Lee-Sean Huangʼs Writing Samples Book Reviews from Japanvisitor
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Japanese Wood
JAPANESE WOOD The tools, techniques and philosophies that make Japan’s unique woodworking culture so special, and CRAFTSMANSHIP the lessons that can be learnt by makers in the UK HUGH MILLER 1 “Masonry and steel are ‘building’ materials. Wood is a ‘thinking and building’ material” Fukushima Katsu, 2015 Timber elevation in the Gion district of Kyoto 2 3 Tools and Techniques of Japanese Woodwork: 30 Control of the Pull-Stroke Use of Water Contents: Use of Fire Slice over Scratch Philosophies of Making: 56 An Absence of Noise Executive Summary: 6 Maintenance over Robustness Abstract A Search for Lightness Key Themes & Findings Experimentation and Innovation Summary of Recommendations A Contribution to Harmony About the Author 11 A Japanese Contemporary Vernacular Aesthetic: 96 A Maker’s Guide Acknowledgements 12 Japanese Contemporary Vernacular Aesthetic in Architecture Introduction 15 Conclusion 108 The Anatomy of this Study: 16 Recommendations 112 Structure Scope and Duration Bibliography and Further Reading 120 Methods Map 122 Craftsmanship and Society in Japan: 18 Craftsmanship in Everyday Life Tending the Flame of Tradition The Veneration of the Practitioner over the Object Age and Gender in the Order of Precedence Planes and chisels stored in Sugawara The Pressure-Cooker Effect Hiroyuki workshop, Saitama 4 5 Abstract: Executive Summary: In November and December 2015 I travelled to Japan on a Winston Churchill Memorial Fellowship in order to uncover what it is that makes wood craftsmanship in Japan so special. From their unique set of tools, to the many obscure techniques that have been developed, to the philosophies that guide decision making, there is something different about Japanese woodworking. -
Exotic and Mysterious Japan a Land of Endless Discovery and Contrasts
Exotic and Mysterious Japan A Land of Endless Discovery and Contrasts A Cultural Odyssey Featuring and 6 Hands-On Textile and Craft Immersion Traditional Japanese Art into Kimono, Ikebana, Sushi, Experiences Weaving, Dyeing, Tea Ceremony, Sake, Traditional Baths and more… “Uncommon Textile Journeys that Change Lives” Come Explore Japan… The Land of the Rising Sun May I introduce you… In addition to our Japanese guides, Dayna and Alan Fisk-Williams will be the Loom Dancer Odysseys’ Guides for this adventure. After living in Japan, teaching school for eight years, Dayna and Alan have a profound love of the country, a true respect for its way of life as well as an understanding of its unique culture. They just can’t stay away and have returned to Japan many times (10!). Not only are Dayna and Alan wonderful individuals and dear friends of mine, they work tremendously well as a team. Who could be better to take you on an epic textile and crafts adventure in Japan? You are in the very best of hands and I know the journey will be another Loom Dancer Odyssey that changes lives. So, let’s get to know a little bit about them … In the Spirit of Creative Adventure, Cari Meet Your Guides Dayna and Alan in Japan 30 years ago Dayna Fisk-Williams has joined forces with Loom Dancer Odysseys as a Guide Alan Fisk-Williams and as the Art Education Director for Loom Dancers in has been leading groups on adventures for over 45 Santa Fe. Using her Master’s Degree in education, years. -
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn CONTENTS 1 IN A JAPANESE GARDEN …........................................P3 2 THE HOUSEHOLD SHRINE ….....................................P23 3 OF WOMEN'S HAIR …................................................P36 4 FROM THE DIARY OF AN ENGLISH TEACHER …..........P43 5 TWO STRANGE FESTIVALS …....................................P73 6 BY THE JAPANESE SEA …..........................................P79 7 OF A DANCING-GIRL …..............................................P89 8 FROM HOKI TO OKI …................................................P102 9 OF SOULS ….............................................................P137 10 OF GHOSTS AND GOBLINS …...................................P142 11 THE JAPANESE SMILE …..........................................P152 12 SAYONARA! …........................................................P165 NOTES …....................................................................P170 CHAPTERONE In a Japanese Garden Sec. 1 MY little two-story house by the Ohashigawa, although dainty as a bird- cage, proved much too small for comfort at the approach of the hot season—the rooms being scarcely higher than steamship cabins, and so narrow that an ordinary mosquito-net could not be suspended in them. I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet Street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a look-out window, heavily barred, like a big wooden cage. Thence, in feudal days, armed retainers kept keen watch on all who passed by—invisible watch, for the bars are set so closely that a face behind them cannot be seen from the roadway. -
