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Program Book, As Appropriate
GRIGNI Table of Contents From the Con Chair ........................................................ 1 Convention Staff ......................................................... 2 Harassment Policy ................................................. 2 Rules of the Convention ...................................................... 3 Photography Policy ....................................................... 4 Statement on Inclusion ............................................ 4 Hawaiian Shirt Friday (in Memorium) ............................. 4 Featured Guests ............................................................ 5 Guests’ Bios ................................................................. 6 Map of the Con Site .................................................... 20 Event Descriptions Friday .......................................................... 22 Saturday ......................................................... 28 Sunday ........................................................... 35 Dealer Room Hours & Exhibitor List ......................... 40 Signings Schedule .................................................. 40 From the Con Chair Welcome to ConGregate 5! First thing I want to do is thank everyone who came together to make this convention work; and by that I mean volunteers, dealers, guests, hotel staff… everyone! Next I’d like to call out one of the newest features we have at ConGregate this year… the ConGregate Cantina. The Kittinger Ballroom has been converted into a coffee shop, of sorts. In that room, you will find -
Issue #11, Dec
PO Box 42129, Los Angeles, CA 90042 #11 www.razorcake.com Sean, the co-founder of Razorcake, and I are best friends. We lived Totally legit. The state is more involved with registering a vehicle. and worked together for around a year and a half in a small apartment and When it came to the rings, instead of fretting over carats, a friend of never even got close to yelling at one another. Then he left. I’m not pissed theirs made them, special. The simple silver bands were a Navajo design or jilted. He left to move in with his fiancée, now wife, Felizon. of a staircase that looped around, up and down, signifying that if you’re If people I like but don’t know very well ask me what Razorcake’s feeling down, you just flip it over, and you’re up. Everything, if you hang about, I tend to squint an eye a bit and rub the back of my neck before on with a decent attitude, can work out in the end. answering. “It’s got a lot about loud or spastic music that usually doesn’t The cake was from the bakery where Felizon’s mom, Corazon, get a lot of exposure. And we try to cover other parts of the underground, worked. too, like writers and filmmakers and comics.” This magazine is our tether The pavilion – an old wood structure with campers off to the side – between the “real world” and the life we want to live. It’s a reflection, was on the beach. -
2015 Interview.Pdf
Interview from Spew, #87 February 2015 (originally published in abridged form) 2014’s triple disc behemoth Harshest Realm is the self-titled debut release of a musical project spearheaded by one Garret Kriston, a Chicago based musician whose formative years were split between formal studies and basement recording before toiling within the city’s DIY/punk scene. Now he has emerged with a sprawling document of what surely is a vast arsenal of artistic capabilities. Harshest Realm is now available via Coolatta Lounge CDs, along with fellow traveler Marshall Stacks’s latest jammers Lost in Sim City and the Snake Eyes/Point Blank single. ___________________________________________ Let’s start by giving the folks at home some background information. I’m particularly interested in learning how your relationship with music has developed over the years, so as to better understand where the music on the Harshest Realm album came from. No problem. I’m going to not