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History of Modern Design Free
FREE HISTORY OF MODERN DESIGN PDF David Raizman | 432 pages | 09 Aug 2010 | Laurence King Publishing | 9781856696944 | English | London, United Kingdom Web Design | History of Web Design | Weird Websites That was the year designer Ben Benjamin created Superbad. Today, weird withstands. InBenjamin began his senior year at Earlham College, a Quaker school in Indiana with barely 1, students. He earned a degree in psychology, and in his senior year, the college finally got access to the text-based form of civilian internet. This first internet had limitations. You could go on History of Modern Design, and I was looking at chess matches. This was before Mosaic. Mosaic, the first graphical internet browser, was released later in To add pictures and sound to websites, experts found ways to shave off large fractions History of Modern Design data to form new file formats that could be sent over There was still a sizable gap between the release of Mosaic and when regular, non-university-affiliated people got internet access. This is amazing. Benjamin dropped out of art school and got a job at CNET, which launched in There, he History of Modern Design learned data-conscious, browser-friendly web design. At CNET, Benjamin learned many of the tricks that he used to make Superbad so visually rich and interactive, but still fast-loading. A CNET feature on cable modems breaks information into pages by topic, and the intro page weighs in at 40K with the code and images combined. And these thoughtful tweaks worked: ByHistory of Modern Design was one of the most visited websites on the internet. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Mary Murillo
Mary Murillo Also Known As: Mary O’Connor, Mary Velle Lived: January 22, 1888 - February 4, 1944 Worked as: adapter, film company managing director, scenario writer, screenwriter, theatre actress Worked In: France, United Kingdom: England, United States by Christina Petersen In March 1918, Moving Picture World heralded British screenwriter Mary Murillo as a “remarkable example” of “the meteoric flights to fame and fortune which have marked the careers of many present day leaders in the motion picture profession” (1525). This was more than just promotional hyperbole, since, in just four years, Murillo had penned over thirty features, including a highly successful adaptation of East Lynne (1916) starring Theda Bara and the original story for Cheating the Public (1918), “which proved a sensation” at its New York debut according to Moving Picture World (1525). Murillo wrote or adapted over fifty films from 1913 to 1934 in the United States, England, and France, including slapstick comedies, melodramas, fairy tale adaptations, and vehicles for female stars such as Bara, Ethel Barrymore, Clara Kimball Young, Olga Petrova, and Norma Talmadge. As a scenarist, her range included several films focused on contemporary issues—gender equality, women’s suffrage, economic progressivism, and labor reform—while others, such as the child-oriented adaptation of Jack and the Beanstalk (1917), seem to have been meant to appeal as pure escapism. In the latter half of her career, Murillo left the United States for England where she joined several ventures, but never equaled her American output. Born in January 1888 and educated at the Sacred Heart Convent in Roehampton, England, Murillo immigrated to the United States in 1908 at the age of nineteen (“Mary Murillo, Script Writer” 1525; McKernan 2015, 80). -
Mr. and Mrs. Raymond E. Robinson Collection of Film Stills and Photographs MS117
http://oac.cdlib.org/findaid/ark:/13030/c8j1059x No online items Mr. and Mrs. Raymond E. Robinson Collection of Film Stills and Photographs MS117 Finding aid prepared by ShinEui Park Clay Stalls Department of Archives and Special Collections, William H. Hannon Library, Loyola Marymount University 1 LMU Drive Los Angeles, CA, 90045-2659 (310) 338-5710 [email protected] 2014 Mr. and Mrs. Raymond E. MS117 1 Robinson Collection of Film Stills and Photographs MS117 Title: Mr. and Mrs. Raymond E. Robinson Collection of Film Stills and Photographs Identifier/Call Number: MS117 Contributing Institution: Department of Archives and Special Collections, William H. Hannon Library, Loyola Marymount University Language of Material: English Physical Description: 1.0 Box Date (inclusive): 1920-1933 Abstract: This small collection consists of film stills, publicity portrait photographs of film actors and actresses, and personal photographs that Mr. and Mrs. Raymond E. Robinson donated to Loyola Marymount University. Conditions Governing Access Note Collection is open to research under the terms of use of the Department of Archives and Special Collections. Acquistion Information Gift of Mr. and Mrs. Raymond E. Robinson, 8/6/1973. Arrangement The collection was arranged in the order in which the photographs were found in the envelope originally storing them. Box and folder entries were based on captions from the photographs or deduced by using clues provided by the photographs themselves. Publication Rights Materials in the Department of Archives and Special Collections may be subject to copyright. Unless explicitly stated otherwise, Loyola Marymount University does not claim ownership of the copyright of any materials in its collections. -