Glimpses of Unfamiliar Japan Second Series
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn CONTENTS 1 IN A JAPANESE GARDEN 2 THE HOUSEHOLD SHRINE 3 OF WOMEN'S HAIR 4 FROM THE DIARY OF AN ENGLISH TEACHER 5 TWO STRANGE FESTIVALS 6 BY THE JAPANESE SEA 7 OF A DANCING-GIRL 8 FROM HOKI TO OKI 9 OF SOULS 10 OF GHOSTS AND GOBLINS 11 THE JAPANESE SMILE 12 SAYONARA! Chapter One In a Japanese Garden Sec. 1 MY little two-story house by the Ohashigawa, although dainty as a bird- cage, proved much too small for comfort at the approach of the hot season—the rooms being scarcely higher than steamship cabins, and so narrow that an ordinary mosquito-net could not be suspended in them. I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet Street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a look-out window, heavily barred, like a big wooden cage. Thence, in feudal days, armed retainers kept keen watch on all who passed by—invisible watch, for the bars are set so closely that a face behind them cannot be seen from the roadway. -
Glimpses of Unfamiliar Japan Vol. 2
GLIMPSES OF UNFAMILIAR JAPAN BY LAFCADIO HEARN IN TWO VOLUMES VOL. II. BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY (atfie iRifretfibe Cambrige Copyright, 1894, By LAECADIO HEARN. All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. (Electrotyped and Printed by H. O. Houghton and Company. CONTENTS. YOL.IL PAGE XVI. Ik a Japanese Garden 343 XVII. The Household Shrine 385 XYHI. Op Women’s Hair 417 XIX. the of From Diary an English Teacher . 430 XX. Two Strange Festivals 491 XXI. By the Japanese Sea 504 XXII.. Op a Dancing-Girl ....... 525 * XXIII. From Hoki to Oki 553 XXIV. Of Souls 626 XXV. Op Ghosts and Goblins 637 XXVI. The Japanese Smile 656 XXVII. Sayonara! 684 Index 095 GLIMPSES OP UNFAMILIAK JAPAN. XYI IN A JAPANESE GARDEN. I. My little two-story house by the Ohashigawa, although dainty as a bird-cage, proved much too small for comfort at the approach of the hot season, — the rooms being scarcely higher than steamship cabins, and so narrow that an ordinary mosquito-net could not be suspended in them. I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a lookout window, heavily barred, like a big wooden cage. -
Housekeeping in Japan Now Down the Rabbit Hole of Cleaning We Go
Housekeeping in Japan Welcome to Kumamoto! We’re excited to have you joining our community. You’ve been here for a few weeks now, which probably means you’ve: 1) experienced the omnipresent black bear that is Kumamon, 2) moved into your new place, and 3) started settling into your new life. So we don’t blame you if housekeeping isn’t at the top of your priority list. After all, who really wants to clean? But alas, you will eventually need to clean your place. It is inevitable and necessary, especially in Japan. Why? Because when you put poorly insulated homes in a country that has a harsh climate (and a lot of bugs), you learn (pretty quickly) that cleaning can be a lot of work. With a little bit of knowledge, however, you can be prepared to conquer all that needs to be cleaned in Japan. This document is going to be broken down into the following sections: 1. Tatami (pg. 2 – 6) 6. Summer & Rainy Season 2. Bedding (pg. 7 - 8) Challenges (pg. 18 - 20) 3. Washrooms (pg. 9 - 12) 7. Winter Challenges (pg. 21 - 23) 4. Kitchens (pg. 13 - 14) 8. Pests (pg. 24 - 27) 5. Laundry (pg. 15 - 17) 9. Air Conditioner (pg. 28 - 31) Q: Where did she get all this information? / A: I’m not even going to pretend like I had all of this information stored in my head! For this document, I looked all over the internet to find my information. All of the credit goes to the people whose articles, blogs, and websites I gathered information from. -
Comparative Study of the Structure of the Traditional Timber Housing In
