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Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796
Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796 By Thomas Lucius Lowish A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Victoria Frede-Montemayor, Chair Professor Jonathan Sheehan Professor Kinch Hoekstra Spring 2021 Abstract Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796 by Thomas Lucius Lowish Doctor of Philosophy in History University of California, Berkeley Professor Victoria Frede-Montemayor, Chair Historians of Russian monarchy have avoided the concept of sovereignty, choosing instead to describe how monarchs sought power, authority, or legitimacy. This dissertation, which centers on Catherine the Great, the empress of Russia between 1762 and 1796, takes on the concept of sovereignty as the exercise of supreme and untrammeled power, considered legitimate, and shows why sovereignty was itself the major desideratum. Sovereignty expressed parity with Western rulers, but it would allow Russian monarchs to bring order to their vast domain and to meaningfully govern the lives of their multitudinous subjects. This dissertation argues that Catherine the Great was a crucial figure in this process. Perceiving the confusion and disorder in how her predecessors exercised power, she recognized that sovereignty required both strong and consistent procedures as well as substantial collaboration with the broadest possible number of stakeholders. This was a modern conception of sovereignty, designed to regulate the swelling mechanisms of the Russian state. Catherine established her system through careful management of both her own activities and the institutions and servitors that she saw as integral to the system. -
Poison and Revenge in Seventeenth Century English Drama
"Revenge Should Have No Bounds": Poison and Revenge in Seventeenth Century English Drama The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Woodring, Catherine. 2015. "Revenge Should Have No Bounds": Poison and Revenge in Seventeenth Century English Drama. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17463987 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA “Revenge should have no bounds”: Poison and Revenge in Seventeenth Century English Drama A dissertation presented by Catherine L. Reedy Woodring to The Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of English Harvard University Cambridge, Massachusetts May 2015 © 2015 – Catherine L. Reedy Woodring All rights reserved. Professor Stephen Greenblatt Catherine L. Reedy Woodring “Revenge should have no bounds”: Poison and Revenge in Seventeenth Century English Drama Abstract The revenge- and poison- filled tragedies of seventeenth century England astound audiences with their language of contagion and disease. Understanding poison as the force behind epidemic disease, this dissertation considers the often-overlooked connections between stage revenge and poison. Poison was not only a material substance bought from a foreign market. It was the subject of countless revisions and debates in early modern England. Above all, writers argued about poison’s role in the most harrowing epidemic disease of the period, the pestilence, as both the cause and possible cure of this seemingly contagious disease. -
SALLY Mckenzie
SALLY McKENZIE A NIDA graduate, Sally is an award winning actor, writer, director and producer. As a highly sought after stage actor, Sally has appeared with every major theatre company in Australia. Many roles with MTC include title roles in O’Neill’s Mourning Becomes Electra and Brecht’s The Good Person Of Setzuan. She has appeared in over 20 productions for Queensland Theatre. Sally’s television credits read like a roll call of Australian television. Her work ranges from , Prisoner, Mother and Son, The Wayne Manifesto to Mortified, Reef Doctors and Harrow. After spending many years in Queensland, Sally, a Churchill Fellow has now returned to Melbourne where she began her career as an actor. TRAINING NIDA, Bachelor of Dramatic Art in Acting QUT, Master of Fine Arts in Writing and Directing STAGE A Conversation Barbara Milson Queensland Theatre After the Ball