark tv - Bernhard Stephan Adelheit und ihre Mörder tv - Stefan Bartmann Die Sitte tv - Jorgo Papavassiliou 01 Berlin- Abschnitt 40 tv - Udo Witte Check-in to Desaster kino - Uwe Frießner Polizeiruf 110 tv - Ulrich Stark Denk ich an Deutschland kino - Fatih Akin 00 Anwalt Abel tv film - F.Breinersdorfer, M. Weinhart Die Pfefferkörner tv - Klaus Wirbitzky Die Hässliche tv film - Käthe Niemeyer Der Weihnachtswolf kino - Matthias Steurer ADAM BOUSDOUKOS DIEFFENBACHSTRASSE 33 10967 BERLIN +49. 30. 788 988 92 Im Juli kino - Fatih Akin 99 Barracuda Dancing kino - Stefan Krohmer Der letzte Flug kurzfilm - Silvana Lombardi 98 Kurz und schmerzlos kino - Fatih Akin Bärenfalle kurzfilm - Frank W. 95 Sensin - Du bist es kurzfilm - Fatih Akin.

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Aproximações Entre O Cinema De Fatih Akin E O Neuer Deutscher Film De Três Décadas Atrás
Revista Contingentia | Gabriela Wondracek Linck “Eine Kneipe ist wie ein Film” - Aproximações entre o cinema de Fatih Akin e o Neuer Deutscher Film de três décadas atrás Gabriela Wondracek Linck recebido em 19/09/2010 e aceito em 21/10/2010 Fatih Akin has been the subject of much research in the academic world, especially regarding his portrayal of young Turkish Germans, Turkey and the borders between Europe and the Middle East. This article presents a critical evaluation of these approaches and then looks into Akin’s relation with music, literature and the New German Cinema from the 1970’s and 80’s. Keywords: Fatih Akin; Rainer Werner Fassbinder; Wim Wenders Literature; Jasmin Ramadan; Germany; Media; Cinema; Music. “Lar é onde nascemos e não onde nossos pais nasceram” Fatih Akin. 1 1 Introdução Neste artigo, pretendo apresentar o cineasta “turco-alemão” Fatih Akin como representante das tendências do cinema alemão contemporâneo. Considero os filmes de Fatih Akin em comparação ao cinema da Alemanha surgido a partir do Manifesto de Oberhausen, que em 1966 inaugurou o Neuer Deutscher Film, apregoando “a morte do cinema do papai” (Papas Kino ist Tot). Partindo da afirmação de Fatih Akin de que o filme Contra a Parede (2004) seria o seu equivalente ao filme O Medo Devora a Alma (Fassbinder, 1974) - por analogia, seu Neuer Deutscher Film - e que Soul Kitchen (2009) seria seu Heimat Film - bem como outras referenciações do diretor ao representante do Cinema Novo Alemão Rainer Werner Fassbinder - serão aqui brevemente esmiuçadas as proximidades entre os temas e a prática fílmica dos dois diretores.
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Soul Kitchen
presenta Soul Kitchen un film di Fatih Akin uscita 8 gennaio durata 99 minuti www.soulkitchen-ilfilm.it ufficio stampa Federica de Sanctis 335.1548137 [email protected] Con il supporto del Programma MEDIA dell’Unione Europea BIM DISTRIBUZIONE Via Marianna Dionigi 57 00193 ROMA Tel. 06-3231057 Fax 06-3211984 www.bimfilm.com SOUL KITCHEN un film di Fatih Akin con Adam Bousdoukos, Moritz Bleibtreu, Birol Ünel, Pheline Roggan, Anna Bederke, Dorka Gryllus, Lucas Gregorowicz, Wotan Wilke Möhring e altri! LA VITA È QUELLO CHE TI SUCCEDE MENTRE SEI IMPEGNATO A FARE ALTRI PROGETTI (John Lennon) SOUL KITCHEN parla di famiglia e di amici, di amore, di fiducia e di lealtà e della lotta per proteggere un luogo chiamato casa in un mondo sempre più imprevedibile. Per raccontare questa storia Fatih Akin ha radunato i migliori attori dei suoi film precedenti - Adam Bousdoukos (KURZ UND SCHMERZLOS, LA SPOSA TURCA), Moritz Bleibtreu (SOLINO, IM JULI), Birol Ünel (LA SPOSA TURCA, IM JULI). la storia Zinos, giovane proprietario del ristorante “Soul Kitchen”, sta attraversando un periodo sfortunato. Nadine, la sua ragazza, si è trasferita a Shanghai, i suoi clienti abituali boicottano il nuovo chef e ha problemi alla schiena! La situazione sembra migliorare quando un giro giusto di persone abbraccia la sua nuova filosofia culinaria, ma non basta a guarire il cuore spezzato di Zinos. Decide di volare in Cina per raggiungere Nadine, consegnando il ristorante all'inaffidabile fratello Illias, un ex detenuto. Entrambe le decisioni si riveleranno catastrofiche: Illias si gioca il ristorante che finisce nelle mani di un losco agente immobiliare e Nadine si è trovata un nuovo amante! Ma, forse, i fratelli Zinos e Illias hanno un'ultima possibilità di riprendersi il Soul Kitchen, sempre che riescano a smettere di litigare e si decidano a fare un gioco di squadra.