COMPARATIVE STUDY OF THE STRUCTURE OF TRADITIONAL TIMBER HOUSING IN TURKEY AND JAPAN A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF THE MIDDLE EAST TECHNICAL UNIVERSITY BY SATSUKI MATSUSHITA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN BUILDING SCIENCE IN THE DEPARTMENT OF ARCHITECTURE MARCH 2004 Approval of the Graduate School of Natural and Applied Sciences Prof. Dr. Canan Özgen Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Assoc. Prof. Dr. Selahattin Önür Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope of and quality, as a thesis for the degree of Master of Science. Assoc. Prof. Dr. Arda Düzgüneş Assoc. Prof. Dr. Aydan Balamir Co-Supervisor Supervisor Examining Committee Members Assoc. Prof. Dr. Aydan Balamir Assoc. Prof. Dr. Arda Düzgüneş Assoc. Prof. Dr. Neriman Şahin Güçhan Assoc. Prof. Dr. Gülser Çelebi Inst. Dr. Ayşe Tavukçuoğlu ABSTRACT COMPARATIVE STUDY OF THE STRUCTURE OF TRADITIONAL TIMBER HOUSING IN TURKEY AND JAPAN Matsushita, Satsuki M. Sc. in Building Science, Department of Architecture Supervisor: Assoc. Prof. Dr. Aydan Balamir Co-Supervisor: Assoc. Prof. Dr. Arda Düzgüneş June 2004, 113pages The objective of this thesis was to examine the structural order of traditional timber houses in Turkey and Japan. A comparative analysis, based on literature and a case study was made to establish differences of traditional timber structures in the two countries by examining their spatial organization, spans and pitches of the timber components. -
Food Culture in Japan
Food Culture in Japan MICHAEL ASHKENAZI JEANNE JACOB GREENWOOD PRESS Food Culture in Japan Cartography by Bookcomp, Inc. Food Culture in Japan MICHAEL ASHKENAZI AND JEANNE JACOB Food Culture around the World Ken Albala, Series Editor GREENWOOD PRESS Westport, Connecticut . London Library of Congress Cataloging-in-Publication Data Ashkenazi, Michael. Food culture in Japan / Michael Ashkenazi and Jeanne Jacob. p. cm. — (Food culture around the world, 1545–2638) Includes bibliographical references and index. ISBN 0–313–32438–7 (alk. paper) 1. Cookery, Japanese. 2. Food habits—Japan. I. Jacob, Jeanne. II. Title. III. Series. TX724.5.J3A88 2003 394.1Ј0952—dc22 2003049317 British Library Cataloguing in Publication Data is available. Copyright © 2003 by Michael Ashkenazi and Jeanne Jacob All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003049317 ISBN: 0–313–32438–7 ISSN: 1545–2638 First published in 2003 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Illustrations by J. Susan Cole Stone. The publisher has done its best to make sure the instructions and/or recipes in this book are correct. However, users should apply judgment and experience when preparing recipes, especially parents and teachers working with young people. The publisher ac- cepts no responsibility for the outcome of any recipe included in this volume. -
The Social and Functional Role of English Loanwords in Japanese
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2015 Being Japanese in English: The oS cial and Functional Role of English Loanwords in Japanese Shalina Omar Scripps College Recommended Citation Omar, Shalina, "Being Japanese in English: The ocS ial and Functional Role of English Loanwords in Japanese" (2015). Scripps Senior Theses. Paper 620. http://scholarship.claremont.edu/scripps_theses/620 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. BEING JAPANESE IN ENGLISH: THE SOCIAL AND FUNCTIONAL ROLE OF ENGLISH LOANWORDS IN JAPANESE by SHALINA OMAR SUBMITTED TO SCRIPPS COLLEGE And The Department Of Linguistics And Cognitive Science At Pomona College In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts PROFESSOR CARMEN FOUGHT PROFESSOR ALAN HARTLEY PROFESSOR MEREDITH LANDMAN APRIL 27, 2015 The Social and Functional Role of English Loanwords in Japanese 2 The Social and Functional Role of English Loanwords in Japanese Acknowledgments First and foremost, I would like to thank my thesis advisor Professor Carmen Fought for her constant encouragement and moral support whenever I doubted my project or myself. To Professor Mike Diercks for reminding all of us that we are capable, intelligent, and competent. To my friends and colleagues who have kept me sane in times of stress and kept me company during late thesis nights in the Ling Lounge. I am forever grateful to have the support of such wonderful people. -
The Assimilation of Sushi, the Internment of Japanese Americans, and the Killing of Vincent Chin, a Personal Essay
Scattered: The Assimilation of Sushi, the Internment of Japanese Americans, and the Killing of Vincent Chin, A Personal Essay Frank H. Wu† ABSTRACT In a personal Essay, Frank H. Wu discusses the acceptance of sushi in America as a means of analyzing the acceptance of Japanese Americans, before, during, and after World War II. The murder of Vincent Chin in Detroit in 1982 is used as a defining moment for Asian Americans, explaining the shared experiences of people perceived as “perpetual foreigners.” ABSTRACT ......................................................................................... 109 INTRODUCTION ................................................................................. 109 I.“BORN IN THE U.S.A.” .................................................................... 114 II.DISCOVERING CHIRASHI ............................................................... 