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Music Theatre & Dance 2016-2017 SEASON EVENTS MUSIC CAL STATE LA COLLEGE OF ARTS & LETTERS THEATRE & DANCE Golden Age + Operetta FALL ‘16 Music Hall, 7:30 pm DEPARTMENT MUSIC December 2-3 | Friday-Saturday FACULTY & STAFF Orchestra Concert Early Music Ensemble Concert State Playhouse, 7:30 pm December 12 | Monday Rennie B. Schoepflin, Dean, College of Arts & Letters Music Hall, 7:30 pm David N. Connors, November 10 | Thursday Associate Dean, College of Arts & Letters Meredith Greenburg & Emily Moss, Co-Chairs, Department of Music, Theatre & Dance New Music Ensemble Music Hall, 7:30 pm FACULTY November 14 | Monday Jeffrey Benedict,Saxaphone, Jazz Studies Paul De Castro, Piano, Afro-Latin Studies Choir Concert James Ford, Trumpet, Jazz Studies Sara Graef, Composition and Theory State Playhouse, 7:30 pm Christopher Gravis, Director of Choral Music November 16 | Wednesday Susan Kane, Director of Vocal Studies John M. Kennedy, Composition and Theory Ross Levinson, Commercial Music, Music Technology Peter McAllister, Music Eduation Emily Moss, Director of Bands, Music Education FALL ‘16 Beverly Stein, Music History Steve Wight, Commercial Music, Music Technology THEATRE Jose Cruz González, Playwriting, Directing Paul Stuart Graham, Arts Management Meredith Greenburg, Stage/Production Management Latina James A. Hatfield,Scenic Design, Theatre History by Milcha Sanchez- Scott G. Shizuko Herrera, Stagecraft, Design Venue: State Playhouse Tanya Kane-Parry, Acting, Performance Theresa Larkin, Directing, Performance Studies November 4, 9, 10, 12, 7:30 pm Stephen Rothman, Directing Jazz Orchestra Concert November 5, 6, 12 2:30pm Hae Kyung Lee, Dance and Performance State Playhouse, 7:30 pm Seonagh Odhiambo, Dance Pedagogy and Performance November 17 | Thursday Performance Salon Dramatic Readings of Classic and STAFF Afro Latin Ensemble Concert Original Texts in the Arena Theatre 7pm Leticia Ramirez, Administrative Support Coordinator State Playhouse, 7:30 pm The Three Sisters | November 6 Jenny San, Administrative Support Assistant Death Of A Salesman | November 29/30 November 18 | Friday Irene Gregorio, Accompanist The Persians |December 7 Homeless | December 3 Jazz Combos GreenLand LA | December 4 ARTS & LETTERS PRODUCTIONS STAFF Music Hall, 7:30 pm November 21 | Monday Rico Garcia, Audio Engineer/Audio System Technican Tim Jones, Audio Engineer/Audio System Technican Elizabeth Pietrzak, Technical Director/Shops Supervisor University Bands Bruce Zwinge, Costume Shop Supervisor State Playhouse, 7:30 pm FALL ‘16 November 22 | Tuesday DANCE Mariachi Concert State Playhouse, 10:30 am Fall Dance Concert December 1 | Thursday Intimate Theatre at the Luckman November 4-5, 7:30pm Commerical Music Concert November 6, 5:00 pm State Playhouse, 7:30 pm December 1 | Thursday All music events are free and unticketed unless specified otherwise. Purchase theatre & dance tickets online at www.calstatela.edu/mtd $15 general / $10 students & seniors Mary Levin Cutler Concert SPRING ‘17 Music Hall, 7:30 pm April 25 | Tuesday THEATRE Die Fledermaus an Opera by Johann Strauss Jr. Candide State Playhouse a musical by Leonard Bernstein May 4-6, 7:30 pm State Playhouse May 7, 2:30 pm March 3-5 & 9-11, 7:30 pm *ticketed event March 5 &11, 2:30 pm Jazz Combos Performance Salon Music Hall, 7:30 pm Dramatic Readings of Classic and May 5 | Friday Original Texts Arena Theatre 7:00pm