DOCSLIB.ORG

Volume 13 (2018-19)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume 13 (2018-19) 1 Dedications “I dedicate my appearance in these pages to Robin Hinchcliff, Mary Katzenstein, and Alison Van Dyke for their gracious support, and to the CPEP faculty and students who have enriched my life.” -Adam “For those who dare barter wisdom, at the place expelled by many.” -Julio Iglesias “I dedicate the CPEP Program to all the volunteer students and adults who dedicate their time and effort, especially Toni, Kyri’s mom – who among others – teach us to persevere in the face of adversity, value time and education, and become adult intellectuals we were meant to be. Also, to everyone who contributes to the elevation of the forgotten.” -Umar “Thanks for helping me be so much more active and inspired surrounding education! CPEP rules.” -Robert Lawrence “Life can often challenge, excite, disappoint, and remake you. Although it is you who can awaken, create, and motivate life.” -Raymond “Soldier” VanClief 2 “A measure of intelligence is the ability to think beyond the confines of one’s conditioning.” -Reggie “For those previous few, brave enough to dare – despite consequences, institutions, or contracts signed under subtle duress.” -Lucas “Expression costs nothing. Try it. Embrace it. Notice it. Free it.” -Two Beings “The CPEP program is changing lives one mind at a time.” -Mike “Dedicated to struggle, wisdom and, infinite change …” -Superb “I dedicate this to those who know the feeling of imprisonment and rebirth.” -Justin Kelly “For you Grandma, the strongest person I know. My heart, my best friend, my inspiration. This Too Shall Pass.” -Nicholas Hansen 3 Contents CPEP Voices 2 Dedications Kenneth A. McClane 5 One Editor’s Comment Adam Roberts 7 Let’s Get Biz-Zay Sheldon Preston Johnson 8 Colors Adam Roberts 10 He Was Around Before Cars Was Born Tyreek Williams 11 Survivor’s Remorse Anonymous 12 Feather F. Ashford 13 The Belly David Hartman 17 Love Tony Carnevale 18 Oh Wize Wizard Tony Carnevale 19 Volubilis Lusorius Will Izzo 20 Silent Voices Maximino Alvarez 21 Einstein Sheldon Preston Johnson 22 Bucket Theory Adam Roberts 24 Planned Obsolescence Just 33 Raindrops Nathan Powell 34 In the Wordshade/Under a Sky Made of Bars Robert Lawrence 35 Soundscaping in the Joint Adam Roberts 36 Good Old Porcelain Cody Testerman 38 Memory Card Lucas W. Whaley 39 TURN Nick Hansen 40 Frenemy Craig Johnson 41 Clocktower 4 One Editor’s Comment I began working as a co-editor of Writer’s Bloc a year ago, and it has been a high point in my life. Truthfully, I wasn’t certain how things would transpire. I had edited magazines before—I even helped create the longest still-running student-led literary magazine at Cornell in 1969—but working at Auburn presented many challenges. Would we get submissions? Would the men work with me? I wanted to be a true co-editor. I didn’t want to be thought of as other than a spirited reader and writer. And I wanted Writer’s Bloc to be a good journal. None of this could have happened without the brilliant editorial cooperation of Lucas Whaley and Sheldon Johnson. Our editorial meetings were true moments of intellectual give-and-take. Considering our different histories, we were in total agreement about what should be included in the magazine. At times, Lucas might argue for this, Sheldon for that, and I for something else, but each of us worked with an admirable sense of trust and good- natured raillery. In ancient China, the Emperor would ask his delegates to gather poems from the vast reaches of the country so that he might understand what his people experienced. In many ways, Writer’s Bloc, like any fine compendium of writing, fulfills the same function. It is our celebration of a time and a place, of dreams and aspirations, of fears and dismissals. Although there are moments of reality—and harsh ones at that—there are also lovely eruptions of the fanciful. It is a true literary gumbo. Let me personally thank the Cornell Prison Education Program for providing me the opportunity to work with these wonderful writers; the Auburn Correctional Staff; Kyri Murdough for being the indomitable inspiration to so many (not only we in Writer’s Bloc, but everyone at Auburn); Kyri’s wonderful mother Toni, who helped us, particularly at the outset of our endeavor; and a legion of others too numerous to name. 5 But most importantly, let me thank Lucas and Sheldon. This is their labor of love. And thanks also to the many fine writers and artists who grace these pages. I said that this was one of the best experiences in my life, and I was not being hyperbolic. It is a privilege to see something take shape, find