Digginmelbourne-April-20172.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
All That Glitters
..,....- Sex brings up (and fails to address?)- why it's Madonna's (use of images of) bise)(uality in not 'queer enough', why it's boring, and (my some depth, but concludes "I do not thinkthat Perfect Beat v2 n1 July 1994 favourite) why it is the true sequel to Gone an unconditional celebration of Madonna's With the Wind. John Champagne is a lot more work is a good political choice"(l67). Pat serious (and a lot more graphic, one assumes Califa, discussing the S/M element ofSex, also partly in reaction to the fact that Sex is ·~ust says "I feel deeply ambivalent about some not foul enough" [116]) but also deals with body who has not paid her dues using my the numerous contradictory critical responses community as a series of bizarre backdrops aroused by Sex. Interestingly, unlike hooks, ~ for a photo shoot"(I77), but nevertheless ar Champagne saw the Vanity Fair spread as gues from an anti-antipom position that the S/ parodies of 1950s Playboy layouts, exhibiting M community "will still find itself in the a 'camp sensibility' that boded well for Sex, but awkward position of defending Sex"(i84). he was ultimately disappointed. 'Camp' re appears {frequently) in Carol A. Queen's Perhaps the most telling testament to Ma Lewis, G.H. (ed) (1993) correct! y), "these diverse views of country championing ofSex -perhaps we are all being donna's charisma and star power is that none begin to suggest what a fascinating and multi prudes in that the thing we talk least about is of the writers in the two volumes (other than All that Glitters - Country Music in faceted phenomenon this music is". -
Program Book, As Appropriate
GRIGNI Table of Contents From the Con Chair ........................................................ 1 Convention Staff ......................................................... 2 Harassment Policy ................................................. 2 Rules of the Convention ...................................................... 3 Photography Policy ....................................................... 4 Statement on Inclusion ............................................ 4 Hawaiian Shirt Friday (in Memorium) ............................. 4 Featured Guests ............................................................ 5 Guests’ Bios ................................................................. 6 Map of the Con Site .................................................... 20 Event Descriptions Friday .......................................................... 22 Saturday ......................................................... 28 Sunday ........................................................... 35 Dealer Room Hours & Exhibitor List ......................... 40 Signings Schedule .................................................. 40 From the Con Chair Welcome to ConGregate 5! First thing I want to do is thank everyone who came together to make this convention work; and by that I mean volunteers, dealers, guests, hotel staff… everyone! Next I’d like to call out one of the newest features we have at ConGregate this year… the ConGregate Cantina. The Kittinger Ballroom has been converted into a coffee shop, of sorts. In that room, you will find -
Roll to Hard Core Punk: an Introduction to Rock Music in Durban 1963 - 1985
Lindy van der Meulen FROM ROCK 'N 'ROLL TO HARD CORE PUNK: AN INTRODUCTION TO ROCK MUSIC IN DURBAN 1963 - 1985 This thesis has been submitted in fulfilment of the degree of Master of Music at the University of Natal DECEMBER 1 995 ACKNOWLEDGEMENTS The financial assistance of the Centre for Science Development (HSRC, South Africa) towards this research project is hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author and are not necessarily to be attributed to the Centre for Science Development. The valuable assistance and expertise of my supervisors, Professors Christopher Ballantine and Beverly Parker are also acknowledged. Thanks to all interviewees for their time and assistance. Special thanks to Rubin Rose and David Marks for making their musical and scrapbook collections available. Thanks also to Ernesto Marques for making many of the South African punk recordings available to me. DECLARATION This study represents original work of the author and has not been submitted in any other form to another University. Where use has been made of the work of others, this has been duly acknowledged in the text . .......~~~~ . Lindy van der Meulen December 1995. ABSTRACT This thesis introduces the reader to rock music in Durban from 1963 to 1985, tracing the development of rock in Durban from rock'n'roll to hard core punk. Although the thesis is historically orientated, it also endeavours to show the relationship of rock music in Durban to three central themes, viz: the relationship of rock in Durban to the socio-political realities of apartheid in South Africa; the role of women in local rock, and the identity crisis experienced by white, English-speaking South Africans. -