SPRING ‘17 University Bands Medea | February 18 State Playhouse, 7:30 pm As You Like It | February 19 MUSIC May 9| Monday Macbeth | March 4 & 5 Protected Class | March 25 Honor Choir Concert An Enemy of the People | April 21 State Playhouse, 6:00 pm Summerfolk | April 22 February 11 | Saturday Misalliance |April 23 *ticketed event Living Out | April 29 The Exonerated | April 30 Honor Band Concert An Enemy of the People | May 12 State Playhouse, 7:30 pm A More Perfect Union | May 13 February 11| Saturday Portfolio Showcase | May 14 *ticketed event www.performancesalon.org Choir Concert Orion Saxophone Quartet State Playhouse, 7:30 pm Music Hall, 7:30 pm May 10 | Tuesday February 21 | Tuesday Stan Kenton Tribute SPRING ‘17 Spring Sing State Playhouse, 7:30 pm Music Hall, 7:30 pm May 11 | Thursday DANCE March 5 | Sunday Commercial Music Spring Dance Concert Choir Concert State Playhouse, 7:30 pm Intimate Theatre at the Luckman State Playhouse, 7:30 pm May 12 | Friday April 27-29, 7:30 pm March 15 | Wednesday Hot Nights Commercial Music Combo State Playhouse, 7:30 pm State Playhouse, 7:30 pm May 13 | Saturday March 16 | Thursday Orchestra Concert University Bands State Playhouse, 7:30 pm State Playhouse, 7:30 pm May 15 | Monday March 23 | Thursday Afro-Latin and Big Band Event State Playhouse, 6:00 pm March 25 | Saturday All music events are free unless Brahms Piano Celebration specified otherwise. Music Hall, 7:30 pm April 4 | Tuesday Purchase theatre & dance tickets online at www.calstatela.edu/mtd $15 General / $10 Students & Seniors Public Vocal Forum Music Hall, 2pm April 23 | Sunday CAL STATE LA 2016-2017 MUSIC, THEATRE & DANCE SEASON EVENTS.
Recommended publications
  • The Seagull Uncle Vanya Three Sisters the Cherry
    UNCLE CHERRY THREEGULL or THE DOCTOR IS LATE © 2012, Joe Zarrow - [email protected] - http://www.joezarrow.com NOTES: This play is an adaptation of Chekhov's four major plays. It is designed to highlight the harmonies between the texts, their musical four-act structure, and Chekov's evolution over his writing career. All four scripts are performed at once; moments and lines that are horizontally aligned are very roughly simultaneous. All text is taken from public domain translations of the plays. The actor playing the DOCTOR is the same across all four plays. Same true for SERVANT. Other actors may or may not double, depending on the director's wishes. [Lights up. The DOCTOR, a handsome man, is alone onstage. He addresses the audience.] DOCTOR: How long have we known each other? Have I changed much since then? [A bell rings.] FIRST MOVEMENT: ARRIVING THE SEAGULL UNCLE VANYA THREE SISTERS THE CHERRY ORCHARD [outside, in front of a [in the yard of a [the sisters are in the [in the nursery] theater] country estate.] dining room] TREPLEV: The play [VANYA enters, will soon begin. yawning] [He sets up the OLGA: It's just a year [LUBOV enters with curtain,takes a flower since father died. her entourage.] and pulls off petals one LUBOV: The nursery! by one.] [NINA enters. [DOCTOR sits down ANYA: [to SERVANT] Awkward moment to read newspaper and Some coffee, quickly. when TREPLEV tries SERVANT: Light the ignore everyone.] to kiss NINA.] samovar! TREPLEV: Places! [DOCTOR exits to get samovar.] [The audience of DOCTOR: [enters [VARYA and ANYA sit characters comes to with samovar]Will together, have a [Military men come in watch TREPLEV's they be here long? hushed conversations.
