Jane Austen Anya Taylor-Joy Is
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Play Guide Table of Contents
PLAY GUIDE TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 SONG LIST 3 MEET THE CHARACTERS 4 MEET THE CREATORS: PAUL GORDON AND JANE AUSTEN 5 INTERVIEW WITH PAUL GORDON 7 THE NOVEL IN THE MUSIC 9 POLLOCK’S TOY THEATRES 11 LITERARY CATEGORIZATION OF AUSTEN 12 LITERARY TIMELINE 13 THE AUSTEN INDUSTRY 14 AUSTEN IN POPULAR CULTURE 15 FEMINISM IN EMMA 16 THE EMMA DEDICATION 18 HISTORICAL CONTEXT 18 HISTORICAL TIMELINE 22 DISCUSSION QUESTIONS AND ACTIVITIES 23 Jane Austen’s Emma Play Guide written and compiled by Katherine Monberg, Literary Assistant, and R Elisabeth Burton, Artistic Intern Discussion questions and activities provided by April Jackson, Associate Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS JPMorgan Chase The Marshall Foundation Arizona Commission on the Arts John and Helen Murphy Foundation The Maurice and Meta Gross Bank of America Foundation National Endowment for the Arts Foundation Blue Cross Blue Shield Arizona Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Boeing PICOR Charitable Foundation The Stocker Foundation City Of Glendale Rosemont Copper The William L and Ruth T Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company -
UK-Films-For-Sale-TIFF-2017.Pdf
10X10 TAltitude Film Sales Cast: Luke Evans, Kelly Reilly Vicki Brown Genre: Thriller [email protected] Director: Suzi Ewing Market Office: UK Film Centre Status: Post-Production Home Office tel: +44 20 7478 7612 Synopsis: After meticulous planning and preparation, Lewis snatches Cathy off the busy streets and locks her away in a soundproofed room measuring 10 feet by 10 feet. His motive - to have Cathy confess to a dark secret that she is determined to keep hidden. But, Cathy has no intention of giving up so easily. All The Devil's Men TGFM Films Cast: Milo Gibson, Gbenga Akinnagbe, Sylvia Hoeks, Morgan Spector, Edoardo Bussi +44 7511 816295 William Fichtner [email protected] Genre: Action/Adventure Market Office: UK Film Centre Director: Matthew Hope Home Office tel: +44 20 7186 6300 Status: Post-Production Synopsis: A battle-scarred War on Terror bounty hunter is forced to go to London on a manhunt for a disavowed CIA operative, which leads him into a deadly running battle with a former military comrade and his private army. Apostasy Discovery TCornerstone Films Genre: Drama David Charles +44 7827 948 674 Director: Daniel Kokotajlo [email protected] Status: Completed Market Office: UK Film Centre Home Office tel: +44 20 3457 7257 Synopsis: Family and faith come into conflict for two Jehovah’s Witness sisters in Manchester, when one is condemned for fornication and the other pressured to shun her sibling. This fresh, unadorned first feature from director Dan Kokotajlo carries an unmistakable note of authenticity from its very first scenes. Set in a Jehovah's Witness community in England, the film's strength and power lies in its directness. -
Adaptations of Austen: How Does Multimedia Impact Our Ability to Read Between the Lines of Pride and Prejudice and Emma?