Maureen Donahue Queensland Theatre, MTC A Hoax Ronnie La Boite Theatre, Griffin Theatre Alex Ensemble TN! Theatre Company Amadeus Constanze Mozart MTC Amigos Hilary La Boite Theatre Company A Toast to Melba Ensemble Nimrod Theatre Beach Blanket Tempest Regine TN! Theatre Company Bread & Puppet Theatre Ensemble Adelaide Festival of the Arts Burn This Anna La Boite Theatre Company The Changeling Beatrice Johanna MTC The Cherry Orchard Madame Ravenskaya Queensland Theatre Cuckoo in the Nest Marguerite MTC Dancing at Lughnasa Maggie Queensland Theatre Dinkum Assorted Joan Queensland Theatre Diving for Pearls Marg Queensland Theatre Early Childhood Drama Project Ensemble La Boite Theatre Company Episodes Cassie Brisbane Festival Fringe/Melbourne Festival Fringe/theCoalface Fields of Heaven Lucia Silvieri STC address 5/400 St Kilda Road, St Kilda, Victoria 3182 Australia telephone 03 9939 7227 email [email protected] abn 45 007 137 671 a division of Deisfay Pty. -
Boston Symphony Orchestra Concert Programs, Summer, 1947-1950
XSMIRjB TANGLEWOOD / STEINWAY To teach your child to look at life through music is to make her world all the richer. But let Steinway be her mentor. The golden rewards of owning a Steinway far exceed any price placed upon it. Young fingers learn quicker from the incredible sensitivity of its Accelerated Action. A keener sense of tone is developed from knowing its glorious singing voice. Mastery comes easier. And so enduring is the magnificent beauty of the Steinway, so perfect its craftsmanship that it will serve for many years. A Steinway costs more initially, but in terms of its true value and abiding advantages it is the most economical of all pianos! In Massachusetts and New Hampshire, new Steinways are sold only by THE STEINWAY is used exclusively by Brailowsky, Casadesus, Hess, Horowitz, Jonas, Kapell, Kreisler, Lehmann, Novaes, Ormandy Rubenstein, Serkin, Templeton, Toscanini, and virtually every other •^ M'StQineruSons famous artist. Illustrated is the beautiful Hepplewhite. Now you may HtHHt I W I I Jerome F. Murphy, President purchase a Steinway at terms to suit your individual convenience! 162 BOYLSTON ST., BOSTON Branches in Worcester, Springfield, Wellesley Hills Boston Symphony Orchestra Berkshire Festival, Season 1950 SERGE KOUSSEVITZKY, Conductor Concert Bulletin, with historical and descriptive notes by John N. Burk COPYRIGHT, 1950, BY BOSTON SYMPHONY ORCHESTRA, INC. Trustees of the Boston Symphony Orchestra, Inc. Henry B. Cabot, President Jacob J. Kaplan, Vice-President Richard C. Paine, Treasurer Philip R. Allen Theodore P. Ferris N. Penrose Hallowell M. A. De Wolfe Howe Lewis Perry John Nicholas Brown Alvan T. Fuller Francis W. -
Daily Iowan (Iowa City, Iowa), 1963-11-05
SUI's YOUR§ ,'Oempcra# IState Charter Is Revoked By GARY SPURGEON without stale sanction. constitution. eral other Democratic oCliclals ly futished. He said that there group would lose VIrJ few 01 Mltnagl.,., Editor The charges against the SUI • Had only one faculty ad Niemeyer Group Reforms; on various oecasions, but to DO was no further official action its members. He said th.inga The charter of the SUI Young club were aired in a 2~ page viser instead of a board of (ac avail. that could be taken by Nie keeping members from desert report signed by Loren Mit· meyer. Demoerats has been revoked by uity advisers and the Caculty "At this point of frustration, ing bIs group were that the ac the Executive Council of the chell. executive secretary of the Niemeyer's group cannot use state organization. adviser rarely attcndt'd Execu Strawn. Forms Official Club the State President decided to the name of Young Demoerats tion of the statAl commlttee Young Demoeralic Clubs of call a special meeting of the Iowa. The charges stated that the tive Council m tings. because the YO 's is an incorpo pretty well discredits It and State Executive Committee to rated organizaUon and the Immediately afler the revoca· SUI Young Democrats: • Old not follow the constitu· that his ClUb would continue to discuss the situation," he wrote. name Is protected by law, rWl much Buperior programs. tion, Sunday in Des Moines the • Did not use official memo tional requirement for rt'moval "The matter Is, of course, one bership cards. Dave Lustbader, statAl YD state council granted a new of oCficers. -