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  • The Seagull/Uncle Vanya/Three Sisters/The Cherry
    Online PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Read, PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Download, Free Download Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Download Free, Book Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Download, ebook Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Download, Full PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), All Ebook Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), PDF and EPUB Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), PDF ePub Mobi Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), read PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), book PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), read online Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Anton Chekhov pdf, by Anton Chekhov #T #, Book pdf Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), from Anton Chekhov pdf Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), Anton Chekhov epub Plays: The Seagull/Uncle Vanya/Three
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  • Book 34.2 April 24.Indb
    Gabrielle Roy and Chekhov’s “Strange Alchemy” Darlene Kelly St. Th omas More College, University of Saskatchewan Gabrielle Roy, French Canada’s grande dame of letters, won France’s prestigious Prix 189 Fémina for her novel Bonheur d’occasion (1945) and numerous awards at home, par- ticularly Quebec. By a strange twist of literary genealogy, however, she proved to be less inspired by the great French authors of Canada and France than she was by a Russian playwright and short-story writer who had died before she was born. Th e cosmopolitan Roy was open about her mentor: asked which literary work had most infl uenced her, she promptly identifi ed it as Anton Chekhov’s novella Th e Steppe, a story whose “charme secret” from childhood on had changed the way she perceived the world: “Longtemps, longtemps, cette lointaine lecture a pénétré mes pensées, m’a façonné, si je puis dire, une manière de voir, de regarder et de saisir le réel” (Roman canadien-français 303) (“For a long, long time this reading from my distant past had occupied my thoughts, had fashioned, if I may so put it, a way of seeing, of looking at and grasping what was real”).1 She later expressed confusion about just when this fashioning of her perceptions began. A Chekhovian motif that a critic had noted in her fi ction, for example, had its origins not in literature, she argued, but in certain expe- riences that predated her reading of the great Russian author. Her earlier statement that she had read Chekhov in childhood was now declared wrong.
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  • Week I. Chekhov on His Play
    Unfortunately, Chekhov’s innovations were well received by neither directors nor theatergoers. Nor did they receive proper treatment from critics. Chekhov always insisted that he created cheerful, funny short stories and dramas, while critics labeled him a creator of dismal works: “Chekhov’s play makes a hard, if not to say, oppressive impression on the audience” (Sochineniia 13: 449; trans. John Holman); “Three Sisters appears to be a heavy stone on one’s soul” (13: 449; trans. John Holman); “I do not know another work that could ‘infect’ one with such a heavy, obsessive feeling” (13: 449; trans. John Holman). That Chekhov intended his work to be seen as a farce has not yet received a comprehensive evaluation. His first comedy, The Seagull, failed. And no wonder! Spectators who anticipated vaudevillian scenes became extremely angry with the dramatist for misleading them with the subtitle and for representing, instead, a depressing story that ends with the suicide of a main protagonist. The same fate had befallen The Cherry Orchard, a play that was planned to be a farce (as reflected in Chekhov’s letters to his wife, Olga Knipper). In 1901, he wrote to her: “The next play that I am going to write will definitely be funny, at least by its concept” (Sochineniia 13: 478). Critics accused Chekhov of lacking skill; they naturally did not see anything funny about the distressing plays that Chekhov called comedies. But what happened to Three Sisters was even worse. A struggle for the CNT: conservators and innovators. Just as any other innovator, Chekhov suffered for his pioneering changes of the comedic genre, which he unfortunately never discussed in a more logistical way.