Adaptations of Austen: How Does Multimedia Impact Our Ability to Read Between the Lines of Pride and Prejudice and Emma? Presented to the S. Daniel Abraham Honors Program in Partial Fulfillment of the Requirements for Completion of the Program Stern College for Women Yeshiva University May 6, 2020 Elka Basya Wiesenberg Mentor: Dr. Nora Nachumi, English Introduction “We’ve all seen it at least once,” says Devoney Looser, in The Making of Jane Austen, “A purist complains that Jane Austen’s fiction is being cheapened or even destroyed by film and television adaptations, [and by] vlogs” (13).1 Some readers of Austen feel that onscreen adaptations are ruining the novels. The characters, the story, the novels do not necessarily translate the way these readers imagined them, and this makes these adaptations undesirable to them, not giving them the experience that they want. Are these purists correct? Are modern adaptations destroying the authentic experience of a Jane Austen novel? Or is there something to be gained from a multimedia adaptation of Austen’s works? To begin to understand these questions, we must explore others. First, we must understand: What is the experience of an Austen novel? Second, we must discuss: How is this experience translated into a screen adaptation? What is different? These are questions that this paper will answer in order to understand the above complaints and prove them partially right-- and partially wrong. An Austen novel’s appeal lies heavily in its narrative voice, its narrator and style, as will be discussed, and this is what we will consider the Austen experience. -
The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019
Masthead Logo Scholar Works Honors Theses Honors 2019 Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker University of Maine at Farmington Follow this and additional works at: https://scholarworks.umf.maine.edu/honors_theses Part of the Comparative Literature Commons Recommended Citation Decker, Nichole, "Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl" (2019). Honors Theses. 5. https://scholarworks.umf.maine.edu/honors_theses/5 This Research Project is brought to you for free and open access by the Honors at Scholar Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholar Works. For more information, please contact [email protected]. 2 Bricolage on the Upper East Side: The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019 “Okay, so you’re probably going, is this like a Noxzema commercial or what?” - Cher In this paper I will analyze the classic novel Emma, and the 1995 film Clueless, as an adaptive pair, but I will also be analyzing the TV series, Gossip Girl, as a derivative text. I bring this series into the discussion because of the ways in which it echos, parallels, and alludes to both Emma and Clueless individually, and the two as a source pair. I do not argue that the series is an actual adaptation, but rather, a sort of collage, recombining motifs from both source texts to create something new, exciting, and completely absurd. -
A Character Analysis in Jane Austen's Emma and Amy Heckerling's Clueless Through Intertextuality
SOCIAL MENTALITY AND RESEARCHER THINKERS JOURNAL Doı: http://dx.doi.org/10.31576/smryj.580 REVIEW ARTICLE SmartJournal 2020; 6(34):1286-1297 Arrival : 23/06/2020 Published : 20/08/2020 A CHARACTER ANALYSIS IN JANE AUSTEN’S EMMA AND AMY HECKERLING’S CLUELESS THROUGH INTERTEXTUALITY Jane Austen'nin Emma Ve Amy Heckerlıng'in Clueless’ında Metinlerarasılık Bağlamında Karakter Analizi Reference: Albay, N.G. (2020). “A Character Analysıs In Jane Austen’s Emma And Amy Heckerlıng’s Clueless Through Intertextualıty”, International Social Mentality and Researcher Thinkers Journal, (Issn:2630-631X) 6(34): 1286-1297. English Instructor, Dr Neslihan G. ALBAY Istanbul Sabahattin Zaim University, Foreign Languages Coordination, English Preparatory School, Istanbul / Turkey ABSTRACT ÖZET Based on the interaction between cinema and classical Sinema ve klasik eserler arasındaki etkileşime dayanarak, works, Jane Austen’s Emma and Amy Heckerling’s Clueless Jane Austen’in Emma ve Amy Heckerling’in Clueless adlı enable us to make an intriguing character analysis through eseri, yirminci yüzyılın merceğinden ilginç bir karakter the lens of the twentieth century. In her novels, Austen analizi yapmamızı sağlıyor. Austen romanlarında arazi embraced the themes of love and marriage in a society mülkiyeti, gelir ve sosyal statünün hakim olduğu bir dominated by land ownership, income and social status. She toplumda sevgi ve evlilik temalarını benimsemiştir. 