hold back from rattling off influences and favorites, if that’s okay. Totally. The more the merrier. I was born at home on March 3rd, 1990 in Oak Park, down the street from Chicago’s west side, near Harlem between Harrison and Roosevelt. My earliest memory of music was seeing archival footage of The Beatles playing on the Ed Sullivan Show, which made playing guitar in a band and singing original songs seem like the most appealing activity in existence. I might have been two going on three, and I don’t remember much else from then besides puking in my crib and seeing carrots in it (the puke.) My older brother was discovering “classic rock,” so there were rock related bootleg VHS tapes in the house that would get played over and over. -
Setting Standards
************************************************************************************************************************************************************************************************************** Alan Rhodes, P.6 * Fuzz Buzz, P.12 * Free Will Astrology, P.33 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND*LOWER B.C. {09.11.13}{#37}{V.08}{FREE} SETTING STANDARDS: Shoreline restoration and the Cornwall cleanup, P.8 BEST OF BELLINGHAM: Your vote goes here, P.31 EAT LOCAL: A month of magic in Whatcom County, P.38 Party BREAKING RULES WITH MessiahANDREW W.K., P.22 40 Sip the cold stuff and FOOD FOOD cascadia meet area authors at 31 31 the inaugural “Books & Brews Festival” B-BOARD B-BOARD Sept. 14 at Boundary A glance at what’s happening this week 26 Bay Brewery FILM FOOD Lynden Farmers Market: 1-6pm, downtown 22 Lynden Get in on the sister act when “Late Nite VISUAL ARTS MUSIC Catechism Las Vegas” shows for the final After Hours Art: 6pm, Whatcom Museum’s Lightcatcher Building 20 week at various dates through Sept. 15 at Have a Seat Reception: 6-8pm, Skagit County ART Historical Museum, La Conner Mount Baker Theatre’s Walton Theatre 18 FRIDAY [09.13.13] STAGE ONSTAGE Grease Jr.: 7pm, Bellingham Arts Academy for Youth 16 Cheating Cheaters: 7pm, Nooksack Valley High School, Everson Late Nite Catechism Las Vegas: 8pm, MBT’s GET OUT Walton Theatre Music Box: 9pm, iDiOM Theater Genre Legends: 9pm, Upfront Theatre 14 DANCE WORDS Juyungo: 6:30pm, LaVenture Middle School, Mount Vernon 8 WORDS Fall Book Sale: 10am-5pm, Deming Library CURRENTS CURRENTS GET OUT 6 Ferry Farewell: 5:30pm, Community Boating Center VIEWS 4 Riders will be treated to SATURDAY [09.14.13] MAIL MAIL great views—and accelerated ONSTAGE Grease Jr.: 2pm and 7pm, Bellingham Arts 2 heart rates—during the Mt. -
Workshops & Research
WORKSHOPS & RESEARCH 19 JULY - 15 AUGUST 2015 Workshops in Contemporary Dance and Bodywork for all levels from beginners to professional dancers. Seven phases which can be attended independently from each other (each week- workshop: 1 class per day, each intensive-workshop: 2 classes per day) «impressions'15»: 19 July ! Week1: 20 - 24 July Intensive1: 25 + 26 July Week2: 27 July - 31 July ! Intensive2: 01 + 02 August! Week3: 03 - 07 August! Intensive3: 08 + 09 August! Week4: 19 - 14 August ! «expressions'15»: 15 August Index 3 Artists listed by departments 4 - 134 All workshop descriptions listed by artists 135 - 146 All Field Project descriptions listed by artists 146 - 148 Pro Series descriptions listed by artists 2 AMERICAN EUROPEAN CONTEMPORARY Conny Aitzetmueller | Kristina Alleyne | Sadé Alleyne | Amadour Btissame | Laura Arís | Iñaki Azpillaga | Susanne Bentley | Nicole Berndt-Caccivio | Andrea Boll | Bruno Caverna | Marta Coronado | Frey Faust | David Hernandez | Florentina Holzinger | Peter Jasko | German Jauregui | Kira Kirsch | Clint Lutes | Simon Mayer | Rasmus Ölme | Sabine Parzer | Francesco Scavetta | Rakesh Sukesh | Samantha Van Wissen | Angélique Willkie | Hagit Yakira | David Zambrano IMPROVISATION Eleanor Bauer | Susanne Bentley | David Bloom | Alice Chauchat | DD Dorvillier | Defne Erdur | Alix Eynaudi | Jared Gradinger | Miguel Gutierrez | Andrew de Lotbinière Harwood | David Hernandez | Keith Hennessy | Claudia Heu | Jassem Hindi | Inge Kaindlstorfer | Jennifer Lacey | Benoît Lachambre | Charmaine LeBlanc | Pia Lindy -