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  • The Problem of Stupidity in Chekhov's Three Sisters
    [Expositions 5.1 (2011) 14-29] Expositions (online) ISSN: 1747-5376 The Problem of Stupidity in Chekhov’s Three Sisters LEE TREPANIER Saginaw Valley State University One of the continual challenges that confront critics of Chekhov‟s Three Sisters is to locate a theme that unites the various elements in the play. The initial reaction to its first performances was one of puzzlement as to why the sisters did not go to Moscow: they were wealthy, privileged, and had no familial obstacles to prevent them from the journey.1 It also was interpreted by early reviewers as either allegorical, since the play seemed to lack action, or as a satire of weak-willed characters. Later, other critics, like A. V. Lunacharskky, found it unbearably morose in that Chekhov had failed to present a positive forceful hero who could “show us the seeds of a new life.”2 By contrast, Kornei Chukovsky believed that Chekhov‟s attempt to find beauty in the ordinariness of life demonstrated the value of the Christian virtues, for “it not only evokes sympathy for the downtrodden and suffering but make them an image of beauty.”3 Finally, these were Russian commentators like Vladimir Mayakovsky who wrote that there were two Chekhovs in the play: the first was about the twilight of Russian aristocratic society; the second was a call to the future for a spiritual renewal of Russian civilization.4 In the West the criticism of Three Sisters has run the gamut of admiration of Chekhov‟s realist portrayal of life, psychological insights of its characters, and anticipation of theater of the absurd to a dismissal of the play as being outdated, dull, and pointless.5 Most western critics also have reiterated Mayakovsky‟s idea of the “two Chekhovs” – Chekhov‟s hope for the future and despair of the present – as the theme that unites the play.
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  • Ivanov, the Seagull, Uncle Vanya, Three Sisters, the Cherry Orchard Pdf, Epub, Ebook
    PLAYS: IVANOV, THE SEAGULL, UNCLE VANYA, THREE SISTERS, THE CHERRY ORCHARD PDF, EPUB, EBOOK Anton Pavlovich Chekhov,Peter Carson,Richard Gilman | 416 pages | 03 Sep 2002 | Penguin Books Ltd | 9780140447330 | English | London, United Kingdom Plays: Ivanov, The Seagull, Uncle Vanya, Three Sisters, The Cherry Orchard PDF Book The author's refusal to join the ranks of social critics arose the wrath of liberal and radical intellitentsia and he was criticized for dealing with serious social and moral questions, but avoiding giving answers. But not flashy, philosophical ennui. Open Preview See a Problem? His works have a certain freshness that transcends the period. That said I find the theme of provincial Russian boredom and backwardness a bit tedious especially in a big chunk. But it's fun to see what the translator has attempted. This volume simply enlarges that desire. This pretty much completes my inquiry into Chekhov; I will, of course, go back to reread his plays and stories and give The Three Sisters a second chance. But from there it goes in all kinds of unusual directions. His plays are so delicate, that you just know you're losing something due to the translations. And that, in my opinion, is the problem with Senelick. Chekhov wasn't a solidly middle-class Edwardian Englishman reflecting on a world I don't think that this translation is the one that I was familiar with and can't recommend any one translation in particular. With a heavy head and a sluggish mind, weary, used up, discouraged, without faith or love or an object in life, I wander like a shadow among other men, not knowing why I am alive or what it is that I want.
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  • The Prison Worlds of Dostoevskii, Tolstoi, and Chekhov
    The Prison Worlds of Dostoevskii, Tolstoi, and Chekhov Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gregory Ormiston, M.A. Graduate Program in Slavic and East European Languages and Cultures The Ohio State University 2017 Dissertation Committee: Alexander Burry, Advisor Angela Brintlinger Helena Goscilo Copyrighted by Gregory Ormiston 2017 Abstract It may be unsurprising that in nineteenth-century Russia, under a politically sensitive tsarist regime notorious for sending some of the country’s most famous writers into exile, prison became a conspicuous topic in literature. In the second half of the century, the works of three of Russia’s best realist authors - Fedor Dostoevskii, Lev Tolstoi, and Anton Chekhov – prominently featured prison, and even prisoners as heroes. Nevertheless, critical treatment of these prison-related works tends to isolate them to the context of each individual writer. This dissertation explores the carceral connections between these authors to see how prison, as a common theme, played a larger role in the development of nineteenth-century Russian literature than has previously been recognized. My study focuses especially on how prison influences the creation of the three authors’ literary worlds. Specifically, through close reading and analysis of selected texts, I show how the realists use the time and space of prison to produce the themes and forms of their fiction. Thus prison becomes foundational in the works of Dostoevskii and Chekhov, and revelatory in Tolstoi’s late period. Theoretical support for this analysis comes mainly from Mikhail Bakhtin, whose notion of the “chronotope” aids in the investigation of prison-like settings, and Michel Foucault, who tracks the changing nature of prison and its increasing effect on society leading into the era of the Russian realists.