19. dealt with the conflicts and problems arising from the yüzyılda yaşayan burjuvazinin ve orta sınıfın evlilik marriage issues of the bourgeoisie and middle class living in sorunlarından kaynaklanan çatışma ve sorunları ele the 19th century. Like many women writers she was almıştır. Birçok kadın yazar gibi eleştirildi, eserleri bu criticized, her works were not recognized or published sorunlar nedeniyle tanınmadı veya yayınlanmadı. -
Passport to the Regency Era: Examining Early 19Th Century Society and Culture
NEWS RELEASE FOR IMMEDIATE RELEASE __________________________________ August 12, 2021 Contact: Diana L. Klink Office: 757.514.4104 Mobile: 757.359.1845 Tim Kelley Office: 757.514.4103 Mobile: 757.871.3039 PASSPORT TO THE REGENCY ERA: EXAMINING EARLY 19TH CENTURY SOCIETY AND CULTURE SUFFOLK, VA (August 12, 2021): In the wake of the worldwide success of Netflix’s popular Bridgerton series, Suffolk Tourism has partnered with several community organizations for Passport To The Regency Era, a series of events and activities focusing on early 19th century (1811-1820) culture. Event partners include the Regency Society of Virginia, Stillwater Tea House, Suffolk Art Gallery, Suffolk Art League, Suffolk Center for Cultural Arts, Suffolk- Nansemond Historical Society, Suffolk Public Library, and Suffolk Tourism. Passport to The Regency Era programs and activities are presented below: . REGENCY-ERA HAT MAKING CRAFT STATION AT THE SUFFOLK FARMERS’ MARKET Saturday, August 28 | 9 a.m. - 1 p.m. | Suffolk Farmers’ Market | 524 N. Main Street The Suffolk Art League will be onsite at the Suffolk Farmers’ Market, with an arts and crafts station, focusing on Regency-era hat making. Presented by the Suffolk Art League. Free. AFTERNOON TEA & FASHION SHOW Saturday, August 28 | 2 - 4 p.m. | Suffolk Center for Cultural Arts | 110 W. Finney Avenue Join us for a decadent afternoon tea, provided by Stillwater Tea House, along with a fashion show featuring historically accurate fashions from the Regency era, provided by members of the Regency Society of Virginia, and accompanied by period music. Limited tickets available at StillwaterTeaHouse.com for $30 per person and include two savories, two treats, a scone with jam and cream, and a variety of teas to try; guests will receive a souvenir ticket and parting gift. -
Emma by Jane Austen
Emma by Jane Austen Born- 16 December 1775 Steventon Rectory, Hampshire, England Died - 18 July 1817 (aged 41) Winchester, Hampshire, England Resting place- Winchester Cathedral, Hampshire, England Education- Reading Abbey Girls' School Period- 1787 to 1809–11 By:- Dr. Ritu Mittal Assistant professor JKP(PG) College Muzaffarnagar BIOGRAPHY Jane Austen was an English novelist whose books, set among the English middle and upper classes, are notable for their wit, social observation and insights into the lives of early 19th century women. Jane Austen was born on 16 December 1775 in the village of Steventon in Hampshire. She was one of eight children of a clergyman and grew up in a close-knit family. She began to write as a teenager. In 1801 the family moved to Bath. After the death of Jane's father in 1805 Jane, her sister Cassandra and their mother moved several times eventually settling in Chawton, near Steventon. Jane's brother Henry helped her negotiate with a publisher and her first novel, 'Sense and Sensibility', appeared in 1811. Her next novel 'Pride and Prejudice', which she described as her "own darling child" received highly favourable reviews. 'Mansfield Park' was published in 1814, then 'Emma' in 1816. 'Emma' was dedicated to the prince regent, an admirer of her work. All of Jane Austen's novels were published anonymously. • . • In 1816, Jane began to suffer from ill-health, probably due to Addison's disease. She travelled to Winchester to receive treatment, and died there on 18 July 1817. Two more novels, 'Persuasion' and 'Northanger Abbey' were published posthumously and a final novel was left incomplete. -