The Silent Film Project
e t 02-28-2018 Films that have completed scanning:Th Silen Film Project TITLE YEAR STUDIO DIRECTOR STAR e 13AdventuresWashington of BillSquare and [1921]1928 UniversalPathegram MelvilleRobert N.W. BradburyBrown JeanBob SteeleHersholt Alic Joyce Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 Black Sambo's Escape [1925] Keystone e al f e e f , e e f Th go o th Silent Film Project at th Library o Congress is to borrow catalog, digitally preserve, and ensur th availability o silent (and selected sound era) films for public viewing and research. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 1 AUTO RACING AND CLASSIC AUTOS IN FILM (14) VINTAGE PHOTOGRAPHS. $350 2 SEX IN CINEMA (55) VINTAGE PHOTOGRAPHS. $4,500 3 LILLIAN GISH VINTAGE PORTRAIT PHOTOGRAPH BY HARTSOOK STUDIO. $200 4 COLLECTION OF (19) PORTRAIT PHOTOGRAPHS OF LUCILLE BALL, TALLULAH $325 BANKHEAD, THEDA BARA, JOAN CRAWFORD, AND OTHERS. 5 ANNA MAY WONG SIGNED PORTRAIT PHOTOGRAPH BY CECIL BEATON. $4,000 6 MABEL NORMAND (7) SILENT-ERA VINTAGE PHOTOGRAPHS. $200 7 EARLY CHILD-STARS (11) VINTAGE PHOTOGRAPHS INCLUDING OUR GANG AND $225 JACKIE COOGAN. 9 BARBARA LA MARR (3) VINTAGE PHOTOS INCLUDING ONE ON HER DEATHBED. $325 10 ALLA NAZIMOVA (4) VINTAGE PORTRAIT PHOTOGRAPHS. $300 11 SILENT-FILM LEADING LADIES (13) VINTAGE PHOTOGRAPHS. $200 13 SILENT-FILM LEADING MEN (10) VINTAGE PHOTOGRAPHS. $200 14 PRE-CODE BLONDES (24) VINTAGE PHOTOGRAPHS. $325 15 CHARLIE CHAPLIN AND PAULETTE GODDARD (2) VINTAGE PHOTOGRAPHS. $350 16 COLLECTION OF (12) OVERSIZE PORTRAIT PHOTOGRAPHS OF RENÉE ADORÉE, $400 MARCELINE DAY, AND OTHERS. 17 COLLECTION OF (17) OVERSIZE PORTRAIT PHOTOGRAPHS OF EVELYN BRENT, $1,200 NANCY CARROLL, LILI DAMITA, MARLENE DIETRICH, MIRIAM HOPKINS, MARY PICKFORD, GINGER ROGERS, GLORIA SWANSON, FAY WRAY AND OTHERS. 18 MYRNA LOY (14) VINTAGE PHOTOGRAPHS INCLUDING SEVERAL RARE $375 PRE-CODE IMAGES. Page 1 of 85 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 19 PREMIUM SELECTION OF LEADING MEN (32) VINTAGE PHOTOGRAPHS. -
Catalogo Giornate Del Cinema Muto 2016
ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael -
The History of Film
NO. 45 -ii u rm j A . FOR IMMEDIATE RELEASE The Museum of Modern Art 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart THE HISTORY OF FILM The fourth in The Museum of Modern Art's cycles presenting "The History of Film" will begin on Sunday June 6 at 5:00 with a series of short films by Edison, Lumiere, Melies, and others representing the birth of the cinema. The three year cycle, presented ewery Sunday evening at 5:00 through April 29, 1979, will trace the evolution of film from these early works through such masters as Griffith, Chaplin, von Stroheim, and King Vidor and concluding with the recent works "Death in Venice" by Luchino Visconti and Robert Altman's "McCabe and Mrs. Miller." This major series, consisting of 148 weekly programs, was organized by Jon Gartenberg, Curatorial Assistant in the Department of Film and is designed to show that film history is "a network of interrelationships and influences between one work and another over the past eighty years." Thus, though a great many classic films are not included, many lesser-known but historically important films will be shown and such phenomena as the beginnings of the motion picture, early experiments with sound, and the development of such genres as Westerns, the historical drama, and movie serials will be examined. While examples of foreign films, shorts, avant- garde, and animated films are included, the primary emphasis of the cycle is to show the development of the American feature film from its roots through 1971. -
Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) Worked in Various Careers Before Turning His Attention to Sculpture Full Time at the Age of Thirty