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  • Excerpt of the Other Three Sisters
    The Other Three Sisters By Tara Meddaugh With portions adapted from Jane Austen’s short epistolary story, The Three Sisters, circa 1792. EXCERPT The Other Three Sisters by Tara Meddaugh Excerpt 2 Copyright © 1998 by Tara Meddaugh All rights reserved. No part of this play may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the author, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Tara Meddaugh Playwriting, 20 Fremont St, Harrison, NY 10528 or via email to [email protected]. CAUTION. Professionals and amateurs are hereby warned that The Other Three Sisters is subject to a royalty. All rights, including professional, amateur, motion picture, recitation, public reading, radio broadcasting, television, video or sound taping, all other forms of mechanical or electronic reproduction, such as information storage and retrieval systems and photocopying, and rights of translation into foreign languages, are strictly reserved. Actors may use portions of this play for audition or showcase purposes. The Other Three Sisters by Tara Meddaugh Excerpt 3 A Note from the Playwright When I first opened Sense and Sensibility back in the summer of 1998, I had no idea how much Jane Austen would pervade my life. What started as casual summer reading turned into a seminar of intense study of all of Austen’s novels.
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  • Anton Chekhov's Three Sisters
    Ministry of Higher Education And Scientific Research University of Al-Qadissiya College of Education Department of English The Image of Utopia in Anton Chekhov's Three Sisters Submitted By: Murtada Hameed Aqeel Majeed Supervised By: Asst. Lect. Muhannad Ajel 2018 بسم هللا الرحمن الرحيم ((إِنَّا َزيَّنَّا ال َّس َما َء ال ُّد ْنيَا بِ ِزينَ ٍة ا ْل َك َوا ِك ِب (( صدق هللا العظيم (الصافات: 6) Dedication To our and inspiring parents. ii Acknowledgements First, we are greatly indebted to our supervisor Asst. Lect. Muhannad Ajel who contributed a lot in the fulfillment of this paper with his advice, help, continual support and encouragement. iii Abstract Writing at the turning point of the century pushes any writer to face and reflect the changes of this critical period. Chekhov comprehends this challenge; therefore, it becomes a recurrent theme that appears in most of his works which is a valuable resistance and survival against the social and economic changes that happened clearly in the modern age which have a great impact on man's life and psych. This leads Chekhov to endeavor, portraying the image of Utopia in most of his works, including The Three Sisters For that reason, this paper is divided into two chapters. Chapter one deals with Anton Chehov’s life and career, while chapter scrutinizes the image of Utopia in his masterpiece, The Three Sisters. Finally the conclusion sums up the findings of the study. iv Contents Dedication ii Acknowledgements iii Abstract iv Contents v Chapter One 1.1 Anton Chekhov’s Life and Career 1 Notes 5 Chapter Two: The Image of Utopia in Anton Chekhov's Three Sisters 6 Notes 21 Conclusion 23 Bibliography 25 Chapter One: Anton's Chekhov's Life and Career Anton Pavlovich Chekhov was born on January 17, 1860, in Taganrog, a provincial Russian town on the Sea of Azov.