its place in the world, and speak as only the heart and mind can. As the spiritual reminds us, “It is we who witness. It is we who love.” And as my mother often told me, “Learn from the past; live in the future.” Writer’s Bloc is a mighty preachment—a testimony. Let me put it succinctly: The walls without need not be the walls within, and dreams, even in the darkest of places, speak powerfully. Writer’s Bloc reminds us that there is nothing more irrepressible than the human spirit. When one writes, or paints, or plays the saxophone, he or she is proclaiming a resounding I am; he or she is celebrating, just as powerfully, that you are present, too. We live for each other: we are indissolubly connected. None of us came here as an isolate; none of us, just as truthfully, can exist as a spiritual citadel. If nothing else, Writer’s Bloc affirms that nothing diminishes human hope and the need to be corroborated. I am mindful of something that the esteemed poet Gwendolyn Brooks once said while contemplating the Cold War, with its grim possibilities for nuclear annihilation, “In this terrible time, the human heart can outweigh and countervail the atomic bomb.” And it can. And it must. Kenneth A. McClane W.E.B. DuBois Professor of Literature Emeritus 6 7 Colors Sheldon Preston Johnson Blue skies, Green pastures Black clouds, Beige grams. Yellow Daffodils blossom from Purple rains and the sweat of Melinated hues. Ebony stones and a Whitewashed face. Clear tears of Jade envy from Blackmailed hate. Dark-hearted from Chalky outlines souls lost in an interstellar Milky way. 10 million found unity in Red Clay. Sand blasted Pyramids confirm they have forever been led astray. Black Cat bad luck? Why not, Black Streaks on a Brindled Dog? A stampede of consumers on a Black Friday A Translucent temper followed by a Black whimper in Ferguson. A glorious portrayal of serenity Speckled by Coal emissions. Snow White lies drift like Manna from an all Silvery Sky but with hair like wool and Copper skin was Jesus just another European guy? Was it Black magic that led the way for Harriet’s escape? Was it a great white hope that greeted Natives with small pox, Azure waters and Mahogany docks? Olive leaves in Hazel trunks. Permanent Wine stains on Slate Grey dumps. The Black HOOD-IE that left Trayvon slumped amongst RAINBOW skittles. How bout’ The Chrome guns and Black talons 8 from ‘Car 51’ that left Shawn Bells’ widow in an Inky suit instead of a matrimonial White one. Diverse hues of Faun and Camel, Caramel and Chestnut camouflage Iraqi soldiers while dust filled tears streak the Cocoa faces of Iraqian Mothers’ Black Love once superseded all others now, its Black-on-Black crime Batson juries federal grants and the clangin’ of Blue Steel gates. Green uniforms that radiate Ice Blue hate. Sapphires and Emeralds for the price of Crimson Blood! While one White Hope diamond brought clarity to Sierra Leon’s abysmal disparity. Cinnamon freckles on a Frosty judge in a Jet Black robe left a ‘Man Child’ in a promise land: BROKEN. Alone, with an Electric White Tamper contemplating the square inches of a DOCCS nuclei forever! 9 10 Survivor’s Remorse Tyreek Williams Crazy ole’ Dave from Backwater Country. Rock n’ back and forth In that rickety chair. On the shabby porch Of his Victorian abode, Surrounded by woods and rustic roads. Timber-wood fills the firewood stove; for winter brings the freezing cold. Crazy ole’ Dave remembers the war; blood-stained livery on charred legionnaire’s flesh. Moonshine drowns these Wounded souls. In cornfields doused in survivor’s guilt, As flowers wilt in shaded eyes. Crazy ole’ Dave from Backwater Country, rock n’ back and forth in that rickety chair. Moonshine drowns these Wounded souls. 11 12 The Belly F. Ashford The recreation center conveniently turned reception hall specifically for the day’s event was carefully decorated to suit the occasion. There were flowers of all sorts, paintings – nice paintings like the one of Jesus sitting at the table with his disciples for the last supper, and an area sectioned off for gifts – mostly stuffed animals. Tears flowed while guests consoled one another and although the mood was somber. This was just as much a reunion as it was a memorial. I saw Gary. What a loser. We acknowledged one another having gone to school together but I had long stopped fantasizing about him years ago. We shared a kiss once. Senior year, Tessa, my sister, had said it was just a phase I thought was incredibly ridiculous considering things then. It sparkled still. The pendant. I first took notice of it my junior year of high school. It was a gift to Tessa from our father Frank for her 15th birthday.