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Nota Del Productor
SOUL KITCHEN es una historia acerca de la familia y los amigos, el amor, la confianza, la lealtad y la lucha por proteger algo llamado hogar en un mundo cada Premio Especial del Jurado ... la idea vez más imprevisible. Fatih Akin ha reunido a algunos de los mejores actores de sus anteriores películas: Adam Bousdoukos (Corto y con filo, Contra la pared), VENECIA 2009 Nos inspiramos en las clásicas películas de kung Hacía tiempo que me rondaba la idea de rodar SOUL KITCHEN. Pensaba en habla de... Moritz Bleibtreu (Solino, In July) y Birol Ünel (Contra la pared, In July). fu. De ahí el montaje de la escena en que Shayn, in- mi viejo amigo Adam Bousdoukos y su “Taberna” en el barrio Ottensen de akin terpretado por Birol Ünel, revela los secretos a su Hamburgo. Para nosotros era más que un restaurante, era nuestra base para fatih alumno Zinos: cocinar, cortar, presentar… Es como la historia la aventura, un sitio de encuentro, un lugar donde festejar, un hogar. Quería una película de Rocky: un montaje muy rápido con Rocky corriendo, lanzando puñetazos ...zinos plasmar el sentimiento, el modo de vida que descubrí en la “Taberna”, y no habría Zinos, el joven dueño de un restaurante, está de mala suerte. Su novia al aire, practicando con la bolsa de arena. O como las películas de Jackie Chan: siempre podido si hubiese esperado mucho más tiempo. Ya no puedo salir cinco noches seguidas ... hamburgo Es generoso y modesto, un poco patoso y muy buena persona. También tiene un lado Nadine se ha mudado a Shanghái por trabajo, tiene una hernia discal hay un maestro que enseña las técnicas al alumno.
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Global Cinema 2020 Nur Eine Frau - a Regular Woman 2019 | 92' | German | Germany | Colour Global Cinema
Global Cinema 2020 Nur eine Frau - A Regular Woman 2019 | 92' | German | Germany | Colour Global Cinema Director: Sherry Hormann Producer: Sandra Maischberger Cast: Almila Bagriacik, Rauand Taleb, Meral Perin, Mürtüz Yolcu, Armin Wahedi, Aram Arami Screenplay: Florian Öller Cinematographer: Judith Kaufmann Editor: Bettina Böhler ©http://www.nureinefrau-derfilm.de/ Sound Designer: Rainer Gerlach, Thomas The film portrays the fate of Hatun Aynur Sürücü, a German Neumann woman of Turkish descent, and her struggle for a free, self- Music Composer: Fabien Römer determined life in the face of her family's opposition. Her Costume Designer: Jessica Specker brothers refuse to accept her lifestyle; insults and threats continue to escalate. Finally, the young woman reports her Production Designer: Uli Friedrichs oldest brother to the police. She no longer feels safe at home, Production Company: Vincent TV so she takes her child and moves in with a female friend. At World Sales: The Match Factory the same time, the family is trying to find a wife for her brother. World Sales Phone: +49221 539 7090 But then Aynur is shot to death by her brother Nuri on a busy street in Berlin. Without suspecting anything, she World Sales Email: [email protected] accompanies him to the bus stop down the road, while her Festivals: Tribeca FF 2019, Filmkunstfest five-year-old son Can is asleep in her apartment only a few Mecklenburg-Vorpommern 2019, FF hundred miles away. How could this happen, what led to this Oostende 2019 deed? The film is based on the story of Hatun Aynur Sürücü, whose murder caused an outcry in 2005 and the witness is still in the witness protection program to this day.
