Off the Wookie.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Off the Wookie.Indd Table of Contents 9 - Charlie Todd and Improve Everywhere 34 – Iceland to Austin By Michael Coyle by Matthias Ingimarsson 10 – Ice Cream Man 37 – Long Beach Bands by Rob Wallace 12 - Animal Masks - by Erin Smith 50 – Wheat-Pasting with Buffmonster 14 – Get People Naked at Shows with 52 - Don’t do it in Arizona Chantal Claret from Morningwood by Branden Eastwood 16 – Fake Interest in Friend’s Band 54 - Prison Wine by Logan Hicks by Niki Randa 59 - Popsicles by Kevo Sassouni 17 – Make a Record Bowl 60 - Stickin’ It To Ticketmaster with Vanessa Herzog by Thomas McMahon 21 – Waterloo is Your Friend by Dina G 61 - Best Buy Must Die 22 – Sam’s BBQ by Julie Ingram 64 - TuneCore by Jeff Price 23 – Amy’s Ice Cream by Dina G 65 - “OFF THE WOOKIE” 24 – Draw a Cowboy Weiner Dog ICE CREAM MAN’S SXSW 25 – Hit and Run by Alex Arciniega SURVIVAL GUIDE 26 – Sean Blacklist 90 - LA Record by Michael Coyle 28 – The Basics of Silk Screenin’ by David Gooch 30 – Start Your Own Vegan Guitar Strap Company – by Dan Perkins 31 – Getting the Concert Shot with Timothy Norris 33 – Why You Should Start a Cover Band by Matt Dupree 39 – Ryan McGinness by Heather Edgar “Go to a university and not just an art school. Learn many things. Most art- ists are idiots.” “Poor or Rich, The Same in Death,” 2003, oil enamel and silkscreen ink on line, 48 x 36 in., Photo by Tom Powel, Courtesy Deitch Projects Cover Image “Ambitious Outsiders,” 2003, oil enamel and silkscreen ink on line, 48 x 36 in., Photo by Tom Powel, Courtesy Deitch Projects 6 Instigator (He thought it would be a good idea) Matt Allen – Ice Cream Man Layout Editor (Made the puzzle into what you’re now holding) Chris Muench – www.cdmdesign.com Cover Layout Brandy Flower - www.brandyflower.com Managing Editor (In charge of looking over all the words) Alex Roman III Second Eyes Editors (Feel free to make up more professional title) Lucinda Michele Knapp Michael Coyle Our Man in Austin (Contact man who put crew together and led the troops) Aaron Zacks Lots of art in here is from Christine Hale – www.love-christine.com Printers Jakprints – www.jakprints.com Thanks to everyone who contributed to bring this beast to life. All of the contributors took it upon themselves to create this. There was no set plan. Only the idea to get a bunch of folks together to create a high quality zine featur- ing people who inspired us, things we like to create, and ideas we were curious about. We hope that these stories will motivate you to get out and create something new. Pass this along too, there’s something for everyone. More thanks, Mary Patton, Morgan Lebus, Julie Underwood, Greg Parkin and Capitol Mastering, Chris Young, Dustin Beatty, Dameon and Monica at Jakprints, The Austin Crew (Aaron, Julie, Dina, Paul, Rob, Doug, Jill, Catherine, Jim, Chris, Jeremy, Matt, Amanda, and Rebecca), Dan Flynn, and everyone I’m forgetting....Ice Cream Man likes you. Our mission is to give away FREE ice cream. To date we’ve gifted over 25,000 frozen treats. Through www.icecreamman.com we document everything we do along with posting the best concert and music festival reviews online. We currently have over 10,000 pictures and hundreds of reviews. We cover shows nationwide, but currently focus on the LA area. We have also reviewed a large chunk of music festivals in the US (Coachella, Sasquatch, Siren, Street Scene, Arthurfest, Download, Xingolati, Vegoose). We’re doing everything we can to try to make giving away ice cream a sustainable business. If you’d like to help, please contact us. © 2006 Ice Cream Man www.icecreamman.com 375 Redondo Ave. #101 Long Beach, CA 90814 Wild In The Streets Improv Everywhere Takes Comedy Out of the Club By Michael Coyle Four-foot ledge suicide jumper photo by Chad Nicholson/ChadNicholsonPhotography.com Like the kid we all knew who put a whopee been arrested,” Todd tells us. “Eight agents cushion on the teacher’s chair, Charlie Todd were summoned to court as a result of our is determined to break the humdrum rou- U2 hoax. A judge threw out the case. More tines of everyday life with harmless pranks. recently eight agents have been sum- Armed with training from New York City’s moned to court for riding the subway with Upright Citizen’s Brigade comedy theater, their pants off. They were part of a larger Todd’s vision is much broader than the old mission that had around 160 participants reliable fake fart, and his boring classroom riding the subway in the middle of