A Comparative Study on Jane Austen S and Pramoedya
MARRIAGE AND MATCHMAKING NOVELS OF THE PAST FOR THE PEOPLE TODAY: A COMPARATIVE STUDY ON JANE AUSTEN’S AND PRAMOEDYA ANANTA TOER’S SELECTED NOVELS A Thesis Pr esented to The Gr aduate Pr ogr a m in English Language Studies in Partial Fulfillment of the Requir ements for the Degr ee of Master of Humanior a in English Language Studies by Maria Zakia Rahmawati 06 6332 010 THE GRADUATE PROGRAM IN ENGLISH LANGUAGE STUDIES SANATA DHARMA UNIVERSITY YOGYAKARTA 2010 A THESIS MARRIAGE AND MATCHMAKING NOVELS OF THE PAST FOR THE PEOPLE TODAY: A COMPARATIVE STUDY ON JANE AUSTEN’S AND PRAMOEDYA ANANTA TOER’S SELECTED NOVELS by Maria Zakia Rahmawati 06 6332 010 Approved by Dr.Alb. Budi Susanto, S.J. Advisor Yogyakarta, December, 2010 ii A THESIS MARRIAGE AND MATCHMAKING NOVELS OF THE PAST FOR THE PEOPLE TODAY: A COMPARATIVE STUDY ON JANE AUSTEN’S AND PRAMOEDYA ANANTA TOER’S SELECTED NOVELS Presented by Maria Zakia Rahmawati Student Number: 06 6332 010 Was defended in front of the Thesis Committee and declared acceptable Thesis Committee: Chairperson: Dr.Novita Dewi, M.S.,M.A (Hons) Secretary: Dr.Alb. Budi Susanto, S.J. Member: Dr.B.B. Dwijatmoko, MA Member: Dr. St. Sunardi Yogyakarta, December 2010 The Graduate School Sanata Dharma University iii STATEMENT OF ORIGINALITY This is to certify that all the ideas, phrases, and sentences, unless otherwise stated, are the ideas, phrases, sentences of the thesis writer. The writer understands the full consequences including degree cancellation if she took somebody else‘s ideas, phrases, or sentences without a proper reference. -
Unconscious Motives in Jane Austen's Emma
SYDNEY STUDIES Unconscious Motives in Jane Austen's Emma G.A. WILKES The words 'unconscious' and 'unconsciously' occur twenty times in Jane Austen's six novels, l with various levels of meaning. The simplest instance is the 'unconscious Marianne' of Sense and Sensibility (p. 333), unconscious because she has fallen asleep. The word is applied in a similar way to the trees of Norland Park, in "\larianne's romantic imaginings about them after her departure: 'you will continue the same; unconscious of the pleasure or the regret you occasion, and insensible ofany change in those who walk under your shade!' (p. 27). When Catherine Morland is despatched so unceremoniously from Northanger Abbey, and the post-chaise passes the turning to Woodston, she thinks of Henry Tilney 'so near, yet so unconscious' (p. 230), and her grief and agitation are excessive. In these instances 'unconscious' means inert, or unaware, or lacking the capability ofawareness. 2 On otheroccasions it applies to a state of abstraction, or of absorption in other things. Thus Marianne Dashwood is spared the impertinent stares of the young man selecting a toothpick-case which are felt by her sister, 'by remaining unconscious ofit all; for she was as well ableto collect her thoughts within herself, and be as ignorant of what was passing around her, in Mr. Gray's shop, as in her own bed-room' (p. 221). When at Uppercross Anne Elliot finds herself conveyed into the carriage through Captain Wentworth's intervention, and so spared the fatigue of the walking-party, she is so affected that 'her answers to the kindness and the remarks of her companions were at first unconsciously given. -
FILM GUIDE Tuesday 3 – Parasite, 5.45Pm Parasite, 8.15Pm Join Our Community at a Level That Suits You