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Gegen Die Wand
ABSTRACT Title of Thesis: FATIH AKIN’S LOVE, DEATH, AND THE DEVIL TRILOGY: A TRIAD OF CROSS- CULTURAL TALES Abigail Margaret Trozenski, Master of Arts, 2017 Thesis Directed By: Dr. Hester Baer, Germanic Studies Tracing Fatih Akin’s directorial oeuvre, this thesis focuses on Akin’s films Gegen die Wand (Head-On, 2004), Auf der anderen Seite (The Edge of Heaven, 2007), and The Cut (2014), which comprise the Love, Death, and the Devil trilogy. Emphasizing the tropes of mobility and language, I specifically trace the thematic and cinematic links between the films as they draw upon concepts of hybridity and migration. FATIH AKIN’S LOVE, DEATH, AND THE DEVIL TRILOGY: A TRIAD OF CROSS-CULTURAL TALES by Abigail Margaret Trozenski Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2017 Advisory Committee: Associate Professor Hester Baer, Chair Professor Peter Beicken Associate Professor Julie Koser © Copyright by Abigail Margaret Trozenski 2017 Dedication To Reagan Murphy and Brittany Meyer ii Table of Contents Dedication ..................................................................................................................... ii Table of Contents ......................................................................................................... iii List of Figures .............................................................................................................. iv Chapter 1: Fatih Akin and his
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The Third Space of Fatih Akin's Cinema
The Third Space of Fatih Akin’s Cinema A comparative analysis of cultural hybridity in Kurz und Schmerzlos, Im Juli and Auf der anderen Seite. By Marissa Munderloh, University of St Andrews Abstract: This article focuses on the construction and representation of cultural hybridity in the feature length films of German-Turkish filmmaker Fatih Akin. Specifically Kurz und Schmerzlos (1998), Im Juli (2000) and Auf der anderen Seite (2007) have been selected as hybrid representations in German cinema for this examination. The theoretical approach to this analysis is based on the post-colonial concept of the "third space" with influences from queer studies' thoughts on performance. Performances will be measured against ethnonorms; norms that construct individual national societies, which lose their structure and authority when hybridized. The majority of ethnonormative performances is observable in the filmic characters while Akin's blending of cinematic elements enhances the hybridity produced on screen, thereby also challenging national images and stereotypes. The outcome of this analysis, therefore, aims at demonstrating how hybridity on screen has the ability to weaken, to deconstruct and to parody national (and cinematic) representations of supposedly unique and homogeneous cultures. A study of contemporary German cinema is unimaginable without including the German- Turkish screenwriter, director and producer Fatih Akin. Born and raised in Hamburg-Altona, Akin’s filmic stories are mostly set in his northern German hometown, cinematically envisioned as a multicultural hot spot. Aside from the plurality of cultures which form the content of his films, Akin takes the multiculturalism with which he represents Germany one step further: he transcends it into a state of hybridity - a phenomenon that is the focus of attention in this analysis.