117 III.RECOVERING THE INTERNMENT .................................................. 120 CONCLUSION ..................................................................................... 126 INTRODUCTION Coming of age as the Japanese economy was coming to be envied for its rise, I started eating sushi when Americans were just willing, curiosity overcoming disgust inexorably, to sample it, chopsticks and all.1 The late DOI: https://doi.org/10.15779/Z38KD1QK94 †. William L. Prosser Distinguished Professor, University of California Hastings College of the Law. I thank Carol Izumi, David Levine, and Reuel Schiller, for comments on drafts. Hilary Hardcastle, librarian at UC Hastings, provided ample assistance. 1. Regarding the arrival of sushi in America, see generally TREVOR CORSON, THE STORY OF SUSHI: AN UNLIKELY SAGA OF RAW FISH AND RICE (2008). See also CHOP SUEY AND SUSHI FROM SEA TO SHINING SEA: CHINESE AND JAPANESE RESTAURANTS IN THE UNITED STATES (Bruce Makoto Arnold et al. eds., 2018); JONAS HOUSE, SUSHI IN THE UNITED STATES, 1945–1970, 26 FOOD & FOODWAYS 40 (2018). In 1975, Gourmet magazine published a series of articles on Japanese cuisine, which were an important introduction. -
Breakaway Japanese Kitchen
Praise for Eric Gower’s BREAKAWAY JAPANESE KITCHEN ___________ “Eric Gower’s cooking freely mixes Japanese ingredients and Western ideas, but don’t call it fusion. He thinks of his cooking as a break with sometimes limiting traditions, and the title of his cookbook—The Breakaway Japanese Kitchen: Inspired New Tastes— perfectly expresses that philosophy.” —Sunset Magazine “Japanese and fusion are two cuisines that make me nervous. One is daunting and the other usually a disaster. But the best new book I’ve cooked from in months dabbles in both—and nothing is lost in translation . A mad-scientist approach . amazing . gorgeously photographed . Gower borrows concepts and tastes to produce Western food with just enough Eastern exoticism . lively . a wonderment . borders on brilliant . Like a photographer who knows his technique so well he will shoot out of focus for greater effect, Gower takes Japanese ingredients and concepts into territory undoubtedly never explored in Tokyo. Or California . At a time when originality seems to be the missing ingredient in far too many cookbooks, Breakaway Japanese Kitchen is a good cure for the comfort-food blues.” ―The Los Angeles Times "Here at last is the best of East and West. Eric Gower has combined the unique and subtle taste of Japan with the lusty cuisine of the West. The recipes are full of inspirational and simple ideas that are perfect for today's cook." —Ken Hom, best-selling cookbook author “California native Eric Gower recently returned after a decade or so in Japan exploring aspects of Japanese cooking―using shiso, ginger, sake and tofu, and fresh produce, fish and meats. -
Before and After Superflat Before And
Before and After Superflat Yoshitomo Nara, Harmless Kitty (1994) Contemporary Art 1990 - 2011 Contemporary Art 1990 A Short History of Japanese Talk of Japanese contemporary art and everyone inevitably thinks of the pop culture fantasies of Takashi Murakami, along with Yoshitomo Nara and others connected to Murakami’s “Superflat” movement. Meanwhile, Japan has stumbled through a series of economic, social and ecological Before and After Superflat crises since the collapse of its “Bubble” economy in the early 1990s. How did Murakami, Nara and “Superflat” rise to become the dominant artistic vision of Japan today? What lies behind their image A Short History of of a childish and decadent society unable to face up to reality? Before and After Superflat tellstells thethe Japanese Contemporary Art truetrue storystory ofof thethe JapaneseJapanese artart worldworld sincesince 1990,1990, itsits strugglestruggle toto findfind aa voicevoice amidstamidst Japan’sJapan’s declinedecline andand thethe riserise ofof China,China, andand thethe responsesresponses ofof otherother artists,artists, lessless wellwell knownknown outside,outside, whowho offeroffer alternativealternative 1990-2011 visions of its troubled present and future. Adrian Favell Adrian Favell is a Professor of Sociology at Sciences Po, Paris. He has also taught at UCLA, Aarhus University and the University of Sussex. In 2007 he was invited to Tokyo as a Japan Foundation Abe Fellow, and has since Favell Adrian then been closely involved as an observer, writer and occasional curator on the Japanese contemporary art scene, both home and abroad. He writes a popular blog for the online Japanese magazine ART-iT, as well as catalogue essays, reviews and contributions to magazines such as Art Forum and Art in America.