ARTIST MOVING IMAGE LOCAL INTEREST DO YOU SHARE OUR PASSION FOR FILM? Film Diary Become a PAC Member and support independent cinema in Plymouth. March Matinée Early Late FILM GUIDE Tuesday 3 – Parasite, 5.45pm Parasite, 8.15pm Join our community at a level that suits you. Wednesday 4 Copperfield, 11 (BIB), Seberg, 2.30 The Lighthouse, 6pm Seberg, 8.30pm March - Thursday 5 – Seberg, 6pm Parasite, 8.15pm Friday 6 – Mr Jones, 6pm Queen & Slim, 8.30pm Saturday 7 Mr Jones, 2.30pm Feminista Film Tour, 5.30pm Queen & Slim, 8pm April 2020 Tuesday 10 – Mr Jones, 6pm All At Sea + Intro, 8.30pm Wednesday 11 All At Sea, 2.30pm Queen & Slim, 5.45pm Mr Jones, 8.30pm Thursday 12 – Mr Jones, 6pm All At Sea, 8.30pm Friday 13 – A Beautiful Day..., 6pm Emma, 8.30pm A series of new films for cinema Cathy Come Home (PG) Saturday 14 A Beautiful Day..., 2.30pm Emma, 5.30pm A Beautiful Day..., 8pm commissioned by Tyneside Thursday 19 March, 6pm Tuesday 17 Emma, 11am (BIB) A Beautiful Day..., 6pm Emma, 8.30pm Cinema (Newcastle) as part of Dir. Ken Loach, UK, 1966, 77 mins. Cast. Carol White, Ray Brooks, Emmett Hennes. Wednesday 18 Emma, 2.30pm Emma, 6pm A Beautiful Day..., 8.30pm the Projections programme. Four Thursday 19 – Cathy Come Home & Intro, 6pm Emma, 8.30pm Controversial, moving and brilliantly acted, Cathy Come Home is Friday 20 – Waiting for Anya, 5.45pm Greed, 8.30pm artists a year are commissioned Saturday 21 Waiting for Anya, 2.30pm Greed, 5.30pm Waiting For Anya, 8pm to make short films to be arguably the most influential television drama ever broadcast. -
The Contingent Gender Identity of Shakespeare's Page-Boy
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 "When Thou Art A Man": The onC tingent Gender Identity of Shakespeare's Page-Boy Heron Kennedy Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Recommended Citation Kennedy, Heron, ""When Thou Art A Man": The onC tingent Gender Identity of Shakespeare's Page-Boy" (2016). Honors Projects Overview. 125. https://digitalcommons.ric.edu/honors_projects/125 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. “WHEN THOU ART A MAN”: THE CONTINGENT GENDER IDENTITY OF SHAKESPEARE’S PAGE-BOY By Heron Kennedy An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Department of Arts and Sciences Faculty of Arts and Sciences Rhode Island College 2016 “WHEN THOU ART A MAN”: THE CONTINGENT GENDER IDENTITY OF SHAKESPEARE’S PAGE-BOY An Undergraduate Honors Project Presented By Heron Kennedy To The Department of English Approved: ___________________________________ _______________ Project Advisor Date ___________________________________ _______________ Honors Committee Chair Date ___________________________________ _______________ Department Chair Date Kennedy 1 Part 1. An Introduction to Early Modern Sex and Gender At the level of biology, the early modern conception of sexual difference was, in many ways, much more fluid and less rigidly compartmentalized than our contemporary constructs. Galen’s second-century one-sex theory of male and female anatomy was commonly accepted by not only the general public, but also physicians and scientists, until the end of the sixteenth century (Schiebinger 76). -
Jane Austen: a Study of Film Adaptations Megan Graham University of South Florida
University of South Florida Scholar Commons Outstanding Honors Theses Honors College 4-1-2011 Jane Austen: A Study of Film Adaptations Megan Graham University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/honors_et Part of the American Studies Commons Scholar Commons Citation Graham, Megan, "Jane Austen: A Study of Film Adaptations" (2011). Outstanding Honors Theses. Paper 20. http://scholarcommons.usf.edu/honors_et/20 This Thesis is brought to you for free and open access by the Honors College at Scholar Commons. It has been accepted for inclusion in Outstanding Honors Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Jane Austen: A Study of Film Adaptations Megan Graham Pat Rogers Spring 2011 1 Jane Austen’s novels have been adapted for film and television since 1938. This popularity is due to the fact that Austen’s novels tell timeless love stories, which are appealing to audiences. In the 1990’s there were massive quantities of movies or television mini-series made from her books. Today, most people know about the novels through the films they watch. It is hard for the modern reader to relate to the lifestyle and everyday events of the characters in Jane Austen’s books because of such a vast time span. The films help modern society to interpret Austen’s writings. In regards to film adaptation there are two schools of thought. The first school is the traditionalist school that believes that a film should mirror the original work, the novel, as closely and faithfully as possible.