Festival Roster 2019
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B2 Woodstock – the Greatest Music Event in History LIU030
B2 Woodstock – The Greatest Music Event in History LIU030 Choose the best option for each blank. The Woodstock Festival was a three-day pop and rock concert that turned out to be the most popular music (1) _________________ in history. It became a symbol of the hippie (2) _________________ of the 1960s. Four young men organized the festival. The (3) _________________ idea was to stage a concert that would (4) _________________ enough money to build a recording studio for young musicians at Woodstock, New York. Young visitors on their way to Woodstock At first many things went wrong. People didn't want Image: Ric Manning / CC BY (https://creativecommons.org/licenses/by/3.0) any hippies and drug (5) _________________ coming to the original location. About 2 months before the concert a new (6) _________________ had to be found. Luckily, the organizers found a 600-acre large dairy farm in Bethel, New York, where the concert could (7) _________________ place. Because the venue had to be changed not everything was finished in time. The organizers (8) _________________ about 50,000 people, but as the (9) _________________ came nearer it became clear that far more people wanted to be at the event. A few days before the festival began hundreds of thousands of pop and rock fans were on their (10) _________________ to Woodstock. There were not enough gates where tickets were checked and fans made (11) _________________ in the fences, so lots of people just walked in. About 300,000 to 500,000 people were at the concert. The event caused a giant (12) _________________ jam. -
Live Music Matters Scottish Music Review
Live Music Matters Simon Frith Tovey Professor of Music, University of Edinburgh Scottish Music Review Abstract Economists and sociologists of music have long argued that the live music sector must lose out in the competition for leisure expenditure with the ever increasing variety of mediated musical goods and experiences. In the last decade, though, there is evidence that live music in the UK is one of the most buoyant parts of the music economy. In examining why this should be so this paper is divided into two parts. In the first I describe why and how live music remains an essential part of the music industry’s money making strategies. In the second I speculate about the social functions of performance by examining three examples of performance as entertainment: karaoke, tribute bands and the Pop Idol phenomenon. These are, I suggest, examples of secondary performance, which illuminate the social role of the musical performer in contemporary society. 1. The Economics of Performance Introduction It has long been an academic commonplace that the rise of mediated music (on record, radio and the film soundtrack) meant the decline of live music (in concert hall, music hall and the domestic parlour). For much of the last 50 years the UK’s live music sector, for example, has been analysed as a sector in decline. Two kinds of reason are adduced for this. On the one hand, economists, following the lead of Baumol and Bowen (1966), have assumed that live music can achieve neither the economies of scale nor the reduction of labour costs to compete with mass entertainment media. -
Steve Waksman [email protected]
Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i1.9en Live Recollections: Uses of the Past in U.S. Concert Life Steve Waksman [email protected] Smith College Abstract As an institution, the concert has long been one of the central mechanisms through which a sense of musical history is constructed and conveyed to a contemporary listening audience. Examining concert programs and critical reviews, this paper will briefly survey U.S. concert life at three distinct moments: in the 1840s, when a conflict arose between virtuoso performance and an emerging classical canon; in the 1910s through 1930s, when early jazz concerts referenced the past to highlight the music’s progress over time; and in the late twentieth century, when rock festivals sought to reclaim a sense of liveness in an increasingly mediatized cultural landscape. keywords: concerts, canons, jazz, rock, virtuosity, history. 1 During the nineteenth century, a conflict arose regarding whether concert repertories should dwell more on the presentation of works from the past, or should concentrate on works of a more contemporary character. The notion that works of the past rather than the present should be the focus of concert life gained hold only gradually over the course of the nineteenth century; as it did, concerts in Europe and the U.S. assumed a more curatorial function, acting almost as a living museum of musical artifacts. While this emphasis on the musical past took hold most sharply in the sphere of “high” or classical music, it has become increasingly common in the popular sphere as well, although whether it fulfills the same function in each realm of musical life remains an open question. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Neuer Kanal Auf DAB+: ANTENNE BAYERN