That Saucy Magazine from Citr Ioi.9Fm Mvs&Xs €^ INFAMOUS #Um& Lse J
that saucy magazine from citr ioi.9fm mvs&xs €^ INFAMOUS #uM& lse J FUNK • 1 v&V Wl DNESDAI tV# , i . Hedspin and FUpoM THURSEMfSr M$QS, HQUSErAND^ ^•ELECTRX)iWITH lmATMSMWANI_yB WF* M.'X$ d^&te2i^5^«£25-r: Republic Open til 3AM 7 nights a week I 958 Granville St dhmbars.ca ULY •200 7 the (gentle j/Xrt of Suiting Editor Well, this is my third issue of As a result, I have been experiment MIKE "SPIKE" CHILTON Art Director Regulars Discorder, and I must say, it's been an ing with some much-needed updates to COLE JOHNSTON interesting experience so far. As if taking the content of Discorder. Last month, Production Manager I began with bringing back an old COLE JOHNSTON The Gentle Art of Editing ? 3 over editorial duties on a magazine is not challenging enough as it is, the column with a new twist. Vancouver Copy Editors Textually Active 4 MIKE CHILTON • GregMcMuUen added challenge of knowing many new Special had long been featured in our BROCK THIESSEN pairs of eyes from across the country pages, and brought local scene news CHEYANNE TURIONS Inkstuds 5 Ad Manager Robin McConnell will be looking at your words with great and mini CD reviews from such writers CATHERINE RANA interest adds that much more pressure. (and on-air talent) as Janis MacKenzie, Under Review Editor Cinema Aspirant 6 CHEYANNE TURIONS Emma Myers CiTR hosted the 26th annual Val Cormier and Ben Lai. The June issue Datebook Editor Techs & The City National Campus-Community Radio featured the debut of Vancouver Special MIKE CHILTON Emma Myers i3®t Duplex, a section which, courtesy two RLA Editor Conference last month; for the final MIKE CHILTON Vancouver Special Duplex 13 word on it, see Conference Coordinator mini-features, throws the' spotlight on (FOR DANNY MCCASH) The Pad: 1 Amy Honey Alison Benjamin's final take on the local bands, scene news and previews Layout & Design of local cultural events. -
Claimant List
CIpIIIIEDo COPYRIGHT ROYALTY BOARD FEB jomt (|:Iasm foI DAIRY Royalty IFees g (|.oIIei(:ted. Omvi~g zoos Op@/g/g Joy~]~ ~~i Oard In accordance with Chapter io of the Copyright Act, i7 U.S.C., and Part 36o of the Copyright Royalty Board regulations, Congress 37 C.F.R. 36o.zo-36o.zS, the claimant namedbelow files with the Copyright Royalty Board of the Library of a claim to royalty payments collected from manufacturers and importers of digital audio recording devices and digital audio recording media w'ho distribute the products in the United States, collected*om January i through December 31, 2008. Filer and Interested Copyright Party Information FiLER's ruLL NAME ANo AooREss: Below provide the full legal name and address of person or entity filing the claim. I,( SESAC, Inc. 5TREET 1 52 West 57th Street ~ 57th Floor cirv New York 5TATE NY zip 10019 oTHER FILER in EN TiFicATioNi Indicate below whether the person filing t'his claim is an interested copyright party (see item S for definition), an authorizedrepresentative of interested copyright parties, or both. Check only one. + Interested copyright party Q Authorized representative ofinterested copyright parties 9 Both Telephone number of person or eritity filing the claim: Email, if any, of t'e person or entity filing the claim: coNTAcT P E R so N: This person must be an interested copyright party (see item S for defimtion), an authorized representative of interested copyright parties, or a designee of either. Include name, phone number, fax number (if any), and email address (if any). -
The Importance of Face-To-Face Community Values in Filk Music