Issue #11, Dec
PO Box 42129, Los Angeles, CA 90042 #11 www.razorcake.com Sean, the co-founder of Razorcake, and I are best friends. We lived Totally legit. The state is more involved with registering a vehicle. and worked together for around a year and a half in a small apartment and When it came to the rings, instead of fretting over carats, a friend of never even got close to yelling at one another. Then he left. I’m not pissed theirs made them, special. The simple silver bands were a Navajo design or jilted. He left to move in with his fiancée, now wife, Felizon. of a staircase that looped around, up and down, signifying that if you’re If people I like but don’t know very well ask me what Razorcake’s feeling down, you just flip it over, and you’re up. Everything, if you hang about, I tend to squint an eye a bit and rub the back of my neck before on with a decent attitude, can work out in the end. answering. “It’s got a lot about loud or spastic music that usually doesn’t The cake was from the bakery where Felizon’s mom, Corazon, get a lot of exposure. And we try to cover other parts of the underground, worked. too, like writers and filmmakers and comics.” This magazine is our tether The pavilion – an old wood structure with campers off to the side – between the “real world” and the life we want to live. It’s a reflection, was on the beach. -
Everett Rock Band/Musician List "GH"
Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
2015 Interview.Pdf
Interview from Spew, #87 February 2015 (originally published in abridged form) 2014’s triple disc behemoth Harshest Realm is the self-titled debut release of a musical project spearheaded by one Garret Kriston, a Chicago based musician whose formative years were split between formal studies and basement recording before toiling within the city’s DIY/punk scene. Now he has emerged with a sprawling document of what surely is a vast arsenal of artistic capabilities. Harshest Realm is now available via Coolatta Lounge CDs, along with fellow traveler Marshall Stacks’s latest jammers Lost in Sim City and the Snake Eyes/Point Blank single. ___________________________________________ Let’s start by giving the folks at home some background information. I’m particularly interested in learning how your relationship with music has developed over the years, so as to better understand where the music on the Harshest Realm album came from. No problem. I’m going to not hold back from rattling off influences and favorites, if that’s okay. Totally. The more the merrier. I was born at home on March 3rd, 1990 in Oak Park, down the street from Chicago’s west side, near Harlem between Harrison and Roosevelt. My earliest memory of music was seeing archival footage of The Beatles playing on the Ed Sullivan Show, which made playing guitar in a band and singing original songs seem like the most appealing activity in existence. I might have been two going on three, and I don’t remember much else from then besides puking in my crib and seeing carrots in it (the puke.) My older brother was discovering “classic rock,” so there were rock related bootleg VHS tapes in the house that would get played over and over. -
Digginmelbourne-May-2018-Web.Pdf
SECONDHAND VINYL LPs/EPs/45s MELBOURNE CBD NEW VINYL / CDs / DVDs & CITY FRINGE BOOKS, DJ ACCESSORIES & MORE FIRST STOP > FLINDERS STREET STATION PBS / RRR MEMBER DISCOUNTS Swanston 1 WAX MUSEUM Flinders Ln 2 Campbell Arcade, Degraves St, Melbourne (Enter via Subway) Degraves (03) 9663 6310 | [email protected] Elizabeth St www.waxmuseumrecords.com.au Mon-Fri: 11am-6pm | Sat: 11am-5pm | Sunday & Public Holidays: Closed It’s all about the beats! Specialising in Hip-hop and future beat with a dash of Flinders St Flinders St. house, techno and drum n bass. We also stock a healthy range of 70s, 80s, 90s jazz, funk, soul, rock & pop, disco & boogie, reggae & dancehall, afro beat. Elizabeth 2 P OFF THE HIP Collins St Queen St Basement Level 381 Flinders Lane, Melbourne (via Tavistock Pl) (03) 9621 2044 | 0402 027 137 | [email protected] Flinders Ln facebook.com/offthehiprecords Tues: 11am-2.30pm | Wed: 10am-4pm | Thurs: 10am-6pm | Fri: 11am-7pm Flinders St Sat: 11am-5pm | Sun-Mon: Closed. Lots of new and second hand vinyl: garage rock, powerpop, blues, soul, hard rock, psychedelia, surf, beat and everything in-between. Imports and local releases. Swanston 3 BASEMENT DISCS PR Little Collins St Basement, 24 Block Place, Melbourne Block Pl (03) 9654 1110 | [email protected] Elizabeth St St www.basementdiscs.com.au Collins St Mon-Fri: 10am-6pm | Sat: 10am-5pm | Sun: 11am-5pm. Specialising in rock, pop, country, folk, blues, jazz, soul, funk & world. New Vinyl, CD and DVD with a strong focus on new releases, back catalogue, indie and hard-to-find titles, fresh Flinders Ln stock arriving daily. -
Syllabus for RESPECT: Minority Voices in Early Soul, Reggae, Rock, and Folk