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Deut§¬E Film/Fern§Ehen-Unterhaltungsrunde Frühling 2015 Arsht Hall Mittwochs Um 11:30
Deut§¬e Film/Fern§ehen-Unterhaltungsrunde Frühling 2015 Arsht Hall Mittwochs um 11:30 Schön freundliche und gesellige Unterhaltung in der deutschen Sprache steht auf der Wunschliste vieler deutschsprechenden Mitglieder. Die Film/TV- Unterhaltungsrunde kommt diesem Wunsch nach und bietet unterschiedliche deutsche Filme und TV-Sendungen, die die Gruppe ansehen und diskutieren kann. Stille Liebe (2001) 88 Min. DfHg schweizer Film S2 In "Stille Liebe" verlieben sich nicht nur eine Nonne und ein Taschendieb ineinander, die beiden sind auch noch gehörlos. Nicht nur auf der Leinwand, sondern auch im richtigen Leben. Es wurde tatsächlich am Set "mit den Händen gearbeitet", was dem Resultat eine zusätzliche Authentizität verleiht. Das weiße Band (2009) 138 Min. DfHg S5 Dorf im protestantischen Norden Deutschlands. 1913/14. Vorabend des Ersten Weltkriegs. Die Ge- schichte des vom Dorflehrer geleiteten Schul- und Kirchenchors. Seine kindlichen und jugendlichen Sänger und deren Familien: Gutsherr, Pfarrer, Gutsverwalter, Hebamme, Arzt, Bauern - ein Quer- schnitt eben. Seltsame Unfälle passieren und nehmen nach und nach den Charakter ritueller Bstra- fungen an. Soul Kitchen (2009) 99 Min. ohne Untertitel S18 SOUL KITCHEN ist ein Heimatfilm der neuen Art: Die Welt ist nicht mehr so heil und das Dorf ist ein Restaurant. Es geht um Familie und Freunde, um Liebe, Vertrauen und Loyalität - und um den Kampf für die Heimat als einen Ort, den es in einer zunehmend unberechenbaren Welt zu schützen gilt. Groupies bleiben nicht zum Frühstück (2010) 104 Min. DfHg S35 Als Lila nach einem Jahr in den USA nach Berlin zurückkehrt, lernt sie zufällig Chriz kennen und verliebt sich in ihn. Was Lila allerdings nicht weiß, Chriz ist der Frontmann der inzwischen ange- sagtesten Band Deutschlands mit dem Namen "Berlin Mitte".
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Soul Kitchen
Mongrel Media Presents SOUL KITCHEN A Film by Fatih Akin (99 min., Germany, 2010) www.soul-kitchen-film.de Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html a Film by Fatih Akin with Adam Bousdoukos, Moritz Bleibtreu, Birol Ünel, Pheline Roggan, Anna Bederke, Dorka Gryllus, Lucas Gregorowicz, Wotan Wilke Möhring and more! (John Lennon) SOUL KITCHEN is about family and friends, about love, trust and loyalty and about the struggle to protect a place called home in an increasingly unpredictable world. Fatih Akin has gathered a best-of cast from his previous films - Adam Bousdoukos (SHORT SHARP SHOCK, HEAD-ON), Moritz Bleibtreu (SOLINO, IN JULY), Birol Ünel (HEAD- ON, IN JULY). the story Young restaurant owner Zinos is down on his luck. His girlfriend Nadine has moved to Shanghai, his Soul Kitchen customers are boycotting the new gourmet chef, and he‘s having back trouble! Things start looking up when the hip crowd embraces his revamped culinary concept, but that doesn‘t mend Zinos’s broken heart. He decides to fly to China for Nadine, leaving the restaurant in the hands of his unreliable ex-con brother Illias. Both decisions turn out disastrous: Illias gambles away the restaurant to a shady real estate agent and Nadine has found a new lover! But brothers Zinos and Illias might still have one last chance to get Soul Kitchen back if they can stop arguing and work together as a team.