Load more

Recommended publications
  • The Organization Kid
    The Atlantic Monthly | April 2001 THE ORGANIZATION KID The young men and women of America's future elite work their laptops to the bone, rarely question authority, and happily accept their positions at the top of the heap as part of the natural order of life BY DAVID BROOKS few months ago I went to Princeton University to see what the young people who are going to be running our country in a few decades are like. Faculty members gave me the names of a few dozen articulate students, and I sent them e-mails, inviting them out to lunch or dinner in small groups. I would go to sleep in my hotel room at around midnight each night, and when I awoke, my mailbox would be full of replies—sent at 1:15 a.m., 2:59 a.m., 3:23 a.m. In our conversations I would ask the students when they got around to sleeping. One senior told me that she went to bed around two and woke up each morning at seven; she could afford that much rest because she had learned to supplement her full day of work by studying in her sleep. As she was falling asleep she would recite a math problem or a paper topic to herself; she would then sometimes dream about it, and when she woke up, the problem might be solved. I asked several students to describe their daily schedules, and their replies sounded like a session of Future Workaholics of America: crew practice at dawn, classes in the morning, resident-adviser duty, lunch, study groups, classes in the afternoon, tutoring disadvantaged kids in Trenton, a cappella practice, dinner, study, science lab, prayer session, hit the StairMaster, study a few hours more.
    [Show full text]
  • 30 Rock and Philosophy: We Want to Go to There (The Blackwell
    ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere .
    [Show full text]
  • MASARYK UNIVERSITY Portrayal of African Americans in the Media
    MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Portrayal of African Americans in the Media Master‟s Diploma Thesis Brno 2014 Supervisor: Author: Mgr. Zdeněk Janík, M.A., Ph.D. Bc. Lucie Pernicová Declaration I hereby declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ........................................................ Bc. Lucie Pernicová Acknowledgement I would like to thank my supervisor Mgr. Zdeněk Janík, M.A., Ph.D. for the patient guidance and valuable advice he provided me with during the writing of this thesis. Table of Contents 1. Introduction ............................................................................................................... 5 2. Portrayal of African Americans in Films and on Television ..................................... 8 2.1. Stereotypical Images and Their Power .............................................................. 8 2.2. Basic Stereotypical Images of African Americans ............................................ 9 2.3. Stereotypical Film Portrayals of African Americans and the Arrival of the Talking Era .................................................................................................................. 12 2.4. Television Portrayals of African Americans .................................................... 14 2.4.1. The Increasing Importance of African American Viewers ....................... 17 2.4.2. Contemporary Images of African Americans ..........................................
    [Show full text]
  • RAISING CAIN the Role of Serious Mental Illness in Family Homicides
    RAISING CAIN The Role of Serious Mental Illness in Family Homicides E. Fuller Torrey, M.D. Founder and Board Member Treatment Advocacy Center Robert D. (Joe) Bruce Caratunk, Maine H. Richard Lamb, M.D. Emeritus Professor of Psychiatry and Behavioral Sciences Keck School of Medicine of the University of Southern California Board Member, Treatment Advocacy Center Carla Jacobs Board Member, Treatment Advocacy Center Coordinator, California Treatment Advocacy Coalition D.J. Jaffe Director, Mental Illness Policy Org John Snook Executive Director Treatment Advocacy Center June 2016 Online at TACReports.org/raising-cain © 2016 Treatment Advocacy Center TABLE OF CONTENTS Executive Summary 1. Introduction 2. Methods 3. Results 3.1 Parents Killing Children 3.2 Children Killing Parents 3.3 Spouses Killing Spouses 3.4 Siblings Killing Siblings 3.5 Other Family Combinations 4. Family Homicides: Just the Tip of the Iceberg 5. Conclusions 6. Recommendations Acknowledgments and Financial Disclosures Endnotes EXECUTIVE SUMMARY Most individuals with serious mental illness are not dangerous. However, a small num- ber of them, most of whom are not being treated, may become dangerous to them- selves or to others. Some of these individuals may assault or even kill family members. This problem has received insufficient attention. • Although there have been previous studies of particular types of family homi- cides, such as children killed by parents, this is the first study of the role of serious mental illness in all family homicides. • For a sample of the nation’s homicides, local law enforcement agencies volun- tarily submit Supplementary Homicide Reports (SHRs) to the FBI that include the relationship between the person committing the homicide (offender) and the victim.