Butler University Digital Commons @ Butler University Scholarship and Professional Work University Libraries 6-2016 Folk Music in a Digital Age: The Importance of Face-to-Face Community Values in Filk Music Sally Childs-Helton Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/librarian_papers Part of the Ethnomusicology Commons, and the Folklore Commons Recommended Citation Childs-Helton, Sally, "Folk Music in a Digital Age: The Importance of Face-to-Face Community Values in Filk Music" (2016). Scholarship and Professional Work. 60. https://digitalcommons.butler.edu/librarian_papers/60 This Article is brought to you for free and open access by the University Libraries at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Folk music in a digital age: The importance of face-to-face community values in filk music Sally Childs-Helton, Butler University Abstract Filk is broadly defined as the traditional folk-based music and related community created by and for a sub-community of science fiction and fantasy fans. Born in the 1950s, filk today includes international participants of various experience levels and musical styles. Social context and music are equally important in this tradition; prominent values include self-expression, play and building a face-to-face co-creative, collaborative group experience. This article, founded on Textual Poachers (1992), assumes that filk remains a folk music in many ways, and that filkers still prefer face-to-face musical and personal interaction in spite of a lively, diverse online filk community. -
Local Legends Churchburn Do Doom and Gloom Right,Keep on Movin
Keep on Movin: Penn Sultan’s New Legs: Sultan delivers the first chapter of many Penn Sultan’s Museum Legs — Traversing the Flat Circle Museum Legs is a new project from Penn Sultan, best known as the frontman for indie folk outfit Last Good Tooth, a live favorite in the area for the better part of a decade. Their first album, Giving the Clock Its Weight, Its Sway, wrestles with the colossal subject of time on a sonically smaller scale than his previous work. Originally from NYC, Sultan attended RISD and decided to stick around. Giving the Clock Its Weight, Its Sway is the first of three albums that were a product of five years of writing and recording. “I was quietly amassing all these songs, thinking they’d probably be for Last Good Tooth. But as I began to complete them, I figured ‘what the hell’ and made it my own project,” said Sultan. Last Good Tooth has slowed down as of late because the band members are split between Providence and NYC. In many ways, Giving the Clock is the best outcome for someone with Penn’s resume, showing true growth and a new range of influences. Sultan’s unmistakable dulcet baritone infuses everything, and the songs sound like a mix of the symphonic folk of the Barr Brothers and the noir of Neko Case. The interlocked guitar parts in “Column of Words” play off each other, creating a swaying, reggae feel. The opener, “Inherent Habits,” chugs along with a bit of twang, reminiscent of The Handsome Family. -
Narrows Center Thinking Big, Harvey Garbage and More,Alt
RI Gears Up for Record Store Day April 21 is Record Store Day (RSD), a celebration of the nearly 1,400 independently owned record stores in the US, and thousands more internationally. Since 2007, RSD’s exclusive releases have spurred music nerds everywhere to get out there and spend their hard-earned green on the black circle, and this year will be no different. RSD’s popularity mirrors a renewed interest in physical music media. In January, Billboard reported that 2017 was the 12th straight year of growth in vinyl album sales, and a Nielsen Music-era record high for sales. Record store day releases aren’t just for the ultra-diehards who need to hear John and Paul dicking around in the studio in between takes. From multi-lps box sets to EPs, RSD’s hundreds of exclusive releases will have something for every music fan. If you’re reading this, there’s a good chance you already know the deal, so let’s get to the details. The list of events and releases is way too expansive to print, but some notable releases include: The vinyl LP release of Car Seat Headrest’s Twin Fantasy (Mirror To Mirror), which is a reworking of a 2011 Bandcamp release. An expanded 5-LP edition of Johnny Cash’s classic At Folsom Prison, including songs from June Carter and Carl Perkins, and unreleased recordings of Cash rehearsing for the show the previous night. A recording of Nas: Live at the Kennedy center, a performance of his debut, Illmatic, with the National Symphony Orchestra at the Kennedy Center four years ago, to mark the album’s 20th anniversary. -