January in need of a chuckle is the metropolis without pants on. Their court cases are around him. Todd founded and runs Improv coming up soon. I’m confident the case will Everywhere, a cabal of benevolent rabble be dismissed, as it is in fact not illegal to rousers who have been responsible for wear underwear in public. We mostly break creating a cell phone symphony at a book- rules, not laws.” store, staging a synchronized swimming event in a public fountain, getting hundreds Given that the country is full of people who of people to ride the subway without pants still think having a stick up their ass will on and staging a fake U2 concert on a help them get that pie in the sky, you gotta rooftop across the street from Madison suppose that the Improv Everywhere gang Square Garden, where the real band was draws the ire of those who prefer monoto- performing later. nous order to fun. Todd explains to us that no one gets their panties in too tight a His pranks take fastidious planning and bunch: “No matter what you do, someone the cooperation of trained and volunteer will always get upset. So long as you’re “agents” who carry out the harmless tom- pulling off a prank for the right reasons foolery for the befuddlement and amuse- —making others laugh and keeping life ment of the masses. The reward is a good interesting—you won’t go too wrong.” cerebral guffaw, and sometimes a trip to Learn to laugh again at the local courthouse. “No one has ever www.improveverywhere.com 9 10 Photo by Love, Christine HOW TO MAKE ANIMAL MASKS IN UNDER 15 MINUTES by Erin Smith The history of masks is long and interesting. The Mask of Warka, the first-known realistic sculpture of a human, is 5000-years-old and counting. The wearing of masks is deeply tied to psychological, spiritual, theatrical and cultural functions; people wear masks to hide their true “face”, to disappear into another character, to perform or to scare the shit out of someone. You can look up all the details for yourself at wikipedia.org, but let me share with you the basics of creating your very own anti-social/social piece. These masks will probably only last a night; not so much because they’re shoddy but because you WILL end up giving them away at some point. It’s inevitable and encouraged, unless you have no love in your heart, because the recipient’s face will spark what little genuine emotion you may have left. The masks are great for hiding blemishes, bloodshot eyes, smeared mascara and general facial twitches, the product of one-too-many whisky and cokes. People will stare at you with a mix of adoration, confusion and sometimes disgust. Don’t worry about any of that--you just keep dancin’ like a little panda or a wise-ass owl or even a belligerent badger if you’re so inclined. Now Let’s Get Started You will need: A color printer or markers (this will obviously add a bit more time) 8 x 11 inch paper Cardstock or something relatively firm (cereal boxes are perfect) Some ribbon, twine or whatever you can find to tie the critter around your face Scissors Glue of any caliber 12 Photo by Eyad Karkoutly 1. Google “animal masks”. My favorite site is: http://www.janbrett.com/mitten_masks_ main.htm. Make sure you print the PDF file so the mask is large enough. 2. Print out your selection 3. Slather some glue on the back of the mask sheet and stick it to the cardstock or what- have-you 4. Smooth out any bubbles/creases then cut around the mask 5. The eyes are tricky. I just bend them a little and then cut the crease. Once you have a hole, cut around the eye circle. 6. Make two slits on the sides and thread the ribbon through. 7. Put over your face, walk to the mirror and let out a chuckle. You’re an animal now! Photos by Love, Christine 13 Photos by Jeremiah Garcia Photos by Fred Benenson MORNINGWOOD’S GUIDE TO GETTING PEOPLE NAKED DURING A SHOW By Chantal Claret 1. Having a song that entices people to get naked generally helps. While we have our own “TAKE OFF YOUR CLOTHES” (which you are more than welcome to borrow), other favorites include “Ass & Titties” by DJ Assault, “It’s Business Time” by Flight of the Con- chords and “Hello” by Lionel Richie (I dunno what it is about clay that makes people want to strip). 2. Look for a willing participant, preferably someone of AGE. A good trick to finding peo- ple who are legally “ready to party” is to have them hold up their alcoholic beverages. If they are old enough to drink they are old enough to be inebriated and stupid enough to get naked infront of copious amounts of people.