1950 Sculpture in Wood and Stone by Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) worked in various careers before turning his attention to sculpture full time at the age of thirty. His skills earned him a position as a professor of art at the University of Texas and commissions from many public and private institutions. His sculptures are created in various media, such as Lucite and steel. This exhibition of the California-based artist’s work presented thirty-seven of his sculptures. Barnes studied with Carl Milles (1875– 1955) at the Cranbrook Academy of Art. [File contents: exhibition flier] Color Compositions by June Wayne (March) June Wayne’s (1918–2011) work received publicity in an article by Jules Langsner, who praised her for developing techniques of drawing the viewer’s eye through imagery and producing a sense of movement in her subjects. Her more recent works (as presented in the show) were drawn from the dilemmas to be found in Franz Kafka’s works. [File contents: two articles, one more appropriate for a later show of 1953 in memoriam Director Donald Bear] Prints by Ralph Scharff (April) Sixteen pieces by Ralph Scharff (1922–1993) were exhibited in the Thayer Gallery. Some of the works included in this exhibition were Apocrypha, I Hate Birds, Walpurgisnacht, Winter 1940, Nine Cats, and Four Cows and Tree Oranges. Watercolors by James Couper Wright (April 3–April 15) Eighteen of James Couper Wright’s (1906–1969) watercolors were presented in this exhibition. Wright was born in Scotland, but made his home in Southern California for the previous eleven years. -
Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017
JANUARY 2017 Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017 Pool The new fragrance by Sean Raspet Available for a limited time at reader.la/pool ART LOS ANGELES READER Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017 Lost Enchantment From the Editor Interior designer Tony Duquette was known for bedazzling style. A short-lived Malibu ranch would have been his crown jewel. Kate Wolf Every single scene in Rainer Werner 1970s black artists’ interventions into public Fassbinder’s newly rediscovered World on a space, to see what rituals and reorientations Wire features two central colors: burnt or- were required for making the city a place ange and emerald blue. Made in 1973, that they could inhabit. And Travis Diehl digs into Infrastructure Sketches era’s cybernetic systems thinking (everything the history of the New York Times’ coverage In the late 1970s, Barbara McCullough and Senga Nengudi exited Ed Ruscha's is related) found an exquisite analogue in the of LA art, diagnosing a host of antipathic, freeway and claimed land under the off-ramps. conspiracy theory of simulation, which mo- boostered biases. Aria Dean tivates the film’s science fiction plot (we’re The theme acid interiors is inspired by stuck in a virtual reality, we just have no idea). William Leavitt’s theatrical obsession with The colors of the interiors seem to prove the mid-century design, his installations of ge- protagonist’s suspicion: in his apartment, his neric sets that deal with the drama of stuff. Pool office, the restaurant, his secretary’s jacket, I am thrilled to present a work Leavitt made A new fragrance made with synthetic compounds. -
Designer's Guide to High Point Market
DESIGNERS’ GUIDE to HIGH POINT MARKET APRIL 14–18, 2018 Is High Point the new Brooklyn? The Hygge Trend: Cashing In On Comfort The Schedule: 50+ Design Events 9 Designer Matches Made in High Point EDITORATLARGE.COM Cover art: “Bloomsbury Garden” wallpaper by Timorous Beasties; courtesy Timorous Beasties You inspire us. We do it for you. We partner with the best names in the furniture and home textiles industries so that designers can access an unprecedented range of impeccably designed, ridiculously intelligent fabrics. Inspired by you. cryptonhome.com/highpointmarket @cryptonfabric NEWS BRIEF | MARKET REPORT BuzziPleat light by BuzziSpace. below: Sara Ruffin Costello, MARKET Michelle Nussbaumer, and George Nunno REPORT Prepare to take notes: Passing High Point Market 101 means staying in-the-know. A number of newcomers hope to make the grade with showstopping collections. Inspiration awaits at The Mine, Mill Village Collective and The Point. And when given a new assignment, Bunny Williams, Kim Hoegger and others reimagine an English Tudor for a showhouse detour from market. BY MELISSA STUDACH Angeles–based design firm, helmed by FAIR Mat Sanders and Brandon Quattrone, FIRST-TIMERS experiments with plaster, glass, velvets and more in the playful 44-piece Consort A French modernist sensibility meets Collection, on view in InterHall (IHFC, fine American craftsmanship in Consort’s IH202). Danish lighting manufacturer first-ever, fully customizable furniture Vita Copenhagen launches its first North collection. The New York– and Los American furniture collection, an extension of the brand’s signature Scandi The Esquire Home Collection by Fine Furniture Design style and environmental ethos (IHFC, IH401).