Botanic Gardens: New Facilities & Celebrates Its First Anniversary Lots of Resources for Gardeners by Nancy Burkhart He Bike Depot Was Established R
Distributed to the Stapleton, Park Hill, Lowry, Montclair, Mayfair, Hale and East Colfax neighborhoods DENVER, COLORADO MAY 2009 AA DDooccttoorr DDiissccuusssseess AAlltteerrnnaattiivvee MMeeddiicciinnee Lisa Corbin, M.D., Medical Directer of the Center for Integrative Medicine, watches as Ban Wong, LAc, PhD, administers acupuncture in her clinic at the University of Colorado Hospital in Aurora. By Carol Roberts orado Hospital, her staff includes a chiro - together in a complementary way. randomized control trials r. Lisa Corbin is passionate about practor, an acupuncturist, psychologists, a As a starting point in choosing comple - - Maybe consider the “safe and plausible helping each of her patients find pharmacist, and a registered dietician, among mentary and alternative medicine (CAM) approaches” (not proven in controlled Dwhatever works best for them to be - others. Dr. Corbin and her staff believe that therapies, Dr. Corbin offers a few simple studies but believed to be safe and may come healthy and stay healthy. She was the path to optimal health (a state of com - guidelines everyone should consider: be helpful) trained as an internal medicine doctor, but as plete physical, mental and social well-being) - Stay away from harmful approaches - Toss out the safe but not plausible thera - the Medical Director of the Center for Inte - is different for everyone, and it can best be - Consider therapies that have been pies because they are a waste of money. grative Medicine at the University of Col - achieved by having all the practitioners work proven to be safe and beneficial in (continued on page 26) The Park Hill Bike Depot Botanic Gardens: New Facilities & Celebrates Its First Anniversary Lots of Resources for Gardeners By Nancy Burkhart he Bike Depot was established R T e in 2006 with a mis - n d e sion to eliminate r i n g health disparities c o u r found in the Park t e s Hill community. -
Boston Symphony Orchestra Concert Programs, Summer, 1954-1956
TANGLEWOOD — . This "New Orthophonic" High Fidelity Album won't be released until September BUT YOU MAY OWN IT NOW! Berlioz THE DAMNATION OF FAUST You may enjoy treasured "encores" of this masterful interpretation without waiting! A limited number of advance copies of this new album are available to Festival patrons only at the Tanglewood Music Shop on the Festival grounds. INVITE MR. MUNCH AND MR. MONTEUX INTO YOUR HOMES! Hear them conduct these *Romeo and Juliet tSymphonle Fantastique other Berlioz Cycle highlights Complete. Boston Symp. Orch. San Francisco Orchestra con- as often as you choose . conducted by Charles Munch. ducted by Pierre Monteux. Hear the RCA Victor Collector's re-issue of "Harold in Italy' Primrose, Viola; Boston Symp. Orch., Koussevitsky, cond. Other Munch Recordings Other Monteux Recordings * Richard Strauss: Don Quixote *Chausson: Poem of Love and with Piatigorsky, Cellist; Bur- the Sea with Gladys Swarthout, gin, Violinist; de Pasquale, Mezzo Soprano Violist. * Mozart: Concerto No. 12, in A, * Brahms: Piano Concerto No. 2 K. 414. Concerto No. 18, in B- with Artur Rubinstein, Pianist Flat, K. 456, with Lili Kraus, t Brahms: Symphony No. 4 Pianist Haydn: "London" Symphony * Liszt: Les Preludes t Munch conducts French Music Scriabin: Poeme d'Extase t Schubert: Symphony No. 2 t Stravinsky: The Rite of Spring t Schumann: "Spring" Symph. Rimsky-Korsakoff: * Tchaikovsky: Violin Concerto Scheherazade, Op. 35 in D Nathan Milstein, Violinist + Franck: Symphony in D Minor * A "New Orthophonic" High Fidelity Recording \ A High Fidelity Recording rca V^7011 FIRST IN RECORDED MUSIC 4 BOSTON SYMPHONY ORCHESTRA CHARLES MUNCH, Music Director ^Berkshire Festival Season ig; TANGLEWOOD, LENOX, MASSACHUSETTS 6 Concerts of Chamber Music in the Theatre-Concert Hall 6 Concerts by Members of the Boston Symphony Orchestra in the Theatre-Concert Hall 12 Concerts by the Boston Symphony Orchestra in the Music Shed SECOND WEEK Concert Bulletin, with historical and descriptive notes by John N. -