    [Show full text]
  • NORTHWESTERN UNIVERSITY Quartering the Wind: Early Modern
    NORTHWESTERN UNIVERSITY Quartering the Wind: Early Modern Nature at the Fringe of Politics A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of English By Seth Swanner EVANSTON, ILLINOIS December 2017 2 © Copyright Seth Swanner 2017 All Rights Reserved 3 ABSTRACT “Quartering the Wind” explores the unorthodox, unstable, and seditious political values that undermined early modern English arguments for what is “natural” in human governance. I examine texts that expose a politically intricate natural world that serves no single model of orthodox politics. While ecocritical treatments of political analogies drawn from early modern nature often focus on Elizabethan visions of political and natural unity, this dissertation documents a post-Elizabethan history of political fracture, read with and through the natural world’s volatility. An array of seventeenth-century ruptures in the “natural” order of things— including the Gunpowder Plot, the 1625 plague, and the English Civil War—inspired alternative visions of “nature.” These visions seemed to justify not the “natural” monarchy of conventional Elizabethan analogy but, rather, subversive political categories such as treason, tyranny, and rebellion. By tracing the history of the corrosion of old analogies, I demonstrate how an unruly nature resists convenient human political ascriptions and how no coherent vision of human authority—whether over animals, natural resources, or other humans—is “natural.” 4 TABLE OF
    [Show full text]
  • The Natural Order of Things: Stories
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2009 The Natural Order Of Things: Stories Gene Albamonte University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Albamonte, Gene, "The Natural Order Of Things: Stories" (2009). Electronic Theses and Dissertations, 2004-2019. 4069. https://stars.library.ucf.edu/etd/4069 THE NATURAL ORDER OF THINGS: STORIES by GENE ALBAMONTE M.F.A. University of Central Florida, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2009 © 2009 Gene Albamonte ii ABSTRACT The Natural Order of Things is a collection of unrelated short stories that focuses on the love, despair, happiness and sorrow prevalent in relationships. Another common thread is how the lack of communication between family, friends and lovers can create burdens that, in some cases, are simply too heavy to lift. Some of the stories have a humorous voice while dealing with those burdens. Many others deal with the complexities of those emotions in a more somber tone. These fictional stories are completely unrelated to each other, and yet they all aim to shine a light on life’s conflicts – and on the ramifications of how we deal with those conflicts.
    [Show full text]
  • 501 Writing Prompts
    501 Writing Prompts 501 Writing Prompts ® NEW YORK Copyright © 2003 LearningExpress, LLC. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by LearningExpress, LLC, New York. Library of Congress Cataloging-in-Publication Data: 501 writing prompts.— 1st ed. p. cm.—(LearningExpress skill builder in focus) ISBN 1-57685-438-8 (pbk.) 1. English language—Rhetoric—Examinations—Study guides. 2. Report writing— Examinations—Study guides. I. LearningExpress (Organization) II. Series. PE1408 .A15 2003 808'.042'076—dc21 2002151698 Printed in the United States of America 9 8 7 6 5 4 3 2 1 First Edition ISBN 1-57685-438-8 For more information or to place an order, contact LearningExpress at: 900 Broadway Suite 604 New York, NY 10003 Or visit us at: www.learnatest.com The LearningExpress Skill Builder in Focus Writing Team is com- prised of experts in test preparation, as well as educators and teachers who specialize in language arts and math. LearningExpress Skill Builder in Focus Writing Team Lara Bohlke Barbara Fine Middle School Math Teacher, English Instructor Grade 8 Secondary Reading Specialist Dodd Middle School Setauket, New York Cheshire, Connecticut Sandy Gade Elizabeth Chesla Project Editor English Instructor LearningExpress Coordinator of Technical & New York, New York Professional Communication Program Melinda Grove Polytechnic University, Brooklyn Adjunct Professor, Quinnipiac South Orange, New Jersey University and Naugatuck Valley Community College Brigit Dermott Middle School
    [Show full text]
  • Evolución De La Comedia De Situación
    UNIVERSIDAD DE SEVILLA FACULTAD DE COMUNICACIÓN ESTUDIO DE LA COMEDIA DE SITUACIÓN Y SU EVOLUCIÓN ANÁLISIS DE ROCKEFELLER PLAZA YTHE BIG BANG THEORY TRABAJO DE SAIDA HERRERO MORALES | [email protected] DIRIGIDO POR Dra. INMACULADA GORDILLO ÁLVAREZ Septiembre 2016 MÁSTER EN GUION, NARRATIVA Y CREACIÓN AUDIOVISUAL DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL y PUBLICIDAD En memoria de Garry Shandling, creador y protagonista de The Larry Sanders Show (1949-2016). Y de mi tío Mario. Cincuenta y tres años de anécdotas que van más allá de lo que cualquier sitcom podría recoger. Nuestros momentos contigo han quedado enlatados como aquellas risas de estudio, pudiendo recordarlos una y otra vez. Inolvidables cuál gran éxito de la pequeña pantalla. Descansa en paz. ÍNDICE Resumen ............................................................................................................... 4 Palabras Clave ...................................................................................................... 4 Agradecimientos ................................................................................................... 4 1. INTRODUCCIÓN .................................................................................................. 5 2. PLANTEAMIENTO DE LA INVESTIGACIÓN .................................................. 6 Justificación ........................................................................................................ 6 La ‘sitcom clásica’ frente a la ‘sitcom televisiva’ ...............................................
