Michael Galbraith | D Irector of Photography

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MICHAEL GALBRAITH | D IRECTOR OF PHOTOGRAPHY TELEVISION (Select Credits): THE BOYS (TV Series – 2nd Unit) Various Amazon Studios / Sony / Original Film V WARS (TV Series – 2nd Unit – Season 1) Brad Turner Netflix/IDW Entertainment THE EXPANSE (TV Series – Season 3 Ep 3&4) Thor Freudenthal SyFy/Alcon Entertainment A SONG FOR CHRISTMAS (MOW) Rich Newey Hallmark Channel HEROES REBORN (TV Series - 2nd Unit) Various NBC Universal/Tailwind Prods THE EXPANSE (TV Series 2nd Unit – Season 1) Various SyFy/Alcon Entertainment COPPER (TV Series-2nd Unit – Season 2) Various BBC America / Shaw Media REPUBLIC OF DOYLE (TV Series 2nd Unit – S2) Various CBC/Take the Shot BEING ERICA (TV Series – Seasons 3 & 4) Various CBC / Temple Street Prods BREAKOUT KINGS (TV Series – 2nd Unit) Various Fox 21 / Blackjack Films ENCRYPT (TV Movie) Oscar L. Costo SyFy FEATURE FILMS (Select Credits): SHAZAM! (2nd / VFX Unit) David F. Sandberg New Line Cinema / DC Entertainment INSTAR EMERGENCE Alan Ritchson AllyCat Entertainment THE CHRISTMAS CHRONICLES (2nd Unit) Clay Kaytis Netflix/1492 Pictures THE SILENCE John R. Leonetti Constantin Film WISH UPON John R. Leonetti Broad Green / Busted Shark MOLLY’S GAME (2nd Unit) Aaron Sorkin eOne / The Mark Gordon Co IT (Additional Photography) Andy Muschietti New Line Cinema/KatzSmith MAMA (2nd Unit) Andy Muschietti Universal / De Milo / Toma 78 POLTERGEIST (Additional Photography) Gil Kenan Fox 2000 / MGM Studios AWARDS & FESTIVALS: Michael’s work has been recognized for numerous awards and nominations as well as at many prestigious festivals around the world. Including but not limited to, Hugo Awards, People’s Choice Awards and the Canadian Screen Awards. .

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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
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Open Pbaxter Thesis Final110308.Pdf
The Pennsylvania State University The Graduate School College of Communications A COMPARATIVE STUDY OF THE U.S. AND KOREAN FILM INDUSTRIES: HISTORY, STRUCTURE, AND FINANCE A Thesis in Media Studies by Patrick D. Baxter © 2008 Patrick D. Baxter Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2008 This thesis of Patrick D. Baxter was reviewed and approved* by the following: Krishna Jayakar Associate Professor of the Department of Telecommunications Thesis Adviser Amit Schejter Assistant Professor of the Department of Telecommunications C. Michael Elavsky Assistant Professor of the Department of Film-Video and Media Studies John S. Nichols Professor of the Department of Film-Video and Media Studies Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School iii ABSTRACT This project is a comparative case-study of the U.S. and Korean (South Korea) film industries along historical, structural, and financial dimensions. The genesis of this thesis came through an overall fascination with the film industry globally as nations compete and cooperate with each other, as well as contend with the dominance of the U.S. film industry. It uses the industrial organization model focusing primarily on "market structure." Further, it applies A.J. Scott’s bipartite (major, independent) and tripartite (major, subsidiary, independent) models of the U.S. film industry. The analysis is mainly descriptive being informed by historical development. To elaborate on market structure, samples of studio/mainstream and independent films were collected in both the U.S. and Korean film industries. The samples were analyzed along production company affiliation, distribution affiliation, sources of funding, and other elements.
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2002 Hugo Nominating and Voting Statistics
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Hofstra University Film Library Holdings
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From Perseus to the Selkies: a Panorama of Film Adaptations of European Myths ______
From Perseus to the Selkies: A Panorama of Film Adaptations of European Myths _________________________________________ Eloy Villalón Flores Tutora: Gemma López Sánchez Treball Final de Grau Curs 2018-2019 Grau d’Estudis Anglesos Facultat de Filologia Universitat de Barcelona Resum Aquest article pretén donar una perspectiva general de la forma en què els mites i els relats tradicionals s’han adaptat al cinema. Per tal propòsit s’ha fet una selecció variada de pel·lícules, diferents pel que fa a la seva estètica, el tipus de pel·lícula o el públic destinatari, entre d’altres. Després d’una introducció en la qual es parla sobre temes com què és un mite o alguns aspectes de teoria d’adaptació, s’analitzarà cadascuna de les set pel·lícules per a descobrir què s’ha canviat, què no i per què. La darrera part resumeix algunes de les conclusions de les raons que van portar a les diferents maneres d’enfocar els mites, així com unes reflexions finals. Paraules clau Estudis cinematogràfics, mite, adaptació, fidelitat, mitologies europees. Abstract This paper seeks to give an overview of the ways in which myths and traditional tales have been adapted to film. For such purpose, a selection of films has been made. All selections are varied intrinsically. After an introduction in which topics such as what a myth is or some aspects of adaptation theory are discussed, each of the seven films is analysed so as to find what has and has not been changed and why. The last part draws some general conclusions on the reasons that led to the different ways of approaching those myths, as well as some final reflections.
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