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  • Winners Contest 2012
    FULL LIST of WINNERS The 6th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Maxim Bogma, aged 14 «The Steppe» Petrovskaya, Krasnodar Krai, Russia The People's Choice Award Nojus Petkevicius, aged 5 «Kashtanka» Vilnius, Lithuania Age Group: 7-10 years olds 1st place awards: Yegor Furman, aged 9 Illustration for Chekhov's short story “White-Fronted” Moscow, Russia Folk art studio «Uley» Alexandra Timakova, aged 10 «Chekhov in the Garden» Tallinn, Estonia Garg Alankarti, aged 10 «Chekhov's Personality» Noida, India Anya Razgovorova, aged 10 «Three Sisters» Shakhty, Rostov Oblast, Russia Art school named after Serov Semyon Bormotkin, aged 9 «Anton Chekhov visiting Leo Tolstoy” Verkhnyaya Salda, Sverdlovsk Oblast, Russia Christina Zhertovskaya, aged 7 Illustration for Anton Chekhov’s story “Kashtanka” Taganrog, Russia, Art School named after Seraphima Blonskaya Margarita Orekhova, aged 10 Illustration for Anton Chekhov’s story “Kashtanka” Taganrog, Russia, Art School named after Seraphima Blonskaya 2nd place awards Evelyn Baic, aged 7 “The Lady with the Dog” Ajdovscina, Slovenia Alisa Skrund, aged 9 “Chekhvo on return from the visit of Sakhalin Katorga” Tallinn, Estonia Mina Sleika, aged 7 “The Lady with the Dog” Ajdovscina, Slovenia Taidei Brecelli, aged 7 “The Lady with the Dog” Ajdovscina, Slovenia Chetkhana Tharindi Karadana, aged 9 “Anton Chekhov as a child, playing dentist” Kegalle, Sri Lanka Daria Beryozova, aged 10 “The Lady with the Dog” Tallinn, Estonia Sofia Novikova, aged 10 “Time to Go
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  • The Selected Letters of Anton Chekhov Pdf Free
    THE SELECTED LETTERS OF ANTON CHEKHOV PDF, EPUB, EBOOK Anton Pavlovich Chekhov | 368 pages | 01 Apr 2001 | Farrar, Straus and Giroux | 9780374518387 | English | New York The Selected Letters of Anton Chekhov PDF Book First Printing. Seller Inventory U09J Chekov, Anton. He is being plucked and gnawed at from all sides. Lightly rubbed on the corners; no interior markings; as issued, no dustjacket. By the time they married in May , he not only was one of Russia's leading literary men, having been the first writer elected to honorary membership in the Academy of Sciences January , but was also engrossed in the theater, madly in love, and gravely tubercular. Written for money under numerous pseudonyms, Chekhov's first sketches were the work of a gay, witty, enthusiastic reporter well aware of the dark side of life but unaware of his own literary promise. Antolin, Jeanette —. You know yourself I spared nothing for his good; I have prayed and done my best all my life to give him a thorough education. William Stobbs illustrator. The item you've selected was not added to your cart. In addition to his strictly literary activity, Chekhov also was engaged in a number of the social issues of his day. Chicago : Ivan R. I will not enumerate here your vices, which you know well enough; I will say that I see the cause of your ruin in your infidelity. I also perceived the attitude of a good teacher or writing coach, who begins by focusing on the positive because he understands how desperate writers are for just a crumb of approval, even when they know that the work is flawed.
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  • The Gorgon's Head, Be Careful to Make a Clean Stroke, So As Not to Injure Its Appearance
    THE GORGON’S HEAD By Nathaniel Hawthorne PERSEUS was the son of Danaë, who was the daughter of a king. And when Perseus was a very little boy, some wicked people put his mother and himself into a chest, and set them afloat upon the sea. The wind blew freshly, and drove the chest away from the shore, and the uneasy billows, tossed it up and down; while Danaë clasped her child closely to her bosom, and dreaded that some big wave would dash its foamy crest over them both. The chest sailed on, however, and neither sank nor was upset; until, when night was coming, it floated so near an island that it got entangled in a fisherman's nets, and was drawn out high and dry upon the sand. The island was called Seriphus, and it was reigned over by King Polydectes, who happened to be the fisherman's brother. This fisherman, I am glad to tell you, was an exceedingly humane and upright man. He showed great kindness to Danaë and her little boy; and [8] continued to befriend them, until Perseus had grown to be a handsome youth, very strong and active, and skillful in the use of arms. Long before this time, King Polydectes had seen the two strangers—the mother and her child—who had come to his dominions in a floating chest. As he was not good and kind, like his brother the fisherman, but extremely wicked, he resolved to send Perseus on a dangerous enterprise, in which he would probably he killed, and then to do some great mischief to Danaë herself.
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