German Americans= Die Erfullte Herkunft
DOCUMENT RESUME ED 275 569 SO 017 313 AUTHOR Glasrud, Clarence A., Ed. TITLE A Heritage Fulfilled: German Americans= Die Erfullte Herkunft. INSTITUTION Concordia Coll., Moorhead, Minn. SPONS AGENCY Minnesota Humanities Commission, St. Paul.; National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 84 NOTE 241p.; Papers presented at the conference entitled "A Heritage Fulfilled: German Americans" (Minneapolis, MN, September 29, 1983). Some photographs may not reproduce well. AVAILABLE FROM International Language Villages, Concordia College, Moorhead, MN 56560 (write for price). PUB TYPE Collected Works - Conference Proceedings (021)-- Historical Materials (060) -- Reports- General (140) EDRS PRICE MFOI Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Cultural Background; *Ethnic Groups; *Ethnicity; Foreign Countries; Global Approach; Higher Education; *Immigrants; International Relations; Resource Materials; Secondary Education IDENTIFIERS *Minnesota; *West Germany ABSTRACT Different aspects of German-American heritage in Minnesota are highlighted in this collection of conferencepapers and photographs. The articles included are: "The German Contributionto the Discovery, Exploration and Early Settlement of the Americas" (H. Galinsky); "Three Literary Aspects of the German in America: Immigrant, Homeland, and American Views" (H. Galinsky); "TheGerman Language Press in Minnesota" (G. H. Weiss); "Der Wanderer of St. Paul: An Overview of the First Years" (J. Kulas); "German-American Banking in Minnesota" (L. J. Rippley); "Minnesota's Germans andthe Civil War" (J. C. Wolkerstorfer); "German Clubs and Social Organisations" (P. A. Schons); "Greetings from the Federal Republic of Germany: An Overview" (O. von Siegfried); "The Developmentof a German-American Priesthood: The Benedictines and St. Paul Diocesan Clergy, 1851-1930" (D. P. O'Neill); "German Lutherans in Minnesota: 1845-1910" (K. -
Digginmelbourne-April-20172.Pdf
MELBOURNE CBD SECONDHAND VINYL LPs/EPs/45s NEW VINYL / CDs / DVDs & CITY FRINGE BOOKS, DJ ACCESSORIES & MORE FIRST STOP > FLINDERS STREET STATION PBS / RRR MEMBER DISCOUNTS Swanston 1 WAX MUSEUM Flinders Ln 2 Campbell Arcade, Degraves St, Melbourne (Enter via Subway) Degraves (03) 9663 6310 | [email protected] Elizabeth St www.waxmuseumrecords.com.au Monday-Saturday: 11am-6pm It’s all about the beats! Specialising in Hip-hop and future beat with a dash of Flinders St Flinders St. house, techno and drum n bass. We also stock a healthy range of 70s, 80s, 90s jazz, funk, soul, rock & pop, disco & boogie, reggae & dancehall, afro beat. Elizabeth P 2 OFF THE HIP Collins St Basement Level 381 Flinders Lane, Melbourne (via Tavistock Ln) Queen St (03) 9621 2044 | 0402 027 137 | [email protected] Flinders Ln facebook.com/offthehiprecords Mon-Tues: 11am-2.30pm | Wed: 10am-5pm | Thurs: 10am-6pm | Fri: 11am-7pm Flinders St Sat: 11am-5pm. Lots of new and secondhand vinyl; garage, rock, powerpop, blues, soul, hard rock, psychedelia, surf, beat and everything in-between. Imports and local releases. Swanston 3 BASEMENT DISCS PR Little Collins St Basement, 24 Block Place, Melbourne Block Pl (03) 9654 1110 | [email protected] Elizabeth St St www.basementdiscs.com.au Collins St Mon-Fri: 10am-6pm | Sat: 10am-5pm | Sun: 11am-5pm Specialising in rock, pop, country, folk, blues, jazz, soul, funk & world. New Vinyl, CD and DVD with a strong focus on new releases, back catalogue, indie and hard-to-find Flinders Ln titles, fresh stock arriving daily.