Recommended publications
  • Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................
    [Show full text]
  • Super Diamond BIO and Press
    SUPER DIAMOND The Neil Diamond Experience "I've met them and I have been to their shows, they're wonderful!" Neil Diamond to Katie Couric on the Today Show, November 9, 2005 "Q. Super Diamond honors him..." "A. Who is Neil Diamond?" Question on Jeopardy, May 20th, 2005 San Francisco's Super Diamond has become one of the most popular live shows at major nightclubs, theaters, ballrooms and public events throughout the United States. For over a decade the band has consistently performed sell-out shows at venues such as Irving Plaza in New York, 930 Club in Washington D.C., Bimbo's in San Francisco, and House of Blues venues in Chicago, Los Angeles, San Diego, Cleveland and Dallas to name but a few. At these venues Super Diamond has generated an exuberant audience response previously unheard of for a tribute band. Many would say that Super Diamond has transcended the label of "tribute band" by passionately immersing themselves in Neil Diamond's huge repertoire and delivering a high-octane show of unforgettable classics such as Cracklin’ Rosie, Sweet Caroline, Forever in Blue Jeans and many others. Super Diamond has also performed at landmark venues and events such as Hollywood Bowl, Taste of Chicago, Fenway Park in Boston, Coors Field in Denver and numerous fairs, festivals and corporate celebrations across the country and overseas. Super Diamond front man The Surreal Neil, Randy Cordeiro, astonishes audiences with his live interpretation of the "real Neil." Randy created the charismatic character when he discovered he had the uncanny ability to capture not only Neil Diamond's voice, but also his mannerisms and performance style.
    [Show full text]
  • 148338 Poster Schedule of Shows 2021 PROOF 2
    Lauderdale West 20212021 SCHEDULESCHEDULE OFOF SHOWSSHOWS Tickets are $10 for residents; $17 for guests Checks preferred • Will accept cash • No credit cards OCTOBER 9, 2021 • 8:00 PM • MAJESTY OF ROCK Majesty of Rock faithfully re-creates the exact sounds and nuances of the super group, Journey. They pay special homage to Journey’s best years ( 1977-1988) when Steve Perry fronted the band. Lead singer, John D’Agostino aces Steve Perry’s golden voice, capturing his power, range and tone. Tickets: September13-17 Reserved seat pickup ONLY NOVEMBER 13, 2021 • 8:00 PM • THE DIAMONDS When you’re looking for musical entertainment, the Diamonds are the perfect choice This highly entertaining show features many of the most well-known, solid gold hits from the late 50’s, early 60’s and beyond. Showcasing both The Diamonds’ vocal and instrumental talents, the performance includes the group’s biggest hits - Silhouttes, The Stroll and Little Darlin’ - along with tributes to many of the era’s all-time great solo artists and vocal groups. Don’t miss the great Show!! Tickets: October 18-22 Reserved seat pickup ONLY DECEMBER 4, 2021 • 8:00 PM • DANCING DREAM (Abba Tribute Band) This tribute act will take you back to the days when Swedish disco group ABBA ruled the music world with their great pop hits and memorable performances. Their music is still so popular and and alive and reasonates with audiences of all ages! Come experience the glitter and glamour of the 70’s! This band takes pride in being able to honor the fantastic performers of the original Swedish music group, ABBA! Tickets: November 15-19 Reserved seat pickup ONLY ONLY RESERVED SEATS are on sale the first week of tickets sales.