    [Show full text]
  • The Order of Things: an Archaeology of the Human Sciences
    The Order of Things ‘The Order of Things sold out within a month after it first appeared – or so goes the advertising legend. The work num- bers among those outward signs of culture the trained eye should find on prominent display in every private library. Have you read it? One’s social and intellectual standing depends on the response . Foucault is brilliant (a little too brilliant). His writing sparkles with incisive formulations. He is amusing. Stimulating. Dazzling. His erudition confounds us; his skill compels assent; his art seduces.’ Michel de Certeau ‘Foucault’s most important work.’ Hayden V. White ‘One is left with a sense of real and original force.’ George Steiner ‘The Order of Things studies the ways in which people accept the taxonomies of an epoch without questioning their arbitrari- ness . Even scholars who are in a position to scold Foucault . admit his brilliant ingenuity and scholarly resource.’ Frank Kermode ‘In The Order of Things, Foucault investigates the modern forms of knowledge (or epistemes) that establish for the sciences their unsurpassable horizons of basic concepts.’ Jürgen Habermas Velasquez: Las Meninas, reproduced by courtesy of the Museo del Prado. Michel Foucault The Order of Things An archaeology of the human sciences London and New York Les mots et les choses first published 1966 by Editions Gallimard, Paris English edition first published in the United Kingdom 1970 by Tavistock Publications First published by Routledge 1989 First published in Routledge Classics 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005.
    [Show full text]
  • Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
    Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is
    [Show full text]
  • 38 the Copenhagen Interpretation of Quantum Mechanics
    The Copenhagen Interpretation of Quantum Mechanics: An Introduction and Worldview Assessment Jeremy Royal Howard Jeremy Royal Howard holds a By the science of physics we discern scient intelligence could know the future Ph.D. in Christian Apologetics and something of the powerful logic that exhaustively if it could grasp perfectly in Worldview Studies from the Southern stands behind the world. In tracing the an instant all the forces, components, and Baptist Theological Seminary. He has ominous sweep of faraway giants in the relations that compose the natural realm.1 held numerous church positions, includ- dark of space, in following the mechan- But foretelling the future based on physics ing head pastor, and currently works as ics of nutrient transport in the human was never more than fairy tale. The fact is an independent writer. He is co-author circulatory system, in setting man’s feet humans are not omniscient and everyday of The New Eve: Smart, Bold Femininity on the surface of that lesser of two great mechanical systems can exhibit chaotic in a World of Opportunity (Broadman lights, the moon—in these and countless behavior.2 Thus, mechanical determin- & Holman, forthcoming 2008) and other exercises we are not eyeing cold ism is an ideal that is inapplicable to co-editor of The Men’s Fraternity Bible trivia about our world; we are learning any system. Nevertheless, the inability (Broadman & Holman, 2007). yet again something of He who stands of Newtonian mechanics to eliminate back of it all. chaotic elements is more a result of the Physics does not yield a full-blown investigator’s limited knowledge of relevant theology, but by its light we see evidence factors than genuine irregularity in of a God of order, consistency, and deeply the natural order.3 This is an important powerful intellect.