Syllabus for RESPECT: Minority Voices in Early Soul, Reggae, Rock, and Folk OLLI UC Berkeley Fall 2021 Mondays, 9:30am-11am Instructor: Richie Unterberger Week One: Social Commentary and Protest in Soul Music, Pt. 1 In Soul of the 1960s While occasional soul songs of the first half of the 1960s had observations about the world at large, for the most part they dealt with romantic love, as well as a good share of tunes about partying and dancing. Many of these songs were great and classic. But wasn’t until the late 1960s that compositions commenting about the American (and sometimes specifically African-American) experience became a significant part of soul music. Curtis Mayfield, principal singer-songwriter of the Impressions, was perhaps the first to regularly express such sentiments. By the late 1960s, other stars like Aretha Franklin, James Brown, Nina Simone, and Sly & the Family Stone were also doing so occasionally. After some initial resistance on the part of its ownership and producers, Motown Records also made significant forays into this territory, most often with the Temptations, but also with the Supremes and other artists. Week Two: Social Commentary and Protest in Soul Music, Pt. 2 In Soul of the 1970s In the first half of the 1970s, socially conscious soul music sometimes gets tougher and more militant. At Motown, Marvin Gaye and Stevie Wonder not only successfully fight for more artistic freedom to record more lyrically aware material, but also focus on long- playing albums as a medium of expression that are at least as important as hit singles. -
Everett Rock Band/Musician List "T" Last Update: 6/28/2020
Everett Rock Band/Musician List "T" Last Update: 6/28/2020 "T" List for Bands/Musicians Genre* From & Genre 311 R Los Angeles, CA Rock 322 J Seattle Jazz 322 J Seattle Jazz 10 Cent Monkey Pk R Clinton Punk / Rock / Alternative 10 Killing Hands E P R Bellingham's Electro / Pop / Rock 12 Gauge Pump H Everett Hip Hop 12 Stones R Al Mandeville, LA Rock / Alternative 12th Fret Band CR Snohomish Classic Rock 13 MAG M R Spokane Metal / Hard Rock 13 Scars R Pk Tacoma Rock / Punk 13th & Nowhere R Everett Rock 2 Big 2 Spank CR Carnation Classic Rock / Rock / Rockabilly 2 Guys And A Broad B R C Everett Blues / Rock / Country 2 Libras E R Seattle Electronic Rock 20 Riverside H J Fk Everett Jazz / Hip Hop / Funk 20 Sting Band F Bellingham's Folk / Bluegrass / Roots Music 20/20 A Cappella Ac Ellensburg A Cappella 206 A$$A$$IN H Rp Seattle Hip Hop / Rap 20sicem H Seattle Hip Hop 21 Guns: Seattle's Tribute to Green Day Al R Seattle Alternative Rock 2112 (Rush Tribute) Pr CR R Lakewood Progressive / Classic Rock / Rock 21feet R Seattle Rock 21st & Broadway R Pk Sk Ra Everett/Seattle Rock / Punk / Ska / Reggae 22 Kings Am F R San Diego, CA Americana / Folk-Rock 24 Madison Fk B RB Local Rock, Funk, Blues, Motown, Jazz, Soul, RnB, Folk 25th & State R Everett Rock 29A R Seattle Rock 2KLIX Hc South Seattle Hardcore 3 Doors Down R Escatawpa, Mississippi Rock 3 INCH MAX Al R Pk Seattle's Alternative / Rock / Punk 3 Miles High R P CR Everett Rock / Pop / Classic Rock 3 Play Ricochet BG B C J Seattle bluegrass, ragtime, old-time, blues, country, jazz 3 PM TRIO -
Setting Standards
************************************************************************************************************************************************************************************************************** Alan Rhodes, P.6 * Fuzz Buzz, P.12 * Free Will Astrology, P.33 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND*LOWER B.C. {09.11.13}{#37}{V.08}{FREE} SETTING STANDARDS: Shoreline restoration and the Cornwall cleanup, P.8 BEST OF BELLINGHAM: Your vote goes here, P.31 EAT LOCAL: A month of magic in Whatcom County, P.38 Party BREAKING RULES WITH MessiahANDREW W.K., P.22 40 Sip the cold stuff and FOOD FOOD cascadia meet area authors at 31 31 the inaugural “Books & Brews Festival” B-BOARD B-BOARD Sept. 14 at Boundary A glance at what’s happening this week 26 Bay Brewery FILM FOOD Lynden Farmers Market: 1-6pm, downtown 22 Lynden Get in on the sister act when “Late Nite VISUAL ARTS MUSIC Catechism Las Vegas” shows for the final After Hours Art: 6pm, Whatcom Museum’s Lightcatcher Building 20 week at various dates through Sept. 15 at Have a Seat Reception: 6-8pm, Skagit County ART Historical Museum, La Conner Mount Baker Theatre’s Walton Theatre 18 FRIDAY [09.13.13] STAGE ONSTAGE Grease Jr.: 7pm, Bellingham Arts Academy for Youth 16 Cheating Cheaters: 7pm, Nooksack Valley High School, Everson Late Nite Catechism Las Vegas: 8pm, MBT’s GET OUT Walton Theatre Music Box: 9pm, iDiOM Theater Genre Legends: 9pm, Upfront Theatre 14 DANCE WORDS Juyungo: 6:30pm, LaVenture Middle School, Mount Vernon 8 WORDS Fall Book Sale: 10am-5pm, Deming Library CURRENTS CURRENTS GET OUT 6 Ferry Farewell: 5:30pm, Community Boating Center VIEWS 4 Riders will be treated to SATURDAY [09.14.13] MAIL MAIL great views—and accelerated ONSTAGE Grease Jr.: 2pm and 7pm, Bellingham Arts 2 heart rates—during the Mt.