    [Show full text]
  • Brevard Live Live April 2020 - 1 2 - Brevard Live April 2020 Brevard Live Live April 2020 - 3 4 - Brevard Live April 2020 Dear Brevard Live Readers
    Brevard Live Live April 2020 - 1 2 - Brevard Live April 2020 Brevard Live Live April 2020 - 3 4 - Brevard Live April 2020 Dear Brevard Live Readers The magazine was produced and ready to go to print when everything changed. Clubs and restaurants closed per executive order by Governeur Ron DeSantis within a few days. The magazine received a lot of cancelations. Restaurants whose ads were done and were willing to bat- tle the storm with less customers completely shut down. We followed their requests not to advertise their closed venues. What was left were 32 pages of articles and few advertisement. The King Center postponed a lot of the concerts in their ad. Please check their website. Victory Casino announced to be sailing again on April 1st, that ended up being an unintentional April fools joke. You will find updates on their Facebook page. All other advertise- ment should be correct. In these uncertain times, please call or visit websites to get the latest updates. We do not know when we can produce another print magazine as we need the support of our advertisers. But we will be back as soon as the pandemic is over and business has picked up. Visit our website www.BrevardLive.com for updates and read our digital issue.Stay well, stay healthy. Contents April 2020 FEATURES THE BALLAD OF MATT & JANET THE DAY THE MUSIC DIED Matt Bretz has written about love before. Columns By March 20th the donwtown areas were That was when he met his partner Janet. Charles Van Riper ghost-towns.
    [Show full text]
  • Gender, Ethnicity, and Identity in Virtual
    Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Winnovative HTML to PDF Converter for .NET
    Gary James' Interview With Bernie Bollendorf Of The Rolling Stones Tribute The Glimmer Twins Ads by Google The Rolling Stones Keith Richards New Songs and Lyrics The Band Music The Glimmer Twins. Now there's a name that sounds familiar. It was given to Rolling Stones members Mick Jagger and Keith Richards. It also happens to be the name of the Rolling Stones Tribute Act, The Glimmer Twins. Bernie Bollendorf, who portrays Keith Richards in The Glimmer Twins, talked to us about his group. Q - Bernie, one thing I've noticed is that most Stones tribute acts include a Mick Taylor guitarist, not a Brian Jones guitarist. Only The Chesterfield Kings had a Brian Jones guy. Now, why is that? A - Mick Taylor was the most versatile guitar player they had. That's when they hit their stride, with Mick Taylor. He brought a different element to the band. This fabulous Blues lead guitar player that they had never had before. Brian Jones was a multi-talented instrumentalist, but Mick Taylor, like Ron Woods, was like a breath of fresh air. Mick Taylor, fabulous player, but looked like a microphone stand onstage. Ron Wood comes in, not as versatile, but a great player and he's jumpin' all over the stage, jumpin' on Jagger's back. A whole new life. Mick never really interacted with Keith onstage. Keith had his back to the crowd. He was tryin' to stand up the whole show. (laughs). Q - Are you one of those guys that tries to learn everything you can about Keith Richards? When his autobiography came out, did you run to the store to buy it? A - My girlfriend bought it for me.
    [Show full text]
  • An Intersystemic View of Intellectual Property and Free Speech
    An Intersystemic View of Intellectual Property and Free Speech Mark Bartholomew* John Tehranian** ABSTRACT Intellectual property regimes operate in the shadow of the First Amend- ment. By deeming a particular activity as infringing, the law of copyright, trademark, and the right of publicity all limit communication. As a result, judges and lawmakers must delicately balance intellectual property rights with expressive freedoms. Yet each of these intellectual property regimes strikes the balance between ownership rights and free speech in a dramatically different way. This Article represents the first systematic effort to detail, analyze, and explain the divergent evolution of expression-based defenses in copyright, trademark, and right of publicity jurisprudence. The first Part of this Article carefully details the disparate treatment of First Amendment defenses in the three intellectual property regimes. On one side of the spectrum is copyright law. Many factors have rendered copyright law a feeble protector of free expression. On the other side of the spectrum is the recent right of publicity jurisprudence, which routinely invokes the First Amendment and features robust defenses. Somewhere in the middle stands trademark law, offering its own judge-made defenses but simultaneously clos- ing off those defenses for defendants engaging in commercial activity or activ- ity that is potentially confusing to consumers. The next Part attempts to explain why these three regimes accommodate the First Amendment in such different ways. The Article concludes that the divergence is not the result of careful deliberation, but rather the inadvertent product of different methods and histories of lawmaking. Because this diver- gence does not represent a logical or deliberate choice, reforms are needed.