    [Show full text]
  • 美國影集的字彙涵蓋量 語料庫分析 the Vocabulary Coverage in American
    國立臺灣師範大學英語學系 碩 士 論 文 Master’s Thesis Department of English National Taiwan Normal University 美國影集的字彙涵蓋量 語料庫分析 The Vocabulary Coverage in American Television Programs A Corpus-Based Study 指導教授：陳 浩 然 Advisor: Dr. Hao-Jan Chen 研 究 生：周 揚 亭 Yang-Ting Chou 中 華 民 國一百零三年七月 July, 2014 國 立 英 臺 語 灣 師 學 範 系 大 學 103 碩 士 論 文 美 國 影 集 的 字 彙 涵 蓋 量 語 料 庫 分 析 周 揚 亭 中文摘要 身在英語被視為外國語文的環境中，英語學習者很難擁有豐富的目標語言環 境。電視影集因結合語言閱讀與聽力，對英語學習者來說是一種充滿動機的學習 資源，然而少有研究將電視影集視為道地的語言學習教材。許多研究指出媒體素 材有很大的潛力能激發字彙學習，研究者很好奇學習者要學習多少字彙量才能理 解電視影集的內容。 本研究探討理解道地的美國電視影集需要多少字彙涵蓋量 (vocabulary coverage)。研究主要目的為：(1)探討為理解 95%和 98%的美國影集，分別需要 英國國家語料庫彙編而成的字族表(the BNC word lists)和匯編英國國家語料庫 (BNC)與美國當代英語語料庫(COCA)的字族表多少的字彙量；(2)探討為理解 95%和 98%的美國影集，不同的電視影集類型需要的字彙量；(3)分析出現在美國 影集卻未列在字族表的字彙，並比較兩個字族表(the BNC word lists and the BNC/COCA word lists)的異同。 研究者蒐集六十部美國影集，包含 7,279 集，31,323,019 字，並運用 Range 分析理解美國影集需要分別兩個字族表的字彙量。透過語料庫的分析，本研究進 一步比較兩個字族表在美國影集字彙涵蓋量的異同。 研究結果顯示，加上專有名詞(proper nouns)和邊際詞彙(marginal words)，英 國國家語料庫字族表需 2,000 至 7,000 字族(word family)，以達到 95%的字彙涵 蓋量；至於英國國家語料庫加上美國當代英語語料庫則需 2,000 至 6,000 字族。 i 若須達到 98%的字彙涵蓋量，兩個字族表都需要 5,000 以上的字族。 第二，有研究表示，適當的文本理解需要 95%的字彙涵蓋量 (Laufer, 1989; Rodgers & Webb, 2011; Webb, 2010a, 2010b, 2010c; Webb & Rodgers, 2010a, 2010b)，為達 95%的字彙涵蓋量，本研究指出連續劇情類(serial drama)和連續超 自然劇情類(serial supernatural drama)需要的字彙量最少；程序類(procedurals)和連 續醫學劇情類(serial medical drama)最具有挑戰性，因為所需的字彙量最多；而情 境喜劇(sitcoms)所需的字彙量差異最大。 第三，美國影集內出現卻未列在字族表的字會大致上可分為四種：(1)專有 名詞；(2)邊際詞彙；(3)顯而易見的混合字(compounds)；(4)縮寫。這兩個字族表 基本上包含完整的字彙，但是本研究顯示語言字彙不斷的更新，新的造字像是臉 書(Facebook)並沒有被列在字族表。 本研究也整理出兩個字族表在美國影集字彙涵蓋量的異同。為達 95%字彙涵 蓋量，英國國家語料庫的 4,000 字族加上專有名詞和邊際詞彙的知識才足夠；而 英國國家語料庫合併美國當代英語語料庫加上專有名詞和邊際詞彙的知識只需 3,000 字族即可達到 95%字彙涵蓋量。另外，為達 98%字彙涵蓋量，兩個語料庫 合併的字族表加上專有名詞和邊際詞彙的知識需要 10,000 字族；英國國家語料 庫字族表則無法提供足以理解 98%美國影集的字彙量。 本研究結果顯示，為了能夠適當的理解美國影集內容，3,000 字族加上專有 名詞和邊際詞彙的知識是必要的。字彙涵蓋量為理解美國影集的重要指標之一， ii 而且字彙涵蓋量能協助挑選適合學習者的教材，以達到更有效的電視影集語言教 學。 關鍵字：字彙涵蓋量、語料庫分析、第二語言字彙學習、美國電視影集 iii ABSTRACT In EFL context, learners of English are hardly exposed to ample language input.
    [Show full text]