Sally Mckenzie
Sally McKenzie Sally McKenzie www.actingclassof1977.com www.scatteredlives.com www.thecoalface.com 2013 SCATTERED LIVES Writer / Director / theCoalface / Qld Schools Tour Actor WOMEN IN BLACK Actor QPAT / Workshop A WOMAN'S DEEPER JOURNEY INTO Producer / Writer / theCoalface / Feature Docufiction / SEX Director Australian Distributor: Icon Film Distribution A WOMAN'S JOURNEY INTO SEX Producer / Writer / theCoalface / TV Docufiction / Worldwide Director Distributor: Off The Fence 2012 REEF DOCTORS Gracie Network Ten / Dir. Colin Budds A HOAX Ronnie La Boite Theatre Company and Griffin Theatre Company Co-Production / Dir. Lee Lewis SCATTERED LIVES Writer / Director / TheCoalface / Qld Schools Tour Actor 2011 SCATTERED LIVES Writer / Director / TheCoalface / Qld Schools Tour Actor 2010 SCATTERED LIVES Writer / Director / TheCoalface / Qld Schools Tour Actor 2009 JUCY Roz KCDC and Bunker Productions / Louise Alston SCATTTERED LIVES Writer/Director Coalface Communications / Qld Schools Tour THE SCHOOL OF ARTS Gwen Queensland Theatre Company / Dir: Michael Gow 2008 STORAGE Carol Feature Film / Dir: Michael Craft ACTING CLASS OF 1977.COM Producer/Director 1hr Documentary / Premiered ABC SCATTTERED LIVES Writer/Director Coalface Communications / Qld Schools Tour THE WISHING WELL Momma, Annabelle La Boite Theatre / Matrix Theatre / Dir: and various Michael Futcher I DOT LUV DOT U Writer/Director Qld Arts Council Tour 2007 RED CAP Various La Boite / Queensland Music Festival / Dir: Sean Mee SCATTERED LIVES Writer/Director Coalface Communications -
Jørgen Stepputat Phd Thesis
INTROVERSION AND EXTROVERSION IN CERTAIN LATE VICTORIAN WRITERS Jørgen Stepputat A Thesis Submitted for the Degree of PhD at the University of St. Andrews 1985 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/2824 This item is protected by original copyright This item is licensed under a Creative Commons License I N T R 0 V E R S ION AND EXT R 0 V E R S ION INC E R T A I N L ATE V leT 0 R I A N W R I T E R S by J0rgen Stepputat Submitted for the degree of Doctor of Philosophy in the Faculty of Arts at the University of St. Andrews in March 1985 A3STRhc~r This thesis deals with three writers, George Gissing, Edmund Gosse and Robert Louis Stevenson. I use the words "intro versionll and lIextroversion" partly in a geographical sense. George Gissing, for example, in spite of Continental in fluences remained a very English (in some ways almost insular) novelist, and in that sense an introvert. Edmund Gosse, on the other hand, WaS a very cosIDopolitan critic although his style was typically English. Robert Louis Stevenson provides a third angle. Having been born in Edinburgh he was forced into exile for most of his life, and obviously this had a great effect on his writings. Of the three writers most weight is given to Edmund Gosse. In my analysis of George Gissing I concentrate on some of his best known novels, The Unclassed, The Nether World, New Grub Street and Born in Exile. -
Meeting of the Trust Board 26 September 2012 AGENDA
Meeting of the Trust Board 26th September 2012 Dear Members There will be a public meeting of the Trust Board on Wednesday 26th September 2012 commencing at 2:30pm in the Charles West Room, Paul O’Gorman Building, Great Ormond Street, London, WC1N 3JH. Company Secretary Direct Line: 020 7813 8230 Fax: 020 7813 8218 AGENDA Agenda Item Presented by Authors STANDARD ITEMS 1. Apologies for absence Chair Declarations of Interest The Chair and members of this meeting are reminded that if they have any pecuniary interest, direct or indirect, in any contract, proposed or other matter which is the subject of consideration at this meeting, they must, as soon as practicable after the commencement of the meeting disclose that fact and not take part in the consideration or discussion of the contract, proposed contract or other matter, nor vote on any questions with respect to it. 2. Minutes of Meeting held on 25th July 2012 Chair J 3. Matters Arising / Action point checklist Chair K 4. Chief Executive’s Update Chief Executive (Interim) Y 