    [Show full text]
  • Christmas New Year Festive Programme 2021
    CHRISTMAS NEW YEAR FESTIVE PROGRAMME 2021 ENJOY A LUXURIOUS CHRISTMAS TO TREASURE FOREVER Christmas Showtime Christmas Showtime Menu at Van Dyk by Wildes Starters Cream of Parsnip Soup (VG on request) Festive Showtime Events from only £32 per person spiced parsnip crisps Join us for a sumptuous meal and an evening with some of the best entertainment in the country. Let your hair down and enjoy a night of laughter, dancing and sing-alongs. Make our Festive Showtime events Main Course Carvery the start of your celebrations. Enjoy a perfect night out with friends, Roast Topside of Derbyshire Beef or Roast Norfolk Turkey family or colleagues and get your festive celebrations under way! accompanied with pork, marjoram & chestnut stuffing, homemade Yorkshire pudding, herb roasted potatoes, broccoli & cauliflower morney, sautéed sprouts & pancetta, Why not make it an extra special night by retiring to a luxury suite, honey glazed parsnips & carrots book accommodation at Van Dyk by Wildes for a luxurious overnight stay with us. Vegetarian Mushroom, Parsnip & Walnut Strudel (VG) shallot purée, seasonal greens herb roasted potatoes Desserts Traditional Christmas Pudding (VG on request) Call our reservations team on with brandy sauce 01246 387 386 or email: [email protected] Chocolate Orange Cheese Cake candid orange VG - Vegan Acts & Shows Dates for 2021 Prices Disco Party Night Thursday 25th November £32.00 Chesney Hawkes (Official - not a tribute) Friday 26th November £40.00 Christmas Showtime Disco Party Night Saturday 27th November £35.00 at Van Dyk by Wildes Disco Party Night Thursday 2nd December £32.00 Disco Party Night Friday 3rd December £35.00 Disco Party Night Saturday 4th December £35.00 Soul Town Collective Saturday 4th December £38.00 Rod Stewart by Rock Stewart Tuesday 7th December £32.00 Back 2 80’s Wednesday 8th December £32.00 What’s On Radio 80’s Thursday 9th December £39.00 Our exciting 2021 line-up of festive Acts & Shows from the UK’s Disco Party Night Thursday 9th December £32.00 leading tribute acts and shows.
    [Show full text]
  • Reshaping American Music: the Quotation of Shape-Note Hymns by Twentieth-Century Composers
    RESHAPING AMERICAN MUSIC: THE QUOTATION OF SHAPE-NOTE HYMNS BY TWENTIETH-CENTURY COMPOSERS by Joanna Ruth Smolko B.A. Music, Covenant College, 2000 M.M. Music Theory & Composition, University of Georgia, 2002 Submitted to the Graduate Faculty of The Faculty of Arts and Science in partial fulfillment of the requirements for the degree of Ph.D. in Historical Musicology University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Joanna Ruth Smolko It was defended on March 27, 2009 and approved by James P. Cassaro, Adjunct Assistant Professor, Department of Music Mary S. Lewis, Professor, Department of Music Alan Shockley, Assistant Professor, Cole Conservatory of Music Philip E. Smith, Associate Professor, Department of English Dissertation Advisor: Deane L. Root, Professor, Department of Music ii Copyright © by Joanna Ruth Smolko 2009 iii RESHAPING AMERICAN MUSIC: THE QUOTATION OF SHAPE-NOTE HYMNS BY TWENTIETH-CENTURY COMPOSERS Joanna Ruth Smolko, PhD University of Pittsburgh, 2009 Throughout the twentieth century, American composers have quoted nineteenth-century shape- note hymns in their concert works, including instrumental and vocal works and film scores. When referenced in other works the hymns become lenses into the shifting web of American musical and national identity. This study reveals these complex interactions using cultural and musical analyses of six compositions from the 1930s to the present as case studies. The works presented are Virgil Thomson’s film score to The River (1937), Aaron Copland’s arrangement of “Zion’s Walls” (1952), Samuel Jones’s symphonic poem Let Us Now Praise Famous Men (1974), Alice Parker’s opera Singers Glen (1978), William Duckworth’s choral work Southern Harmony and Musical Companion (1980-81), and the score compiled by T Bone Burnett for the film Cold Mountain (2003).