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Female Characters in Turkish German Cinematic Space: an Analysis with Examples of Three Recent Films
Female characters in Turkish German cinematic space: an analysis with examples of three recent films Michelle Robertson Bachelor of Arts (Hons) Macquarie University Department of International Studies, Faculty of Arts 20th December 2012 This thesis is presented for the degree of Doctor of Philosophy. Contents 1. Introduction 1 2. Immigration and multiculturalism in Germany 5 2.1 From ―kein Einwanderungsland‖ to the ‗Multi-Kulti-Gesellschaft‘ 5 2.2 Reassessing immigration and the nation: the path to citizenship in Germany 24 2.3 Everyday multiculturalism in Germany 36 3 Nation and gender in German cinema 61 3.1 Building the nation: depicting the German man and woman 61 3.2 Gendered nation and gendered immigration: a brief history of post-war German cinema 72 3.3 ‗Turkish-German cinema‘ and after: at home in transnational space 86 4. Analysing transnationalism in film: theoretical frameworks 120 4.1 Concepts of national cinema 120 4.2 Terminological considerations 130 4.3 Feminist perspectives and film analysis 143 4.4 Film selection 146 5. Film analyses 154 5.1 Head-On/Gegen die Wand (dir. Fatih Akın, 2004) 154 5.2 The Edge of Heaven/Auf der anderen Seite (dir. Fatih Akın, 2007) 180 5.3 When We Leave/Die Fremde (dir. Feo Aladağ, 2010) 202 6. Turkish-German female identities in transnational cinematic space 225 7. Conclusion 241 Bibliography 244 Filmography 260 ii Abstract This thesis shows how the female characters of recent ‗Turkish-German‘ films are situated in transnational, frequently transcultural space, in which they have greater self-determination and individuation compared to characters in earlier films.
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Adam Bousdoukos Friesenstrasse 13 10965 Berlin +49
ADAM BOUSDOUKOS FRIESENSTRASSE 13 10965 BERLIN +49. 30. 788 988 92 ADAM BOUSDOUKOS Wohnort Hamburg Jahrgang 1975 Haarfarbe braun Augenfarbe braun Größe 174 Sprachen Deutsch, Griechisch (Muttersprachen), Englisch Dialekte norddeutsch Führerschein Führerschein III Stimme Bariton Instrumente Gitarre, Flöte, Bouzouki Sportarten Fussball, Basketball, Schwimmen, Reiten Ausbildung Gesangsausbildung, Privater Schauspielunterricht AUSZEICHNUNGEN 09 Spezialpreis der Jury für "Soul Kitchen" 01 Grimmepreis für "Kurz und Schmerzlos" 98 BRONZENER LEOPARD beim Internationalen Filmfest von Locarno FILM 21 Featuring Ella kino - Teresa Hoerl Soko Köln tv film - Eibe Krebs ADAM BOUSDOUKOS FRIESENSTRASSE 13 10965 BERLIN +49. 30. 788 988 92 20 Du sollst nicht lügen - Miniserie tv - Jochen Alexander Freydank 19 Spätzle Arrabbiata tv - Peter Enders Die drei Königskinder tv film - Frank Stoye Soko Hamburg tv - Tini Tüllmann 18 Großstadtrevier tv - Torsten Wacker Der Goldene Handschuh kino - Fatih Akin Unsere Jungs tv film - Florian Gärtner Soko Potsdam tv - Stefan Bühling 17 Eneme kino - Jakob Gisik Vielmachglas kino - Florian Ross 16 Tatort - Der Fall Holdt tv - Anne Zohra Berrached Aus dem Nichts kino - Fatih Akin Smuggling Hendrix kino - Marios Piperides Ein Sommer auf Zypern tv film - Jorgo Papavassiliou 15 Dimitrios Schulze - Jungbusch tv film - Cüneyt Kaya Mein Sohn, der Klugscheißer tv film - Pia Strietmann Sibel & Max tv - Ulrike Hamacher Hubert und Staller tv - Jan Markus Linhuf 14 Super Dad tv film - Jan Marcus Linhof Highway to Hellas kino - Aaron Lehmann Sibel & Max tv - Ulrike Hamacher Ein Geschenk der Götter kino - Oliver Haffner 13 Der letzte Bulle tv - Thomas Nennstiel V8 - Die Rache der Nitros kino - Joachim Masannek Die Auserwählten tv film - Christoph Röhl 12 V8 - Du willst der Beste sein kino - Joachim Masannek 11 Das Leben ist nichts für Feiglinge kino - Andre Erkau ADAM BOUSDOUKOS FRIESENSTRASSE 13 10965 BERLIN +49.