5. Clinical Presentation (Endocrinology) Professor Mehul Dattani, L Specialty Lead 6. Quality, Safety & Transformation Update including Co-Medical Director (ME) M update on Theatre Utilisation Improvement FOR APPROVAL 7. Assurance and Escalation Framework Company Secretary O UPDATES 8. Performance Report (August 2012) Acting Chief Operating P Officer 9. Finance and Activity Report (five months to 31st Chief Finance Officer Q August 2012) 10. Management Board Effectiveness Review Company Secretary R 11. NHSLA Update Acting Chief Operating S Officer FOR RATIFICATION 12. Consultant Appointments Chair Verbal FOR INFORMATION 13. -
The First Instructional Council Meeting Was Held August 27, 2018 at 3:30 PM in the Central Office Board Room
“The Portales Municipal School District’s Instructional Council will provide leadership support to each Vertical Team Leader in the areas of curriculum & instruction. Leaders will also serve as a liaison, who communicates information between all stakeholders.” Instructional Council Minutes 1st Meeting August 27, 2018 100% 1. Welcome: The first Instructional Council Meeting was held August 27, 2018 at 3:30 PM in the Central Office Board Room. ● Mr. Montaño and Mr. Cain welcomed everyone back to the 2018 - 2019 1st Instructional Council Meeting. ● We appreciate your… Leadership, Expertise, Time, Hard Work, Willingness to go the extra mile and Dedication to the Students and Families that you Serve. ● Mr. Montaño introduced the two new Vertical Team Leaders. Sandie Shillings will be the new Social Studies Vertical Team Leader and Bridget Segovia will be the new Elementary Language Arts Vertical Team Leader. 2. Information from Mr. Cain: ● School Grades : They are trying to figure out how they are determining School Grades. BECC in one section if everything is shaded blue you are above expectations. BECC had everything shaded in blue but still got a negative score. They are trying to figure how this was determined. ● Mr. Cain said he heard the Secretary of Education say if you want to be C School and be average be a C School and be average. ● Mr. Cain said there's nothing wrong with being a C School. C School is average. We still would like to be a B or A School, but there’s nothing wrong with being a C School. C School is fine. -
September 9, 2014 (Series 29:3) William Cameron Menzies, H.G
September 9, 2014 (Series 29:3) William Cameron Menzies, H.G. WELLS’ THINGS TO COME (1936, 97 min) Directed by William Cameron Menzies Written by H.G. Wells (screenplay/novel "The Shape of Things to Come") Produced by Alexander Korda Music by Arthur Bliss Cinematography by Georges Périnal Settings Designed by Vincent Korda Special Effects Camera Operated by Jack Cardiff Film Editing by Charles Crichton and Francis D. Lyon Costume Design by John Armstong, René Hubert, Cathleen Mann (The Marchioness of Queensberry), and Sam Williams Special Effects Director Ned Mann Musical Director Muir Mathieson Raymond Massey ... John Cabal / Oswald Cabal Edward Chapman ... Pippa Passworthy / Raymond Passworthy Ralph Richardson ... The Boss Margaretta Scott..Roxana/Rowene Cedric Hardwicke ... Theotocopulos George Sanders ... Pilot H.G. Wells (Writer, screenplay/novel) (b. Herbert George Wells, Terry Thomas ... Man of the Future September 21, 1866 in Bromley, Kent, England—d. August 13, 1946 Margaretta Scott ... Roxana / Rowena (age 79) in London, England) became an overnight literary sensation Maurice Braddell ... Dr. Harding with the publication of The Time Machine in 1895. The novel was an Sophie Stewart ... Mrs. Cabal instant success and he went on to produce a series of science fiction novels which pioneered our ideas of the future. While entertaining, William Cameron Menzies (Director) (b. July 29, 1896 in New his works also explored social and Haven, Connecticut—d. March 5, 1957 (age 60) in Beverly Hills, Los scientific topics, from class Angeles, California) won two 1929 Academy Awards for Best Art conflict to biological evolution. Direction for The Dove (1927) and Tempest (1928), and a 1940 Wells continued to write what Honorary Academy Award for his use of color in Gone with the Wind some have called scientific (1939).