    [Show full text]
  • Ottawa, Ontario Bienvenue and Welcome to Ottawa, the National Capital of Canada, and the 36Th Annual Conference of the Society for American Music
    Society for American Music Thirty-Sixth Annual Conference Hosted by Carleton University Westin Ottawa 17–21 March 2010 Ottawa, Ontario Bienvenue and welcome to Ottawa, the national capital of Canada, and the 36th Annual Conference of the Society for American Music. Merci d’avoir rejoint la famille SAM cette année. As you peruse this program booklet, you will discover an abundance of intellectual and musical nourishment on offer over the next four days. Our institutional host, Carleton University, and the hard working committees of Jim Deaville and Michael Pisani have created a tremendous event that clearly fulfi lls the Society’s mission “to stimulate the study . of American musics in all eras and in all their diversity.” Merci pour votre présence et votre travail infatigable, Jim et Michael! If this is your fi rst SAM conference, I hope it lives up to your expectations. If you are a veteran, I wish for you a lively and joyful reunion with old friends. Warmest greetings to all as we meet and share with each other in the coming days! R. Murray Schafer Tom Riis President 2010 Honorary Member _______________________________ BOARD OF TRUSTEES Offi cers Thomas Riis (University of Colorado, Boulder), president R. Murray Schafer, Canada’s pre-eminent composer, is justifi ably known John Graziano (CUNY), past president throughout the world. In an era of specialization, Schafer has shown himself to Denise Von Glahn (Florida State University), vice president be a true renaissance man. Schafer has won national and international acclaim not Carol Hess (Michigan State University), secretary only for his achievements as a composer but also as an educator, environmentalist, E.
    [Show full text]
  • Macalester Winter 2021 Winter Today
    MACALESTER WINTER 2021 TODAY Wise Words for Turbulent Times Alumni share perspectives on how to move forward. MACALESTER TODAY WINTER 2021 10 12 24 FEATURES LEFT TO RIGHT: SMEETA MAHANTI; MACALESTER COLLEGE ARCHIVES; COURTESY OF JASON BEAL ’22; NICOLE MONDESTIN; GO SUGA BEAL ’22; NICOLE MONDESTIN; OF JASON COURTESY COLLEGE ARCHIVES; MAHANTI; MACALESTER SMEETA RIGHT: TO LEFT Breaking New Ground Demoya Gordon Makes the with Biostatistics 10 Case for Justice 30 Suzanne Dufault ’15 applies a biosta- The 2006 alum fought against Prada’s tistics lens to pressing public health racist iconography—and won. problems, including dengue fever. An American in Paris 32 “You’ve Got a Chance to Make Josh Timberlake ’96 found This Country Whole” 12 a career that applied both of Mahmoud El-Kati shaped generations his majors and took him on an of students. He’s no longer teaching, international adventure. but his work continues. Lecture Notes: Wise Words for Rumors in History 34 ON THE COVER: Turbulent Times 18 Professor Karin Vélez examines We asked Macalester alumni who have lived Alumni share perspectives how fiction can overshadow reality, through personal and on how to move forward. even when we have all the facts. societal upheaval to share the lessons that have 24 helped them weather Democracy in Action turbulent storms. In last fall’s election season, a new class immersed students in the ILLUSTRATION: KOTRYNA ZUKAUSKAITE democratic process. STAFF EDITOR Rebecca DeJarlais Ortiz ’06 [email protected] ART DIRECTION The ESC Plan / theESCplan.com CLASS NOTES EDITOR Robert Kerr ’92 PHOTOGRAPHER David J. Turner CONTRIBUTING WRITER Julie Hessler ’85 ASSISTANT VICE PRESIDENT FOR MARKETING AND COMMUNICATIONS Julie Hurbanis 30 34 CHAIR, BOARD OF TRUSTEES Jerry Crawford ’71 PRESIDENT DEPARTMENTS Dr.
    [Show full text]