Presse-Information Metal-Legende Udo Dirkschneider moderiert auf ROCK ANTENNE Ismaning, 22. Oktober 2018 – Metal-Legende Udo Dirkschneider steht ab sofort regelmäßig im ROCK ANTENNE-Sendestudio. Jeden dritten Sonntag im Monat moderiert der international bekannte Musiker ab sofort von 12.00 bis 14.00 Uhr die Sendung „Rockstar-Radioshow“. Neben Dirkschneider wird diese bereits abwechselnd von der Queen of Metal, Doro Pesch und Alex Wesselsky von Eisbrecher moderiert. Jeden vierten Sonntag überrascht ein Specialgast am Mikrofon des Rockradios. Prominenter Zuwachs im Team von ROCK ANTENNE: Neben Doro Pesch und Alex Wesselsky steht nun auch Metal-Legende Udo Dirkschneider regelmäßig hinter dem Radiomikrofon in Ismaning bei München. Der Nordrhein-Westfale ist neben Metal Queen Doro Pesch und Eisbrecher Frontmann Alex Wesselsky ab sofort fester Bestandteil der „Rockstar- Radioshow“. Jeden dritten Sonntag im Monat wird der weltweit bekannte Musiker mit seiner unverwechselbaren Stimme das Sendestudio unsicher machen. Neben dem besten Rock nonstop gibt es dabei auch exklusive Musiknews. Seine nächste Sendung geht bereits am kommenden Sonntag, den 21. Oktober 2018, von 12.00 bis 14.00 Uhr on air und ist über alle Verbreitungswege von ROCK ANTENNE zu hören. Alle Infos zu den Empfangswegen von ROCK ANTENNE gibt es auf der Homepage des Senders unter www.rockantenne.de. Die Moderatoren der „Rockstar-Radioshow“ im Überblick: Erster Sonntag im Monat: Die Queen of Metal, Doro Pesch: Seit mehr als 35 Jahren steht sie auf den größten Bühnen der Welt. Sie hat mehr als zehn Millionen Tonträger verkauft und immer am ersten Sonntag des Monats rockt sie von 12 – 14 Uhr auf ROCK ANTENNE. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Woodstock Festival ´69
Woodstock Festival ´69 The Woodstock Music and Art Festival was a rock music festival at Max Yasgur´s 600 acre (2.4km2) dairy farm in town of Bethel, New York between 15 August and 18 August 1969. It might be the most famous rock concert and festival ever held. For many, it showed the counterculture of the 1960´s and the “Hippie movement”. Many of the most famous musicians at the time showed up during the weekend, as can be seen in a 1970 movie called Woodstock. Joni Mitchell´s song “Woodstock”, about the event, also became a major hit song for Crosby, Stills, and Nash & Young. In recent years, a number of attempts were made to recreate it, but the original Woodstock´69 has proven to be legendary. The Festival was Called “Woodstock”, because “Woodstock Ventures” an investment company had put money into the concert, it was supposed to be in the town of Wallkill, in Ulster County; but the town would not give a place for such a large event, because they thought that over a million people would come. A place was found in the town of Bethel, Max Yasgur let the concert happen on the family´s dairy farm. Although the show was planned for as many as 200.000 fans, over 400.000 came; most of these did not pay to get in. The roads to the concert were jammed with traffic. People left their cars and walked for miles to get the concert area. The weekend was rainy and overcrowded, and fans shared food, alcoholic drinks, and drugs. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Protest As Event