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German Films
German Films in Toronto 2009 Gifdfk`feXe[DXib\kè^f] <lifg\Xe=`cdjNfic[n`[\ D\\kXkk\e[è^<=Gd\dY\ijXkk_\ *+k_Kfifekf@ek\ieXk`feXc=`cd=\jk`mXc 8ljki`Xe=`cd:fdd`jj`fe @:8#Gfikl^Xc 9i`k`j_:fleZ`c @Z\cXe[`Z=`cd:\eki\ :ifXk`Xe8l[`fm`jlXc:\eki\ @i`j_=`cd9fXi[ ;Xe`j_=`cd@ejk`klk\ DX^pXi=`cdle`#?le^Xip =`cd:\ek\iJ\iY`X Efin\^`Xe=`cd@ejk`klk\ =`cd`kXc`X Gfc`j_=`cd@ejk`klk\ =èe`j_=`cd=fle[Xk`fe Jcfm\e`Xe=`cd=le[ =cXe[\ij@dX^\ Jn\[`j_=`cd@ejk`klk\ >\idXe=`cdj Jn`jj=`cdj ?fccXe[=`cd Le`]iXeZ\ @:88#JgXè NXccfe`\9ilo\cc\j@dX^\j nnn%\]g$fecè\%Zfd nnn%j_ffkè^$jkXij%\l <=G`jÔeXeZ`Xccpjlggfik\[Yp Contents Gala Presentation PHANTOMSCHMERZ PHANTOM PAIN by Matthias Emcke 5 Special Presentations SOUL KITCHEN by Fatih Akin 7 WOMEN WITHOUT MEN by Shirin Neshat 9 Masters VISION – AUS DEM LEBEN DER HILDEGARD VON BINGEN VISION by Margarethe von Trotta 11 DAS WEISSE BAND THE WHITE RIBBON by Michael Haneke 13 Contemporary World Cinema MEN ON THE BRIDGE by Asli Özge 15 SAME SAME BUT DIFFERENT by Detlev Buck 17 Discovery ES KOMMT DER TAG THE DAY WILL COME by Susanne Schneider 19 Wavelengths KAEFIG CAGE by Karl Kels 21 KOPFUEBER IM GEAEST HANGING UPSIDE DOWN IN THE BRANCHES by Ute Aurand 23 ZUM VERGLEICH IN COMPARISON by Harun Farocki 25 ZWEI PROJEKTE VON FRIEDRICH KIESLER TWO PROJECTS BY FREDERICK KIESLER by Heinz Emigholz 27 Screening Schedule 28 German-International Co-Productions in Toronto 30 German World Sales Companies in Toronto 32 Foreign Representatives 34 Imprint 35 contents 3 Gala Presentation Phantomschmerz PHANTOM PAIN Marc is a lucky beggar.
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Transnationaler Grenzverkehr in Fatih Akins Gegen Die Wand Und Auf Der Anderen Seite
Maha El Hissy Transnationaler Grenzverkehr in Fatih Akins Gegen die Wand und Auf der anderen Seite German-Turkish director Fatih Akin is regarded as one of the most important European film directors today. The characters in his films move between different worlds and unite several homes and influences in their personas. In Akin’s film Gegen die Wand the protagonists struggle to find a way between their desire for a life of their own and the traditional-conservative requirements of their ‘Turkish’family and countrymen. His lat- est film Auf der anderen Seite goes one step further and suspends the boundaries between the characters’ life in Germany and in Turkey completely. The chapter dis- cusses the transnational border crossings in Akin’s films and looks at how the worlds between these boundaries are erected, transgressed and suspended. Seit einigen Jahren hat sich das Migrantenkino als Bestandteil des deutschen Kinos etabliert und es ließe sich sogar fragen, was das zeitgenössische deutsche Kino ohne die Filme von Migranten wäre.1 Während die meisten Figuren in der früheren Phase der 1980er Jahre als Opfer dargestellt wurden, – zu nennen wäre hier beispielsweise Tevfik Bas¸ers 40 Quadratmeter Deutschland (1986) – entwickelten sich die Charaktere in den späteren Filmen der 1990er Jahre zu handelnden Akteuren.2 Das Gastarbeitermotiv, das in der früheren Phase des Migrantenkinos sehr präsent war, verlor im Zuge des andauernden Alltags in Deutschland an Bedeutung und wurde im Laufe der Entwicklung nur noch am Rande behandelt. Den größten Erfolg mit seiner Arbeit hat der deutsche Regisseur mit türkischen Wurzeln Fatih Akin zu verbuchen.
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