PROTEST AS EVENT OVERVIEW ESSENTIAL QUESTION Since the 1960s, how have artists used musical events to promote change? OVERVIEW “Artists write, and sing, and think, and this is how we get to put our two cents in, and we do it right in front of people, not in secret meetings behind closed doors. We let people know what we think … I don’t know if people go to musicians for their politics. I doubt that they do, you know, but you can rally people to think on serious issues together, and that’s what we’re trying to do.” - Bruce Springsteen, August 4, 2004, Nightline, ABC Network In August 1971, former member of the Beatles George Harrison gathered a group of musical colleagues that included Bob Dylan, Ringo Starr, Eric Clapton, and many others to perform two benefit concerts at New York’s Madison Square Garden. The so-called Concert for Bangladesh was intended to raise money for and awareness of the refugees fleeing a bloody civil war in Pakistan, a situation made even worse by a devastating cyclone earlier that year. The concert, which was also recorded as a film and a live album, became a model for how Rock and Roll stars could marshal their celebrity in support of a particular cause. The efforts of Harrison and his friends ultimately raised millions of dollars for UNICEF and established a new precedent for how Rock and Roll could engage the public in order to promote meaningful change in the world. The mass gatherings of the 1960s – including the March on Washington, antiwar demonstrations on college campuses, and the Woodstock festival – had clearly demonstrated the power of events to command media attention and to make voices heard. -
Karaoke Catalog Updated On: 15/10/2018 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 15/10/2018 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry Someday You'll Want Me To Want You Voices Carry When You're Smiling (The Whole World Smiles With That Old Black Magic (Woman Voice) (H?D) Planet Earth 1930s Standards That Old Black Magic (Man Voice) Blackout Heartaches I Know Why (And So Do You) DUET Other Side Cheek to Cheek Aren't You Glad You're You 10 Years My Romance (I've Got A Gal In) Kalamazoo Through The Iris It's Time To Say Aloha No Love No Nothin' 10,000 Maniacs We Gather Together Personality Because The Night Kumbaya Sunday, Monday Or Always 10CC The Last Time I Saw Paris This Heart Of Mine Dreadlock Holiday All The Things You Are Mister Meadowlark I'm Not In Love Smoke Gets In Your Eyes 1950s Standards The Things We Do For Love Begin The Beguine Get Me To The Church On Time Rubber Bullets I Love A Parade Fly Me To The Moon Life Is A Minestrone I Love A Parade (short version) It's Beginning To Look A Lot Like Christmas 112 I'm Gonna Sit Right Down And Write Myself A Letter Crawdad Song Cupid Body And Soul Christmas In Killarney Peaches And Cream Man On The Flying Trapeze That's Amore 12 Gauge Pennies From Heaven My Own True Love (Tara's Theme) Dunkie Butt When My Ship Comes In Organ Grinder's Swing 12 Stones Yes Sir, That's My Baby Lullaby Of Birdland Far Away About A Quarter To Nine Rags To Riches Crash Did You Ever See A Dream Walking? Something's Gotta Give 1800s Standards I Thought About You I Saw Mommy Kissing Santa Claus (Man -
40 Jahre Offizielle Deutsche Charts (PDF)
P R 40 Jahre Offizielle Deutsche Charts: Eine Musikinstanz feiert Jubiläum E Berlin, 29. August 2017 – Alle kennen sie, viele wollen rein und nur die besten erobern sie: Die Offiziellen Deutschen Charts zeigen Woche für Woche, welche Musik in Deutschland am S beliebtesten ist. Sie sind das zentrale Erfolgsbarometer einer gesamten Branche, und es gibt wohl keinen Künstler und keinen Musikfan, der nicht in irgendeiner Form mit den bewährten Top 100-Listen in Berührung kommt. Am heutigen Dienstag werden die Charts, die im Auftrag des Bundesverbandes Musikindustrie e.V. von GfK Entertainment ermittelt werden, S 40 Jahre alt. Ein Grund zum Feiern und Zurückblicken auf vier Jahrzehnte voller großartiger Interpreten, spannender Entwicklungen und unglaublicher Rekorde. E Dr. Florian Drücke, Geschäftsführer Bundesverband Musikindustrie: „Die Offiziellen Deutschen Charts sind seit 1977 die entscheidende Skala des deutschen Musikmarktes, denn sie zeigen, ob ein Song oder ein Album beim Publikum ankommt oder nicht. Damit sind sie für die Musiker und die hinter ihnen stehenden Firmen ein unverzichtbares Instrument S der künstlerischen Standortbestimmung und gleichzeitig ein spannendes Abbild sowohl des jeweiligen musikalischen Zeitgeistes als zum Teil auch relevanter gesellschaftlicher Ereignisse in den vergangenen vier Jahrzehnten.“ E Dr. Mathias Giloth, Geschäftsführer GfK Entertainment: „Die Offiziellen Deutschen Charts bilden seit 40 Jahren die wichtigste Messlatte für Erfolg in der deutschen Musikindustrie. Die R Hitlisten sind heutzutage sogar wichtiger denn je, denn in einem Markt, der den Konsumenten durch die Digitalisierung und Globalisierung jeden Tag eine fast unüberschaubare Anzahl an Neuveröffentlichungen anbietet, geben sie die entsprechende V Orientierung und Einordnung. Und das über alle Genres und Absatzkanäle hinweg.“ Wie alles begann – Ein Rückblick I Alles beginnt 1977.